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Color name
RGB 194 91 115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 91 115 it is the complementary color RGB 61 164 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 91 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 91 115 shade: RGB 199 91 110, RGB 216 109 129, RGB 233 127 148, RGB 250 145 167 and RGB 255 163 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 91 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 177 73 96, RGB 160 55 77, RGB 143 37 58 and RGB 126 19 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 91 115 shade: RGB 194 91 115 and RGB 194 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 194 91 143, RGB 194 91 170, RGB 190 91 194 and RGB 162 91 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 91 115 shade matches the following richer shades: RGB 194 91 115, RGB 212 73 105, RGB 230 54 95 and RGB 248 36 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 176 109 124, RGB 158 127 134, RGB 139 145 144 and RGB 121 163 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 91 115 shade: RGB 194 91 170, RGB 194 91 142, RGB 194 91 115, RGB 194 94 91 and RGB 194 122 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 91 115 shade: RGB 148 54 76, RGB 178 65 92, RGB 194 91 115, RGB 205 121 140 and RGB 216 151 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 194 190 91 and RGB 91 156 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 115 194 91 and RGB 91 115 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 194 190 91, RGB 91 194 170 and RGB 91 94 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 91 115 shade: RGB 194 91 115, RGB 166 194 91, RGB 91 194 170 and RGB 118 91 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

Complementary color

CMYK 63 / 0 / 15 / 36

HEX #3DA48C

RGB 61 164 140

HSL 166.02, 0.46%, 0.44%

LAB 61.16, -35.54, 3.71

 

CMYK 0 / 54 / 45 / 22

HEX #C75B6E

RGB 199 91 110

HSL 349.44, 0.49%, 0.57%

LAB 52.67, 44.83, 10.35

 

CMYK 0 / 50 / 40 / 15

HEX #D86D81

RGB 216 109 129

HSL 348.79, 0.58%, 0.64%

LAB 59.09, 43.88, 8.62

 

CMYK 0 / 45 / 36 / 9

HEX #E97F94

RGB 233 127 148

HSL 348.11, 0.71%, 0.71%

LAB 65.47, 42.94, 7.14

 

CMYK 0 / 42 / 33 / 2

HEX #FA91A7

RGB 250 145 167

HSL 347.43, 0.91%, 0.77%

LAB 71.8, 42.02, 5.85

 

CMYK 0 / 36 / 27 / 0

HEX #FFA3BA

RGB 255 163 186

HSL 345, 1%, 0.82%

LAB 76.68, 36.93, 2.5

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 59 / 46 / 31

HEX #B14960

RGB 177 73 96

HSL 346.73, 0.42%, 0.49%

LAB 45.57, 44.47, 8.29

 

CMYK 0 / 66 / 52 / 37

HEX #A0374D

RGB 160 55 77

HSL 347.43, 0.49%, 0.42%

LAB 39.14, 45.15, 10.65

 

CMYK 0 / 74 / 59 / 44

HEX #8F253A

RGB 143 37 58

HSL 348.11, 0.59%, 0.35%

LAB 32.85, 45.41, 13.71

 

CMYK 0 / 85 / 69 / 51

HEX #7E1327

RGB 126 19 39

HSL 348.79, 0.74%, 0.28%

LAB 26.87, 44.81, 17.77

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 53 / 26 / 24

HEX #C25B8F

RGB 194 91 143

HSL 329.71, 0.46%, 0.56%

LAB 52.88, 47.09, -9.03

 

CMYK 0 / 53 / 12 / 24

HEX #C25BAA

RGB 194 91 170

HSL 313.98, 0.46%, 0.56%

LAB 53.87, 51.12, -23.36

 

CMYK 2 / 53 / 0 / 24

HEX #BE5BC2

RGB 190 91 194

HSL 297.67, 0.46%, 0.56%

LAB 54.37, 54.09, -36.51

 

CMYK 16 / 53 / 0 / 24

HEX #A25BC2

RGB 162 91 194

HSL 281.36, 0.46%, 0.56%

LAB 50.76, 46.45, -42.45

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 66 / 50 / 17

HEX #D44969

RGB 212 73 105

HSL 346.19, 0.62%, 0.56%

LAB 51.59, 56.8, 12.12

 

CMYK 0 / 77 / 59 / 10

HEX #E6365F

RGB 230 54 95

HSL 346.02, 0.78%, 0.56%

LAB 52.16, 68.03, 19.43

 

CMYK 0 / 85 / 65 / 3

HEX #F82456

RGB 248 36 86

HSL 345.85, 0.94%, 0.56%

LAB 53.91, 76.52, 27.76

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 38 / 30 / 31

HEX #B06D7C

RGB 176 109 124

HSL 346.57, 0.3%, 0.56%

LAB 53.62, 28.62, 3.01

 

CMYK 0 / 20 / 15 / 38

HEX #9E7F86

RGB 158 127 134

HSL 346.45, 0.14%, 0.56%

LAB 56.26, 13.09, 0.74

 

CMYK 4 / 0 / 1 / 43

HEX #8B9190

RGB 139 145 144

HSL 170, 0.03%, 0.56%

LAB 59.67, -2.37, -0.24

 

CMYK 26 / 0 / 6 / 36

HEX #79A39A

RGB 121 163 154

HSL 167.14, 0.19%, 0.56%

LAB 63.83, -16.16, 0.05

 

CMYK 0 / 53 / 12 / 24

HEX #C25BAA

RGB 194 91 170

HSL 313.98, 0.46%, 0.56%

LAB 53.87, 51.12, -23.36

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8E

RGB 194 91 142

HSL 330.29, 0.46%, 0.56%

LAB 52.84, 46.95, -8.48

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 52 / 53 / 24

HEX #C25E5B

RGB 194 94 91

HSL 1.75, 0.46%, 0.56%

LAB 52.1, 39.72, 20.68

 

CMYK 0 / 37 / 53 / 24

HEX #C27A5B

RGB 194 122 91

HSL 18.06, 0.46%, 0.56%

LAB 58.17, 24.82, 28.64

 

CMYK 0 / 64 / 49 / 42

HEX #94364C

RGB 148 54 76

HSL 345.96, 0.47%, 0.4%

LAB 36.85, 41.42, 7.77

 

CMYK 0 / 63 / 48 / 30

HEX #B2415C

RGB 178 65 92

HSL 345.66, 0.47%, 0.48%

LAB 44.26, 48.1, 8.91

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 41 / 32 / 20

HEX #CD798C

RGB 205 121 140

HSL 346.43, 0.46%, 0.64%

LAB 60.38, 35.03, 3.93

 

CMYK 0 / 30 / 23 / 15

HEX #D897A6

RGB 216 151 166

HSL 346.15, 0.45%, 0.72%

LAB 69.1, 26.51, 2

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 2 / 53 / 24

HEX #C2BE5B

RGB 194 190 91

HSL 57.67, 0.46%, 0.56%

LAB 75.48, -11.83, 49.78

 

CMYK 53 / 20 / 0 / 24

HEX #5B9CC2

RGB 91 156 194

HSL 202.14, 0.46%, 0.56%

LAB 61.56, -10, -25.97

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 41 / 0 / 53 / 24

HEX #73C25B

RGB 115 194 91

HSL 106.02, 0.46%, 0.56%

LAB 71.54, -43.66, 43.87

 

CMYK 53 / 41 / 0 / 24

HEX #5B73C2

RGB 91 115 194

HSL 226.02, 0.46%, 0.56%

LAB 49.95, 14.01, -44.13

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 0 / 2 / 53 / 24

HEX #C2BE5B

RGB 194 190 91

HSL 57.67, 0.46%, 0.56%

LAB 75.48, -11.83, 49.78

 

CMYK 53 / 0 / 12 / 24

HEX #5BC2AA

RGB 91 194 170

HSL 166.02, 0.46%, 0.56%

LAB 72.03, -35.8, 2.98

 

CMYK 53 / 52 / 0 / 24

HEX #5B5EC2

RGB 91 94 194

HSL 238.25, 0.46%, 0.56%

LAB 44.41, 27.03, -52.98

 

CMYK 0 / 53 / 41 / 24

HEX #C25B73

RGB 194 91 115

HSL 346.02, 0.46%, 0.56%

LAB 52.05, 43.61, 6.39

 

CMYK 14 / 0 / 53 / 24

HEX #A6C25B

RGB 166 194 91

HSL 76.31, 0.46%, 0.56%

LAB 74.47, -25.2, 48.06

 

CMYK 53 / 0 / 12 / 24

HEX #5BC2AA

RGB 91 194 170

HSL 166.02, 0.46%, 0.56%

LAB 72.03, -35.8, 2.98

 

CMYK 39 / 53 / 0 / 24

HEX #765BC2

RGB 118 91 194

HSL 255.73, 0.46%, 0.56%

LAB 45.95, 35.02, -50.4

 

Description

Color code: RGB 194 91 115 | qconv.com Color code: RGB 194 91 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 91 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 91 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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