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Color name
RGB 193 69 61

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 69 61 it is the complementary color RGB 62 186 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 69 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 69 61 shade: RGB 198 69 56, RGB 215 87 75, RGB 232 105 94, RGB 249 123 113 and RGB 255 141 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 69 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 176 51 42, RGB 159 33 23, RGB 142 15 4 and RGB 125 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 69 61 shade: RGB 193 69 61 and RGB 193 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 193 105 61, RGB 193 140 61, RGB 193 176 61 and RGB 175 193 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 69 61 shade matches the following richer shades: RGB 193 69 61, RGB 214 51 40 and RGB 235 32 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 173 87 81, RGB 152 105 102, RGB 131 123 123 and RGB 111 141 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 69 61 shade: RGB 193 61 125, RGB 193 61 89, RGB 193 67 61, RGB 193 103 61 and RGB 193 138 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 69 61 shade: RGB 131 46 41, RGB 162 58 51, RGB 193 69 61, RGB 203 99 92 and RGB 213 129 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 160 193 61 and RGB 61 107 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 61 193 67 and RGB 67 61 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 160 193 61, RGB 61 187 193 and RGB 94 61 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 69 61 shade: RGB 193 69 61, RGB 120 193 61, RGB 61 187 193 and RGB 134 61 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

Complementary color

CMYK 68 / 4 / 0 / 24

HEX #3EBAC2

RGB 62 186 194

HSL 183.64, 0.52%, 0.5%

LAB 69.5, -30.82, -13.99

 

CMYK 0 / 65 / 72 / 22

HEX #C64538

RGB 198 69 56

HSL 5.49, 0.56%, 0.5%

LAB 47.68, 50.61, 35.61

 

CMYK 0 / 60 / 65 / 16

HEX #D7574B

RGB 215 87 75

HSL 5.14, 0.64%, 0.57%

LAB 53.78, 49.57, 32.76

 

CMYK 0 / 55 / 59 / 9

HEX #E8695E

RGB 232 105 94

HSL 4.78, 0.75%, 0.64%

LAB 59.95, 48.42, 30.29

 

CMYK 0 / 51 / 55 / 2

HEX #F97B71

RGB 249 123 113

HSL 4.41, 0.92%, 0.71%

LAB 66.13, 47.25, 28.14

 

CMYK 0 / 45 / 48 / 0

HEX #FF8D84

RGB 255 141 132

HSL 4.39, 1%, 0.76%

LAB 70.85, 42.11, 24.04

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 71 / 76 / 31

HEX #B0332A

RGB 176 51 42

HSL 4.03, 0.61%, 0.43%

LAB 40.84, 49.93, 34.82

 

CMYK 0 / 79 / 86 / 38

HEX #9F2117

RGB 159 33 23

HSL 4.41, 0.75%, 0.36%

LAB 35.04, 50.16, 38.37

 

CMYK 0 / 89 / 97 / 44

HEX #8E0F04

RGB 142 15 4

HSL 4.78, 0.95%, 0.29%

LAB 29.67, 49.37, 41.22

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125 0 0

HSL 0, 1%, 0.25%

LAB 24.83, 47.24, 37.14

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 68 / 68 / 24

HEX #C13D3D

RGB 193 61 61

HSL 0, 0.52%, 0.5%

LAB 45.65, 52.49, 30.1

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 46 / 68 / 24

HEX #C1693D

RGB 193 105 61

HSL 20, 0.52%, 0.5%

LAB 53.79, 31.42, 39.64

 

CMYK 0 / 27 / 68 / 24

HEX #C18C3D

RGB 193 140 61

HSL 35.91, 0.52%, 0.5%

LAB 62.02, 12.29, 48.74

 

CMYK 0 / 9 / 68 / 24

HEX #C1B03D

RGB 193 176 61

HSL 52.27, 0.52%, 0.5%

LAB 71.37, -7.08, 58.51

 

CMYK 9 / 0 / 68 / 24

HEX #AFC13D

RGB 175 193 61

HSL 68.18, 0.52%, 0.5%

LAB 74.57, -23.35, 61.28

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 76 / 81 / 16

HEX #D63328

RGB 214 51 40

HSL 3.79, 0.69%, 0.5%

LAB 48.03, 61.77, 45.56

 

CMYK 0 / 86 / 92 / 8

HEX #EB2013

RGB 235 32 19

HSL 3.61, 0.85%, 0.5%

LAB 50.38, 71.88, 58.42

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 50 / 53 / 32

HEX #AD5751

RGB 173 87 81

HSL 3.91, 0.36%, 0.5%

LAB 47.36, 34.49, 19.72

 

CMYK 0 / 31 / 33 / 40

HEX #986966

RGB 152 105 102

HSL 3.6, 0.2%, 0.5%

LAB 49.18, 18.42, 9.27

 

CMYK 0 / 6 / 6 / 49

HEX #837B7B

RGB 131 123 123

HSL 0, 0.03%, 0.5%

LAB 52.31, 3.04, 1.09

 

CMYK 22 / 1 / 0 / 44

HEX #6F8D8F

RGB 111 141 143

HSL 183.75, 0.13%, 0.5%

LAB 56.5, -10.04, -4.55

 

CMYK 0 / 68 / 35 / 24

HEX #C13D7D

RGB 193 61 125

HSL 330.91, 0.52%, 0.5%

LAB 47.18, 57.83, -6.77

 

CMYK 0 / 68 / 54 / 24

HEX #C13D59

RGB 193 61 89

HSL 347.27, 0.52%, 0.5%

LAB 46.17, 54.35, 13.82

 

CMYK 0 / 65 / 68 / 24

HEX #C1433D

RGB 193 67 61

HSL 2.73, 0.52%, 0.5%

LAB 46.56, 50.01, 31.2

 

CMYK 0 / 47 / 68 / 24

HEX #C1673D

RGB 193 103 61

HSL 19.09, 0.52%, 0.5%

LAB 53.36, 32.49, 39.15

 

CMYK 0 / 28 / 68 / 24

HEX #C18A3D

RGB 193 138 61

HSL 35, 0.52%, 0.5%

LAB 61.53, 13.39, 48.21

 

CMYK 0 / 65 / 69 / 49

HEX #832E29

RGB 131 46 41

HSL 3.33, 0.52%, 0.34%

LAB 31.67, 36.24, 22.66

 

CMYK 0 / 64 / 69 / 36

HEX #A23A33

RGB 162 58 51

HSL 3.78, 0.52%, 0.42%

LAB 39.49, 42.59, 27.31

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 0 / 51 / 55 / 20

HEX #CB635C

RGB 203 99 92

HSL 3.78, 0.52%, 0.58%

LAB 54.44, 40.63, 23.44

 

CMYK 0 / 39 / 42 / 16

HEX #D5817B

RGB 213 129 123

HSL 4, 0.52%, 0.66%

LAB 62.74, 31.72, 17.12

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 17 / 0 / 68 / 24

HEX #A0C13D

RGB 160 193 61

HSL 75, 0.52%, 0.5%

LAB 73.51, -29.48, 59.88

 

CMYK 68 / 45 / 0 / 24

HEX #3D6BC1

RGB 61 107 193

HSL 219.09, 0.52%, 0.5%

LAB 46.12, 12.89, -49.76

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 68 / 0 / 65 / 24

HEX #3DC143

RGB 61 193 67

HSL 122.73, 0.52%, 0.5%

LAB 69.14, -59.95, 51.49

 

CMYK 65 / 68 / 0 / 24

HEX #433DC1

RGB 67 61 193

HSL 242.73, 0.52%, 0.5%

LAB 34.76, 42.77, -68.15

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 17 / 0 / 68 / 24

HEX #A0C13D

RGB 160 193 61

HSL 75, 0.52%, 0.5%

LAB 73.51, -29.48, 59.88

 

CMYK 68 / 3 / 0 / 24

HEX #3DBBC1

RGB 61 187 193

HSL 182.73, 0.52%, 0.5%

LAB 69.74, -31.73, -13.08

 

CMYK 51 / 68 / 0 / 24

HEX #5E3DC1

RGB 94 61 193

HSL 255, 0.52%, 0.5%

LAB 37.05, 46.88, -64.31

 

CMYK 0 / 64 / 68 / 24

HEX #C1453D

RGB 193 69 61

HSL 3.64, 0.52%, 0.5%

LAB 46.88, 49.15, 31.58

 

CMYK 38 / 0 / 68 / 24

HEX #78C13D

RGB 120 193 61

HSL 93.18, 0.52%, 0.5%

LAB 71.19, -44.5, 56.75

 

CMYK 68 / 3 / 0 / 24

HEX #3DBBC1

RGB 61 187 193

HSL 182.73, 0.52%, 0.5%

LAB 69.74, -31.73, -13.08

 

CMYK 31 / 68 / 0 / 24

HEX #863DC1

RGB 134 61 193

HSL 273.18, 0.52%, 0.5%

LAB 41.62, 54.51, -56.69

 

Description

Color code: RGB 193 69 61 | qconv.com Color code: RGB 193 69 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 69 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 69 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 68 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 68% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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