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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 110 89 it is the complementary color RGB 60 145 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 110 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 110 89 shade: RGB 200 110 84, RGB 217 128 103, RGB 234 146 122, RGB 251 164 141 and RGB 255 182 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 110 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 110 89 shade: RGB 195 110 89, RGB 178 92 70, RGB 161 74 51, RGB 144 56 32 and RGB 127 38 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 110 89 shade: RGB 195 110 90 and RGB 195 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 110 89 shade: RGB 195 110 90, RGB 195 139 90, RGB 195 167 90, RGB 194 195 90 and RGB 166 195 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 110 89 shade matches the following richer shades: RGB 195 110 90, RGB 213 100 71, RGB 231 89 53 and RGB 249 78 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 110 89 shade: RGB 195 110 90, RGB 177 121 108, RGB 159 132 126, RGB 141 143 144 and RGB 122 154 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 110 89 shade: RGB 195 90 126, RGB 195 90 98, RGB 195 109 90, RGB 195 137 90 and RGB 195 165 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 110 89 shade: RGB 149 72 53, RGB 179 87 64, RGB 195 110 90, RGB 206 137 120 and RGB 217 163 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 110 89 shade: RGB 195 110 89, RGB 155 195 90 and RGB 90 112 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 110 89 shade: RGB 195 110 89, RGB 90 195 109 and RGB 109 90 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 110 89 shade: RGB 195 110 89, RGB 155 195 90, RGB 90 176 195 and RGB 130 90 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 110 89 shade: RGB 195 110 89, RGB 123 195 90, RGB 90 176 195 and RGB 162 90 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

Complementary color

CMYK 64 / 13 / 0 / 35

HEX #3C91A6

RGB 60 145 166

HSL 191.89, 0.47%, 0.44%

LAB 56.05, -18.88, -18.66

 

CMYK 0 / 45 / 58 / 22

HEX #C86E54

RGB 200 110 84

HSL 13.45, 0.51%, 0.56%

LAB 56.16, 33.13, 30.15

 

CMYK 0 / 41 / 53 / 15

HEX #D98067

RGB 217 128 103

HSL 13.16, 0.6%, 0.63%

LAB 62.65, 31.84, 28.32

 

CMYK 0 / 38 / 48 / 8

HEX #EA927A

RGB 234 146 122

HSL 12.86, 0.73%, 0.7%

LAB 69.08, 30.68, 26.7

 

CMYK 0 / 35 / 44 / 2

HEX #FBA48D

RGB 251 164 141

HSL 12.55, 0.93%, 0.77%

LAB 75.44, 29.63, 25.24

 

CMYK 0 / 29 / 37 / 0

HEX #FFB6A0

RGB 255 182 160

HSL 13.89, 1%, 0.81%

LAB 80.32, 23.78, 21.74

 

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

CMYK 0 / 48 / 61 / 30

HEX #B25C46

RGB 178 92 70

HSL 12.22, 0.44%, 0.49%

LAB 48.96, 32.89, 28.39

 

CMYK 0 / 54 / 68 / 37

HEX #A14A33

RGB 161 74 51

HSL 12.55, 0.52%, 0.42%

LAB 42.33, 34.35, 30.65

 

CMYK 0 / 61 / 78 / 44

HEX #903820

RGB 144 56 32

HSL 12.86, 0.64%, 0.35%

LAB 35.72, 35.86, 33.23

 

CMYK 0 / 70 / 90 / 50

HEX #7F260D

RGB 127 38 13

HSL 13.16, 0.81%, 0.27%

LAB 29.23, 37.24, 35.78

 

CMYK 0 / 44 / 54 / 24

HEX #C36E5A

RGB 195 110 90

HSL 11.43, 0.47%, 0.56%

LAB 55.58, 31.64, 25.87

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 44 / 54 / 24

HEX #C36E5A

RGB 195 110 90

HSL 11.43, 0.47%, 0.56%

LAB 55.58, 31.64, 25.87

 

CMYK 0 / 29 / 54 / 24

HEX #C38B5A

RGB 195 139 90

HSL 28, 0.47%, 0.56%

LAB 62.34, 15.8, 34.49

 

CMYK 0 / 14 / 54 / 24

HEX #C3A75A

RGB 195 167 90

HSL 44, 0.47%, 0.56%

LAB 69.45, 0.56, 43.18

 

CMYK 1 / 0 / 54 / 24

HEX #C2C35A

RGB 194 195 90

HSL 60.57, 0.47%, 0.56%

LAB 76.82, -14.46, 51.79

 

CMYK 15 / 0 / 54 / 24

HEX #A6C35A

RGB 166 195 90

HSL 76.57, 0.47%, 0.56%

LAB 74.75, -25.78, 48.85

 

CMYK 0 / 44 / 54 / 24

HEX #C36E5A

RGB 195 110 90

HSL 11.43, 0.47%, 0.56%

LAB 55.58, 31.64, 25.87

 

CMYK 0 / 53 / 67 / 16

HEX #D56447

RGB 213 100 71

HSL 12.25, 0.63%, 0.56%

LAB 55.8, 42.41, 37.35

 

CMYK 0 / 61 / 77 / 9

HEX #E75935

RGB 231 89 53

HSL 12.13, 0.79%, 0.56%

LAB 56.48, 53.24, 48.36

 

CMYK 0 / 69 / 86 / 2

HEX #F94E23

RGB 249 78 35

HSL 12.06, 0.95%, 0.56%

LAB 57.76, 63.19, 58.89

 

CMYK 0 / 44 / 54 / 24

HEX #C36E5A

RGB 195 110 90

HSL 11.43, 0.47%, 0.56%

LAB 55.58, 31.64, 25.87

 

CMYK 0 / 32 / 39 / 31

HEX #B1796C

RGB 177 121 108

HSL 11.3, 0.31%, 0.56%

LAB 56.19, 20.23, 15.98

 

CMYK 0 / 17 / 21 / 38

HEX #9F847E

RGB 159 132 126

HSL 10.91, 0.15%, 0.56%

LAB 57.44, 9.31, 7.08

 

CMYK 2 / 1 / 0 / 44

HEX #8D8F90

RGB 141 143 144

HSL 200, 0.01%, 0.56%

LAB 59.27, -0.53, -0.79

 

CMYK 25 / 5 / 0 / 36

HEX #7A9AA2

RGB 122 154 162

HSL 192, 0.18%, 0.56%

LAB 61.53, -9.18, -7.84

 

CMYK 0 / 54 / 35 / 24

HEX #C35A7E

RGB 195 90 126

HSL 339.43, 0.47%, 0.56%

LAB 52.31, 45.72, 0.23

 

CMYK 0 / 54 / 50 / 24

HEX #C35A62

RGB 195 90 98

HSL 355.43, 0.47%, 0.56%

LAB 51.61, 42.73, 15.9

 

CMYK 0 / 44 / 54 / 24

HEX #C36D5A

RGB 195 109 90

HSL 10.86, 0.47%, 0.56%

LAB 55.36, 32.18, 25.58

 

CMYK 0 / 30 / 54 / 24

HEX #C3895A

RGB 195 137 90

HSL 26.86, 0.47%, 0.56%

LAB 61.85, 16.9, 33.88

 

CMYK 0 / 15 / 54 / 24

HEX #C3A55A

RGB 195 165 90

HSL 42.86, 0.47%, 0.56%

LAB 68.93, 1.63, 42.56

 

CMYK 0 / 52 / 64 / 42

HEX #954835

RGB 149 72 53

HSL 11.88, 0.48%, 0.4%

LAB 40.05, 30.72, 26.3

 

CMYK 0 / 51 / 64 / 30

HEX #B35740

RGB 179 87 64

HSL 12, 0.47%, 0.48%

LAB 47.97, 35.5, 30.63

 

CMYK 0 / 44 / 54 / 24

HEX #C36E5A

RGB 195 110 90

HSL 11.43, 0.47%, 0.56%

LAB 55.58, 31.64, 25.87

 

CMYK 0 / 33 / 42 / 19

HEX #CE8978

RGB 206 137 120

HSL 11.86, 0.47%, 0.64%

LAB 63.65, 24.36, 19.92

 

CMYK 0 / 25 / 31 / 15

HEX #D9A396

RGB 217 163 150

HSL 11.64, 0.47%, 0.72%

LAB 71.66, 18.17, 14.53

 

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

CMYK 21 / 0 / 54 / 24

HEX #9BC35A

RGB 155 195 90

HSL 82.86, 0.47%, 0.56%

LAB 74.02, -30.06, 47.82

 

CMYK 54 / 43 / 0 / 24

HEX #5A70C3

RGB 90 112 195

HSL 227.43, 0.47%, 0.56%

LAB 49.13, 15.96, -46.01

 

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

CMYK 54 / 0 / 44 / 24

HEX #5AC36D

RGB 90 195 109

HSL 130.86, 0.47%, 0.56%

LAB 71.08, -48.75, 34.15

 

CMYK 44 / 54 / 0 / 24

HEX #6D5AC3

RGB 109 90 195

HSL 250.86, 0.47%, 0.56%

LAB 44.95, 33.76, -52.63

 

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

CMYK 21 / 0 / 54 / 24

HEX #9BC35A

RGB 155 195 90

HSL 82.86, 0.47%, 0.56%

LAB 74.02, -30.06, 47.82

 

CMYK 54 / 10 / 0 / 24

HEX #5AB0C3

RGB 90 176 195

HSL 190.86, 0.47%, 0.56%

LAB 67.4, -20.6, -17.62

 

CMYK 33 / 54 / 0 / 24

HEX #825AC3

RGB 130 90 195

HSL 262.86, 0.47%, 0.56%

LAB 46.97, 38.84, -49.27

 

CMYK 0 / 44 / 54 / 24

HEX #C36E59

RGB 195 110 89

HSL 11.89, 0.47%, 0.56%

LAB 55.56, 31.55, 26.41

 

CMYK 37 / 0 / 54 / 24

HEX #7BC35A

RGB 123 195 90

HSL 101.14, 0.47%, 0.56%

LAB 72.21, -41.59, 45.24

 

CMYK 54 / 10 / 0 / 24

HEX #5AB0C3

RGB 90 176 195

HSL 190.86, 0.47%, 0.56%

LAB 67.4, -20.6, -17.62

 

CMYK 17 / 54 / 0 / 24

HEX #A25AC3

RGB 162 90 195

HSL 281.14, 0.47%, 0.56%

LAB 50.61, 47.19, -43.26

 

Description

Color code: RGB 195 110 89 | qconv.com Color code: RGB 195 110 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 110 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 110 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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