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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 62 93 it is the complementary color RGB 62 193 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 62 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 62 93 shade: RGB 198 62 88, RGB 215 80 107, RGB 232 98 126, RGB 249 116 145 and RGB 255 134 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 62 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 62 93 shade: RGB 193 62 93, RGB 176 44 74, RGB 159 26 55, RGB 142 8 36 and RGB 125 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 62 93 shade: RGB 192 62 93 and RGB 192 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 62 93 shade: RGB 192 62 93, RGB 192 62 128, RGB 192 62 163, RGB 186 62 192 and RGB 151 62 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 62 93 shade matches the following richer shades: RGB 192 62 93, RGB 213 41 82, RGB 233 21 71 and RGB 254 0 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 62 93 shade: RGB 192 62 93, RGB 171 83 104, RGB 151 103 114, RGB 130 124 125 and RGB 110 144 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 62 93 shade: RGB 192 62 164, RGB 192 62 129, RGB 192 62 94, RGB 192 64 62 and RGB 192 99 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 62 93 shade: RGB 130 42 63, RGB 161 52 78, RGB 192 62 93, RGB 202 93 119 and RGB 212 124 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 62 93 shade: RGB 193 62 93, RGB 192 186 62 and RGB 62 147 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 62 93 shade: RGB 193 62 93, RGB 94 192 62 and RGB 62 94 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 62 93 shade: RGB 193 62 93, RGB 192 186 62, RGB 62 192 160 and RGB 62 68 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 62 93 shade: RGB 193 62 93, RGB 160 192 62, RGB 62 192 160 and RGB 94 62 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

Complementary color

CMYK 68 / 0 / 16 / 24

HEX #3EC1A2

RGB 62 193 162

HSL 165.8, 0.51%, 0.5%

LAB 70.71, -42.75, 5.33

 

CMYK 0 / 69 / 56 / 22

HEX #C63E58

RGB 198 62 88

HSL 348.53, 0.54%, 0.51%

LAB 47.18, 55.44, 15.95

 

CMYK 0 / 63 / 50 / 16

HEX #D7506B

RGB 215 80 107

HSL 348, 0.63%, 0.58%

LAB 53.22, 55, 13.27

 

CMYK 0 / 58 / 46 / 9

HEX #E8627E

RGB 232 98 126

HSL 347.46, 0.74%, 0.65%

LAB 59.34, 54.31, 11.06

 

CMYK 0 / 53 / 42 / 2

HEX #F97491

RGB 249 116 145

HSL 346.92, 0.92%, 0.72%

LAB 65.49, 53.49, 9.19

 

CMYK 0 / 47 / 36 / 0

HEX #FF86A4

RGB 255 134 164

HSL 345.12, 1%, 0.76%

LAB 70.17, 48.91, 5.26

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 0 / 75 / 58 / 31

HEX #B02C4A

RGB 176 44 74

HSL 346.36, 0.6%, 0.43%

LAB 40.45, 54.27, 14.82

 

CMYK 0 / 84 / 65 / 38

HEX #9F1A37

RGB 159 26 55

HSL 346.92, 0.72%, 0.36%

LAB 34.77, 53.48, 18.79

 

CMYK 0 / 94 / 75 / 44

HEX #8E0824

RGB 142 8 36

HSL 347.46, 0.89%, 0.29%

LAB 29.54, 51.43, 23.82

 

CMYK 0 / 100 / 86 / 51

HEX #7D0011

RGB 125 0 17

HSL 351.84, 1%, 0.25%

LAB 24.95, 47.59, 29.74

 

CMYK 0 / 68 / 52 / 25

HEX #C03E5D

RGB 192 62 93

HSL 345.69, 0.51%, 0.5%

LAB 46.23, 53.96, 11.42

 

CMYK 0 / 68 / 68 / 25

HEX #C03E3E

RGB 192 62 62

HSL 0, 0.51%, 0.5%

LAB 45.63, 51.81, 29.44

 

CMYK 0 / 68 / 52 / 25

HEX #C03E5D

RGB 192 62 93

HSL 345.69, 0.51%, 0.5%

LAB 46.23, 53.96, 11.42

 

CMYK 0 / 68 / 33 / 25

HEX #C03E80

RGB 192 62 128

HSL 329.54, 0.51%, 0.5%

LAB 47.25, 57.5, -8.5

 

CMYK 0 / 68 / 15 / 25

HEX #C03EA3

RGB 192 62 163

HSL 313.38, 0.51%, 0.5%

LAB 48.63, 62.12, -27.38

 

CMYK 3 / 68 / 0 / 25

HEX #BA3EC0

RGB 186 62 192

HSL 297.23, 0.51%, 0.5%

LAB 49.12, 65.28, -43.68

 

CMYK 21 / 68 / 0 / 25

HEX #973EC0

RGB 151 62 192

HSL 281.08, 0.51%, 0.5%

LAB 43.99, 57.46, -52.17

 

CMYK 0 / 68 / 52 / 25

HEX #C03E5D

RGB 192 62 93

HSL 345.69, 0.51%, 0.5%

LAB 46.23, 53.96, 11.42

 

CMYK 0 / 81 / 62 / 16

HEX #D52952

RGB 213 41 82

HSL 345.7, 0.68%, 0.5%

LAB 47.42, 66.15, 20.42

 

CMYK 0 / 91 / 70 / 9

HEX #E91547

RGB 233 21 71

HSL 345.85, 0.83%, 0.5%

LAB 49.88, 74.47, 31.05

 

CMYK 0 / 100 / 76 / 0

HEX #FE003C

RGB 254 0 60

HSL 345.83, 1%, 0.5%

LAB 53.38, 80.84, 42.65

 

CMYK 0 / 68 / 52 / 25

HEX #C03E5D

RGB 192 62 93

HSL 345.69, 0.51%, 0.5%

LAB 46.23, 53.96, 11.42

 

CMYK 0 / 51 / 39 / 33

HEX #AB5368

RGB 171 83 104

HSL 345.68, 0.35%, 0.5%

LAB 46.77, 38.23, 4.99

 

CMYK 0 / 32 / 25 / 41

HEX #976772

RGB 151 103 114

HSL 346.25, 0.19%, 0.5%

LAB 48.88, 20.94, 1.67

 

CMYK 0 / 5 / 4 / 49

HEX #827C7D

RGB 130 124 125

HSL 350, 0.02%, 0.5%

LAB 52.56, 2.47, 0.26

 

CMYK 24 / 0 / 6 / 44

HEX #6E9088

RGB 110 144 136

HSL 165.88, 0.13%, 0.5%

LAB 57.11, -13.61, 0.37

 

CMYK 0 / 68 / 15 / 25

HEX #C03EA4

RGB 192 62 164

HSL 312.92, 0.51%, 0.5%

LAB 48.68, 62.27, -27.9

 

CMYK 0 / 68 / 33 / 25

HEX #C03E81

RGB 192 62 129

HSL 329.08, 0.51%, 0.5%

LAB 47.28, 57.62, -9.06

 

CMYK 0 / 68 / 51 / 25

HEX #C03E5E

RGB 192 62 94

HSL 345.23, 0.51%, 0.5%

LAB 46.26, 54.05, 10.84

 

CMYK 0 / 67 / 68 / 25

HEX #C0403E

RGB 192 64 62

HSL 0.92, 0.51%, 0.5%

LAB 45.94, 50.99, 29.81

 

CMYK 0 / 48 / 68 / 25

HEX #C0633E

RGB 192 99 62

HSL 17.08, 0.51%, 0.5%

LAB 52.37, 34.25, 37.45

 

CMYK 0 / 68 / 52 / 49

HEX #822A3F

RGB 130 42 63

HSL 345.68, 0.51%, 0.34%

LAB 31.26, 39.46, 7.85

 

CMYK 0 / 68 / 52 / 37

HEX #A1344E

RGB 161 52 78

HSL 345.69, 0.51%, 0.42%

LAB 38.87, 46.86, 9.67

 

CMYK 0 / 68 / 52 / 25

HEX #C03E5D

RGB 192 62 93

HSL 345.69, 0.51%, 0.5%

LAB 46.23, 53.96, 11.42

 

CMYK 0 / 54 / 41 / 21

HEX #CA5D77

RGB 202 93 119

HSL 345.69, 0.51%, 0.58%

LAB 53.73, 45.84, 6.57

 

CMYK 0 / 42 / 32 / 17

HEX #D47C91

RGB 212 124 145

HSL 345.68, 0.51%, 0.66%

LAB 62.05, 36.63, 3.58

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 0 / 3 / 68 / 25

HEX #C0BA3E

RGB 192 186 62

HSL 57.23, 0.51%, 0.5%

LAB 73.98, -12.63, 60.74

 

CMYK 68 / 23 / 0 / 25

HEX #3E93C0

RGB 62 147 192

HSL 200.77, 0.51%, 0.5%

LAB 57.75, -11.19, -30.84

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 51 / 0 / 68 / 25

HEX #5EC03E

RGB 94 192 62

HSL 105.23, 0.51%, 0.5%

LAB 69.77, -52.21, 54.52

 

CMYK 68 / 51 / 0 / 25

HEX #3E5EC0

RGB 62 94 192

HSL 225.23, 0.51%, 0.5%

LAB 42.51, 20.98, -54.97

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 0 / 3 / 68 / 25

HEX #C0BA3E

RGB 192 186 62

HSL 57.23, 0.51%, 0.5%

LAB 73.98, -12.63, 60.74

 

CMYK 68 / 0 / 17 / 25

HEX #3EC0A0

RGB 62 192 160

HSL 165.23, 0.51%, 0.5%

LAB 70.36, -42.82, 5.91

 

CMYK 68 / 65 / 0 / 25

HEX #3E44C0

RGB 62 68 192

HSL 237.23, 0.51%, 0.5%

LAB 35.92, 37.54, -65.7

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 17 / 0 / 68 / 25

HEX #A0C03E

RGB 160 192 62

HSL 74.77, 0.51%, 0.5%

LAB 73.23, -28.94, 59.2

 

CMYK 68 / 0 / 17 / 25

HEX #3EC0A0

RGB 62 192 160

HSL 165.23, 0.51%, 0.5%

LAB 70.36, -42.82, 5.91

 

CMYK 51 / 68 / 0 / 25

HEX #5E3EC0

RGB 94 62 192

HSL 254.77, 0.51%, 0.5%

LAB 37.17, 46.04, -63.54

 

Description

Color code: RGB 193 62 93 | qconv.com Color code: RGB 193 62 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 62 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 62 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 52 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 52% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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