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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 73 202 it is the complementary color RGB 62 182 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 73 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 73 202 shade: RGB 198 73 197, RGB 215 91 216, RGB 232 109 235, RGB 249 127 254 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 73 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 176 55 183, RGB 159 37 164, RGB 142 19 145 and RGB 125 1 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 202 73 176, RGB 202 73 141, RGB 202 73 106 and RGB 202 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 158 73 202, RGB 123 73 202, RGB 88 73 202 and RGB 73 73 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 73 202 shade matches the following richer shades: RGB 193 73 202, RGB 209 54 221 and RGB 225 35 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 176 92 183, RGB 160 111 164, RGB 144 130 145 and RGB 127 149 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 73 202 shade: RGB 122 73 202, RGB 157 73 202, RGB 191 73 202, RGB 202 73 178 and RGB 202 73 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 73 202 shade: RGB 142 43 149, RGB 172 52 181, RGB 193 73 202, RGB 204 105 211 and RGB 214 137 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 202 88 73 and RGB 73 202 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 202 191 73 and RGB 73 202 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 202 88 73, RGB 83 202 73 and RGB 73 187 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 73 202 shade: RGB 193 73 202, RGB 202 126 73, RGB 83 202 73 and RGB 73 148 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

Complementary color

CMYK 66 / 0 / 71 / 29

HEX #3EB635

RGB 62 182 53

HSL 115.81, 0.55%, 0.46%

LAB 65.54, -57.31, 53.3

 

CMYK 0 / 63 / 1 / 22

HEX #C649C5

RGB 198 73 197

HSL 300.48, 0.52%, 0.53%

LAB 52.73, 64.66, -40.73

 

CMYK 0 / 58 / 0 / 15

HEX #D75BD8

RGB 215 91 216

HSL 299.52, 0.62%, 0.6%

LAB 58.87, 64.54, -41.72

 

CMYK 1 / 54 / 0 / 8

HEX #E86DEB

RGB 232 109 235

HSL 298.57, 0.76%, 0.67%

LAB 65.03, 64.17, -42.5

 

CMYK 2 / 50 / 0 / 0

HEX #F97FFE

RGB 249 127 254

HSL 297.64, 0.98%, 0.75%

LAB 71.2, 63.64, -43.13

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 4 / 70 / 0 / 28

HEX #B037B7

RGB 176 55 183

HSL 296.72, 0.54%, 0.47%

LAB 46.15, 64.07, -43.24

 

CMYK 3 / 77 / 0 / 36

HEX #9F25A4

RGB 159 37 164

HSL 297.64, 0.63%, 0.39%

LAB 40.2, 63.15, -41.62

 

CMYK 2 / 87 / 0 / 43

HEX #8E1391

RGB 142 19 145

HSL 298.57, 0.77%, 0.32%

LAB 34.52, 61.16, -39.34

 

CMYK 1 / 99 / 0 / 51

HEX #7D017E

RGB 125 1 126

HSL 299.52, 0.98%, 0.25%

LAB 29.13, 57.94, -36.32

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 0 / 64 / 13 / 21

HEX #CA49B0

RGB 202 73 176

HSL 312.09, 0.55%, 0.54%

LAB 52.35, 62.32, -29.12

 

CMYK 0 / 64 / 30 / 21

HEX #CA498D

RGB 202 73 141

HSL 328.37, 0.55%, 0.54%

LAB 50.97, 57.51, -10.57

 

CMYK 0 / 64 / 48 / 21

HEX #CA496A

RGB 202 73 106

HSL 344.65, 0.55%, 0.54%

LAB 49.93, 53.73, 8.95

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 22 / 64 / 0 / 21

HEX #9E49CA

RGB 158 73 202

HSL 279.53, 0.55%, 0.54%

LAB 47.36, 56.15, -52.5

 

CMYK 39 / 64 / 0 / 21

HEX #7B49CA

RGB 123 73 202

HSL 263.26, 0.55%, 0.54%

LAB 43.12, 48.44, -59.55

 

CMYK 56 / 64 / 0 / 21

HEX #5849CA

RGB 88 73 202

HSL 246.98, 0.55%, 0.54%

LAB 39.76, 41.76, -65.17

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 5 / 76 / 0 / 13

HEX #D136DD

RGB 209 54 221

HSL 295.69, 0.71%, 0.54%

LAB 53.4, 77.62, -53.28

 

CMYK 6 / 85 / 0 / 6

HEX #E123F0

RGB 225 35 240

HSL 295.61, 0.87%, 0.54%

LAB 55.58, 87.9, -60.35

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 4 / 50 / 0 / 28

HEX #B05CB7

RGB 176 92 183

HSL 295.38, 0.39%, 0.54%

LAB 52.18, 47.61, -33.73

 

CMYK 2 / 32 / 0 / 36

HEX #A06FA4

RGB 160 111 164

HSL 295.47, 0.23%, 0.54%

LAB 53.52, 28.56, -20.78

 

CMYK 1 / 10 / 0 / 43

HEX #908291

RGB 144 130 145

HSL 296, 0.06%, 0.54%

LAB 56.03, 8.16, -6.12

 

CMYK 15 / 0 / 15 / 42

HEX #7F957E

RGB 127 149 126

HSL 117.39, 0.1%, 0.54%

LAB 59.45, -12.43, 9.56

 

CMYK 40 / 64 / 0 / 21

HEX #7A49CA

RGB 122 73 202

HSL 262.79, 0.55%, 0.54%

LAB 43.01, 48.23, -59.73

 

CMYK 22 / 64 / 0 / 21

HEX #9D49CA

RGB 157 73 202

HSL 279.07, 0.55%, 0.54%

LAB 47.23, 55.92, -52.72

 

CMYK 5 / 64 / 0 / 21

HEX #BF49CA

RGB 191 73 202

HSL 294.88, 0.55%, 0.54%

LAB 51.96, 63.85, -44.9

 

CMYK 0 / 64 / 12 / 21

HEX #CA49B2

RGB 202 73 178

HSL 311.16, 0.55%, 0.54%

LAB 52.44, 62.62, -30.15

 

CMYK 0 / 64 / 29 / 21

HEX #CA4990

RGB 202 73 144

HSL 326.98, 0.55%, 0.54%

LAB 51.08, 57.89, -12.2

 

CMYK 5 / 71 / 0 / 42

HEX #8E2B95

RGB 142 43 149

HSL 296.04, 0.55%, 0.38%

LAB 37.2, 54.82, -37.5

 

CMYK 5 / 71 / 0 / 29

HEX #AC34B5

RGB 172 52 181

HSL 295.81, 0.55%, 0.46%

LAB 45.03, 63.92, -43.89

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 3 / 50 / 0 / 17

HEX #CC69D3

RGB 204 105 211

HSL 296.04, 0.55%, 0.62%

LAB 59.57, 54.25, -37.91

 

CMYK 3 / 38 / 0 / 14

HEX #D689DC

RGB 214 137 220

HSL 295.66, 0.54%, 0.7%

LAB 67.54, 42.44, -30.45

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 0 / 56 / 64 / 21

HEX #CA5849

RGB 202 88 73

HSL 6.98, 0.55%, 0.54%

LAB 51.86, 44.31, 31.06

 

CMYK 64 / 0 / 31 / 21

HEX #49CA8B

RGB 73 202 139

HSL 150.7, 0.55%, 0.54%

LAB 73.23, -49.86, 21.28

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 0 / 5 / 64 / 21

HEX #CABF49

RGB 202 191 73

HSL 54.88, 0.55%, 0.54%

LAB 76.25, -10.29, 58.88

 

CMYK 64 / 0 / 5 / 21

HEX #49CABF

RGB 73 202 191

HSL 174.88, 0.55%, 0.54%

LAB 74.46, -37.52, -4.94

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 0 / 56 / 64 / 21

HEX #CA5849

RGB 202 88 73

HSL 6.98, 0.55%, 0.54%

LAB 51.86, 44.31, 31.06

 

CMYK 59 / 0 / 64 / 21

HEX #53CA49

RGB 83 202 73

HSL 115.35, 0.55%, 0.54%

LAB 72.6, -57.79, 52.93

 

CMYK 64 / 7 / 0 / 21

HEX #49BBCA

RGB 73 187 202

HSL 186.98, 0.55%, 0.54%

LAB 70.33, -27.28, -17.09

 

CMYK 4 / 64 / 0 / 21

HEX #C149CA

RGB 193 73 202

HSL 295.81, 0.55%, 0.54%

LAB 52.25, 64.32, -44.42

 

CMYK 0 / 38 / 64 / 21

HEX #CA7E49

RGB 202 126 73

HSL 24.65, 0.55%, 0.54%

LAB 59.85, 24.55, 40.67

 

CMYK 59 / 0 / 64 / 21

HEX #53CA49

RGB 83 202 73

HSL 115.35, 0.55%, 0.54%

LAB 72.6, -57.79, 52.93

 

CMYK 64 / 27 / 0 / 21

HEX #4994CA

RGB 73 148 202

HSL 205.12, 0.55%, 0.54%

LAB 58.85, -6.59, -34.74

 

Description

Color code: RGB 193 73 202 | qconv.com Color code: RGB 193 73 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 73 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 73 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 64 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 64% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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