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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 53 29 it is the complementary color RGB 61 202 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 53 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 53 29 shade: RGB 199 53 24, RGB 216 71 43, RGB 233 89 62, RGB 250 107 81 and RGB 255 125 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 53 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 53 29 shade: RGB 194 53 29, RGB 177 35 10, RGB 160 17 0, RGB 143 0 0 and RGB 126 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 53 29 shade: RGB 195 53 29 and RGB 195 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 53 29 shade: RGB 195 53 29, RGB 195 98 29, RGB 195 142 29, RGB 195 187 29 and RGB 158 195 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 53 29 shade matches the following richer shades: RGB 195 53 29 and RGB 213 40 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 53 29 shade: RGB 195 53 29, RGB 177 66 47, RGB 158 79 65, RGB 140 91 83 and RGB 122 104 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 53 29 shade: RGB 195 29 95, RGB 195 29 51, RGB 195 51 29, RGB 195 95 29 and RGB 195 139 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 53 29 shade: RGB 123 33 18, RGB 159 43 23, RGB 195 53 29, RGB 223 68 42 and RGB 228 100 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 53 29 shade: RGB 194 53 29, RGB 139 195 29 and RGB 29 73 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 53 29 shade: RGB 194 53 29, RGB 29 195 51 and RGB 51 29 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 53 29 shade: RGB 194 53 29, RGB 139 195 29, RGB 29 173 195 and RGB 84 29 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 53 29 shade: RGB 194 53 29, RGB 90 195 29, RGB 29 173 195 and RGB 134 29 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

Complementary color

CMYK 73 / 11 / 0 / 11

HEX #3DCAE2

RGB 61 202 226

HSL 188.73, 0.74%, 0.56%

LAB 75.28, -29.11, -22.65

 

CMYK 0 / 73 / 88 / 22

HEX #C73518

RGB 199 53 24

HSL 9.94, 0.78%, 0.44%

LAB 45.3, 56.12, 49.65

 

CMYK 0 / 67 / 80 / 15

HEX #D8472B

RGB 216 71 43

HSL 9.71, 0.69%, 0.51%

LAB 51.01, 55.35, 47.05

 

CMYK 0 / 62 / 73 / 9

HEX #E9593E

RGB 233 89 62

HSL 9.47, 0.8%, 0.58%

LAB 56.9, 54.29, 44.28

 

CMYK 0 / 57 / 68 / 2

HEX #FA6B51

RGB 250 107 81

HSL 9.23, 0.94%, 0.65%

LAB 62.87, 53.07, 41.67

 

CMYK 0 / 51 / 61 / 0

HEX #FF7D64

RGB 255 125 100

HSL 9.68, 1%, 0.7%

LAB 67.16, 47.51, 36.78

 

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

CMYK 0 / 80 / 94 / 31

HEX #B1230A

RGB 177 35 10

HSL 8.98, 0.89%, 0.37%

LAB 38.85, 54.84, 48.42

 

CMYK 0 / 89 / 100 / 37

HEX #A01100

RGB 160 17 0

HSL 6.38, 1%, 0.31%

LAB 33.72, 54.06, 47.48

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 73 / 85 / 24

HEX #C3351D

RGB 195 53 29

HSL 8.67, 0.74%, 0.44%

LAB 44.57, 54.95, 46.51

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 0 / 73 / 85 / 24

HEX #C3351D

RGB 195 53 29

HSL 8.67, 0.74%, 0.44%

LAB 44.57, 54.95, 46.51

 

CMYK 0 / 50 / 85 / 24

HEX #C3621D

RGB 195 98 29

HSL 24.94, 0.74%, 0.44%

LAB 52.32, 34.61, 53.14

 

CMYK 0 / 27 / 85 / 24

HEX #C38E1D

RGB 195 142 29

HSL 40.84, 0.74%, 0.44%

LAB 62.54, 10.75, 61.73

 

CMYK 0 / 4 / 85 / 24

HEX #C3BB1D

RGB 195 187 29

HSL 57.11, 0.74%, 0.44%

LAB 74.34, -13.14, 71.49

 

CMYK 19 / 0 / 85 / 24

HEX #9EC31D

RGB 158 195 29

HSL 73.37, 0.74%, 0.44%

LAB 73.8, -32.68, 69.91

 

CMYK 0 / 73 / 85 / 24

HEX #C3351D

RGB 195 53 29

HSL 8.67, 0.74%, 0.44%

LAB 44.57, 54.95, 46.51

 

CMYK 0 / 81 / 95 / 16

HEX #D5280B

RGB 213 40 11

HSL 8.61, 0.9%, 0.44%

LAB 46.56, 64.05, 56.4

 

CMYK 0 / 73 / 85 / 24

HEX #C3351D

RGB 195 53 29

HSL 8.67, 0.74%, 0.44%

LAB 44.57, 54.95, 46.51

 

CMYK 0 / 63 / 73 / 31

HEX #B1422F

RGB 177 66 47

HSL 8.77, 0.58%, 0.44%

LAB 43.43, 44.13, 34.89

 

CMYK 0 / 50 / 59 / 38

HEX #9E4F41

RGB 158 79 65

HSL 9.03, 0.42%, 0.44%

LAB 43.13, 31.48, 23.31

 

CMYK 0 / 35 / 41 / 45

HEX #8C5B53

RGB 140 91 83

HSL 8.42, 0.26%, 0.44%

LAB 43.77, 19.11, 12.9

 

CMYK 0 / 15 / 17 / 52

HEX #7A6865

RGB 122 104 101

HSL 8.57, 0.09%, 0.44%

LAB 45.6, 6.61, 4.33

 

CMYK 0 / 85 / 51 / 24

HEX #C31D5F

RGB 195 29 95

HSL 336.14, 0.74%, 0.44%

LAB 43.22, 65.14, 6.01

 

CMYK 0 / 85 / 74 / 24

HEX #C31D33

RGB 195 29 51

HSL 352.05, 0.74%, 0.44%

LAB 42.34, 62.55, 32.23

 

CMYK 0 / 74 / 85 / 24

HEX #C3331D

RGB 195 51 29

HSL 7.95, 0.74%, 0.44%

LAB 44.32, 55.65, 46.29

 

CMYK 0 / 51 / 85 / 24

HEX #C35F1D

RGB 195 95 29

HSL 23.86, 0.74%, 0.44%

LAB 51.7, 36.16, 52.61

 

CMYK 0 / 29 / 85 / 24

HEX #C38B1D

RGB 195 139 29

HSL 39.76, 0.74%, 0.44%

LAB 61.79, 12.39, 61.1

 

CMYK 0 / 73 / 85 / 52

HEX #7B2112

RGB 123 33 18

HSL 8.57, 0.74%, 0.28%

LAB 27.69, 38.07, 31.59

 

CMYK 0 / 73 / 86 / 38

HEX #9F2B17

RGB 159 43 23

HSL 8.82, 0.75%, 0.36%

LAB 36.29, 46.69, 39.48

 

CMYK 0 / 73 / 85 / 24

HEX #C3351D

RGB 195 53 29

HSL 8.67, 0.74%, 0.44%

LAB 44.57, 54.95, 46.51

 

CMYK 0 / 70 / 81 / 13

HEX #DF442A

RGB 223 68 42

HSL 8.62, 0.74%, 0.52%

LAB 51.83, 58.77, 48.76

 

CMYK 0 / 56 / 66 / 11

HEX #E4644E

RGB 228 100 78

HSL 8.8, 0.74%, 0.6%

LAB 58.19, 48.34, 36.9

 

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

CMYK 29 / 0 / 85 / 24

HEX #8BC31D

RGB 139 195 29

HSL 80.24, 0.74%, 0.44%

LAB 72.63, -40.16, 68.46

 

CMYK 85 / 63 / 0 / 24

HEX #1D49C3

RGB 29 73 195

HSL 224.1, 0.74%, 0.44%

LAB 35.92, 32.09, -67.5

 

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

CMYK 85 / 0 / 74 / 24

HEX #1DC333

RGB 29 195 51

HSL 127.95, 0.74%, 0.44%

LAB 69.13, -66.52, 57.53

 

CMYK 74 / 85 / 0 / 24

HEX #331DC3

RGB 51 29 195

HSL 247.95, 0.74%, 0.44%

LAB 28.17, 58, -80.25

 

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

CMYK 29 / 0 / 85 / 24

HEX #8BC31D

RGB 139 195 29

HSL 80.24, 0.74%, 0.44%

LAB 72.63, -40.16, 68.46

 

CMYK 85 / 11 / 0 / 24

HEX #1DADC3

RGB 29 173 195

HSL 187.95, 0.74%, 0.44%

LAB 65.03, -27.64, -21.36

 

CMYK 57 / 85 / 0 / 24

HEX #541DC3

RGB 84 29 195

HSL 259.88, 0.74%, 0.44%

LAB 31.12, 60.6, -75.27

 

CMYK 0 / 73 / 85 / 24

HEX #C2351D

RGB 194 53 29

HSL 8.73, 0.74%, 0.44%

LAB 44.38, 54.63, 46.27

 

CMYK 54 / 0 / 85 / 24

HEX #5AC31D

RGB 90 195 29

HSL 97.95, 0.74%, 0.44%

LAB 70.38, -56.5, 65.62

 

CMYK 85 / 11 / 0 / 24

HEX #1DADC3

RGB 29 173 195

HSL 187.95, 0.74%, 0.44%

LAB 65.03, -27.64, -21.36

 

CMYK 31 / 85 / 0 / 24

HEX #861DC3

RGB 134 29 195

HSL 277.95, 0.74%, 0.44%

LAB 37.64, 66.79, -64.33

 

Description

Color code: RGB 194 53 29 | qconv.com Color code: RGB 194 53 29 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 53 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 53 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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