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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 96 141 it is the complementary color RGB 61 159 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 96 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 96 141 shade: RGB 199 96 136, RGB 216 114 155, RGB 233 132 174, RGB 250 150 193 and RGB 255 168 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 96 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 177 78 122, RGB 160 60 103, RGB 143 42 84 and RGB 126 24 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 194 96 114 and RGB 194 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 194 96 167, RGB 194 96 194, RGB 168 96 194 and RGB 141 96 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 96 141 shade matches the following richer shades: RGB 194 96 141, RGB 212 78 139, RGB 230 60 138 and RGB 247 42 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 176 113 142, RGB 159 131 144, RGB 141 149 145 and RGB 123 166 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 96 141 shade: RGB 194 96 194, RGB 194 96 168, RGB 194 96 142, RGB 194 96 115 and RGB 194 102 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 96 141 shade: RGB 150 57 100, RGB 180 68 120, RGB 194 96 141, RGB 206 125 162 and RGB 217 155 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 194 168 96 and RGB 96 181 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 142 194 96 and RGB 96 142 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 194 168 96, RGB 96 194 148 and RGB 96 122 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 96 141 shade: RGB 194 96 141, RGB 191 194 96, RGB 96 194 148 and RGB 99 96 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

Complementary color

CMYK 62 / 0 / 28 / 38

HEX #3D9F72

RGB 61 159 114

HSL 152.45, 0.45%, 0.43%

LAB 58.98, -39.49, 15.17

 

CMYK 0 / 52 / 32 / 22

HEX #C76088

RGB 199 96 136

HSL 336.7, 0.48%, 0.58%

LAB 54.33, 45.35, -2.66

 

CMYK 0 / 47 / 28 / 15

HEX #D8729B

RGB 216 114 155

HSL 335.88, 0.57%, 0.65%

LAB 60.78, 44.53, -3.95

 

CMYK 0 / 43 / 25 / 9

HEX #E984AE

RGB 233 132 174

HSL 335.05, 0.7%, 0.72%

LAB 67.19, 43.69, -5.05

 

CMYK 0 / 40 / 23 / 2

HEX #FA96C1

RGB 250 150 193

HSL 334.2, 0.91%, 0.78%

LAB 73.54, 42.88, -6.03

 

CMYK 0 / 34 / 17 / 0

HEX #FFA8D4

RGB 255 168 212

HSL 329.66, 1%, 0.83%

LAB 78.47, 38.06, -9.05

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 56 / 31 / 31

HEX #B14E7A

RGB 177 78 122

HSL 333.33, 0.39%, 0.5%

LAB 47.24, 45.07, -5.14

 

CMYK 0 / 63 / 36 / 37

HEX #A03C67

RGB 160 60 103

HSL 334.2, 0.45%, 0.43%

LAB 40.71, 45.64, -3.43

 

CMYK 0 / 71 / 41 / 44

HEX #8F2A54

RGB 143 42 84

HSL 335.05, 0.55%, 0.36%

LAB 34.26, 45.86, -1.2

 

CMYK 0 / 81 / 48 / 51

HEX #7E1841

RGB 126 24 65

HSL 335.88, 0.68%, 0.29%

LAB 28.04, 45.33, 1.83

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 51 / 41 / 24

HEX #C26072

RGB 194 96 114

HSL 348.98, 0.45%, 0.57%

LAB 53, 40.98, 8.34

 

CMYK 0 / 51 / 51 / 24

HEX #C26060

RGB 194 96 96

HSL 0, 0.45%, 0.57%

LAB 52.6, 39.15, 18.41

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 51 / 14 / 24

HEX #C260A7

RGB 194 96 167

HSL 316.53, 0.45%, 0.57%

LAB 54.68, 48.18, -20.37

 

CMYK 0 / 51 / 0 / 24

HEX #C260C2

RGB 194 96 194

HSL 300, 0.45%, 0.57%

LAB 55.82, 52.77, -34.21

 

CMYK 13 / 51 / 0 / 24

HEX #A860C2

RGB 168 96 194

HSL 284.08, 0.45%, 0.57%

LAB 52.49, 45.46, -39.66

 

CMYK 27 / 51 / 0 / 24

HEX #8D60C2

RGB 141 96 194

HSL 267.55, 0.45%, 0.57%

LAB 49.4, 38.04, -44.75

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 63 / 34 / 17

HEX #D44E8B

RGB 212 78 139

HSL 332.69, 0.61%, 0.57%

LAB 53.29, 58.14, -5.75

 

CMYK 0 / 74 / 40 / 10

HEX #E63C8A

RGB 230 60 138

HSL 332.47, 0.77%, 0.57%

LAB 53.91, 69.69, -3.9

 

CMYK 0 / 83 / 45 / 3

HEX #F72A88

RGB 247 42 136

HSL 332.49, 0.93%, 0.57%

LAB 55.29, 78.44, -0.33

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 36 / 19 / 31

HEX #B0718E

RGB 176 113 142

HSL 332.38, 0.29%, 0.57%

LAB 55.07, 29.09, -5.43

 

CMYK 0 / 18 / 9 / 38

HEX #9F8390

RGB 159 131 144

HSL 332.14, 0.13%, 0.57%

LAB 57.67, 12.94, -2.95

 

CMYK 5 / 0 / 3 / 42

HEX #8D9591

RGB 141 149 145

HSL 150, 0.04%, 0.57%

LAB 60.96, -3.68, 1.1

 

CMYK 26 / 0 / 11 / 35

HEX #7BA693

RGB 123 166 147

HSL 153.49, 0.19%, 0.57%

LAB 64.64, -18.6, 5.15

 

CMYK 0 / 51 / 0 / 24

HEX #C260C2

RGB 194 96 194

HSL 300, 0.45%, 0.57%

LAB 55.82, 52.77, -34.21

 

CMYK 0 / 51 / 13 / 24

HEX #C260A8

RGB 194 96 168

HSL 315.92, 0.45%, 0.57%

LAB 54.72, 48.34, -20.89

 

CMYK 0 / 51 / 27 / 24

HEX #C2608E

RGB 194 96 142

HSL 331.84, 0.45%, 0.57%

LAB 53.8, 44.46, -7.06

 

CMYK 0 / 51 / 41 / 24

HEX #C26073

RGB 194 96 115

HSL 348.37, 0.45%, 0.57%

LAB 53.03, 41.09, 7.78

 

CMYK 0 / 47 / 51 / 24

HEX #C26660

RGB 194 102 96

HSL 3.67, 0.45%, 0.57%

LAB 53.83, 36.04, 20.08

 

CMYK 0 / 62 / 33 / 41

HEX #963964

RGB 150 57 100

HSL 332.26, 0.45%, 0.41%

LAB 38.43, 43.42, -5.11

 

CMYK 0 / 62 / 33 / 29

HEX #B44478

RGB 180 68 120

HSL 332.14, 0.45%, 0.49%

LAB 45.9, 50.45, -5.86

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 39 / 21 / 19

HEX #CE7DA2

RGB 206 125 162

HSL 332.59, 0.45%, 0.65%

LAB 62, 36.33, -6.31

 

CMYK 0 / 29 / 15 / 15

HEX #D99BB8

RGB 217 155 184

HSL 331.94, 0.45%, 0.73%

LAB 70.63, 27.47, -5.76

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 13 / 51 / 24

HEX #C2A860

RGB 194 168 96

HSL 44.08, 0.45%, 0.57%

LAB 69.7, 0.13, 40.42

 

CMYK 51 / 7 / 0 / 24

HEX #60B5C2

RGB 96 181 194

HSL 187.96, 0.45%, 0.57%

LAB 69.06, -22.15, -14.54

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 27 / 0 / 51 / 24

HEX #8EC260

RGB 142 194 96

HSL 91.84, 0.45%, 0.57%

LAB 73.01, -33.81, 43.56

 

CMYK 51 / 27 / 0 / 24

HEX #608EC2

RGB 96 142 194

HSL 211.84, 0.45%, 0.57%

LAB 57.78, -0.95, -31.81

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 0 / 13 / 51 / 24

HEX #C2A860

RGB 194 168 96

HSL 44.08, 0.45%, 0.57%

LAB 69.7, 0.13, 40.42

 

CMYK 51 / 0 / 24 / 24

HEX #60C294

RGB 96 194 148

HSL 151.84, 0.45%, 0.57%

LAB 71.7, -39.62, 14.45

 

CMYK 51 / 37 / 0 / 24

HEX #607AC2

RGB 96 122 194

HSL 224.08, 0.45%, 0.57%

LAB 52.18, 10.89, -40.59

 

CMYK 0 / 51 / 27 / 24

HEX #C2608D

RGB 194 96 141

HSL 332.45, 0.45%, 0.57%

LAB 53.77, 44.32, -6.52

 

CMYK 2 / 0 / 51 / 24

HEX #BFC260

RGB 191 194 96

HSL 61.84, 0.45%, 0.57%

LAB 76.38, -14.67, 48.39

 

CMYK 51 / 0 / 24 / 24

HEX #60C294

RGB 96 194 148

HSL 151.84, 0.45%, 0.57%

LAB 71.7, -39.62, 14.45

 

CMYK 49 / 51 / 0 / 24

HEX #6360C2

RGB 99 96 194

HSL 241.84, 0.45%, 0.57%

LAB 45.52, 27.54, -51.18

 

Description

Color code: RGB 194 96 141 | qconv.com Color code: RGB 194 96 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 96 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 96 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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