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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 121 173 it is the complementary color RGB 60 134 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 121 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 121 173 shade: RGB 200 121 168, RGB 217 139 187, RGB 234 157 206, RGB 251 175 225 and RGB 255 193 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 121 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 121 173 shade: RGB 195 121 173, RGB 178 103 154, RGB 161 85 135, RGB 144 67 116 and RGB 127 49 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 121 173 shade: RGB 194 121 173, RGB 194 121 153, RGB 194 121 133 and RGB 194 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 121 173 shade: RGB 194 121 173, RGB 194 121 192, RGB 177 121 194, RGB 157 121 194 and RGB 137 121 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 121 173 shade matches the following richer shades: RGB 194 121 173, RGB 210 105 179, RGB 226 89 185 and RGB 241 74 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 121 173 shade: RGB 194 121 173, RGB 179 136 166, RGB 163 152 160, RGB 147 168 153 and RGB 132 183 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 121 173 shade: RGB 176 121 194, RGB 194 121 193, RGB 194 121 174, RGB 194 121 154 and RGB 194 121 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 121 173 shade: RGB 161 72 134, RGB 182 92 155, RGB 194 121 173, RGB 207 149 190 and RGB 220 178 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 121 173 shade: RGB 195 121 173, RGB 194 156 121 and RGB 121 194 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 121 173 shade: RGB 195 121 173, RGB 174 194 121 and RGB 121 174 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 121 173 shade: RGB 195 121 173, RGB 194 156 121, RGB 121 194 142 and RGB 121 159 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 121 173 shade: RGB 195 121 173, RGB 194 178 121, RGB 121 194 142 and RGB 121 137 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

Complementary color

CMYK 55 / 0 / 39 / 47

HEX #3C8652

RGB 60 134 82

HSL 137.84, 0.38%, 0.38%

LAB 50.24, -35.3, 21.2

 

CMYK 0 / 40 / 16 / 22

HEX #C879A8

RGB 200 121 168

HSL 324.3, 0.42%, 0.63%

LAB 60.59, 37.33, -11.92

 

CMYK 0 / 36 / 14 / 15

HEX #D98BBB

RGB 217 139 187

HSL 323.08, 0.51%, 0.7%

LAB 67.13, 36.55, -12.65

 

CMYK 0 / 33 / 12 / 8

HEX #EA9DCE

RGB 234 157 206

HSL 321.82, 0.65%, 0.77%

LAB 73.59, 35.82, -13.31

 

CMYK 0 / 30 / 10 / 2

HEX #FBAFE1

RGB 251 175 225

HSL 320.53, 0.9%, 0.84%

LAB 79.96, 35.12, -13.92

 

CMYK 0 / 24 / 4 / 0

HEX #FFC1F4

RGB 255 193 244

HSL 310.65, 1%, 0.88%

LAB 84.96, 30.2, -16.55

 

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

CMYK 0 / 42 / 13 / 30

HEX #B2679A

RGB 178 103 154

HSL 319.2, 0.33%, 0.55%

LAB 53.49, 37.24, -14.79

 

CMYK 0 / 47 / 16 / 37

HEX #A15587

RGB 161 85 135

HSL 320.53, 0.31%, 0.48%

LAB 46.74, 38.04, -13.96

 

CMYK 0 / 53 / 19 / 44

HEX #904374

RGB 144 67 116

HSL 321.82, 0.36%, 0.41%

LAB 39.92, 38.78, -12.95

 

CMYK 0 / 61 / 24 / 50

HEX #7F3161

RGB 127 49 97

HSL 323.08, 0.44%, 0.35%

LAB 33.07, 39.36, -11.64

 

CMYK 0 / 38 / 11 / 24

HEX #C279AD

RGB 194 121 173

HSL 317.26, 0.37%, 0.62%

LAB 60.03, 36.12, -15.69

 

CMYK 0 / 38 / 21 / 24

HEX #C27999

RGB 194 121 153

HSL 333.7, 0.37%, 0.62%

LAB 59.38, 32.89, -5.18

 

CMYK 0 / 38 / 31 / 24

HEX #C27985

RGB 194 121 133

HSL 350.14, 0.37%, 0.62%

LAB 58.82, 30.04, 5.54

 

CMYK 0 / 38 / 38 / 24

HEX #C27979

RGB 194 121 121

HSL 0, 0.37%, 0.62%

LAB 58.53, 28.51, 12.05

 

CMYK 0 / 38 / 11 / 24

HEX #C279AD

RGB 194 121 173

HSL 317.26, 0.37%, 0.62%

LAB 60.03, 36.12, -15.69

 

CMYK 0 / 38 / 1 / 24

HEX #C279C0

RGB 194 121 192

HSL 301.64, 0.37%, 0.62%

LAB 60.74, 39.51, -25.44

 

CMYK 9 / 38 / 0 / 24

HEX #B179C2

RGB 177 121 194

HSL 286.03, 0.37%, 0.62%

LAB 58.9, 34.54, -29.57

 

CMYK 19 / 38 / 0 / 24

HEX #9D79C2

RGB 157 121 194

HSL 269.59, 0.37%, 0.62%

LAB 56.82, 28.36, -32.96

 

CMYK 29 / 38 / 0 / 24

HEX #8979C2

RGB 137 121 194

HSL 253.15, 0.37%, 0.62%

LAB 54.96, 22.39, -36.01

 

CMYK 0 / 38 / 11 / 24

HEX #C279AD

RGB 194 121 173

HSL 317.26, 0.37%, 0.62%

LAB 60.03, 36.12, -15.69

 

CMYK 0 / 50 / 15 / 18

HEX #D269B3

RGB 210 105 179

HSL 317.71, 0.54%, 0.62%

LAB 59.03, 50.56, -20.46

 

CMYK 0 / 61 / 18 / 11

HEX #E259B9

RGB 226 89 185

HSL 317.96, 0.7%, 0.62%

LAB 58.8, 63.46, -24.05

 

CMYK 0 / 69 / 20 / 5

HEX #F14AC0

RGB 241 74 192

HSL 317.6, 0.86%, 0.62%

LAB 59.35, 74.06, -27.04

 

CMYK 0 / 38 / 11 / 24

HEX #C279AD

RGB 194 121 173

HSL 317.26, 0.37%, 0.62%

LAB 60.03, 36.12, -15.69

 

CMYK 0 / 24 / 7 / 30

HEX #B388A6

RGB 179 136 166

HSL 318.14, 0.22%, 0.62%

LAB 61.61, 21.39, -9.49

 

CMYK 0 / 7 / 2 / 36

HEX #A398A0

RGB 163 152 160

HSL 316.36, 0.06%, 0.62%

LAB 63.98, 5.52, -2.74

 

CMYK 13 / 0 / 9 / 34

HEX #93A899

RGB 147 168 153

HSL 137.14, 0.11%, 0.62%

LAB 66.91, -10.3, 5.28

 

CMYK 28 / 0 / 20 / 28

HEX #84B793

RGB 132 183 147

HSL 137.65, 0.26%, 0.62%

LAB 70.09, -24.28, 12.98

 

CMYK 9 / 38 / 0 / 24

HEX #B079C2

RGB 176 121 194

HSL 285.21, 0.37%, 0.62%

LAB 58.79, 34.23, -29.75

 

CMYK 0 / 38 / 1 / 24

HEX #C279C1

RGB 194 121 193

HSL 300.82, 0.37%, 0.62%

LAB 60.78, 39.69, -25.94

 

CMYK 0 / 38 / 10 / 24

HEX #C279AE

RGB 194 121 174

HSL 316.44, 0.37%, 0.62%

LAB 60.07, 36.29, -16.21

 

CMYK 0 / 38 / 21 / 24

HEX #C2799A

RGB 194 121 154

HSL 332.88, 0.37%, 0.62%

LAB 59.41, 33.05, -5.71

 

CMYK 0 / 38 / 31 / 24

HEX #C27986

RGB 194 121 134

HSL 349.32, 0.37%, 0.62%

LAB 58.85, 30.17, 5

 

CMYK 0 / 55 / 17 / 37

HEX #A14886

RGB 161 72 134

HSL 318.2, 0.38%, 0.46%

LAB 44.14, 44.58, -17.33

 

CMYK 0 / 49 / 15 / 29

HEX #B65C9B

RGB 182 92 155

HSL 318, 0.38%, 0.54%

LAB 51.8, 44.51, -17.9

 

CMYK 0 / 38 / 11 / 24

HEX #C279AD

RGB 194 121 173

HSL 317.26, 0.37%, 0.62%

LAB 60.03, 36.12, -15.69

 

CMYK 0 / 28 / 8 / 19

HEX #CF95BE

RGB 207 149 190

HSL 317.59, 0.38%, 0.7%

LAB 68.37, 28.25, -12.58

 

CMYK 0 / 19 / 6 / 14

HEX #DCB2CF

RGB 220 178 207

HSL 318.57, 0.38%, 0.78%

LAB 77.02, 19.96, -8.88

 

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

CMYK 0 / 20 / 38 / 24

HEX #C29C79

RGB 194 156 121

HSL 28.77, 0.37%, 0.62%

LAB 67, 9.26, 23.68

 

CMYK 38 / 0 / 4 / 24

HEX #79C2BA

RGB 121 194 186

HSL 173.42, 0.37%, 0.62%

LAB 73.67, -24.62, -3.19

 

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

CMYK 10 / 0 / 38 / 24

HEX #AEC279

RGB 174 194 121

HSL 76.44, 0.37%, 0.62%

LAB 75.43, -18.77, 34.48

 

CMYK 38 / 10 / 0 / 24

HEX #79AEC2

RGB 121 174 194

HSL 196.44, 0.37%, 0.62%

LAB 68.19, -12.33, -15.74

 

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

CMYK 0 / 20 / 38 / 24

HEX #C29C79

RGB 194 156 121

HSL 28.77, 0.37%, 0.62%

LAB 67, 9.26, 23.68

 

CMYK 38 / 0 / 27 / 24

HEX #79C28E

RGB 121 194 142

HSL 137.26, 0.37%, 0.62%

LAB 72.63, -33.97, 19.13

 

CMYK 38 / 18 / 0 / 24

HEX #799FC2

RGB 121 159 194

HSL 208.77, 0.37%, 0.62%

LAB 63.96, -4.16, -22.16

 

CMYK 0 / 38 / 11 / 24

HEX #C379AD

RGB 195 121 173

HSL 317.84, 0.38%, 0.62%

LAB 60.15, 36.46, -15.5

 

CMYK 0 / 8 / 38 / 24

HEX #C2B279

RGB 194 178 121

HSL 46.85, 0.37%, 0.62%

LAB 72.69, -2.59, 31.23

 

CMYK 38 / 0 / 27 / 24

HEX #79C28E

RGB 121 194 142

HSL 137.26, 0.37%, 0.62%

LAB 72.63, -33.97, 19.13

 

CMYK 38 / 29 / 0 / 24

HEX #7989C2

RGB 121 137 194

HSL 226.85, 0.37%, 0.62%

LAB 57.9, 8.41, -31.52

 

Description

Color code: RGB 195 121 173 | qconv.com Color code: RGB 195 121 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 121 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 121 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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