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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 139 207 it is the complementary color RGB 60 116 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 139 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 139 207 shade: RGB 200 139 202, RGB 217 157 221, RGB 234 175 240, RGB 251 193 255 and RGB 255 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 139 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 139 207 shade: RGB 195 139 207, RGB 178 121 188, RGB 161 103 169, RGB 144 85 150 and RGB 127 67 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 139 207 shade: RGB 195 139 206, RGB 206 139 200, RGB 206 139 182, RGB 206 139 164 and RGB 206 139 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 139 207 shade: RGB 195 139 206, RGB 177 139 206, RGB 158 139 206, RGB 140 139 206 and RGB 139 139 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 139 207 shade matches the following richer shades: RGB 195 139 206, RGB 203 126 220, RGB 212 113 233 and RGB 220 100 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 139 207 shade: RGB 195 139 206, RGB 186 153 193, RGB 177 166 180, RGB 169 179 167 and RGB 160 192 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 139 207 shade: RGB 158 139 206, RGB 176 139 206, RGB 194 139 206, RGB 206 139 201 and RGB 206 139 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 139 207 shade: RGB 164 81 182, RGB 179 110 194, RGB 195 139 206, RGB 210 169 219 and RGB 225 198 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 139 207 shade: RGB 195 139 207, RGB 206 141 139 and RGB 139 206 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 139 207 shade: RGB 195 139 207, RGB 206 194 139 and RGB 139 206 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 139 207 shade: RGB 195 139 207, RGB 206 141 139, RGB 152 206 139 and RGB 139 205 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 139 207 shade: RGB 195 139 207, RGB 206 161 139, RGB 152 206 139 and RGB 139 185 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

Complementary color

CMYK 48 / 0 / 59 / 55

HEX #3C7430

RGB 60 116 48

HSL 109.41, 0.41%, 0.32%

LAB 43.75, -32.7, 31.5

 

CMYK 1 / 31 / 0 / 21

HEX #C88BCA

RGB 200 139 202

HSL 298.1, 0.37%, 0.67%

LAB 65.76, 33.55, -23.31

 

CMYK 2 / 29 / 0 / 13

HEX #D99DDD

RGB 217 157 221

HSL 296.25, 0.48%, 0.74%

LAB 72.29, 32.86, -23.69

 

CMYK 3 / 27 / 0 / 6

HEX #EAAFF0

RGB 234 175 240

HSL 294.46, 0.68%, 0.81%

LAB 78.72, 32.22, -24.05

 

CMYK 2 / 24 / 0 / 0

HEX #FBC1FF

RGB 251 193 255

HSL 296.13, 1%, 0.88%

LAB 84.93, 30.87, -22.48

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

CMYK 5 / 36 / 0 / 26

HEX #B279BC

RGB 178 121 188

HSL 291.04, 0.33%, 0.61%

LAB 58.76, 33.64, -26.36

 

CMYK 5 / 39 / 0 / 34

HEX #A167A9

RGB 161 103 169

HSL 292.73, 0.28%, 0.53%

LAB 52, 34.41, -26.02

 

CMYK 4 / 43 / 0 / 41

HEX #905596

RGB 144 85 150

HSL 294.46, 0.28%, 0.46%

LAB 45.12, 35.2, -25.64

 

CMYK 3 / 49 / 0 / 49

HEX #7F4383

RGB 127 67 131

HSL 296.25, 0.32%, 0.39%

LAB 38.14, 35.99, -25.17

 

CMYK 5 / 33 / 0 / 19

HEX #C38BCE

RGB 195 139 206

HSL 290.15, 0.41%, 0.68%

LAB 65.38, 32.72, -26.17

 

CMYK 0 / 33 / 3 / 19

HEX #CE8BC8

RGB 206 139 200

HSL 305.37, 0.41%, 0.68%

LAB 66.33, 35.13, -21.25

 

CMYK 0 / 33 / 12 / 19

HEX #CE8BB6

RGB 206 139 182

HSL 321.49, 0.41%, 0.68%

LAB 65.72, 31.98, -12.09

 

CMYK 0 / 33 / 20 / 19

HEX #CE8BA4

RGB 206 139 164

HSL 337.61, 0.41%, 0.68%

LAB 65.17, 29.09, -2.75

 

CMYK 0 / 33 / 29 / 19

HEX #CE8B92

RGB 206 139 146

HSL 353.73, 0.41%, 0.68%

LAB 64.69, 26.48, 6.73

 

CMYK 5 / 33 / 0 / 19

HEX #C38BCE

RGB 195 139 206

HSL 290.15, 0.41%, 0.68%

LAB 65.38, 32.72, -26.17

 

CMYK 14 / 33 / 0 / 19

HEX #B18BCE

RGB 177 139 206

HSL 274.03, 0.41%, 0.68%

LAB 63.56, 27.02, -29.12

 

CMYK 23 / 33 / 0 / 19

HEX #9E8BCE

RGB 158 139 206

HSL 257.01, 0.41%, 0.68%

LAB 61.82, 21.15, -31.96

 

CMYK 32 / 33 / 0 / 19

HEX #8C8BCE

RGB 140 139 206

HSL 240.9, 0.41%, 0.68%

LAB 60.34, 15.84, -34.38

 

CMYK 33 / 33 / 0 / 19

HEX #8B8BCE

RGB 139 139 206

HSL 240, 0.41%, 0.68%

LAB 60.26, 15.55, -34.51

 

CMYK 5 / 33 / 0 / 19

HEX #C38BCE

RGB 195 139 206

HSL 290.15, 0.41%, 0.68%

LAB 65.38, 32.72, -26.17

 

CMYK 8 / 43 / 0 / 14

HEX #CB7EDC

RGB 203 126 220

HSL 289.15, 0.57%, 0.68%

LAB 63.99, 44.95, -36.06

 

CMYK 9 / 52 / 0 / 9

HEX #D471E9

RGB 212 113 233

HSL 289.5, 0.73%, 0.68%

LAB 63.09, 56.63, -44.63

 

CMYK 11 / 59 / 0 / 4

HEX #DC64F6

RGB 220 100 246

HSL 289.32, 0.89%, 0.68%

LAB 62.49, 67.18, -52.71

 

CMYK 5 / 33 / 0 / 19

HEX #C38BCE

RGB 195 139 206

HSL 290.15, 0.41%, 0.68%

LAB 65.38, 32.72, -26.17

 

CMYK 4 / 21 / 0 / 24

HEX #BA99C1

RGB 186 153 193

HSL 289.5, 0.24%, 0.68%

LAB 67.33, 19.42, -16.02

 

CMYK 2 / 8 / 0 / 29

HEX #B1A6B4

RGB 177 166 180

HSL 287.14, 0.09%, 0.68%

LAB 69.41, 6.57, -5.77

 

CMYK 6 / 0 / 7 / 30

HEX #A9B3A7

RGB 169 179 167

HSL 110, 0.07%, 0.68%

LAB 71.87, -5.76, 4.91

 

CMYK 17 / 0 / 20 / 25

HEX #A0C09A

RGB 160 192 154

HSL 110.53, 0.23%, 0.68%

LAB 74.51, -18.02, 15.64

 

CMYK 23 / 33 / 0 / 19

HEX #9E8BCE

RGB 158 139 206

HSL 257.01, 0.41%, 0.68%

LAB 61.82, 21.15, -31.96

 

CMYK 15 / 33 / 0 / 19

HEX #B08BCE

RGB 176 139 206

HSL 273.13, 0.41%, 0.68%

LAB 63.47, 26.7, -29.27

 

CMYK 6 / 33 / 0 / 19

HEX #C28BCE

RGB 194 139 206

HSL 289.25, 0.41%, 0.68%

LAB 65.27, 32.4, -26.34

 

CMYK 0 / 33 / 2 / 19

HEX #CE8BC9

RGB 206 139 201

HSL 304.48, 0.41%, 0.68%

LAB 66.37, 35.31, -21.76

 

CMYK 0 / 33 / 11 / 19

HEX #CE8BB7

RGB 206 139 183

HSL 320.6, 0.41%, 0.68%

LAB 65.75, 32.15, -12.6

 

CMYK 10 / 55 / 0 / 29

HEX #A451B6

RGB 164 81 182

HSL 289.31, 0.41%, 0.52%

LAB 48.45, 49.62, -39.12

 

CMYK 8 / 43 / 0 / 24

HEX #B36EC2

RGB 179 110 194

HSL 289.29, 0.41%, 0.6%

LAB 56.71, 41.18, -32.95

 

CMYK 5 / 33 / 0 / 19

HEX #C38BCE

RGB 195 139 206

HSL 290.15, 0.41%, 0.68%

LAB 65.38, 32.72, -26.17

 

CMYK 4 / 23 / 0 / 14

HEX #D2A9DB

RGB 210 169 219

HSL 289.2, 0.41%, 0.76%

LAB 74.31, 23.69, -19.58

 

CMYK 3 / 14 / 0 / 9

HEX #E1C6E7

RGB 225 198 231

HSL 289.09, 0.41%, 0.84%

LAB 83, 15.29, -12.84

 

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

CMYK 0 / 32 / 33 / 19

HEX #CE8D8B

RGB 206 141 139

HSL 1.79, 0.41%, 0.68%

LAB 64.99, 24.46, 11.1

 

CMYK 33 / 0 / 19 / 19

HEX #8BCEA7

RGB 139 206 167

HSL 145.07, 0.41%, 0.68%

LAB 77.53, -29.42, 12.75

 

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

CMYK 0 / 6 / 33 / 19

HEX #CEC28B

RGB 206 194 139

HSL 49.25, 0.41%, 0.68%

LAB 78.21, -4.06, 29.24

 

CMYK 33 / 0 / 6 / 19

HEX #8BCEC2

RGB 139 206 194

HSL 169.25, 0.41%, 0.68%

LAB 78.18, -23.76, -0.79

 

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

CMYK 0 / 32 / 33 / 19

HEX #CE8D8B

RGB 206 141 139

HSL 1.79, 0.41%, 0.68%

LAB 64.99, 24.46, 11.1

 

CMYK 26 / 0 / 33 / 19

HEX #98CE8B

RGB 152 206 139

HSL 108.36, 0.41%, 0.68%

LAB 77.69, -30.13, 27.86

 

CMYK 33 / 0 / 0 / 19

HEX #8BCDCE

RGB 139 205 206

HSL 180.9, 0.41%, 0.68%

LAB 78.23, -20.5, -7.17

 

CMYK 6 / 33 / 0 / 19

HEX #C38BCF

RGB 195 139 207

HSL 289.41, 0.41%, 0.68%

LAB 65.41, 32.92, -26.67

 

CMYK 0 / 22 / 33 / 19

HEX #CEA18B

RGB 206 161 139

HSL 19.7, 0.41%, 0.68%

LAB 69.81, 13.56, 17.83

 

CMYK 26 / 0 / 33 / 19

HEX #98CE8B

RGB 152 206 139

HSL 108.36, 0.41%, 0.68%

LAB 77.69, -30.13, 27.86

 

CMYK 33 / 10 / 0 / 19

HEX #8BB9CE

RGB 139 185 206

HSL 198.81, 0.41%, 0.68%

LAB 72.66, -10.16, -15.5

 

Description

Color code: RGB 195 139 207 | qconv.com Color code: RGB 195 139 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 139 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 139 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 33 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 33% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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