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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 152 28 it is the complementary color RGB 60 103 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 152 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 152 28 shade: RGB 200 152 23, RGB 217 170 42, RGB 234 188 61, RGB 251 206 80 and RGB 255 224 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 152 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 152 28 shade: RGB 195 152 28, RGB 178 134 9, RGB 161 116 0, RGB 144 98 0 and RGB 127 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 152 28 shade: RGB 196 153 28, RGB 196 107 28, RGB 196 62 28 and RGB 196 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 152 28 shade: RGB 196 153 28, RGB 194 196 28, RGB 148 196 28, RGB 103 196 28 and RGB 58 196 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 152 28 shade matches the following richer shades: RGB 196 153 28 and RGB 214 161 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 152 28 shade: RGB 196 153 28, RGB 178 144 46, RGB 160 135 64, RGB 141 126 82 and RGB 123 117 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 152 28 shade: RGB 196 61 28, RGB 196 106 28, RGB 196 151 28, RGB 196 196 28 and RGB 151 196 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 152 28 shade: RGB 124 96 17, RGB 160 124 22, RGB 196 153 28, RGB 224 177 41 and RGB 229 190 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 152 28 shade: RGB 195 152 28, RGB 39 196 28 and RGB 84 28 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 152 28 shade: RGB 195 152 28, RGB 28 196 151 and RGB 151 28 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 152 28 shade: RGB 195 152 28, RGB 39 196 28, RGB 28 72 196 and RGB 185 28 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 152 28 shade: RGB 195 152 28, RGB 28 196 67, RGB 28 72 196 and RGB 196 28 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

Complementary color

CMYK 74 / 55 / 0 / 11

HEX #3C67E3

RGB 60 103 227

HSL 224.55, 0.75%, 0.56%

LAB 47.25, 27.63, -67.36

 

CMYK 0 / 24 / 89 / 22

HEX #C89817

RGB 200 152 23

HSL 43.73, 0.79%, 0.44%

LAB 65.59, 7.39, 65.98

 

CMYK 0 / 22 / 81 / 15

HEX #D9AA2A

RGB 217 170 42

HSL 43.89, 0.7%, 0.51%

LAB 72.01, 5.71, 66.83

 

CMYK 0 / 20 / 74 / 8

HEX #EABC3D

RGB 234 188 61

HSL 44.05, 0.8%, 0.58%

LAB 78.34, 4.27, 66.72

 

CMYK 0 / 18 / 68 / 2

HEX #FBCE50

RGB 251 206 80

HSL 44.21, 0.96%, 0.65%

LAB 84.6, 3.02, 66.09

 

CMYK 0 / 12 / 61 / 0

HEX #FFE063

RGB 255 224 99

HSL 48.08, 1%, 0.69%

LAB 89.61, -3.38, 63.55

 

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

CMYK 0 / 25 / 95 / 30

HEX #B28609

RGB 178 134 9

HSL 44.38, 0.9%, 0.37%

LAB 58.54, 7.12, 62.25

 

CMYK 0 / 28 / 100 / 37

HEX #A17400

RGB 161 116 0

HSL 43.23, 1%, 0.32%

LAB 51.91, 9.27, 58.27

RGB 161 116 0

CMYK 0 / 32 / 100 / 44

HEX #906200

RGB 144 98 0

HSL 40.83, 1%, 0.28%

LAB 45.17, 11.65, 52.75

RGB 144 98 0

CMYK 0 / 37 / 100 / 50

HEX #7F5000

RGB 127 80 0

HSL 37.8, 1%, 0.25%

LAB 38.29, 14.17, 47.13

RGB 127 80 0

CMYK 0 / 22 / 86 / 23

HEX #C4991C

RGB 196 153 28

HSL 44.64, 0.75%, 0.44%

LAB 65.44, 5.18, 64.45

 

CMYK 0 / 45 / 86 / 23

HEX #C46B1C

RGB 196 107 28

HSL 28.21, 0.75%, 0.44%

LAB 54.38, 30.25, 55.3

 

CMYK 0 / 68 / 86 / 23

HEX #C43E1C

RGB 196 62 28

HSL 12.14, 0.75%, 0.44%

LAB 45.99, 51.84, 48.26

 

CMYK 0 / 86 / 86 / 23

HEX #C41C1C

RGB 196 28 28

HSL 0, 0.75%, 0.44%

LAB 42.23, 62.33, 45.05

 

CMYK 0 / 22 / 86 / 23

HEX #C4991C

RGB 196 153 28

HSL 44.64, 0.75%, 0.44%

LAB 65.44, 5.18, 64.45

 

CMYK 1 / 0 / 86 / 23

HEX #C2C41C

RGB 194 196 28

HSL 60.71, 0.75%, 0.44%

LAB 76.7, -18.13, 73.6

 

CMYK 24 / 0 / 86 / 23

HEX #94C41C

RGB 148 196 28

HSL 77.14, 0.75%, 0.44%

LAB 73.45, -37.16, 69.58

 

CMYK 47 / 0 / 86 / 23

HEX #67C41C

RGB 103 196 28

HSL 93.21, 0.75%, 0.44%

LAB 71.18, -53.11, 66.73

 

CMYK 70 / 0 / 86 / 23

HEX #3AC41C

RGB 58 196 28

HSL 109.29, 0.75%, 0.44%

LAB 69.8, -64.25, 64.99

 

CMYK 0 / 22 / 86 / 23

HEX #C4991C

RGB 196 153 28

HSL 44.64, 0.75%, 0.44%

LAB 65.44, 5.18, 64.45

 

CMYK 0 / 25 / 96 / 16

HEX #D6A109

RGB 214 161 9

HSL 44.49, 0.92%, 0.44%

LAB 69.33, 8.52, 71.85

 

CMYK 0 / 22 / 86 / 23

HEX #C4991C

RGB 196 153 28

HSL 44.64, 0.75%, 0.44%

LAB 65.44, 5.18, 64.45

 

CMYK 0 / 19 / 74 / 30

HEX #B2902E

RGB 178 144 46

HSL 44.55, 0.59%, 0.44%

LAB 61.32, 2.68, 54.03

 

CMYK 0 / 16 / 60 / 37

HEX #A08740

RGB 160 135 64

HSL 44.38, 0.43%, 0.44%

LAB 57.24, 0.71, 41.01

 

CMYK 0 / 11 / 42 / 45

HEX #8D7E52

RGB 141 126 82

HSL 44.75, 0.26%, 0.44%

LAB 53.16, -0.87, 26.04

 

CMYK 0 / 5 / 19 / 52

HEX #7B7564

RGB 123 117 100

HSL 44.35, 0.1%, 0.44%

LAB 49.32, -0.77, 10.21

 

CMYK 0 / 69 / 86 / 23

HEX #C43D1C

RGB 196 61 28

HSL 11.79, 0.75%, 0.44%

LAB 45.85, 52.24, 48.13

 

CMYK 0 / 46 / 86 / 23

HEX #C46A1C

RGB 196 106 28

HSL 27.86, 0.75%, 0.44%

LAB 54.16, 30.78, 55.11

 

CMYK 0 / 23 / 86 / 23

HEX #C4971C

RGB 196 151 28

HSL 43.93, 0.75%, 0.44%

LAB 64.93, 6.26, 64.02

 

CMYK 0 / 0 / 86 / 23

HEX #C4C41C

RGB 196 196 28

HSL 60, 0.75%, 0.44%

LAB 76.86, -17.27, 73.8

 

CMYK 23 / 0 / 86 / 23

HEX #97C41C

RGB 151 196 28

HSL 76.07, 0.75%, 0.44%

LAB 73.64, -35.98, 69.81

 

CMYK 0 / 23 / 86 / 51

HEX #7C6011

RGB 124 96 17

HSL 44.3, 0.76%, 0.28%

LAB 42.29, 3.65, 45.09

 

CMYK 0 / 23 / 86 / 37

HEX #A07C16

RGB 160 124 22

HSL 44.35, 0.76%, 0.36%

LAB 53.97, 4.7, 55.03

 

CMYK 0 / 22 / 86 / 23

HEX #C4991C

RGB 196 153 28

HSL 44.64, 0.75%, 0.44%

LAB 65.44, 5.18, 64.45

 

CMYK 0 / 21 / 82 / 12

HEX #E0B129

RGB 224 177 41

HSL 44.59, 0.75%, 0.52%

LAB 74.48, 5.01, 69.57

 

CMYK 0 / 17 / 66 / 10

HEX #E5BE4D

RGB 229 190 77

HSL 44.61, 0.75%, 0.6%

LAB 78.47, 1.9, 60.28

 

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

CMYK 80 / 0 / 86 / 23

HEX #27C41C

RGB 39 196 28

HSL 116.07, 0.75%, 0.44%

LAB 69.47, -67.15, 64.57

 

CMYK 57 / 86 / 0 / 23

HEX #541CC4

RGB 84 28 196

HSL 260, 0.75%, 0.44%

LAB 31.12, 61.19, -75.87

 

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

CMYK 86 / 0 / 23 / 23

HEX #1CC497

RGB 28 196 151

HSL 163.93, 0.75%, 0.44%

LAB 70.84, -50.57, 11.41

 

CMYK 23 / 86 / 0 / 23

HEX #971CC4

RGB 151 28 196

HSL 283.93, 0.75%, 0.44%

LAB 40.24, 69.81, -60.57

 

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

CMYK 80 / 0 / 86 / 23

HEX #27C41C

RGB 39 196 28

HSL 116.07, 0.75%, 0.44%

LAB 69.47, -67.15, 64.57

 

CMYK 86 / 63 / 0 / 23

HEX #1C48C4

RGB 28 72 196

HSL 224.29, 0.75%, 0.44%

LAB 35.73, 33.06, -68.4

 

CMYK 6 / 86 / 0 / 23

HEX #B91CC4

RGB 185 28 196

HSL 296.07, 0.75%, 0.44%

LAB 45.81, 75.46, -51.29

 

CMYK 0 / 22 / 86 / 24

HEX #C3981C

RGB 195 152 28

HSL 44.55, 0.75%, 0.44%

LAB 65.08, 5.28, 64.1

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 86 / 63 / 0 / 23

HEX #1C48C4

RGB 28 72 196

HSL 224.29, 0.75%, 0.44%

LAB 35.73, 33.06, -68.4

 

CMYK 0 / 86 / 20 / 23

HEX #C41C9D

RGB 196 28 157

HSL 313.93, 0.75%, 0.44%

LAB 45.64, 71.96, -28.42

 

Description

Color code: RGB 195 152 28 | qconv.com Color code: RGB 195 152 28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 152 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 152 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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