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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 138 38 it is the complementary color RGB 60 117 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 138 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 138 38 shade: RGB 200 138 33, RGB 217 156 52, RGB 234 174 71, RGB 251 192 90 and RGB 255 210 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 138 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 178 120 19, RGB 161 102 0, RGB 144 84 0 and RGB 127 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 195 96 38, RGB 195 54 38 and RGB 195 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 195 181 38, RGB 168 195 38, RGB 125 195 38 and RGB 83 195 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 138 38 shade matches the following richer shades: RGB 195 138 38, RGB 214 144 19 and RGB 233 149 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 176 133 57, RGB 157 128 76, RGB 138 123 95 and RGB 119 118 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 138 38 shade: RGB 195 54 38, RGB 195 96 38, RGB 195 138 38, RGB 195 180 38 and RGB 169 195 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 138 38 shade: RGB 126 90 25, RGB 161 114 31, RGB 195 138 38, RGB 216 159 59 and RGB 223 176 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 64 195 38 and RGB 75 38 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 38 195 138 and RGB 138 38 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 64 195 38, RGB 38 96 195 and RGB 169 38 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 138 38 shade: RGB 195 138 38, RGB 38 195 59, RGB 38 96 195 and RGB 195 38 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

Complementary color

CMYK 72 / 46 / 0 / 15

HEX #3C75D9

RGB 60 117 217

HSL 218.22, 0.67%, 0.54%

LAB 50.33, 15.17, -56.73

 

CMYK 0 / 31 / 84 / 22

HEX #C88A21

RGB 200 138 33

HSL 37.72, 0.72%, 0.46%

LAB 62.14, 15.26, 60.39

 

CMYK 0 / 28 / 76 / 15

HEX #D99C34

RGB 217 156 52

HSL 37.82, 0.68%, 0.53%

LAB 68.59, 13.56, 60.15

 

CMYK 0 / 26 / 70 / 8

HEX #EAAE47

RGB 234 174 71

HSL 37.91, 0.8%, 0.6%

LAB 74.96, 12.1, 59.31

RGB 234 174 71

CMYK 0 / 24 / 64 / 2

HEX #FBC05A

RGB 251 192 90

HSL 38.01, 0.95%, 0.67%

LAB 81.26, 10.82, 58.21

RGB 251 192 90

CMYK 0 / 18 / 57 / 0

HEX #FFD26D

RGB 255 210 109

HSL 41.51, 1%, 0.71%

LAB 86.23, 4.43, 55.21

RGB 255 210 109

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 33 / 89 / 30

HEX #B27813

RGB 178 120 19

HSL 38.11, 0.81%, 0.39%

LAB 55.02, 15.08, 57.56

 

CMYK 0 / 37 / 100 / 37

HEX #A16600

RGB 161 102 0

HSL 38.01, 1%, 0.32%

LAB 48.36, 17.22, 55.91

 

CMYK 0 / 42 / 100 / 44

HEX #905400

RGB 144 84 0

HSL 35, 1%, 0.28%

LAB 41.64, 19.76, 50.45

 

CMYK 0 / 48 / 100 / 50

HEX #7F4200

RGB 127 66 0

HSL 31.18, 1%, 0.25%

LAB 34.82, 22.38, 44.93

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 51 / 81 / 24

HEX #C36026

RGB 195 96 38

HSL 22.17, 0.67%, 0.46%

LAB 51.96, 35.91, 49.12

 

CMYK 0 / 72 / 81 / 24

HEX #C33626

RGB 195 54 38

HSL 6.11, 0.67%, 0.46%

LAB 44.77, 54.84, 42.2

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 7 / 81 / 24

HEX #C3B526

RGB 195 181 38

HSL 54.65, 0.67%, 0.46%

LAB 72.75, -9.81, 67.87

 

CMYK 14 / 0 / 81 / 24

HEX #A8C326

RGB 168 195 38

HSL 70.32, 0.67%, 0.46%

LAB 74.51, -28.3, 68.59

 

CMYK 36 / 0 / 81 / 24

HEX #7DC326

RGB 125 195 38

HSL 86.75, 0.67%, 0.46%

LAB 71.91, -44.97, 65.29

 

CMYK 57 / 0 / 81 / 24

HEX #53C326

RGB 83 195 38

HSL 102.8, 0.67%, 0.46%

LAB 70.18, -57.96, 63.07

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 33 / 91 / 16

HEX #D69013

RGB 214 144 19

HSL 38.46, 0.84%, 0.46%

LAB 65.19, 17.8, 67.23

 

CMYK 0 / 36 / 100 / 9

HEX #E99500

RGB 233 149 0

HSL 38.37, 1%, 0.46%

LAB 68.62, 23.08, 73.54

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 24 / 68 / 31

HEX #B08539

RGB 176 133 57

HSL 38.32, 0.51%, 0.46%

LAB 58.32, 8.46, 46.07

 

CMYK 0 / 18 / 52 / 38

HEX #9D804C

RGB 157 128 76

HSL 38.52, 0.35%, 0.46%

LAB 55.2, 4.34, 32.25

 

CMYK 0 / 11 / 31 / 46

HEX #8A7B5F

RGB 138 123 95

HSL 39.07, 0.18%, 0.46%

LAB 52.28, 1.23, 17.44

 

CMYK 0 / 1 / 4 / 53

HEX #777672

RGB 119 118 114

HSL 48, 0.02%, 0.46%

LAB 49.61, -0.41, 2.33

 

CMYK 0 / 72 / 81 / 24

HEX #C33626

RGB 195 54 38

HSL 6.11, 0.67%, 0.46%

LAB 44.77, 54.84, 42.2

 

CMYK 0 / 51 / 81 / 24

HEX #C36026

RGB 195 96 38

HSL 22.17, 0.67%, 0.46%

LAB 51.96, 35.91, 49.12

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 8 / 81 / 24

HEX #C3B426

RGB 195 180 38

HSL 54.27, 0.67%, 0.46%

LAB 72.48, -9.29, 67.64

 

CMYK 13 / 0 / 81 / 24

HEX #A9C326

RGB 169 195 38

HSL 69.94, 0.67%, 0.46%

LAB 74.58, -27.89, 68.68

 

CMYK 0 / 29 / 80 / 51

HEX #7E5A19

RGB 126 90 25

HSL 38.61, 0.67%, 0.3%

LAB 40.93, 8.46, 40.96

 

CMYK 0 / 29 / 81 / 37

HEX #A1721F

RGB 161 114 31

HSL 38.31, 0.68%, 0.38%

LAB 51.51, 11.11, 49.93

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 0 / 26 / 73 / 15

HEX #D89F3B

RGB 216 159 59

HSL 38.22, 0.67%, 0.54%

LAB 69.26, 11.83, 57.94

 

CMYK 0 / 21 / 58 / 13

HEX #DFB05D

RGB 223 176 93

HSL 38.31, 0.67%, 0.62%

LAB 74.53, 7.78, 48.38

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 67 / 0 / 81 / 24

HEX #40C326

RGB 64 195 38

HSL 110.06, 0.67%, 0.46%

LAB 69.65, -62.3, 62.38

 

CMYK 62 / 81 / 0 / 24

HEX #4B26C3

RGB 75 38 195

HSL 254.14, 0.67%, 0.46%

LAB 31.4, 56.22, -74.85

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 81 / 0 / 29 / 24

HEX #26C38A

RGB 38 195 138

HSL 158.22, 0.67%, 0.46%

LAB 70.37, -52.34, 17.77

 

CMYK 29 / 81 / 0 / 24

HEX #8A26C3

RGB 138 38 195

HSL 278.22, 0.67%, 0.46%

LAB 39.12, 64.8, -61.89

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 67 / 0 / 81 / 24

HEX #40C326

RGB 64 195 38

HSL 110.06, 0.67%, 0.46%

LAB 69.65, -62.3, 62.38

 

CMYK 81 / 51 / 0 / 24

HEX #2660C3

RGB 38 96 195

HSL 217.83, 0.67%, 0.46%

LAB 42.34, 17.75, -57.05

 

CMYK 13 / 81 / 0 / 24

HEX #A926C3

RGB 169 38 195

HSL 290.06, 0.67%, 0.46%

LAB 43.89, 70.16, -53.94

 

CMYK 0 / 29 / 81 / 24

HEX #C38A26

RGB 195 138 38

HSL 38.22, 0.67%, 0.46%

LAB 61.58, 13.22, 57.98

 

CMYK 81 / 0 / 70 / 24

HEX #26C33B

RGB 38 195 59

HSL 128.03, 0.67%, 0.46%

LAB 69.3, -64.89, 54.77

 

CMYK 81 / 51 / 0 / 24

HEX #2660C3

RGB 38 96 195

HSL 217.83, 0.67%, 0.46%

LAB 42.34, 17.75, -57.05

 

CMYK 0 / 81 / 11 / 24

HEX #C326AE

RGB 195 38 174

HSL 308.03, 0.67%, 0.46%

LAB 47.03, 71.88, -36.35

 

Description

Color code: RGB 195 138 38 | qconv.com Color code: RGB 195 138 38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 138 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 138 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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