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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 131 136 it is the complementary color RGB 60 124 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 131 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 131 136 shade: RGB 200 131 131, RGB 217 149 150, RGB 234 167 169, RGB 251 185 188 and RGB 255 203 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 131 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 178 113 117, RGB 161 95 98, RGB 144 77 79 and RGB 127 59 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 131 136 shade: RGB 195 131 136 and RGB 195 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 195 131 153, RGB 195 131 170, RGB 195 131 188 and RGB 185 131 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 131 136 shade matches the following richer shades: RGB 195 131 136, RGB 210 116 123, RGB 225 101 111, RGB 239 86 98 and RGB 254 71 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 180 145 148, RGB 165 160 161, RGB 150 175 173 and RGB 135 190 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 131 136 shade: RGB 195 131 170, RGB 195 131 153, RGB 195 131 136, RGB 195 142 131 and RGB 195 159 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 131 136 shade: RGB 164 79 85, RGB 181 103 109, RGB 195 131 136, RGB 208 158 162 and RGB 222 186 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 187 195 131 and RGB 131 162 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 136 195 131 and RGB 131 136 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 187 195 131, RGB 131 195 189 and RGB 138 131 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 131 136 shade: RGB 195 131 136, RGB 168 195 131, RGB 131 195 189 and RGB 157 131 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

Complementary color

CMYK 52 / 0 / 4 / 51

HEX #3C7C77

RGB 60 124 119

HSL 175.31, 0.35%, 0.36%

LAB 47.89, -21.79, -3.58

 

CMYK 0 / 35 / 35 / 22

HEX #C88383

RGB 200 131 131

HSL 0, 0.39%, 0.65%

LAB 61.78, 26.6, 11

 

CMYK 0 / 31 / 31 / 15

HEX #D99596

RGB 217 149 150

HSL 359.12, 0.47%, 0.72%

LAB 68.35, 25.74, 9.86

 

CMYK 0 / 29 / 28 / 8

HEX #EAA7A9

RGB 234 167 169

HSL 358.21, 0.61%, 0.79%

LAB 74.82, 24.96, 8.83

 

CMYK 0 / 26 / 25 / 2

HEX #FBB9BC

RGB 251 185 188

HSL 357.27, 0.89%, 0.85%

LAB 81.2, 24.26, 7.88

 

CMYK 0 / 20 / 19 / 0

HEX #FFCBCF

RGB 255 203 207

HSL 355.38, 1%, 0.9%

LAB 86.24, 18.97, 5.03

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 37 / 34 / 30

HEX #B27175

RGB 178 113 117

HSL 356.31, 0.3%, 0.57%

LAB 54.62, 26.23, 8.56

 

CMYK 0 / 41 / 39 / 37

HEX #A15F62

RGB 161 95 98

HSL 357.27, 0.26%, 0.5%

LAB 47.81, 27.21, 9.89

 

CMYK 0 / 47 / 45 / 44

HEX #904D4F

RGB 144 77 79

HSL 358.21, 0.3%, 0.43%

LAB 40.9, 28.31, 11.45

 

CMYK 0 / 54 / 53 / 50

HEX #7F3B3C

RGB 127 59 60

HSL 359.12, 0.37%, 0.36%

LAB 33.91, 29.49, 13.37

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 33 / 33 / 24

HEX #C38383

RGB 195 131 131

HSL 0, 0.35%, 0.64%

LAB 61.2, 24.67, 10.09

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 33 / 22 / 24

HEX #C38399

RGB 195 131 153

HSL 339.38, 0.35%, 0.64%

LAB 61.77, 27.79, -1.65

 

CMYK 0 / 33 / 13 / 24

HEX #C383AA

RGB 195 131 170

HSL 323.44, 0.35%, 0.64%

LAB 62.28, 30.51, -10.58

 

CMYK 0 / 33 / 4 / 24

HEX #C383BC

RGB 195 131 188

HSL 306.56, 0.35%, 0.64%

LAB 62.9, 33.67, -19.85

 

CMYK 5 / 33 / 0 / 24

HEX #B983C3

RGB 185 131 195

HSL 290.63, 0.35%, 0.64%

LAB 62.07, 31.74, -25.17

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 45 / 41 / 18

HEX #D2747B

RGB 210 116 123

HSL 355.53, 0.51%, 0.64%

LAB 59.55, 37.46, 12.62

 

CMYK 0 / 55 / 51 / 12

HEX #E1656F

RGB 225 101 111

HSL 355.16, 0.67%, 0.64%

LAB 58.47, 49.18, 18.41

 

CMYK 0 / 64 / 59 / 6

HEX #EF5662

RGB 239 86 98

HSL 355.29, 0.83%, 0.64%

LAB 57.93, 59.52, 25.61

 

CMYK 0 / 72 / 67 / 0

HEX #FE4755

RGB 254 71 85

HSL 355.41, 0.99%, 0.64%

LAB 58.26, 68.94, 34.05

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 19 / 18 / 29

HEX #B49194

RGB 180 145 148

HSL 354.86, 0.19%, 0.64%

LAB 63.42, 13.63, 3.4

 

CMYK 0 / 3 / 2 / 35

HEX #A5A0A1

RGB 165 160 161

HSL 348, 0.03%, 0.64%

LAB 66.3, 1.99, 0.11

 

CMYK 14 / 0 / 1 / 31

HEX #96AFAD

RGB 150 175 173

HSL 175.2, 0.14%, 0.64%

LAB 69.58, -8.98, -1.88

 

CMYK 29 / 0 / 2 / 25

HEX #87BEBA

RGB 135 190 186

HSL 175.64, 0.3%, 0.64%

LAB 73.23, -18.67, -3.75

 

CMYK 0 / 33 / 13 / 24

HEX #C383AA

RGB 195 131 170

HSL 323.44, 0.35%, 0.64%

LAB 62.28, 30.51, -10.58

 

CMYK 0 / 33 / 22 / 24

HEX #C38399

RGB 195 131 153

HSL 339.38, 0.35%, 0.64%

LAB 61.77, 27.79, -1.65

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 27 / 33 / 24

HEX #C38E83

RGB 195 142 131

HSL 10.31, 0.35%, 0.64%

LAB 63.82, 18.61, 13.79

 

CMYK 0 / 18 / 33 / 24

HEX #C39F83

RGB 195 159 131

HSL 26.25, 0.35%, 0.64%

LAB 68.05, 9.27, 19.63

 

CMYK 0 / 52 / 48 / 36

HEX #A44F55

RGB 164 79 85

HSL 355.76, 0.35%, 0.48%

LAB 44.43, 35.64, 13.12

 

CMYK 0 / 43 / 40 / 29

HEX #B5676D

RGB 181 103 109

HSL 355.38, 0.35%, 0.56%

LAB 52.54, 31.89, 10.39

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 0 / 24 / 22 / 18

HEX #D09EA2

RGB 208 158 162

HSL 355.2, 0.35%, 0.72%

LAB 69.8, 19.16, 5.14

 

CMYK 0 / 16 / 15 / 13

HEX #DEBABD

RGB 222 186 189

HSL 355, 0.35%, 0.8%

LAB 78.65, 13.35, 3.3

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 4 / 0 / 33 / 24

HEX #BBC383

RGB 187 195 131

HSL 67.5, 0.35%, 0.64%

LAB 76.82, -12.99, 31.3

 

CMYK 33 / 17 / 0 / 24

HEX #83A2C3

RGB 131 162 195

HSL 210.94, 0.35%, 0.64%

LAB 65.44, -2.73, -20.41

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 30 / 0 / 33 / 24

HEX #88C383

RGB 136 195 131

HSL 115.31, 0.35%, 0.64%

LAB 73.48, -31.58, 26.27

 

CMYK 33 / 30 / 0 / 24

HEX #8388C3

RGB 131 136 195

HSL 235.31, 0.35%, 0.64%

LAB 58.39, 12.1, -31.26

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 4 / 0 / 33 / 24

HEX #BBC383

RGB 187 195 131

HSL 67.5, 0.35%, 0.64%

LAB 76.82, -12.99, 31.3

 

CMYK 33 / 0 / 3 / 24

HEX #83C3BD

RGB 131 195 189

HSL 174.38, 0.35%, 0.64%

LAB 74.53, -21.67, -3.5

 

CMYK 29 / 33 / 0 / 24

HEX #8A83C3

RGB 138 131 195

HSL 246.56, 0.35%, 0.64%

LAB 57.63, 17.08, -32.39

 

CMYK 0 / 33 / 30 / 24

HEX #C38388

RGB 195 131 136

HSL 355.31, 0.35%, 0.64%

LAB 61.32, 25.34, 7.41

 

CMYK 14 / 0 / 33 / 24

HEX #A8C383

RGB 168 195 131

HSL 85.31, 0.35%, 0.64%

LAB 75.45, -20.23, 29.23

 

CMYK 33 / 0 / 3 / 24

HEX #83C3BD

RGB 131 195 189

HSL 174.38, 0.35%, 0.64%

LAB 74.53, -21.67, -3.5

 

CMYK 19 / 33 / 0 / 24

HEX #9D83C3

RGB 157 131 195

HSL 264.38, 0.35%, 0.64%

LAB 59.29, 22.85, -29.69

 

Description

Color code: RGB 195 131 136 | qconv.com Color code: RGB 195 131 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 131 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 131 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 30 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 30% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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