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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 152 90 it is the complementary color RGB 60 103 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 152 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 152 90 shade: RGB 200 152 85, RGB 217 170 104, RGB 234 188 123, RGB 251 206 142 and RGB 255 224 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 152 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 178 134 71, RGB 161 116 52, RGB 144 98 33 and RGB 127 80 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 195 123 90, RGB 195 95 90 and RGB 195 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 195 180 90, RGB 181 195 90, RGB 153 195 90 and RGB 124 195 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 152 90 shade matches the following richer shades: RGB 195 152 90, RGB 213 155 71, RGB 231 158 53 and RGB 249 162 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 177 149 108, RGB 159 145 126, RGB 141 142 144 and RGB 122 139 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 152 90 shade: RGB 195 95 90, RGB 195 123 90, RGB 195 151 90, RGB 195 179 90 and RGB 183 195 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 152 90 shade: RGB 149 110 53, RGB 179 132 64, RGB 195 152 90, RGB 206 171 120 and RGB 217 190 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 112 195 90 and RGB 109 90 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 90 195 151 and RGB 151 90 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 112 195 90, RGB 90 134 195 and RGB 172 90 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 152 90 shade: RGB 195 152 90, RGB 90 195 98, RGB 90 134 195 and RGB 195 90 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

Complementary color

CMYK 64 / 38 / 0 / 35

HEX #3C67A5

RGB 60 103 165

HSL 215.43, 0.47%, 0.44%

LAB 43.33, 5.19, -37.86

 

CMYK 0 / 24 / 58 / 22

HEX #C89855

RGB 200 152 85

HSL 34.96, 0.51%, 0.56%

LAB 66.05, 10.38, 41.76

 

CMYK 0 / 22 / 52 / 15

HEX #D9AA68

RGB 217 170 104

HSL 35.04, 0.6%, 0.63%

LAB 72.56, 9.37, 40.37

 

CMYK 0 / 20 / 47 / 8

HEX #EABC7B

RGB 234 188 123

HSL 35.14, 0.73%, 0.7%

LAB 78.98, 8.51, 39.03

 

CMYK 0 / 18 / 43 / 2

HEX #FBCE8E

RGB 251 206 142

HSL 35.23, 0.93%, 0.77%

LAB 85.3, 7.75, 37.75

 

CMYK 0 / 12 / 37 / 0

HEX #FFE0A1

RGB 255 224 161

HSL 40.21, 1%, 0.82%

LAB 90.39, 2.09, 34.79

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 25 / 60 / 30

HEX #B28647

RGB 178 134 71

HSL 35.33, 0.43%, 0.49%

LAB 58.95, 9.74, 39.93

 

CMYK 0 / 28 / 68 / 37

HEX #A17434

RGB 161 116 52

HSL 35.23, 0.51%, 0.42%

LAB 52.19, 11.02, 41.32

 

CMYK 0 / 32 / 77 / 44

HEX #906221

RGB 144 98 33

HSL 35.14, 0.63%, 0.35%

LAB 45.32, 12.58, 42.51

 

CMYK 0 / 37 / 89 / 50

HEX #7F500E

RGB 127 80 14

HSL 35.04, 0.8%, 0.28%

LAB 38.34, 14.49, 42.9

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 37 / 54 / 24

HEX #C37B5A

RGB 195 123 90

HSL 18.86, 0.47%, 0.56%

LAB 58.51, 24.59, 29.66

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 8 / 54 / 24

HEX #C3B45A

RGB 195 180 90

HSL 51.43, 0.47%, 0.56%

LAB 72.88, -6.32, 47.24

 

CMYK 7 / 0 / 54 / 24

HEX #B5C35A

RGB 181 195 90

HSL 68, 0.47%, 0.56%

LAB 75.82, -19.78, 50.37

 

CMYK 22 / 0 / 54 / 24

HEX #99C35A

RGB 153 195 90

HSL 84, 0.47%, 0.56%

LAB 73.9, -30.82, 47.64

 

CMYK 36 / 0 / 54 / 24

HEX #7CC35A

RGB 124 195 90

HSL 100.57, 0.47%, 0.56%

LAB 72.26, -41.26, 45.31

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 27 / 67 / 16

HEX #D59B47

RGB 213 155 71

HSL 35.49, 0.63%, 0.56%

LAB 68.05, 13.33, 51.26

 

CMYK 0 / 32 / 77 / 9

HEX #E79E35

RGB 231 158 53

HSL 35.39, 0.79%, 0.56%

LAB 70.66, 18.51, 62.29

 

CMYK 0 / 35 / 86 / 2

HEX #F9A223

RGB 249 162 35

HSL 35.61, 0.95%, 0.56%

LAB 73.61, 23.44, 71.68

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 16 / 39 / 31

HEX #B1956C

RGB 177 149 108

HSL 35.65, 0.31%, 0.56%

LAB 63.28, 4.6, 25.55

 

CMYK 0 / 9 / 21 / 38

HEX #9F917E

RGB 159 145 126

HSL 34.55, 0.15%, 0.56%

LAB 60.89, 2, 11.97

 

CMYK 2 / 1 / 0 / 44

HEX #8D8E90

RGB 141 142 144

HSL 220, 0.01%, 0.56%

LAB 58.99, 0.03, -1.2

 

CMYK 25 / 14 / 0 / 36

HEX #7A8BA2

RGB 122 139 162

HSL 214.5, 0.18%, 0.56%

LAB 57.28, -0.8, -14.21

 

CMYK 0 / 51 / 54 / 24

HEX #C35F5A

RGB 195 95 90

HSL 2.86, 0.47%, 0.56%

LAB 52.43, 39.5, 21.73

 

CMYK 0 / 37 / 54 / 24

HEX #C37B5A

RGB 195 123 90

HSL 18.86, 0.47%, 0.56%

LAB 58.51, 24.59, 29.66

 

CMYK 0 / 23 / 54 / 24

HEX #C3975A

RGB 195 151 90

HSL 34.86, 0.47%, 0.56%

LAB 65.34, 9.21, 38.2

 

CMYK 0 / 8 / 54 / 24

HEX #C3B35A

RGB 195 179 90

HSL 50.86, 0.47%, 0.56%

LAB 72.61, -5.8, 46.93

 

CMYK 6 / 0 / 54 / 24

HEX #B7C35A

RGB 183 195 90

HSL 66.86, 0.47%, 0.56%

LAB 75.97, -18.97, 50.58

 

CMYK 0 / 26 / 64 / 42

HEX #956E35

RGB 149 110 53

HSL 35.63, 0.48%, 0.4%

LAB 49.25, 9.1, 37.15

 

CMYK 0 / 26 / 64 / 30

HEX #B38440

RGB 179 132 64

HSL 35.48, 0.47%, 0.48%

LAB 58.47, 10.79, 42.94

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 0 / 17 / 42 / 19

HEX #CEAB78

RGB 206 171 120

HSL 35.58, 0.47%, 0.64%

LAB 71.96, 5.89, 31.02

 

CMYK 0 / 12 / 31 / 15

HEX #D9BE96

RGB 217 190 150

HSL 35.82, 0.47%, 0.72%

LAB 78.33, 3.72, 23.75

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 43 / 0 / 54 / 24

HEX #70C35A

RGB 112 195 90

HSL 107.43, 0.47%, 0.56%

LAB 71.7, -45.15, 44.5

 

CMYK 44 / 54 / 0 / 24

HEX #6D5AC3

RGB 109 90 195

HSL 250.86, 0.47%, 0.56%

LAB 44.95, 33.76, -52.63

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 54 / 0 / 23 / 24

HEX #5AC397

RGB 90 195 151

HSL 154.86, 0.47%, 0.56%

LAB 71.85, -40.84, 13.02

 

CMYK 23 / 54 / 0 / 24

HEX #975AC3

RGB 151 90 195

HSL 274.86, 0.47%, 0.56%

LAB 49.29, 44.26, -45.43

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 43 / 0 / 54 / 24

HEX #70C35A

RGB 112 195 90

HSL 107.43, 0.47%, 0.56%

LAB 71.7, -45.15, 44.5

 

CMYK 54 / 31 / 0 / 24

HEX #5A86C3

RGB 90 134 195

HSL 214.86, 0.47%, 0.56%

LAB 55.24, 2.65, -36.37

 

CMYK 12 / 54 / 0 / 24

HEX #AC5AC3

RGB 172 90 195

HSL 286.86, 0.47%, 0.56%

LAB 51.86, 49.87, -41.19

 

CMYK 0 / 22 / 54 / 24

HEX #C3985A

RGB 195 152 90

HSL 35.43, 0.47%, 0.56%

LAB 65.59, 8.67, 38.51

 

CMYK 54 / 0 / 50 / 24

HEX #5AC362

RGB 90 195 98

HSL 124.57, 0.47%, 0.56%

LAB 70.93, -50.39, 39.48

 

CMYK 54 / 31 / 0 / 24

HEX #5A86C3

RGB 90 134 195

HSL 214.86, 0.47%, 0.56%

LAB 55.24, 2.65, -36.37

 

CMYK 0 / 54 / 5 / 24

HEX #C35ABA

RGB 195 90 186

HSL 305.14, 0.47%, 0.56%

LAB 54.51, 54.54, -31.63

 

Description

Color code: RGB 195 152 90 | qconv.com Color code: RGB 195 152 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 152 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 152 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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