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Color name
RGB 193 61 119

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 61 119 it is the complementary color RGB 62 194 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 61 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 61 119 shade: RGB 198 61 114, RGB 215 79 133, RGB 232 97 152, RGB 249 115 171 and RGB 255 133 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 61 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 176 43 100, RGB 159 25 81, RGB 142 7 62 and RGB 125 0 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 193 61 83 and RGB 193 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 193 61 155, RGB 193 61 190, RGB 160 61 193 and RGB 125 61 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 61 119 shade matches the following richer shades: RGB 193 61 119, RGB 214 40 116 and RGB 235 19 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 173 81 121, RGB 152 102 124, RGB 131 123 126 and RGB 111 143 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 61 119 shade: RGB 193 61 191, RGB 193 61 156, RGB 193 61 120, RGB 193 61 85 and RGB 193 72 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 61 119 shade: RGB 131 41 80, RGB 162 51 100, RGB 193 61 119, RGB 203 92 141 and RGB 213 123 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 193 160 61 and RGB 61 173 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 120 193 61 and RGB 61 120 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 193 160 61, RGB 61 193 134 and RGB 61 94 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 61 119 shade: RGB 193 61 119, RGB 187 193 61, RGB 61 193 134 and RGB 67 61 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

Complementary color

CMYK 68 / 0 / 30 / 24

HEX #3EC288

RGB 62 194 136

HSL 153.64, 0.52%, 0.5%

LAB 70.45, -49.19, 19.01

 

CMYK 0 / 69 / 42 / 22

HEX #C63D72

RGB 198 61 114

HSL 336.79, 0.55%, 0.51%

LAB 47.7, 58.11, 0.8

 

CMYK 0 / 63 / 38 / 16

HEX #D74F85

RGB 215 79 133

HSL 336.18, 0.63%, 0.58%

LAB 53.74, 57.95, -1.46

 

CMYK 0 / 58 / 34 / 9

HEX #E86198

RGB 232 97 152

HSL 335.56, 0.75%, 0.65%

LAB 59.86, 57.49, -3.31

 

CMYK 0 / 54 / 31 / 2

HEX #F973AB

RGB 249 115 171

HSL 334.93, 0.92%, 0.71%

LAB 66.01, 56.86, -4.85

 

CMYK 0 / 48 / 25 / 0

HEX #FF85BE

RGB 255 133 190

HSL 331.97, 1%, 0.76%

LAB 70.7, 52.63, -8.5

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 76 / 43 / 31

HEX #B02B64

RGB 176 43 100

HSL 334.29, 0.61%, 0.43%

LAB 41.02, 56.82, -0.77

 

CMYK 0 / 84 / 49 / 38

HEX #9F1951

RGB 159 25 81

HSL 334.93, 0.73%, 0.36%

LAB 35.32, 55.61, 2.65

 

CMYK 0 / 95 / 56 / 44

HEX #8E073E

RGB 142 7 62

HSL 335.56, 0.91%, 0.29%

LAB 30.04, 53.1, 7.16

 

CMYK 0 / 100 / 66 / 51

HEX #7D002B

RGB 125 0 43

HSL 339.36, 1%, 0.25%

LAB 25.36, 48.7, 13.05

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 68 / 57 / 24

HEX #C13D53

RGB 193 61 83

HSL 350, 0.52%, 0.5%

LAB 46.04, 53.89, 17.32

 

CMYK 0 / 68 / 68 / 24

HEX #C13D3D

RGB 193 61 61

HSL 0, 0.52%, 0.5%

LAB 45.65, 52.49, 30.1

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 68 / 20 / 24

HEX #C13D9B

RGB 193 61 155

HSL 317.27, 0.52%, 0.5%

LAB 48.31, 61.62, -23.11

 

CMYK 0 / 68 / 2 / 24

HEX #C13DBE

RGB 193 61 190

HSL 301.36, 0.52%, 0.5%

LAB 49.97, 66.91, -41.1

 

CMYK 17 / 68 / 0 / 24

HEX #A03DC1

RGB 160 61 193

HSL 285, 0.52%, 0.5%

LAB 45.17, 60.06, -50.79

 

CMYK 35 / 68 / 0 / 24

HEX #7D3DC1

RGB 125 61 193

HSL 269.09, 0.52%, 0.5%

LAB 40.49, 52.68, -58.58

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 81 / 46 / 16

HEX #D62874

RGB 214 40 116

HSL 333.79, 0.69%, 0.5%

LAB 48.35, 69.15, 0.88

 

CMYK 0 / 92 / 51 / 8

HEX #EB1372

RGB 235 19 114

HSL 333.61, 0.85%, 0.5%

LAB 51.09, 77.66, 6.56

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 53 / 30 / 32

HEX #AD5179

RGB 173 81 121

HSL 333.91, 0.36%, 0.5%

LAB 47.17, 42.1, -4.7

 

CMYK 0 / 33 / 18 / 40

HEX #98667C

RGB 152 102 124

HSL 333.6, 0.2%, 0.5%

LAB 49.05, 23.51, -4.04

 

CMYK 0 / 6 / 4 / 49

HEX #837B7E

RGB 131 123 126

HSL 337.5, 0.03%, 0.5%

LAB 52.4, 3.62, -0.55

 

CMYK 22 / 0 / 10 / 44

HEX #6F8F81

RGB 111 143 129

HSL 153.75, 0.13%, 0.5%

LAB 56.69, -14.26, 3.77

 

CMYK 0 / 68 / 1 / 24

HEX #C13DBF

RGB 193 61 191

HSL 300.91, 0.52%, 0.5%

LAB 50.02, 67.08, -41.6

 

CMYK 0 / 68 / 19 / 24

HEX #C13D9C

RGB 193 61 156

HSL 316.82, 0.52%, 0.5%

LAB 48.35, 61.76, -23.64

 

CMYK 0 / 68 / 38 / 24

HEX #C13D78

RGB 193 61 120

HSL 333.18, 0.52%, 0.5%

LAB 47.02, 57.27, -3.97

 

CMYK 0 / 68 / 56 / 24

HEX #C13D55

RGB 193 61 85

HSL 349.09, 0.52%, 0.5%

LAB 46.08, 54.04, 16.15

 

CMYK 0 / 63 / 68 / 24

HEX #C1483D

RGB 193 72 61

HSL 5, 0.52%, 0.5%

LAB 47.38, 47.83, 32.17

 

CMYK 0 / 69 / 39 / 49

HEX #832950

RGB 131 41 80

HSL 334, 0.52%, 0.34%

LAB 31.78, 42.05, -2.51

 

CMYK 0 / 69 / 38 / 36

HEX #A23364

RGB 162 51 100

HSL 333.51, 0.52%, 0.42%

LAB 39.53, 49.81, -3.26

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 55 / 31 / 20

HEX #CB5C8D

RGB 203 92 141

HSL 333.51, 0.52%, 0.58%

LAB 54.32, 49.27, -5.56

 

CMYK 0 / 42 / 23 / 16

HEX #D57BA3

RGB 213 123 163

HSL 333.33, 0.52%, 0.66%

LAB 62.47, 39.97, -6.08

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 17 / 68 / 24

HEX #C1A03D

RGB 193 160 61

HSL 45, 0.52%, 0.5%

LAB 67.14, 1.4, 54.16

 

CMYK 68 / 10 / 0 / 24

HEX #3DADC1

RGB 61 173 193

HSL 189.09, 0.52%, 0.5%

LAB 65.54, -24.84, -19.43

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 38 / 0 / 68 / 24

HEX #78C13D

RGB 120 193 61

HSL 93.18, 0.52%, 0.5%

LAB 71.19, -44.5, 56.75

 

CMYK 68 / 38 / 0 / 24

HEX #3D78C1

RGB 61 120 193

HSL 213.18, 0.52%, 0.5%

LAB 49.83, 4.8, -43.85

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 0 / 17 / 68 / 24

HEX #C1A03D

RGB 193 160 61

HSL 45, 0.52%, 0.5%

LAB 67.14, 1.4, 54.16

 

CMYK 68 / 0 / 31 / 24

HEX #3DC186

RGB 61 193 134

HSL 153.18, 0.52%, 0.5%

LAB 70.07, -49.38, 19.57

 

CMYK 68 / 51 / 0 / 24

HEX #3D5EC1

RGB 61 94 193

HSL 225, 0.52%, 0.5%

LAB 42.53, 21.18, -55.52

 

CMYK 0 / 68 / 38 / 24

HEX #C13D77

RGB 193 61 119

HSL 333.64, 0.52%, 0.5%

LAB 46.98, 57.17, -3.4

 

CMYK 3 / 0 / 68 / 24

HEX #BBC13D

RGB 187 193 61

HSL 62.73, 0.52%, 0.5%

LAB 75.48, -18.34, 62.5

 

CMYK 68 / 0 / 31 / 24

HEX #3DC186

RGB 61 193 134

HSL 153.18, 0.52%, 0.5%

LAB 70.07, -49.38, 19.57

 

CMYK 65 / 68 / 0 / 24

HEX #433DC1

RGB 67 61 193

HSL 242.73, 0.52%, 0.5%

LAB 34.76, 42.77, -68.15

 

Description

Color code: RGB 193 61 119 | qconv.com Color code: RGB 193 61 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 61 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 61 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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