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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 9 79 it is the complementary color RGB 61 246 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 9 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 9 79 shade: RGB 199 9 74, RGB 216 27 93, RGB 233 45 112, RGB 250 63 131 and RGB 255 81 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 9 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 177 0 60, RGB 160 0 41, RGB 143 0 22 and RGB 126 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 194 9 29 and RGB 194 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 194 9 129, RGB 194 9 179, RGB 160 9 194 and RGB 109 9 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 9 79 shade matches the following richer shades: RGB 194 9 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 178 25 83, RGB 161 42 87, RGB 145 58 91 and RGB 128 75 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 9 79 shade: RGB 194 9 179, RGB 194 9 129, RGB 194 9 80, RGB 194 9 30 and RGB 194 37 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 9 79 shade: RGB 116 5 47, RGB 155 7 63, RGB 194 9 79, RGB 234 11 95 and RGB 244 41 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 194 160 9 and RGB 9 154 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 80 194 9 and RGB 9 80 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 194 160 9, RGB 9 194 123 and RGB 9 43 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 9 79 shade: RGB 194 9 79, RGB 173 194 9, RGB 9 194 123 and RGB 30 9 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

Complementary color

CMYK 75 / 0 / 28 / 4

HEX #3DF6B0

RGB 61 246 176

HSL 157.3, 0.91%, 0.6%

LAB 87.02, -61.04, 20.94

 

CMYK 0 / 95 / 63 / 22

HEX #C7094A

RGB 199 9 74

HSL 339.47, 0.91%, 0.41%

LAB 42.51, 67.68, 18.37

 

CMYK 0 / 88 / 57 / 15

HEX #D81B5D

RGB 216 27 93

HSL 339.05, 0.78%, 0.48%

LAB 47.2, 70.59, 13.45

 

CMYK 0 / 81 / 52 / 9

HEX #E92D70

RGB 233 45 112

HSL 338.62, 0.81%, 0.55%

LAB 52.25, 72.42, 9.38

 

CMYK 0 / 75 / 48 / 2

HEX #FA3F83

RGB 250 63 131

HSL 338.18, 0.95%, 0.61%

LAB 57.58, 73.42, 6.02

 

CMYK 0 / 68 / 41 / 0

HEX #FF5196

RGB 255 81 150

HSL 336.21, 1%, 0.66%

LAB 61.09, 70.51, 0.07

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 100 / 66 / 31

HEX #B1003C

RGB 177 0 60

HSL 339.66, 1%, 0.35%

LAB 37.25, 62.56, 19.51

 

CMYK 0 / 100 / 74 / 37

HEX #A00029

RGB 160 0 41

HSL 344.63, 1%, 0.31%

LAB 33.21, 57.48, 25.91

 

CMYK 0 / 100 / 85 / 44

HEX #8F0016

RGB 143 0 22

HSL 350.77, 1%, 0.28%

LAB 29.15, 52.48, 32.22

 

CMYK 0 / 100 / 98 / 51

HEX #7E0003

RGB 126 0 3

HSL 358.57, 1%, 0.25%

LAB 25.08, 47.57, 36.25

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 95 / 85 / 24

HEX #C2091D

RGB 194 9 29

HSL 353.51, 0.91%, 0.4%

LAB 40.82, 64.69, 43.15

 

CMYK 0 / 95 / 95 / 24

HEX #C20909

RGB 194 9 9

HSL 0, 0.91%, 0.4%

LAB 40.71, 64.38, 51.68

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 95 / 34 / 24

HEX #C20981

RGB 194 9 129

HSL 321.08, 0.91%, 0.4%

LAB 43.14, 70.95, -15.29

 

CMYK 0 / 95 / 8 / 24

HEX #C209B3

RGB 194 9 179

HSL 304.86, 0.91%, 0.4%

LAB 45.52, 77.06, -41.7

 

CMYK 18 / 95 / 0 / 24

HEX #A009C2

RGB 160 9 194

HSL 288.97, 0.91%, 0.4%

LAB 40.51, 73.88, -58.88

 

CMYK 44 / 95 / 0 / 24

HEX #6D09C2

RGB 109 9 194

HSL 272.43, 0.91%, 0.4%

LAB 32.57, 67.53, -72.19

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 86 / 53 / 30

HEX #B21953

RGB 178 25 83

HSL 337.25, 0.75%, 0.4%

LAB 39.22, 60.72, 7.45

 

CMYK 0 / 74 / 46 / 37

HEX #A12A57

RGB 161 42 87

HSL 337.31, 0.59%, 0.4%

LAB 37.7, 51.6, 2.28

 

CMYK 0 / 60 / 37 / 43

HEX #913A5B

RGB 145 58 91

HSL 337.24, 0.43%, 0.4%

LAB 37.48, 40.14, -0.92

 

CMYK 0 / 41 / 26 / 50

HEX #804B5F

RGB 128 75 95

HSL 337.36, 0.26%, 0.4%

LAB 38.63, 25.28, -2.04

 

CMYK 0 / 95 / 8 / 24

HEX #C209B3

RGB 194 9 179

HSL 304.86, 0.91%, 0.4%

LAB 45.52, 77.06, -41.7

 

CMYK 0 / 95 / 34 / 24

HEX #C20981

RGB 194 9 129

HSL 321.08, 0.91%, 0.4%

LAB 43.14, 70.95, -15.29

 

CMYK 0 / 95 / 59 / 24

HEX #C20950

RGB 194 9 80

HSL 336.97, 0.91%, 0.4%

LAB 41.6, 66.84, 13.17

 

CMYK 0 / 95 / 85 / 24

HEX #C2091E

RGB 194 9 30

HSL 353.19, 0.91%, 0.4%

LAB 40.83, 64.72, 42.63

 

CMYK 0 / 81 / 95 / 24

HEX #C22509

RGB 194 37 9

HSL 9.08, 0.91%, 0.4%

LAB 42.48, 59.33, 52.65

 

CMYK 0 / 96 / 59 / 55

HEX #74052F

RGB 116 5 47

HSL 337.3, 0.92%, 0.24%

LAB 23.76, 45.62, 7.76

 

CMYK 0 / 95 / 59 / 39

HEX #9B073F

RGB 155 7 63

HSL 337.3, 0.91%, 0.32%

LAB 32.87, 56.44, 10.86

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 95 / 59 / 8

HEX #EA0B5F

RGB 234 11 95

HSL 337.4, 0.91%, 0.48%

LAB 50.17, 76.96, 16.86

 

CMYK 0 / 83 / 52 / 4

HEX #F42976

RGB 244 41 118

HSL 337.24, 0.9%, 0.56%

LAB 54.16, 76.51, 8.76

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 18 / 95 / 24

HEX #C2A009

RGB 194 160 9

HSL 48.97, 0.91%, 0.4%

LAB 67, 0.18, 69.21

 

CMYK 95 / 21 / 0 / 24

HEX #099AC2

RGB 9 154 194

HSL 192.97, 0.91%, 0.4%

LAB 59.03, -19.22, -30.04

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 59 / 0 / 95 / 24

HEX #50C209

RGB 80 194 9

HSL 96.97, 0.91%, 0.4%

LAB 69.69, -59.36, 68.21

 

CMYK 95 / 59 / 0 / 24

HEX #0950C2

RGB 9 80 194

HSL 216.97, 0.91%, 0.4%

LAB 37.28, 26.09, -64.71

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 0 / 18 / 95 / 24

HEX #C2A009

RGB 194 160 9

HSL 48.97, 0.91%, 0.4%

LAB 67, 0.18, 69.21

 

CMYK 95 / 0 / 37 / 24

HEX #09C27B

RGB 9 194 123

HSL 156.97, 0.91%, 0.4%

LAB 69.52, -57.14, 24.55

 

CMYK 95 / 78 / 0 / 24

HEX #092BC2

RGB 9 43 194

HSL 228.97, 0.91%, 0.4%

LAB 28.59, 49.32, -79.02

 

CMYK 0 / 95 / 59 / 24

HEX #C2094F

RGB 194 9 79

HSL 337.3, 0.91%, 0.4%

LAB 41.58, 66.78, 13.78

 

CMYK 11 / 0 / 95 / 24

HEX #ADC209

RGB 173 194 9

HSL 66.81, 0.91%, 0.4%

LAB 74.5, -26.41, 74.06

 

CMYK 95 / 0 / 37 / 24

HEX #09C27B

RGB 9 194 123

HSL 156.97, 0.91%, 0.4%

LAB 69.52, -57.14, 24.55

 

CMYK 85 / 95 / 0 / 24

HEX #1E09C2

RGB 30 9 194

HSL 246.81, 0.91%, 0.4%

LAB 24.85, 62.86, -85.23

 

Description

Color code: RGB 194 9 79 | qconv.com Color code: RGB 194 9 79 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 9 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 9 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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