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Color name
RGB 194 60 107

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 60 107 it is the complementary color RGB 61 195 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 60 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 60 107 shade: RGB 199 60 102, RGB 216 78 121, RGB 233 96 140, RGB 250 114 159 and RGB 255 132 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 60 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 60 107 shade: RGB 194 60 107, RGB 177 42 88, RGB 160 24 69, RGB 143 6 50 and RGB 126 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 60 107 shade: RGB 195 59 107, RGB 195 59 70 and RGB 195 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 60 107 shade: RGB 195 59 107, RGB 195 59 143, RGB 195 59 180, RGB 173 59 195 and RGB 137 59 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 60 107 shade matches the following richer shades: RGB 195 59 107, RGB 215 39 101 and RGB 236 18 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 60 107 shade: RGB 195 59 107, RGB 174 80 113, RGB 153 101 119, RGB 133 121 125 and RGB 112 142 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 60 107 shade: RGB 195 59 181, RGB 195 59 145, RGB 195 59 109, RGB 195 59 73 and RGB 195 82 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 60 107 shade: RGB 131 40 72, RGB 163 50 89, RGB 195 59 107, RGB 204 91 131 and RGB 214 123 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 60 107 shade: RGB 194 60 107, RGB 195 172 59 and RGB 59 163 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 60 107 shade: RGB 194 60 107, RGB 109 195 59 and RGB 59 109 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 60 107 shade: RGB 194 60 107, RGB 195 172 59, RGB 59 195 145 and RGB 59 82 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 60 107 shade: RGB 194 60 107, RGB 177 195 59, RGB 59 195 145 and RGB 77 59 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

Complementary color

CMYK 69 / 0 / 24 / 24

HEX #3DC394

RGB 61 195 148

HSL 158.96, 0.53%, 0.5%

LAB 70.98, -47.11, 13.3

 

CMYK 0 / 70 / 49 / 22

HEX #C73C66

RGB 199 60 102

HSL 341.87, 0.55%, 0.51%

LAB 47.41, 57.66, 7.73

 

CMYK 0 / 64 / 44 / 15

HEX #D84E79

RGB 216 78 121

HSL 341.3, 0.64%, 0.58%

LAB 53.41, 57.45, 5.23

 

CMYK 0 / 59 / 40 / 9

HEX #E9608C

RGB 233 96 140

HSL 340.73, 0.76%, 0.65%

LAB 59.51, 56.93, 3.17

 

CMYK 0 / 54 / 36 / 2

HEX #FA729F

RGB 250 114 159

HSL 340.15, 0.93%, 0.71%

LAB 65.64, 56.25, 1.44

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B2

RGB 255 132 178

HSL 337.56, 1%, 0.76%

LAB 70.16, 51.56, -2.6

 

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

CMYK 0 / 76 / 50 / 31

HEX #B12A58

RGB 177 42 88

HSL 339.56, 0.62%, 0.43%

LAB 40.75, 56.32, 6.42

 

CMYK 0 / 85 / 57 / 37

HEX #A01845

RGB 160 24 69

HSL 340.15, 0.74%, 0.36%

LAB 35.12, 55.16, 10.19

 

CMYK 0 / 96 / 65 / 44

HEX #8F0632

RGB 143 6 50

HSL 340.73, 0.92%, 0.29%

LAB 29.91, 52.72, 15.07

 

CMYK 0 / 100 / 75 / 51

HEX #7E001F

RGB 126 0 31

HSL 345.24, 1%, 0.25%

LAB 25.37, 48.34, 21.28

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 70 / 64 / 24

HEX #C33B46

RGB 195 59 70

HSL 355.15, 0.54%, 0.5%

LAB 45.87, 54.43, 25.07

 

CMYK 0 / 70 / 70 / 24

HEX #C33B3B

RGB 195 59 59

HSL 0, 0.54%, 0.5%

LAB 45.7, 53.82, 31.42

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 70 / 27 / 24

HEX #C33B8F

RGB 195 59 143

HSL 322.94, 0.54%, 0.5%

LAB 47.9, 61.3, -16.53

 

CMYK 0 / 70 / 8 / 24

HEX #C33BB4

RGB 195 59 180

HSL 306.62, 0.54%, 0.5%

LAB 49.53, 66.5, -35.95

 

CMYK 11 / 70 / 0 / 24

HEX #AD3BC3

RGB 173 59 195

HSL 290.29, 0.54%, 0.5%

LAB 46.91, 64.07, -49.05

 

CMYK 30 / 70 / 0 / 24

HEX #893BC3

RGB 137 59 195

HSL 274.41, 0.54%, 0.5%

LAB 41.82, 56.5, -57.51

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 82 / 53 / 16

HEX #D72765

RGB 215 39 101

HSL 338.86, 0.69%, 0.5%

LAB 48.05, 68.44, 9.68

 

CMYK 0 / 92 / 60 / 7

HEX #EC125E

RGB 236 18 94

HSL 339.08, 0.86%, 0.5%

LAB 50.77, 76.7, 18.37

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 54 / 35 / 32

HEX #AE5071

RGB 174 80 113

HSL 338.94, 0.37%, 0.5%

LAB 46.88, 41.91, -0.26

 

CMYK 0 / 34 / 22 / 40

HEX #996577

RGB 153 101 119

HSL 339.23, 0.2%, 0.5%

LAB 48.77, 23.65, -1.44

 

CMYK 0 / 9 / 6 / 48

HEX #85797D

RGB 133 121 125

HSL 340, 0.05%, 0.5%

LAB 52, 5.35, -0.52

 

CMYK 21 / 0 / 8 / 44

HEX #708E83

RGB 112 142 131

HSL 158, 0.12%, 0.5%

LAB 56.52, -12.95, 2.38

 

CMYK 0 / 70 / 7 / 24

HEX #C33BB5

RGB 195 59 181

HSL 306.18, 0.54%, 0.5%

LAB 49.58, 66.66, -36.46

 

CMYK 0 / 70 / 26 / 24

HEX #C33B91

RGB 195 59 145

HSL 322.06, 0.54%, 0.5%

LAB 47.97, 61.55, -17.62

 

CMYK 0 / 70 / 44 / 24

HEX #C33B6D

RGB 195 59 109

HSL 337.94, 0.54%, 0.5%

LAB 46.76, 57.49, 2.42

 

CMYK 0 / 70 / 63 / 24

HEX #C33B49

RGB 195 59 73

HSL 353.82, 0.54%, 0.5%

LAB 45.92, 54.61, 23.32

 

CMYK 0 / 58 / 70 / 24

HEX #C3523B

RGB 195 82 59

HSL 10.15, 0.54%, 0.5%

LAB 49.44, 43.81, 35.81

 

CMYK 0 / 69 / 45 / 49

HEX #832848

RGB 131 40 72

HSL 338.9, 0.53%, 0.34%

LAB 31.37, 41.58, 2.13

 

CMYK 0 / 69 / 45 / 36

HEX #A33259

RGB 163 50 89

HSL 339.29, 0.53%, 0.42%

LAB 39.22, 49.36, 3.26

 

CMYK 0 / 70 / 45 / 24

HEX #C33B6B

RGB 195 59 107

HSL 338.82, 0.54%, 0.5%

LAB 46.7, 57.3, 3.56

 

CMYK 0 / 55 / 36 / 20

HEX #CC5B83

RGB 204 91 131

HSL 338.76, 0.53%, 0.58%

LAB 53.98, 48.85, -0.13

 

CMYK 0 / 43 / 28 / 16

HEX #D67B9B

RGB 214 123 155

HSL 338.9, 0.53%, 0.66%

LAB 62.36, 39.19, -1.65

 

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

CMYK 0 / 12 / 70 / 24

HEX #C3AC3B

RGB 195 172 59

HSL 49.85, 0.54%, 0.5%

LAB 70.47, -4.22, 58.47

 

CMYK 70 / 16 / 0 / 24

HEX #3BA3C3

RGB 59 163 195

HSL 194.12, 0.54%, 0.5%

LAB 62.56, -19.34, -25.09

 

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

CMYK 44 / 0 / 70 / 24

HEX #6DC33B

RGB 109 195 59

HSL 97.94, 0.54%, 0.5%

LAB 71.28, -49.11, 57.46

 

CMYK 70 / 44 / 0 / 24

HEX #3B6DC3

RGB 59 109 195

HSL 217.94, 0.54%, 0.5%

LAB 46.72, 12.04, -49.95

 

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

CMYK 0 / 12 / 70 / 24

HEX #C3AC3B

RGB 195 172 59

HSL 49.85, 0.54%, 0.5%

LAB 70.47, -4.22, 58.47

 

CMYK 70 / 0 / 26 / 24

HEX #3BC391

RGB 59 195 145

HSL 157.94, 0.54%, 0.5%

LAB 70.87, -48.1, 14.76

 

CMYK 70 / 58 / 0 / 24

HEX #3B52C3

RGB 59 82 195

HSL 229.85, 0.54%, 0.5%

LAB 39.42, 29.34, -61.74

 

CMYK 0 / 69 / 45 / 24

HEX #C23C6B

RGB 194 60 107

HSL 338.96, 0.53%, 0.5%

LAB 46.66, 56.62, 3.49

 

CMYK 9 / 0 / 70 / 24

HEX #B1C33B

RGB 177 195 59

HSL 67.94, 0.54%, 0.5%

LAB 75.26, -23.62, 62.78

 

CMYK 70 / 0 / 26 / 24

HEX #3BC391

RGB 59 195 145

HSL 157.94, 0.54%, 0.5%

LAB 70.87, -48.1, 14.76

 

CMYK 61 / 70 / 0 / 24

HEX #4D3BC3

RGB 77 59 195

HSL 247.94, 0.54%, 0.5%

LAB 35.29, 45.92, -68.43

 

Description

Color code: RGB 194 60 107 | qconv.com Color code: RGB 194 60 107 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 60 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 60 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 45 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 45% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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