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Color name
RGB 194 116 182

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 116 182 it is the complementary color RGB 61 139 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 116 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 116 182 shade: RGB 199 116 177, RGB 216 134 196, RGB 233 152 215, RGB 250 170 234 and RGB 255 188 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 116 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 177 98 163, RGB 160 80 144, RGB 143 62 125 and RGB 126 44 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 194 116 161, RGB 194 116 140, RGB 194 116 119 and RGB 194 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 185 116 194, RGB 164 116 194, RGB 143 116 194 and RGB 122 116 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 116 182 shade matches the following richer shades: RGB 194 116 182, RGB 210 100 193, RGB 226 84 204 and RGB 242 68 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 178 132 171, RGB 162 148 160, RGB 146 165 148 and RGB 129 181 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 116 182 shade: RGB 164 116 194, RGB 185 116 194, RGB 194 116 182, RGB 194 116 162 and RGB 194 116 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 116 182 shade: RGB 158 69 145, RGB 181 88 167, RGB 194 116 182, RGB 206 145 197 and RGB 219 174 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 194 143 116 and RGB 116 194 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 182 194 116 and RGB 116 182 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 194 143 116, RGB 116 194 128 and RGB 116 167 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 116 182 shade: RGB 194 116 182, RGB 194 167 116, RGB 116 194 128 and RGB 116 143 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

Complementary color

CMYK 56 / 0 / 47 / 45

HEX #3D8B49

RGB 61 139 73

HSL 129.23, 0.39%, 0.39%

LAB 51.77, -38.79, 28.13

 

CMYK 0 / 42 / 11 / 22

HEX #C774B1

RGB 199 116 177

HSL 315.9, 0.43%, 0.62%

LAB 59.71, 41.13, -18.4

 

CMYK 0 / 38 / 9 / 15

HEX #D886C4

RGB 216 134 196

HSL 314.63, 0.51%, 0.69%

LAB 66.24, 40.37, -19.05

 

CMYK 0 / 35 / 8 / 9

HEX #E998D7

RGB 233 152 215

HSL 313.33, 0.65%, 0.75%

LAB 72.68, 39.63, -19.63

 

CMYK 0 / 32 / 6 / 2

HEX #FAAAEA

RGB 250 170 234

HSL 312, 0.89%, 0.82%

LAB 79.05, 38.92, -20.16

 

CMYK 0 / 26 / 1 / 0

HEX #FFBCFD

RGB 255 188 253

HSL 301.79, 1%, 0.87%

LAB 84.13, 34.41, -22.6

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 45 / 8 / 31

HEX #B162A3

RGB 177 98 163

HSL 310.63, 0.34%, 0.54%

LAB 52.65, 41.13, -21.35

 

CMYK 0 / 50 / 10 / 37

HEX #A05090

RGB 160 80 144

HSL 312, 0.33%, 0.47%

LAB 45.94, 41.86, -20.61

 

CMYK 0 / 57 / 13 / 44

HEX #8F3E7D

RGB 143 62 125

HSL 313.33, 0.4%, 0.4%

LAB 39.18, 42.48, -19.67

 

CMYK 0 / 65 / 16 / 51

HEX #7E2C6A

RGB 126 44 106

HSL 314.63, 0.48%, 0.33%

LAB 32.43, 42.82, -18.4

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 40 / 17 / 24

HEX #C274A1

RGB 194 116 161

HSL 325.38, 0.39%, 0.61%

LAB 58.54, 36.84, -11.05

 

CMYK 0 / 40 / 28 / 24

HEX #C2748C

RGB 194 116 140

HSL 341.54, 0.39%, 0.61%

LAB 57.9, 33.7, 0.15

 

CMYK 0 / 40 / 39 / 24

HEX #C27477

RGB 194 116 119

HSL 357.69, 0.39%, 0.61%

LAB 57.36, 30.99, 11.56

 

CMYK 0 / 40 / 40 / 24

HEX #C27474

RGB 194 116 116

HSL 0, 0.39%, 0.61%

LAB 57.29, 30.64, 13.2

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 5 / 40 / 0 / 24

HEX #B974C2

RGB 185 116 194

HSL 293.08, 0.39%, 0.61%

LAB 58.7, 39.77, -29.81

 

CMYK 15 / 40 / 0 / 24

HEX #A474C2

RGB 164 116 194

HSL 276.92, 0.39%, 0.61%

LAB 56.37, 33.33, -33.62

 

CMYK 26 / 40 / 0 / 24

HEX #8F74C2

RGB 143 116 194

HSL 260.77, 0.39%, 0.61%

LAB 54.27, 27.07, -37.05

 

CMYK 37 / 40 / 0 / 24

HEX #7A74C2

RGB 122 116 194

HSL 244.62, 0.39%, 0.61%

LAB 52.42, 21.14, -40.08

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 52 / 8 / 18

HEX #D264C1

RGB 210 100 193

HSL 309.27, 0.55%, 0.61%

LAB 58.66, 55.23, -29.04

 

CMYK 0 / 63 / 10 / 11

HEX #E254CC

RGB 226 84 204

HSL 309.3, 0.71%, 0.61%

LAB 58.85, 68.3, -34.84

 

CMYK 0 / 72 / 11 / 5

HEX #F244D7

RGB 242 68 215

HSL 309.31, 0.87%, 0.61%

LAB 59.81, 79.38, -39.39

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 26 / 4 / 30

HEX #B284AB

RGB 178 132 171

HSL 309.13, 0.23%, 0.61%

LAB 60.7, 24.2, -13.71

 

CMYK 0 / 9 / 1 / 36

HEX #A294A0

RGB 162 148 160

HSL 308.57, 0.07%, 0.61%

LAB 62.84, 7.4, -4.43

 

CMYK 12 / 0 / 10 / 35

HEX #92A594

RGB 146 165 148

HSL 126.32, 0.1%, 0.61%

LAB 65.87, -10.01, 6.56

 

CMYK 29 / 0 / 24 / 29

HEX #81B589

RGB 129 181 137

HSL 129.23, 0.26%, 0.61%

LAB 69.13, -26.14, 17.05

 

CMYK 15 / 40 / 0 / 24

HEX #A474C2

RGB 164 116 194

HSL 276.92, 0.39%, 0.61%

LAB 56.37, 33.33, -33.62

 

CMYK 5 / 40 / 0 / 24

HEX #B974C2

RGB 185 116 194

HSL 293.08, 0.39%, 0.61%

LAB 58.7, 39.77, -29.81

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 40 / 16 / 24

HEX #C274A2

RGB 194 116 162

HSL 324.62, 0.39%, 0.61%

LAB 58.57, 37, -11.57

 

CMYK 0 / 40 / 27 / 24

HEX #C2748D

RGB 194 116 141

HSL 340.77, 0.39%, 0.61%

LAB 57.93, 33.84, -0.39

 

CMYK 0 / 56 / 8 / 38

HEX #9E4591

RGB 158 69 145

HSL 308.76, 0.39%, 0.45%

LAB 43.61, 46.95, -24.83

 

CMYK 0 / 51 / 8 / 29

HEX #B558A7

RGB 181 88 167

HSL 309.03, 0.39%, 0.53%

LAB 51.37, 48.2, -25.61

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 30 / 4 / 19

HEX #CE91C5

RGB 206 145 197

HSL 308.85, 0.38%, 0.69%

LAB 67.58, 31.33, -17.69

 

CMYK 0 / 21 / 3 / 14

HEX #DBAED4

RGB 219 174 212

HSL 309.33, 0.38%, 0.77%

LAB 76.12, 22.67, -12.95

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 26 / 40 / 24

HEX #C28F74

RGB 194 143 116

HSL 20.77, 0.39%, 0.61%

LAB 63.65, 15.82, 21.93

 

CMYK 40 / 0 / 10 / 24

HEX #74C2AE

RGB 116 194 174

HSL 164.62, 0.39%, 0.61%

LAB 73.12, -28.75, 2.51

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 6 / 0 / 40 / 24

HEX #B6C274

RGB 182 194 116

HSL 69.23, 0.39%, 0.61%

LAB 75.94, -16.26, 37.82

 

CMYK 40 / 6 / 0 / 24

HEX #74B6C2

RGB 116 182 194

HSL 189.23, 0.39%, 0.61%

LAB 70.22, -17.86, -12.71

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 26 / 40 / 24

HEX #C28F74

RGB 194 143 116

HSL 20.77, 0.39%, 0.61%

LAB 63.65, 15.82, 21.93

 

CMYK 40 / 0 / 34 / 24

HEX #74C280

RGB 116 194 128

HSL 129.23, 0.39%, 0.61%

LAB 72.13, -37.97, 25.86

 

CMYK 40 / 14 / 0 / 24

HEX #74A7C2

RGB 116 167 194

HSL 200.77, 0.39%, 0.61%

LAB 65.94, -9.91, -19.18

 

CMYK 0 / 40 / 6 / 24

HEX #C274B6

RGB 194 116 182

HSL 309.23, 0.39%, 0.61%

LAB 59.29, 40.37, -21.97

 

CMYK 0 / 14 / 40 / 24

HEX #C2A774

RGB 194 167 116

HSL 39.23, 0.39%, 0.61%

LAB 69.73, 2.71, 30.01

 

CMYK 40 / 0 / 34 / 24

HEX #74C280

RGB 116 194 128

HSL 129.23, 0.39%, 0.61%

LAB 72.13, -37.97, 25.86

 

CMYK 40 / 26 / 0 / 24

HEX #748FC2

RGB 116 143 194

HSL 219.23, 0.39%, 0.61%

LAB 59.21, 3.55, -29.51

 

Description

Color code: RGB 194 116 182 | qconv.com Color code: RGB 194 116 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 116 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 116 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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