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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 89 162 it is the complementary color RGB 62 166 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 89 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 89 162 shade: RGB 198 89 157, RGB 215 107 176, RGB 232 125 195, RGB 249 143 214 and RGB 255 161 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 89 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 89 162 shade: RGB 193 89 162, RGB 176 71 143, RGB 159 53 124, RGB 142 35 105 and RGB 125 17 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 89 162 shade: RGB 193 87 161, RGB 193 87 133, RGB 193 87 104 and RGB 193 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 89 162 shade: RGB 193 87 161, RGB 193 87 190, RGB 167 87 193, RGB 139 87 193 and RGB 110 87 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 89 162 shade matches the following richer shades: RGB 193 87 161, RGB 211 68 169, RGB 230 50 176 and RGB 248 31 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 89 162 shade: RGB 193 87 161, RGB 174 106 154, RGB 155 124 146, RGB 137 143 139 and RGB 118 161 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 89 162 shade: RGB 166 87 193, RGB 193 87 191, RGB 193 87 163, RGB 193 87 134 and RGB 193 87 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 89 162 shade: RGB 144 53 117, RGB 174 64 141, RGB 193 87 161, RGB 204 117 178 and RGB 215 147 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 89 162 shade: RGB 193 89 162, RGB 193 138 87 and RGB 87 193 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 89 162 shade: RGB 193 89 162, RGB 163 193 87 and RGB 87 163 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 89 162 shade: RGB 193 89 162, RGB 193 138 87, RGB 87 193 117 and RGB 87 142 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 89 162 shade: RGB 193 89 162, RGB 193 170 87, RGB 87 193 117 and RGB 87 110 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

Complementary color

CMYK 63 / 0 / 44 / 35

HEX #3EA65D

RGB 62 166 93

HSL 137.88, 0.46%, 0.45%

LAB 60.86, -46.3, 29.12

 

CMYK 0 / 55 / 21 / 22

HEX #C6599D

RGB 198 89 157

HSL 322.57, 0.49%, 0.56%

LAB 53.58, 51.3, -16.15

 

CMYK 0 / 50 / 18 / 16

HEX #D76BB0

RGB 215 107 176

HSL 321.67, 0.57%, 0.63%

LAB 59.98, 50.67, -17.24

 

CMYK 0 / 46 / 16 / 9

HEX #E87DC3

RGB 232 125 195

HSL 320.75, 0.7%, 0.7%

LAB 66.34, 49.96, -18.16

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD6

RGB 249 143 214

HSL 319.81, 0.9%, 0.77%

LAB 72.65, 49.22, -18.95

 

CMYK 0 / 37 / 9 / 0

HEX #FFA1E9

RGB 255 161 233

HSL 314.04, 1%, 0.82%

LAB 77.66, 45.01, -21.68

 

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

CMYK 0 / 60 / 19 / 31

HEX #B0478F

RGB 176 71 143

HSL 318.86, 0.43%, 0.48%

LAB 46.6, 51, -18.78

 

CMYK 0 / 67 / 22 / 38

HEX #9F357C

RGB 159 53 124

HSL 319.81, 0.5%, 0.42%

LAB 40.2, 51.18, -17.27

 

CMYK 0 / 75 / 26 / 44

HEX #8E2369

RGB 142 35 105

HSL 320.75, 0.6%, 0.35%

LAB 33.93, 50.77, -15.22

 

CMYK 0 / 86 / 31 / 51

HEX #7D1156

RGB 125 17 86

HSL 321.67, 0.76%, 0.28%

LAB 27.93, 49.3, -12.36

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 0 / 55 / 31 / 24

HEX #C15785

RGB 193 87 133

HSL 333.96, 0.46%, 0.55%

LAB 51.66, 47.39, -4.92

 

CMYK 0 / 55 / 46 / 24

HEX #C15768

RGB 193 87 104

HSL 350.38, 0.46%, 0.55%

LAB 50.87, 44.08, 11.26

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 0 / 55 / 2 / 24

HEX #C157BE

RGB 193 87 190

HSL 301.7, 0.46%, 0.55%

LAB 53.89, 56.09, -34.93

 

CMYK 13 / 55 / 0 / 24

HEX #A757C1

RGB 167 87 193

HSL 285.28, 0.46%, 0.55%

LAB 50.55, 49.64, -42.16

 

CMYK 28 / 55 / 0 / 24

HEX #8B57C1

RGB 139 87 193

HSL 269.43, 0.46%, 0.55%

LAB 47.18, 42.31, -47.73

 

CMYK 43 / 55 / 0 / 24

HEX #6E57C1

RGB 110 87 193

HSL 253.02, 0.46%, 0.55%

LAB 44.21, 35.2, -52.65

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 0 / 68 / 20 / 17

HEX #D344A9

RGB 211 68 169

HSL 317.62, 0.62%, 0.55%

LAB 52.78, 65.6, -24.24

 

CMYK 0 / 78 / 23 / 10

HEX #E632B0

RGB 230 50 176

HSL 318, 0.78%, 0.55%

LAB 54.28, 76.73, -25.76

 

CMYK 0 / 88 / 26 / 3

HEX #F81FB8

RGB 248 31 184

HSL 317.7, 0.94%, 0.55%

LAB 56.48, 85.34, -26.75

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 0 / 39 / 11 / 32

HEX #AE6A9A

RGB 174 106 154

HSL 317.65, 0.3%, 0.55%

LAB 53.64, 34.25, -14.61

 

CMYK 0 / 20 / 6 / 39

HEX #9B7C92

RGB 155 124 146

HSL 317.42, 0.13%, 0.55%

LAB 55.54, 15.84, -7.31

 

CMYK 4 / 0 / 3 / 44

HEX #898F8B

RGB 137 143 139

HSL 140, 0.03%, 0.55%

LAB 58.81, -2.98, 1.36

 

CMYK 27 / 0 / 19 / 37

HEX #76A183

RGB 118 161 131

HSL 138.14, 0.19%, 0.55%

LAB 62.49, -20.93, 10.98

 

CMYK 14 / 55 / 0 / 24

HEX #A657C1

RGB 166 87 193

HSL 284.72, 0.46%, 0.55%

LAB 50.42, 49.38, -42.37

 

CMYK 0 / 55 / 1 / 24

HEX #C157BF

RGB 193 87 191

HSL 301.13, 0.46%, 0.55%

LAB 53.94, 56.26, -35.43

 

CMYK 0 / 55 / 16 / 24

HEX #C157A3

RGB 193 87 163

HSL 316.98, 0.46%, 0.55%

LAB 52.73, 51.64, -21.04

 

CMYK 0 / 55 / 31 / 24

HEX #C15786

RGB 193 87 134

HSL 333.4, 0.46%, 0.55%

LAB 51.7, 47.52, -5.47

 

CMYK 0 / 55 / 45 / 24

HEX #C1576A

RGB 193 87 106

HSL 349.25, 0.46%, 0.55%

LAB 50.91, 44.28, 10.13

 

CMYK 0 / 63 / 19 / 44

HEX #903575

RGB 144 53 117

HSL 317.8, 0.46%, 0.39%

LAB 37.41, 45.79, -17.42

 

CMYK 0 / 63 / 19 / 32

HEX #AE408D

RGB 174 64 141

HSL 318, 0.46%, 0.47%

LAB 45.07, 53.24, -19.97

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 0 / 43 / 13 / 20

HEX #CC75B2

RGB 204 117 178

HSL 317.93, 0.46%, 0.63%

LAB 60.58, 42.4, -17.6

 

CMYK 0 / 32 / 9 / 16

HEX #D793C3

RGB 215 147 195

HSL 317.65, 0.46%, 0.71%

LAB 68.94, 32.92, -14.43

 

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

CMYK 0 / 28 / 55 / 24

HEX #C18A57

RGB 193 138 87

HSL 28.87, 0.46%, 0.55%

LAB 61.83, 15.25, 35.41

 

CMYK 55 / 0 / 7 / 24

HEX #57C1B4

RGB 87 193 180

HSL 172.64, 0.46%, 0.55%

LAB 71.87, -33.68, -2.73

 

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

CMYK 16 / 0 / 55 / 24

HEX #A3C157

RGB 163 193 87

HSL 76.98, 0.46%, 0.55%

LAB 73.94, -26.27, 49.26

 

CMYK 55 / 16 / 0 / 24

HEX #57A3C1

RGB 87 163 193

HSL 196.98, 0.46%, 0.55%

LAB 63.4, -14.98, -22.61

 

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

CMYK 0 / 28 / 55 / 24

HEX #C18A57

RGB 193 138 87

HSL 28.87, 0.46%, 0.55%

LAB 61.83, 15.25, 35.41

 

CMYK 55 / 0 / 39 / 24

HEX #57C175

RGB 87 193 117

HSL 136.98, 0.46%, 0.55%

LAB 70.49, -47.35, 29.24

 

CMYK 55 / 26 / 0 / 24

HEX #578EC1

RGB 87 142 193

HSL 208.87, 0.46%, 0.55%

LAB 57.29, -3.3, -32.04

 

CMYK 0 / 54 / 16 / 24

HEX #C159A2

RGB 193 89 162

HSL 317.88, 0.46%, 0.55%

LAB 53.05, 50.52, -19.96

 

CMYK 0 / 12 / 55 / 24

HEX #C1AA57

RGB 193 170 87

HSL 46.98, 0.46%, 0.55%

LAB 70.02, -2.14, 45.29

 

CMYK 55 / 0 / 39 / 24

HEX #57C175

RGB 87 193 117

HSL 136.98, 0.46%, 0.55%

LAB 70.49, -47.35, 29.24

 

CMYK 55 / 43 / 0 / 24

HEX #576EC1

RGB 87 110 193

HSL 226.98, 0.46%, 0.55%

LAB 48.3, 15.89, -46.2

 

Description

Color code: RGB 193 89 162 | qconv.com Color code: RGB 193 89 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 89 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 89 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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