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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 207 124 it is the complementary color RGB 61 48 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 207 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 207 124 shade: RGB 199 207 119, RGB 216 225 138, RGB 233 243 157, RGB 250 255 176 and RGB 255 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 207 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 207 124 shade: RGB 194 207 124, RGB 177 189 105, RGB 160 171 86, RGB 143 153 67 and RGB 126 135 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 207 124 shade: RGB 193 206 124, RGB 206 197 124, RGB 206 175 124, RGB 206 153 124 and RGB 206 131 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 207 124 shade: RGB 193 206 124, RGB 171 206 124, RGB 149 206 124, RGB 127 206 124 and RGB 124 206 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 207 124 shade matches the following richer shades: RGB 193 206 124, RGB 203 221 110, RGB 213 235 95 and RGB 223 250 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 207 124 shade: RGB 193 206 124, RGB 184 192 139, RGB 174 177 153, RGB 164 163 168 and RGB 154 149 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 207 124 shade: RGB 206 175 124, RGB 206 197 124, RGB 194 206 124, RGB 172 206 124 and RGB 150 206 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 207 124 shade: RGB 163 181 67, RGB 179 195 94, RGB 193 206 124, RGB 208 217 154 and RGB 222 229 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 207 124 shade: RGB 194 207 124, RGB 124 206 153 and RGB 186 124 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 207 124 shade: RGB 194 207 124, RGB 124 194 206 and RGB 206 124 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 207 124 shade: RGB 194 207 124, RGB 124 206 153, RGB 137 124 206 and RGB 206 124 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 207 124 shade: RGB 194 207 124, RGB 124 206 178, RGB 137 124 206 and RGB 206 124 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

Complementary color

CMYK 53 / 63 / 0 / 49

HEX #3D3083

RGB 61 48 131

HSL 249.4, 0.46%, 0.35%

LAB 25.99, 29.35, -44.98

 

CMYK 4 / 0 / 43 / 19

HEX #C7CF77

RGB 199 207 119

HSL 65.45, 0.48%, 0.64%

LAB 80.79, -15.76, 42.69

 

CMYK 4 / 0 / 39 / 12

HEX #D8E18A

RGB 216 225 138

HSL 66.21, 0.59%, 0.71%

LAB 87.14, -16.04, 41.53

 

CMYK 4 / 0 / 35 / 5

HEX #E9F39D

RGB 233 243 157

HSL 66.98, 0.78%, 0.78%

LAB 93.39, -16.26, 40.4

 

CMYK 2 / 0 / 31 / 0

HEX #FAFFB0

RGB 250 255 176

HSL 63.8, 1%, 0.85%

LAB 98.02, -13.53, 37.28

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

CMYK 6 / 0 / 44 / 26

HEX #B1BD69

RGB 177 189 105

HSL 68.57, 0.39%, 0.58%

LAB 74.04, -16.93, 40.9

 

CMYK 6 / 0 / 50 / 33

HEX #A0AB56

RGB 160 171 86

HSL 67.76, 0.34%, 0.5%

LAB 67.48, -16.62, 42.09

 

CMYK 7 / 0 / 56 / 40

HEX #8F9943

RGB 143 153 67

HSL 66.98, 0.39%, 0.43%

LAB 60.81, -16.21, 43.22

 

CMYK 7 / 0 / 64 / 47

HEX #7E8730

RGB 126 135 48

HSL 66.21, 0.48%, 0.36%

LAB 54, -15.66, 44.17

 

CMYK 6 / 0 / 40 / 19

HEX #C1CE7C

RGB 193 206 124

HSL 69.51, 0.46%, 0.65%

LAB 80.14, -17.06, 39.27

 

CMYK 0 / 4 / 40 / 19

HEX #CEC57C

RGB 206 197 124

HSL 53.41, 0.46%, 0.65%

LAB 78.76, -7.36, 37.72

 

CMYK 0 / 15 / 40 / 19

HEX #CEAF7C

RGB 206 175 124

HSL 37.32, 0.46%, 0.65%

LAB 73.05, 4.2, 30.32

 

CMYK 0 / 26 / 40 / 19

HEX #CE997C

RGB 206 153 124

HSL 21.22, 0.46%, 0.65%

LAB 67.55, 16.08, 22.99

 

CMYK 0 / 36 / 40 / 19

HEX #CE837C

RGB 206 131 124

HSL 5.12, 0.46%, 0.65%

LAB 62.35, 28.06, 15.88

 

CMYK 6 / 0 / 40 / 19

HEX #C1CE7C

RGB 193 206 124

HSL 69.51, 0.46%, 0.65%

LAB 80.14, -17.06, 39.27

 

CMYK 17 / 0 / 40 / 19

HEX #ABCE7C

RGB 171 206 124

HSL 85.61, 0.46%, 0.65%

LAB 78.61, -25.45, 37.01

 

CMYK 28 / 0 / 40 / 19

HEX #95CE7C

RGB 149 206 124

HSL 101.71, 0.46%, 0.65%

LAB 77.27, -33.36, 35.02

 

CMYK 38 / 0 / 40 / 19

HEX #7FCE7C

RGB 127 206 124

HSL 117.8, 0.46%, 0.65%

LAB 76.14, -40.6, 33.32

 

CMYK 40 / 0 / 30 / 19

HEX #7CCE90

RGB 124 206 144

HSL 134.63, 0.46%, 0.65%

LAB 76.34, -38.21, 23.18

 

CMYK 6 / 0 / 40 / 19

HEX #C1CE7C

RGB 193 206 124

HSL 69.51, 0.46%, 0.65%

LAB 80.14, -17.06, 39.27

 

CMYK 8 / 0 / 50 / 13

HEX #CBDD6E

RGB 203 221 110

HSL 69.73, 0.62%, 0.65%

LAB 84.76, -21.99, 51.92

 

CMYK 9 / 0 / 60 / 8

HEX #D5EB5F

RGB 213 235 95

HSL 69.43, 0.78%, 0.65%

LAB 89.11, -26.01, 63.74

 

CMYK 11 / 0 / 68 / 2

HEX #DFFA51

RGB 223 250 81

HSL 69.59, 0.94%, 0.65%

LAB 93.73, -30, 74.31

 

CMYK 6 / 0 / 40 / 19

HEX #C1CE7C

RGB 193 206 124

HSL 69.51, 0.46%, 0.65%

LAB 80.14, -17.06, 39.27

 

CMYK 4 / 0 / 28 / 25

HEX #B8C08B

RGB 184 192 139

HSL 69.06, 0.3%, 0.65%

LAB 75.92, -11.54, 25.86

 

CMYK 2 / 0 / 14 / 31

HEX #AEB199

RGB 174 177 153

HSL 67.5, 0.13%, 0.65%

LAB 71.38, -5.32, 11.93

 

CMYK 2 / 3 / 0 / 34

HEX #A4A3A8

RGB 164 163 168

HSL 252, 0.03%, 0.65%

LAB 67.21, 1.32, -2.47

 

CMYK 15 / 18 / 0 / 29

HEX #9A95B6

RGB 154 149 182

HSL 249.09, 0.18%, 0.65%

LAB 63.13, 8.63, -16.49

 

CMYK 0 / 15 / 40 / 19

HEX #CEAF7C

RGB 206 175 124

HSL 37.32, 0.46%, 0.65%

LAB 73.05, 4.2, 30.32

 

CMYK 0 / 4 / 40 / 19

HEX #CEC57C

RGB 206 197 124

HSL 53.41, 0.46%, 0.65%

LAB 78.76, -7.36, 37.72

 

CMYK 6 / 0 / 40 / 19

HEX #C2CE7C

RGB 194 206 124

HSL 68.78, 0.46%, 0.65%

LAB 80.22, -16.68, 39.38

 

CMYK 17 / 0 / 40 / 19

HEX #ACCE7C

RGB 172 206 124

HSL 84.88, 0.46%, 0.65%

LAB 78.68, -25.08, 37.1

 

CMYK 27 / 0 / 40 / 19

HEX #96CE7C

RGB 150 206 124

HSL 100.98, 0.46%, 0.65%

LAB 77.33, -33.02, 35.1

 

CMYK 10 / 0 / 63 / 29

HEX #A3B543

RGB 163 181 67

HSL 69.47, 0.46%, 0.49%

LAB 70.34, -22.03, 54.19

 

CMYK 8 / 0 / 52 / 24

HEX #B3C35E

RGB 179 195 94

HSL 69.5, 0.46%, 0.57%

LAB 75.71, -20.23, 48.33

 

CMYK 6 / 0 / 40 / 19

HEX #C1CE7C

RGB 193 206 124

HSL 69.51, 0.46%, 0.65%

LAB 80.14, -17.06, 39.27

 

CMYK 4 / 0 / 29 / 15

HEX #D0D99A

RGB 208 217 154

HSL 68.57, 0.45%, 0.73%

LAB 84.67, -13.14, 30.09

 

CMYK 3 / 0 / 20 / 10

HEX #DEE5B8

RGB 222 229 184

HSL 69.33, 0.46%, 0.81%

LAB 89.41, -9.8, 21.2

 

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

CMYK 40 / 0 / 26 / 19

HEX #7CCE99

RGB 124 206 153

HSL 141.22, 0.46%, 0.65%

LAB 76.51, -36.56, 18.67

 

CMYK 10 / 40 / 0 / 19

HEX #BA7CCE

RGB 186 124 206

HSL 285.37, 0.46%, 0.65%

LAB 61.05, 38.13, -32.93

 

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

CMYK 40 / 6 / 0 / 19

HEX #7CC2CE

RGB 124 194 206

HSL 188.78, 0.46%, 0.65%

LAB 74.4, -18.91, -12.96

 

CMYK 0 / 40 / 6 / 19

HEX #CE7CC2

RGB 206 124 194

HSL 308.78, 0.46%, 0.65%

LAB 62.87, 42.08, -23.17

 

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

CMYK 40 / 0 / 26 / 19

HEX #7CCE99

RGB 124 206 153

HSL 141.22, 0.46%, 0.65%

LAB 76.51, -36.56, 18.67

 

CMYK 33 / 40 / 0 / 19

HEX #897CCE

RGB 137 124 206

HSL 249.51, 0.46%, 0.65%

LAB 56.28, 23.76, -40.75

 

CMYK 0 / 40 / 14 / 19

HEX #CE7CB2

RGB 206 124 178

HSL 320.49, 0.46%, 0.65%

LAB 62.3, 39.37, -14.98

 

CMYK 6 / 0 / 40 / 19

HEX #C2CF7C

RGB 194 207 124

HSL 69.4, 0.46%, 0.65%

LAB 80.49, -17.18, 39.73

 

CMYK 40 / 0 / 14 / 19

HEX #7CCEB2

RGB 124 206 178

HSL 159.51, 0.46%, 0.65%

LAB 77.07, -31.46, 6.09

 

CMYK 33 / 40 / 0 / 19

HEX #897CCE

RGB 137 124 206

HSL 249.51, 0.46%, 0.65%

LAB 56.28, 23.76, -40.75

 

CMYK 0 / 40 / 26 / 19

HEX #CE7C99

RGB 206 124 153

HSL 338.78, 0.46%, 0.65%

LAB 61.51, 35.56, -1.87

 

Description

Color code: RGB 194 207 124 | qconv.com Color code: RGB 194 207 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 207 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 207 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 40 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 40% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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