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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 90 157 it is the complementary color RGB 62 165 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 90 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 90 157 shade: RGB 198 90 152, RGB 215 108 171, RGB 232 126 190, RGB 249 144 209 and RGB 255 162 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 90 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 90 157 shade: RGB 193 90 157, RGB 176 72 138, RGB 159 54 119, RGB 142 36 100 and RGB 125 18 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 90 157 shade: RGB 191 88 155, RGB 191 88 127, RGB 191 88 100 and RGB 191 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 90 157 shade: RGB 191 88 155, RGB 191 88 183, RGB 172 88 191, RGB 144 88 191 and RGB 116 88 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 90 157 shade matches the following richer shades: RGB 191 88 155, RGB 210 70 161, RGB 229 51 166 and RGB 247 32 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 90 157 shade: RGB 191 88 155, RGB 173 107 150, RGB 154 125 144, RGB 136 144 139 and RGB 117 162 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 90 157 shade: RGB 171 88 191, RGB 191 88 185, RGB 191 88 157, RGB 191 88 129 and RGB 191 88 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 90 157 shade: RGB 143 54 112, RGB 173 65 135, RGB 191 88 155, RGB 203 118 173 and RGB 214 148 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 90 157 shade: RGB 193 90 157, RGB 191 143 88 and RGB 88 191 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 90 157 shade: RGB 193 90 157, RGB 157 191 88 and RGB 88 157 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 90 157 shade: RGB 193 90 157, RGB 191 143 88, RGB 88 191 123 and RGB 88 136 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 90 157 shade: RGB 193 90 157, RGB 191 174 88, RGB 88 191 123 and RGB 88 105 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

Complementary color

CMYK 62 / 0 / 41 / 35

HEX #3EA562

RGB 62 165 98

HSL 140.97, 0.45%, 0.45%

LAB 60.62, -45.02, 26.15

 

CMYK 0 / 55 / 23 / 22

HEX #C65A98

RGB 198 90 152

HSL 325.56, 0.49%, 0.56%

LAB 53.58, 50.11, -13.21

 

CMYK 0 / 50 / 20 / 16

HEX #D76CAB

RGB 215 108 171

HSL 324.67, 0.57%, 0.63%

LAB 59.99, 49.44, -14.35

 

CMYK 0 / 46 / 18 / 9

HEX #E87EBE

RGB 232 126 190

HSL 323.77, 0.7%, 0.7%

LAB 66.36, 48.7, -15.31

 

CMYK 0 / 42 / 16 / 2

HEX #F990D1

RGB 249 144 209

HSL 322.86, 0.9%, 0.77%

LAB 72.69, 47.95, -16.14

 

CMYK 0 / 36 / 11 / 0

HEX #FFA2E4

RGB 255 162 228

HSL 317.42, 1%, 0.82%

LAB 77.7, 43.68, -18.91

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

CMYK 0 / 59 / 22 / 31

HEX #B0488A

RGB 176 72 138

HSL 321.92, 0.42%, 0.49%

LAB 46.58, 49.81, -15.82

 

CMYK 0 / 66 / 25 / 38

HEX #9F3677

RGB 159 54 119

HSL 322.86, 0.49%, 0.42%

LAB 40.15, 50.06, -14.25

 

CMYK 0 / 75 / 30 / 44

HEX #8E2464

RGB 142 36 100

HSL 323.77, 0.6%, 0.35%

LAB 33.84, 49.76, -12.16

 

CMYK 0 / 86 / 35 / 51

HEX #7D1251

RGB 125 18 81

HSL 324.67, 0.75%, 0.28%

LAB 27.81, 48.45, -9.23

 

CMYK 0 / 54 / 19 / 25

HEX #BF589B

RGB 191 88 155

HSL 320.97, 0.45%, 0.55%

LAB 52.31, 49.33, -17

 

CMYK 0 / 54 / 34 / 25

HEX #BF587F

RGB 191 88 127

HSL 337.28, 0.45%, 0.55%

LAB 51.37, 45.48, -1.81

 

CMYK 0 / 54 / 48 / 25

HEX #BF5864

RGB 191 88 100

HSL 353.01, 0.45%, 0.55%

LAB 50.66, 42.48, 13.31

 

CMYK 0 / 54 / 54 / 25

HEX #BF5858

RGB 191 88 88

HSL 0, 0.45%, 0.55%

LAB 50.41, 41.38, 20.11

 

CMYK 0 / 54 / 19 / 25

HEX #BF589B

RGB 191 88 155

HSL 320.97, 0.45%, 0.55%

LAB 52.31, 49.33, -17

 

CMYK 0 / 54 / 4 / 25

HEX #BF58B7

RGB 191 88 183

HSL 304.66, 0.45%, 0.55%

LAB 53.47, 53.85, -31.57

 

CMYK 10 / 54 / 0 / 25

HEX #AC58BF

RGB 172 88 191

HSL 288.93, 0.45%, 0.55%

LAB 51.28, 50.08, -39.81

 

CMYK 25 / 54 / 0 / 25

HEX #9058BF

RGB 144 88 191

HSL 272.62, 0.45%, 0.55%

LAB 47.84, 42.57, -45.48

 

CMYK 39 / 54 / 0 / 25

HEX #7458BF

RGB 116 88 191

HSL 256.31, 0.45%, 0.55%

LAB 44.88, 35.47, -50.38

 

CMYK 0 / 54 / 19 / 25

HEX #BF589B

RGB 191 88 155

HSL 320.97, 0.45%, 0.55%

LAB 52.31, 49.33, -17

 

CMYK 0 / 67 / 23 / 18

HEX #D246A1

RGB 210 70 161

HSL 321, 0.61%, 0.55%

LAB 52.57, 63.51, -19.88

 

CMYK 0 / 78 / 28 / 10

HEX #E533A6

RGB 229 51 166

HSL 321.24, 0.77%, 0.55%

LAB 53.79, 75.05, -20.67

 

CMYK 0 / 87 / 30 / 3

HEX #F720AC

RGB 247 32 172

HSL 320.93, 0.93%, 0.55%

LAB 55.87, 83.68, -20.72

 

CMYK 0 / 54 / 19 / 25

HEX #BF589B

RGB 191 88 155

HSL 320.97, 0.45%, 0.55%

LAB 52.31, 49.33, -17

 

CMYK 0 / 38 / 13 / 32

HEX #AD6B96

RGB 173 107 150

HSL 320.91, 0.29%, 0.55%

LAB 53.6, 32.67, -12.34

 

CMYK 0 / 19 / 6 / 40

HEX #9A7D90

RGB 154 125 144

HSL 320.69, 0.13%, 0.55%

LAB 55.64, 14.52, -6.02

 

CMYK 6 / 0 / 3 / 44

HEX #88908B

RGB 136 144 139

HSL 142.5, 0.03%, 0.55%

LAB 59.02, -3.9, 1.64

 

CMYK 28 / 0 / 18 / 36

HEX #75A285

RGB 117 162 133

HSL 141.33, 0.19%, 0.55%

LAB 62.77, -21.37, 10.25

 

CMYK 10 / 54 / 0 / 25

HEX #AB58BF

RGB 171 88 191

HSL 288.35, 0.45%, 0.55%

LAB 51.15, 49.81, -40.02

 

CMYK 0 / 54 / 3 / 25

HEX #BF58B9

RGB 191 88 185

HSL 303.5, 0.45%, 0.55%

LAB 53.56, 54.19, -32.59

 

CMYK 0 / 54 / 18 / 25

HEX #BF589D

RGB 191 88 157

HSL 319.81, 0.45%, 0.55%

LAB 52.39, 49.63, -18.06

 

CMYK 0 / 54 / 32 / 25

HEX #BF5881

RGB 191 88 129

HSL 336.12, 0.45%, 0.55%

LAB 51.43, 45.73, -2.91

 

CMYK 0 / 54 / 47 / 25

HEX #BF5866

RGB 191 88 102

HSL 351.84, 0.45%, 0.55%

LAB 50.7, 42.67, 12.18

 

CMYK 0 / 62 / 22 / 44

HEX #8F3670

RGB 143 54 112

HSL 320.9, 0.45%, 0.39%

LAB 37.2, 44.27, -14.62

 

CMYK 0 / 62 / 22 / 32

HEX #AD4187

RGB 173 65 135

HSL 321.11, 0.45%, 0.47%

LAB 44.82, 51.65, -16.73

 

CMYK 0 / 54 / 19 / 25

HEX #BF589B

RGB 191 88 155

HSL 320.97, 0.45%, 0.55%

LAB 52.31, 49.33, -17

 

CMYK 0 / 42 / 15 / 20

HEX #CB76AD

RGB 203 118 173

HSL 321.18, 0.45%, 0.63%

LAB 60.49, 40.73, -14.89

 

CMYK 0 / 31 / 11 / 16

HEX #D694BF

RGB 214 148 191

HSL 320.91, 0.45%, 0.71%

LAB 68.92, 31.36, -12.23

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

CMYK 0 / 25 / 54 / 25

HEX #BF8F58

RGB 191 143 88

HSL 32.04, 0.45%, 0.55%

LAB 62.87, 11.73, 36.11

 

CMYK 54 / 0 / 3 / 25

HEX #58BFB9

RGB 88 191 185

HSL 176.5, 0.45%, 0.55%

LAB 71.45, -31.23, -6.07

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

CMYK 18 / 0 / 54 / 25

HEX #9DBF58

RGB 157 191 88

HSL 79.81, 0.45%, 0.55%

LAB 72.98, -27.57, 47.57

 

CMYK 54 / 18 / 0 / 25

HEX #589DBF

RGB 88 157 191

HSL 199.81, 0.45%, 0.55%

LAB 61.61, -12.11, -24.23

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

CMYK 0 / 25 / 54 / 25

HEX #BF8F58

RGB 191 143 88

HSL 32.04, 0.45%, 0.55%

LAB 62.87, 11.73, 36.11

 

CMYK 54 / 0 / 36 / 25

HEX #58BF7B

RGB 88 191 123

HSL 140.39, 0.45%, 0.55%

LAB 70.01, -45.21, 25.46

 

CMYK 54 / 29 / 0 / 25

HEX #5888BF

RGB 88 136 191

HSL 212.04, 0.45%, 0.55%

LAB 55.53, -0.23, -33.65

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9D

RGB 193 90 157

HSL 320.97, 0.45%, 0.55%

LAB 53.04, 49.28, -17.04

 

CMYK 0 / 9 / 54 / 25

HEX #BFAE58

RGB 191 174 88

HSL 50.1, 0.45%, 0.55%

LAB 70.91, -5.02, 45.8

 

CMYK 54 / 0 / 36 / 25

HEX #58BF7B

RGB 88 191 123

HSL 140.39, 0.45%, 0.55%

LAB 70.01, -45.21, 25.46

 

CMYK 54 / 45 / 0 / 25

HEX #5869BF

RGB 88 105 191

HSL 230.1, 0.45%, 0.55%

LAB 46.89, 18.56, -47.28

 

Description

Color code: RGB 193 90 157 | qconv.com Color code: RGB 193 90 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 90 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 90 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 19 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 19% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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