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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 127 48 it is the complementary color RGB 60 128 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 127 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 127 48 shade: RGB 200 127 43, RGB 217 145 62, RGB 234 163 81, RGB 251 181 100 and RGB 255 199 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 127 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 178 109 29, RGB 161 91 10, RGB 144 73 0 and RGB 127 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 195 88 48 and RGB 195 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 195 167 48, RGB 184 195 48, RGB 144 195 48 and RGB 105 195 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 127 48 shade matches the following richer shades: RGB 195 127 48, RGB 215 129 29 and RGB 235 130 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 176 126 68, RGB 156 124 88, RGB 136 123 108 and RGB 116 121 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 127 48 shade: RGB 195 48 48, RGB 195 88 48, RGB 195 127 48, RGB 195 166 48 and RGB 186 195 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 127 48 shade: RGB 129 84 32, RGB 162 106 40, RGB 195 127 48, RGB 210 148 75 and RGB 218 167 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 88 195 48 and RGB 68 48 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 48 195 127 and RGB 127 48 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 88 195 48, RGB 48 117 195 and RGB 156 48 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 127 48 shade: RGB 195 127 48, RGB 48 195 53, RGB 48 117 195 and RGB 195 48 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

Complementary color

CMYK 71 / 38 / 0 / 19

HEX #3C80CF

RGB 60 128 207

HSL 212.24, 0.6%, 0.52%

LAB 52.84, 4.78, -47.04

 

CMYK 0 / 37 / 79 / 22

HEX #C87F2B

RGB 200 127 43

HSL 32.1, 0.65%, 0.48%

LAB 59.56, 21.6, 54.41

 

CMYK 0 / 33 / 71 / 15

HEX #D9913E

RGB 217 145 62

HSL 32.13, 0.67%, 0.55%

LAB 66.02, 19.94, 53.36

 

CMYK 0 / 30 / 65 / 8

HEX #EAA351

RGB 234 163 81

HSL 32.16, 0.78%, 0.62%

LAB 72.42, 18.49, 52.04

 

CMYK 0 / 28 / 60 / 2

HEX #FBB564

RGB 251 181 100

HSL 32.19, 0.95%, 0.69%

LAB 78.74, 17.22, 50.64

 

CMYK 0 / 22 / 53 / 0

HEX #FFC777

RGB 255 199 119

HSL 35.29, 1%, 0.73%

LAB 83.67, 10.88, 47.34

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 39 / 84 / 30

HEX #B26D1D

RGB 178 109 29

HSL 32.21, 0.72%, 0.41%

LAB 52.39, 21.48, 52.27

 

CMYK 0 / 43 / 94 / 37

HEX #A15B0A

RGB 161 91 10

HSL 32.19, 0.88%, 0.34%

LAB 45.75, 23.59, 51.79

 

CMYK 0 / 49 / 100 / 44

HEX #904900

RGB 144 73 0

HSL 30.42, 1%, 0.28%

LAB 39.06, 26, 48.84

 

CMYK 0 / 57 / 100 / 50

HEX #7F3700

RGB 127 55 0

HSL 25.98, 1%, 0.25%

LAB 32.36, 28.54, 43.42

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 55 / 75 / 24

HEX #C35830

RGB 195 88 48

HSL 16.33, 0.6%, 0.48%

LAB 50.45, 40.35, 42.82

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 14 / 75 / 24

HEX #C3A730

RGB 195 167 48

HSL 48.57, 0.6%, 0.48%

LAB 69.08, -2.1, 61.31

 

CMYK 6 / 0 / 75 / 24

HEX #B8C330

RGB 184 195 48

HSL 64.49, 0.6%, 0.48%

LAB 75.72, -21.23, 67.19

 

CMYK 26 / 0 / 75 / 24

HEX #90C330

RGB 144 195 48

HSL 80.82, 0.6%, 0.48%

LAB 73.01, -37.45, 63.67

 

CMYK 46 / 0 / 75 / 24

HEX #69C330

RGB 105 195 48

HSL 96.73, 0.6%, 0.48%

LAB 71.04, -51.12, 61.09

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 40 / 87 / 16

HEX #D7811D

RGB 215 129 29

HSL 32.26, 0.76%, 0.48%

LAB 61.86, 26.49, 62.16

 

CMYK 0 / 45 / 96 / 8

HEX #EB8209

RGB 235 130 9

HSL 32.12, 0.93%, 0.48%

LAB 64.68, 33.96, 69.84

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 28 / 61 / 31

HEX #B07E44

RGB 176 126 68

HSL 32.22, 0.44%, 0.48%

LAB 56.65, 13.11, 38.73

 

CMYK 0 / 21 / 44 / 39

HEX #9C7C58

RGB 156 124 88

HSL 31.76, 0.28%, 0.48%

LAB 54.23, 7.43, 24.34

 

CMYK 0 / 10 / 21 / 47

HEX #887B6C

RGB 136 123 108

HSL 32.14, 0.11%, 0.48%

LAB 52.38, 2.38, 10.01

RGB 136 123 108

CMYK 9 / 5 / 0 / 50

HEX #747980

RGB 116 121 128

HSL 215, 0.05%, 0.48%

LAB 50.62, -0.38, -4.47

RGB 116 121 128

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 55 / 75 / 24

HEX #C35830

RGB 195 88 48

HSL 16.33, 0.6%, 0.48%

LAB 50.45, 40.35, 42.82

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 15 / 75 / 24

HEX #C3A630

RGB 195 166 48

HSL 48.16, 0.6%, 0.48%

LAB 68.81, -1.57, 61.06

 

CMYK 5 / 0 / 75 / 24

HEX #BAC330

RGB 186 195 48

HSL 63.67, 0.6%, 0.48%

LAB 75.87, -20.39, 67.39

 

CMYK 0 / 35 / 75 / 49

HEX #815420

RGB 129 84 32

HSL 32.16, 0.6%, 0.32%

LAB 39.77, 13.78, 36.75

 

CMYK 0 / 35 / 75 / 36

HEX #A26A28

RGB 162 106 40

HSL 32.46, 0.6%, 0.4%

LAB 49.67, 16.49, 44.42

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 0 / 30 / 64 / 18

HEX #D2944B

RGB 210 148 75

HSL 32.44, 0.6%, 0.56%

LAB 66.05, 16.09, 47.03

 

CMYK 0 / 23 / 50 / 15

HEX #DAA76C

RGB 218 167 108

HSL 32.18, 0.6%, 0.64%

LAB 71.98, 11.75, 37.59

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 55 / 0 / 75 / 24

HEX #58C330

RGB 88 195 48

HSL 103.67, 0.6%, 0.48%

LAB 70.4, -56.06, 60.25

 

CMYK 65 / 75 / 0 / 24

HEX #4430C3

RGB 68 48 195

HSL 248.16, 0.6%, 0.48%

LAB 32.44, 50.72, -73.14

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 75 / 0 / 35 / 24

HEX #30C37F

RGB 48 195 127

HSL 152.24, 0.6%, 0.48%

LAB 70.31, -53.53, 23.57

 

CMYK 35 / 75 / 0 / 24

HEX #7F30C3

RGB 127 48 195

HSL 272.24, 0.6%, 0.48%

LAB 38.84, 59.32, -62.41

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 55 / 0 / 75 / 24

HEX #58C330

RGB 88 195 48

HSL 103.67, 0.6%, 0.48%

LAB 70.4, -56.06, 60.25

 

CMYK 75 / 40 / 0 / 24

HEX #3075C3

RGB 48 117 195

HSL 211.84, 0.6%, 0.48%

LAB 48.62, 5.52, -46.94

 

CMYK 20 / 75 / 0 / 24

HEX #9C30C3

RGB 156 48 195

HSL 284.08, 0.6%, 0.48%

LAB 42.95, 64.64, -55.56

 

CMYK 0 / 35 / 75 / 24

HEX #C37F30

RGB 195 127 48

HSL 32.24, 0.6%, 0.48%

LAB 58.97, 19.65, 51.53

 

CMYK 75 / 0 / 73 / 24

HEX #30C335

RGB 48 195 53

HSL 122.04, 0.6%, 0.48%

LAB 69.41, -64.08, 57.19

 

CMYK 75 / 40 / 0 / 24

HEX #3075C3

RGB 48 117 195

HSL 211.84, 0.6%, 0.48%

LAB 48.62, 5.52, -46.94

 

CMYK 0 / 75 / 3 / 24

HEX #C330BE

RGB 195 48 190

HSL 302.04, 0.6%, 0.48%

LAB 48.8, 71.59, -42.93

 

Description

Color code: RGB 195 127 48 | qconv.com Color code: RGB 195 127 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 127 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 127 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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