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Color name
RGB 194 19 176

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 19 176 it is the complementary color RGB 61 236 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 19 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 19 176 shade: RGB 199 19 171, RGB 216 37 190, RGB 233 55 209, RGB 250 73 228 and RGB 255 91 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 19 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 177 1 157, RGB 160 0 138, RGB 143 0 119 and RGB 126 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 194 19 129, RGB 194 19 82, RGB 194 19 34 and RGB 194 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 165 19 194, RGB 118 19 194, RGB 70 19 194 and RGB 23 19 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 19 176 shade matches the following richer shades: RGB 194 19 176 and RGB 212 1 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 177 36 163, RGB 160 53 149, RGB 142 71 135 and RGB 125 88 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 19 176 shade: RGB 118 19 194, RGB 165 19 194, RGB 194 19 177, RGB 194 19 130 and RGB 194 19 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 19 176 shade: RGB 119 11 108, RGB 157 15 142, RGB 194 19 176, RGB 232 23 210 and RGB 235 60 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 194 71 19 and RGB 19 194 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 177 194 19 and RGB 19 177 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 194 71 19, RGB 19 194 36 and RGB 19 142 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 19 176 shade: RGB 194 19 176, RGB 194 124 19, RGB 19 194 36 and RGB 19 89 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

Complementary color

CMYK 74 / 0 / 67 / 7

HEX #3DEC4F

RGB 61 236 79

HSL 126.17, 0.82%, 0.58%

LAB 82.67, -72.72, 61.34

 

CMYK 0 / 90 / 14 / 22

HEX #C713AB

RGB 199 19 171

HSL 309.33, 0.83%, 0.43%

LAB 46.38, 75.82, -35.56

 

CMYK 0 / 83 / 12 / 15

HEX #D825BE

RGB 216 37 190

HSL 308.72, 0.71%, 0.5%

LAB 51.43, 78.59, -38.55

 

CMYK 0 / 76 / 10 / 9

HEX #E937D1

RGB 233 55 209

HSL 308.09, 0.8%, 0.56%

LAB 56.74, 80.38, -40.91

 

CMYK 0 / 71 / 9 / 2

HEX #FA49E4

RGB 250 73 228

HSL 307.46, 0.95%, 0.63%

LAB 62.25, 81.43, -42.8

 

CMYK 0 / 64 / 3 / 0

HEX #FF5BF7

RGB 255 91 247

HSL 302.93, 1%, 0.68%

LAB 66.1, 79.2, -47.23

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 99 / 11 / 31

HEX #B1019D

RGB 177 1 157

HSL 306.82, 0.99%, 0.35%

LAB 40.9, 71.76, -36.1

 

CMYK 0 / 100 / 14 / 37

HEX #A0008A

RGB 160 0 138

HSL 308.25, 1%, 0.31%

LAB 36.57, 66.18, -31.56

 

CMYK 0 / 100 / 17 / 44

HEX #8F0077

RGB 143 0 119

HSL 310.07, 1%, 0.28%

LAB 32.19, 60.39, -26.8

 

CMYK 0 / 100 / 21 / 51

HEX #7E0064

RGB 126 0 100

HSL 312.38, 1%, 0.25%

LAB 27.73, 54.48, -21.86

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 90 / 34 / 24

HEX #C21381

RGB 194 19 129

HSL 322.29, 0.82%, 0.42%

LAB 43.54, 69.79, -14.68

 

CMYK 0 / 90 / 58 / 24

HEX #C21352

RGB 194 19 82

HSL 338.4, 0.82%, 0.42%

LAB 42.07, 65.75, 12.55

 

CMYK 0 / 90 / 82 / 24

HEX #C21322

RGB 194 19 34

HSL 354.86, 0.82%, 0.42%

LAB 41.3, 63.57, 40.91

 

CMYK 0 / 90 / 90 / 24

HEX #C21313

RGB 194 19 19

HSL 0, 0.82%, 0.42%

LAB 41.19, 63.26, 48.24

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 15 / 90 / 0 / 24

HEX #A513C2

RGB 165 19 194

HSL 290.06, 0.82%, 0.42%

LAB 41.78, 73.36, -56.79

 

CMYK 39 / 90 / 0 / 24

HEX #7613C2

RGB 118 19 194

HSL 273.94, 0.82%, 0.42%

LAB 34.42, 66.8, -69.1

 

CMYK 64 / 90 / 0 / 24

HEX #4613C2

RGB 70 19 194

HSL 257.49, 0.82%, 0.42%

LAB 28.55, 62.24, -79

 

CMYK 88 / 90 / 0 / 24

HEX #1713C2

RGB 23 19 194

HSL 241.37, 0.82%, 0.42%

LAB 25.39, 60.15, -84.34

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 100 / 10 / 17

HEX #D401BE

RGB 212 1 190

HSL 306.26, 0.99%, 0.42%

LAB 49.17, 82.36, -42.15

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 80 / 8 / 31

HEX #B124A3

RGB 177 36 163

HSL 305.96, 0.66%, 0.42%

LAB 43.14, 67.02, -36.16

 

CMYK 0 / 67 / 7 / 37

HEX #A03595

RGB 160 53 149

HSL 306.17, 0.5%, 0.42%

LAB 41.52, 55.29, -30.5

 

CMYK 0 / 50 / 5 / 44

HEX #8E4787

RGB 142 71 135

HSL 305.92, 0.33%, 0.42%

LAB 41.23, 39.3, -22.65

 

CMYK 0 / 30 / 3 / 51

HEX #7D5879

RGB 125 88 121

HSL 306.49, 0.17%, 0.42%

LAB 42.34, 21.12, -12.6

 

CMYK 39 / 90 / 0 / 24

HEX #7613C2

RGB 118 19 194

HSL 273.94, 0.82%, 0.42%

LAB 34.42, 66.8, -69.1

 

CMYK 15 / 90 / 0 / 24

HEX #A513C2

RGB 165 19 194

HSL 290.06, 0.82%, 0.42%

LAB 41.78, 73.36, -56.79

 

CMYK 0 / 90 / 9 / 24

HEX #C213B1

RGB 194 19 177

HSL 305.83, 0.82%, 0.42%

LAB 45.78, 75.69, -40.11

 

CMYK 0 / 90 / 33 / 24

HEX #C21382

RGB 194 19 130

HSL 321.94, 0.82%, 0.42%

LAB 43.58, 69.89, -15.24

 

CMYK 0 / 90 / 57 / 24

HEX #C21353

RGB 194 19 83

HSL 338.06, 0.82%, 0.42%

LAB 42.09, 65.82, 11.95

 

CMYK 0 / 91 / 9 / 53

HEX #770B6C

RGB 119 11 108

HSL 306.11, 0.83%, 0.25%

LAB 27.42, 52.26, -27.62

 

CMYK 0 / 90 / 10 / 38

HEX #9D0F8E

RGB 157 15 142

HSL 306.34, 0.83%, 0.34%

LAB 36.86, 64.29, -33.6

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 90 / 9 / 9

HEX #E817D2

RGB 232 23 210

HSL 306.32, 0.82%, 0.5%

LAB 54.47, 86.57, -45.08

 

CMYK 0 / 74 / 8 / 8

HEX #EB3CD9

RGB 235 60 217

HSL 306.17, 0.81%, 0.58%

LAB 57.95, 80.55, -43.54

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 63 / 90 / 24

HEX #C24713

RGB 194 71 19

HSL 17.83, 0.82%, 0.42%

LAB 47, 47.15, 52.46

 

CMYK 90 / 0 / 27 / 24

HEX #13C28E

RGB 19 194 142

HSL 162.17, 0.82%, 0.42%

LAB 69.95, -52.5, 15

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 9 / 0 / 90 / 24

HEX #B1C213

RGB 177 194 19

HSL 65.83, 0.82%, 0.42%

LAB 74.81, -24.57, 73.16

 

CMYK 90 / 9 / 0 / 24

HEX #13B1C2

RGB 19 177 194

HSL 185.83, 0.82%, 0.42%

LAB 66.12, -30.52, -19.16

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 63 / 90 / 24

HEX #C24713

RGB 194 71 19

HSL 17.83, 0.82%, 0.42%

LAB 47, 47.15, 52.46

 

CMYK 90 / 0 / 81 / 24

HEX #13C224

RGB 19 194 36

HSL 125.83, 0.82%, 0.42%

LAB 68.64, -68.04, 61.75

 

CMYK 90 / 27 / 0 / 24

HEX #138EC2

RGB 19 142 194

HSL 197.83, 0.82%, 0.42%

LAB 55.46, -12.23, -35.6

 

CMYK 0 / 90 / 9 / 24

HEX #C213B0

RGB 194 19 176

HSL 306.17, 0.82%, 0.42%

LAB 45.73, 75.55, -39.6

 

CMYK 0 / 36 / 90 / 24

HEX #C27C13

RGB 194 124 19

HSL 36, 0.82%, 0.42%

LAB 57.97, 19.97, 60.71

 

CMYK 90 / 0 / 81 / 24

HEX #13C224

RGB 19 194 36

HSL 125.83, 0.82%, 0.42%

LAB 68.64, -68.04, 61.75

 

CMYK 90 / 54 / 0 / 24

HEX #1359C2

RGB 19 89 194

HSL 216, 0.82%, 0.42%

LAB 39.88, 20.52, -60.47

 

Description

Color code: RGB 194 19 176 | qconv.com Color code: RGB 194 19 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 19 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 19 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 9% 24% C M Y K

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