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Color name
RGB 194 242 31

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 242 31 it is the complementary color RGB 61 13 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 242 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 242 31 shade: RGB 199 242 26, RGB 216 255 45, RGB 233 255 64, RGB 250 255 83 and RGB 255 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 242 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 242 31 shade: RGB 194 242 31, RGB 177 224 12, RGB 160 206 0, RGB 143 188 0 and RGB 126 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 242 31 shade: RGB 194 242 33, RGB 242 233 33, RGB 242 176 33, RGB 242 120 33 and RGB 242 64 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 242 31 shade: RGB 194 242 33, RGB 138 242 33, RGB 81 242 33, RGB 33 242 40 and RGB 33 242 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 242 31 shade matches the following richer shades: RGB 194 242 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 242 31 shade: RGB 194 242 33, RGB 184 223 52, RGB 173 204 71, RGB 163 185 90 and RGB 153 166 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 242 31 shade: RGB 242 175 33, RGB 242 231 33, RGB 196 242 33, RGB 141 242 33 and RGB 85 242 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 242 31 shade: RGB 143 182 10, RGB 173 221 12, RGB 194 242 33, RGB 205 244 72 and RGB 215 246 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 242 31 shade: RGB 194 242 31, RGB 33 242 120 and RGB 203 33 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 242 31 shade: RGB 194 242 31, RGB 33 196 242 and RGB 242 33 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 242 31 shade: RGB 194 242 31, RGB 33 242 120, RGB 78 33 242 and RGB 242 33 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 242 31 shade: RGB 194 242 31, RGB 33 242 182, RGB 78 33 242 and RGB 242 33 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

Complementary color

CMYK 73 / 94 / 0 / 12

HEX #3D0DE0

RGB 61 13 224

HSL 253.65, 0.89%, 0.46%

LAB 31.02, 70.62, -92.35

 

CMYK 18 / 0 / 89 / 5

HEX #C7F21A

RGB 199 242 26

HSL 71.94, 0.89%, 0.53%

LAB 89.73, -37.84, 84.66

 

CMYK 15 / 0 / 82 / 0

HEX #D8FF2D

RGB 216 255 45

HSL 71.14, 1%, 0.59%

LAB 94.44, -36.55, 85.46

 

CMYK 9 / 0 / 75 / 0

HEX #E9FF40

RGB 233 255 64

HSL 66.91, 1%, 0.63%

LAB 95.67, -29.18, 82.03

 

CMYK 2 / 0 / 67 / 0

HEX #FAFF53

RGB 250 255 83

HSL 61.74, 1%, 0.66%

LAB 97.01, -21.52, 77.51

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

CMYK 21 / 0 / 95 / 12

HEX #B1E00C

RGB 177 224 12

HSL 73.3, 0.9%, 0.46%

LAB 83.28, -38.64, 80.68

 

CMYK 22 / 0 / 100 / 19

HEX #A0CE00

RGB 160 206 0

HSL 73.4, 1%, 0.4%

LAB 77.05, -37.42, 76.54

 

CMYK 24 / 0 / 100 / 26

HEX #8FBC00

RGB 143 188 0

HSL 74.36, 1%, 0.37%

LAB 70.74, -36.06, 71.28

 

CMYK 26 / 0 / 100 / 33

HEX #7EAA00

RGB 126 170 0

HSL 75.53, 1%, 0.33%

LAB 64.31, -34.68, 65.93

 

CMYK 20 / 0 / 86 / 5

HEX #C2F221

RGB 194 242 33

HSL 73.78, 0.89%, 0.54%

LAB 89.43, -39.63, 83.12

 

CMYK 0 / 4 / 86 / 5

HEX #F2E921

RGB 242 233 33

HSL 57.42, 0.89%, 0.54%

LAB 90.44, -15.97, 85.36

 

CMYK 0 / 27 / 86 / 5

HEX #F2B021

RGB 242 176 33

HSL 41.05, 0.89%, 0.54%

LAB 76.09, 13.08, 73.86

 

CMYK 0 / 50 / 86 / 5

HEX #F27821

RGB 242 120 33

HSL 24.98, 0.89%, 0.54%

LAB 63.69, 42.16, 63.92

 

CMYK 0 / 74 / 86 / 5

HEX #F24021

RGB 242 64 33

HSL 8.9, 0.89%, 0.54%

LAB 54.71, 65.87, 56.73

 

CMYK 20 / 0 / 86 / 5

HEX #C2F221

RGB 194 242 33

HSL 73.78, 0.89%, 0.54%

LAB 89.43, -39.63, 83.12

 

CMYK 43 / 0 / 86 / 5

HEX #8AF221

RGB 138 242 33

HSL 89.86, 0.89%, 0.54%

LAB 86.51, -59.5, 79.49

 

CMYK 67 / 0 / 86 / 5

HEX #51F221

RGB 81 242 33

HSL 106.22, 0.89%, 0.54%

LAB 84.67, -74.12, 77.18

 

CMYK 86 / 0 / 83 / 5

HEX #21F228

RGB 33 242 40

HSL 122.01, 0.89%, 0.54%

LAB 83.96, -80.27, 74.8

 

CMYK 86 / 0 / 60 / 5

HEX #21F261

RGB 33 242 97

HSL 138.37, 0.89%, 0.54%

LAB 84.32, -75.64, 55.66

 

CMYK 20 / 0 / 86 / 5

HEX #C2F221

RGB 194 242 33

HSL 73.78, 0.89%, 0.54%

LAB 89.43, -39.63, 83.12

 

CMYK 20 / 0 / 86 / 5

HEX #C2F221

RGB 194 242 33

HSL 73.78, 0.89%, 0.54%

LAB 89.43, -39.63, 83.12

 

CMYK 17 / 0 / 77 / 13

HEX #B8DF34

RGB 184 223 52

HSL 73.68, 0.73%, 0.54%

LAB 83.55, -34.36, 73.2

 

CMYK 15 / 0 / 65 / 20

HEX #ADCC47

RGB 173 204 71

HSL 73.98, 0.57%, 0.54%

LAB 77.59, -28.84, 60.44

 

CMYK 12 / 0 / 51 / 27

HEX #A3B95A

RGB 163 185 90

HSL 73.89, 0.4%, 0.54%

LAB 71.71, -22.07, 45.22

 

CMYK 8 / 0 / 34 / 35

HEX #99A66D

RGB 153 166 109

HSL 73.68, 0.24%, 0.54%

LAB 65.86, -14.21, 28.04

 

CMYK 0 / 28 / 86 / 5

HEX #F2AF21

RGB 242 175 33

HSL 40.77, 0.89%, 0.54%

LAB 75.85, 13.61, 73.67

 

CMYK 0 / 5 / 86 / 5

HEX #F2E721

RGB 242 231 33

HSL 56.84, 0.89%, 0.54%

LAB 89.92, -15, 84.95

 

CMYK 19 / 0 / 86 / 5

HEX #C4F221

RGB 196 242 33

HSL 73.21, 0.89%, 0.54%

LAB 89.56, -38.86, 83.27

 

CMYK 42 / 0 / 86 / 5

HEX #8DF221

RGB 141 242 33

HSL 89, 0.89%, 0.54%

LAB 86.64, -58.55, 79.65

 

CMYK 65 / 0 / 86 / 5

HEX #55F221

RGB 85 242 33

HSL 105.07, 0.89%, 0.54%

LAB 84.76, -73.33, 77.3

 

CMYK 21 / 0 / 95 / 29

HEX #8FB60A

RGB 143 182 10

HSL 73.6, 0.9%, 0.38%

LAB 68.98, -33.17, 68.78

 

CMYK 22 / 0 / 95 / 13

HEX #ADDD0C

RGB 173 221 12

HSL 73.78, 0.9%, 0.46%

LAB 82.18, -38.87, 79.72

 

CMYK 20 / 0 / 86 / 5

HEX #C2F221

RGB 194 242 33

HSL 73.78, 0.89%, 0.54%

LAB 89.43, -39.63, 83.12

 

CMYK 16 / 0 / 70 / 4

HEX #CDF448

RGB 205 244 72

HSL 73.6, 0.89%, 0.62%

LAB 90.85, -34.76, 74.21

 

CMYK 13 / 0 / 55 / 4

HEX #D7F66F

RGB 215 246 111

HSL 73.78, 0.88%, 0.7%

LAB 92.36, -29.15, 60.54

 

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

CMYK 86 / 0 / 50 / 5

HEX #21F278

RGB 33 242 120

HSL 144.98, 0.89%, 0.54%

LAB 84.58, -72.54, 45.53

 

CMYK 16 / 86 / 0 / 5

HEX #CB21F2

RGB 203 33 242

HSL 288.8, 0.89%, 0.54%

LAB 52.06, 85.05, -67.34

 

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

CMYK 86 / 19 / 0 / 5

HEX #21C4F2

RGB 33 196 242

HSL 193.21, 0.89%, 0.54%

LAB 73.68, -23.49, -33.77

 

CMYK 0 / 86 / 19 / 5

HEX #F221C4

RGB 242 33 196

HSL 313.21, 0.89%, 0.54%

LAB 56.04, 85.23, -34.46

 

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

CMYK 86 / 0 / 50 / 5

HEX #21F278

RGB 33 242 120

HSL 144.98, 0.89%, 0.54%

LAB 84.58, -72.54, 45.53

 

CMYK 68 / 86 / 0 / 5

HEX #4E21F2

RGB 78 33 242

HSL 252.92, 0.89%, 0.54%

LAB 36.21, 70.92, -93.94

 

CMYK 0 / 86 / 36 / 5

HEX #F2219B

RGB 242 33 155

HSL 324.98, 0.89%, 0.54%

LAB 54.38, 80.72, -13.07

 

CMYK 20 / 0 / 87 / 5

HEX #C2F21F

RGB 194 242 31

HSL 73.65, 0.89%, 0.54%

LAB 89.43, -39.68, 83.47

 

CMYK 86 / 0 / 25 / 5

HEX #21F2B6

RGB 33 242 182

HSL 162.78, 0.89%, 0.54%

LAB 85.61, -60.72, 15.83

 

CMYK 68 / 86 / 0 / 5

HEX #4E21F2

RGB 78 33 242

HSL 252.92, 0.89%, 0.54%

LAB 36.21, 70.92, -93.94

 

CMYK 0 / 86 / 62 / 5

HEX #F2215C

RGB 242 33 92

HSL 343.06, 0.89%, 0.54%

LAB 52.66, 75.89, 22.31

 

Description

Color code: RGB 194 242 31 | qconv.com Color code: RGB 194 242 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 242 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 242 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 87% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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