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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 43 47 it is the complementary color RGB 62 212 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 43 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 43 47 shade: RGB 198 43 42, RGB 215 61 61, RGB 232 79 80, RGB 249 97 99 and RGB 255 115 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 43 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 43 47 shade: RGB 193 43 47, RGB 176 25 28, RGB 159 7 9, RGB 142 0 0 and RGB 125 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 43 47 shade: RGB 192 42 46 and RGB 192 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 43 47 shade: RGB 192 42 46, RGB 192 42 86, RGB 192 42 127, RGB 192 42 167 and RGB 176 42 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 43 47 shade matches the following richer shades: RGB 192 42 46, RGB 211 23 28 and RGB 230 4 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 43 47 shade: RGB 192 42 46, RGB 173 61 64, RGB 154 80 82, RGB 135 99 100 and RGB 116 118 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 43 47 shade: RGB 192 42 127, RGB 192 42 87, RGB 192 42 47, RGB 192 77 42 and RGB 192 117 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 43 47 shade: RGB 124 27 29, RGB 158 34 38, RGB 192 42 46, RGB 212 63 67 and RGB 220 96 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 43 47 shade: RGB 193 43 47, RGB 167 192 42 and RGB 42 107 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 43 47 shade: RGB 193 43 47, RGB 47 192 42 and RGB 42 47 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 43 47 shade: RGB 193 43 47, RGB 167 192 42, RGB 42 192 187 and RGB 67 42 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 43 47 shade: RGB 193 43 47, RGB 122 192 42, RGB 42 192 187 and RGB 112 42 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

Complementary color

CMYK 71 / 0 / 2 / 17

HEX #3ED4D0

RGB 62 212 208

HSL 178.4, 0.64%, 0.54%

LAB 77.68, -38.98, -9.35

 

CMYK 0 / 78 / 79 / 22

HEX #C62B2A

RGB 198 43 42

HSL 0.38, 0.65%, 0.47%

LAB 44.09, 59.5, 39.54

 

CMYK 0 / 72 / 72 / 16

HEX #D73D3D

RGB 215 61 61

HSL 0, 0.66%, 0.54%

LAB 49.64, 59.5, 35.81

 

CMYK 0 / 66 / 66 / 9

HEX #E84F50

RGB 232 79 80

HSL 359.61, 0.77%, 0.61%

LAB 55.41, 59, 32.54

 

CMYK 0 / 61 / 60 / 2

HEX #F96163

RGB 249 97 99

HSL 359.21, 0.93%, 0.68%

LAB 61.3, 58.22, 29.72

 

CMYK 0 / 55 / 54 / 0

HEX #FF7376

RGB 255 115 118

HSL 358.71, 1%, 0.73%

LAB 65.62, 53.55, 24.81

 

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

CMYK 0 / 86 / 84 / 31

HEX #B0191C

RGB 176 25 28

HSL 358.81, 0.75%, 0.39%

LAB 37.86, 57.42, 39.59

 

CMYK 0 / 96 / 94 / 38

HEX #9F0709

RGB 159 7 9

HSL 359.21, 0.92%, 0.33%

LAB 33.01, 55.44, 43.27

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 0 / 100 / 100 / 51

HEX #7D0000

RGB 125 0 0

HSL 0, 1%, 0.25%

LAB 24.83, 47.24, 37.14

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2E

RGB 192 42 46

HSL 358.4, 0.64%, 0.46%

LAB 42.85, 58.17, 35.6

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2E

RGB 192 42 46

HSL 358.4, 0.64%, 0.46%

LAB 42.85, 58.17, 35.6

 

CMYK 0 / 78 / 55 / 25

HEX #C02A56

RGB 192 42 86

HSL 342.4, 0.64%, 0.46%

LAB 43.56, 60.39, 12.04

 

CMYK 0 / 78 / 34 / 25

HEX #C02A7F

RGB 192 42 127

HSL 326, 0.64%, 0.46%

LAB 44.79, 64.18, -11.58

 

CMYK 0 / 78 / 13 / 25

HEX #C02AA7

RGB 192 42 167

HSL 310, 0.64%, 0.46%

LAB 46.52, 69.23, -33.06

 

CMYK 8 / 78 / 0 / 25

HEX #B02AC0

RGB 176 42 192

HSL 293.6, 0.64%, 0.46%

LAB 45.21, 69.84, -50.01

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2E

RGB 192 42 46

HSL 358.4, 0.64%, 0.46%

LAB 42.85, 58.17, 35.6

 

CMYK 0 / 89 / 87 / 17

HEX #D3171C

RGB 211 23 28

HSL 358.4, 0.8%, 0.46%

LAB 45.01, 67.26, 48.62

 

CMYK 0 / 98 / 96 / 10

HEX #E6040A

RGB 230 4 10

HSL 358.41, 0.97%, 0.46%

LAB 48.17, 73.85, 59.41

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2E

RGB 192 42 46

HSL 358.4, 0.64%, 0.46%

LAB 42.85, 58.17, 35.6

 

CMYK 0 / 65 / 63 / 32

HEX #AD3D40

RGB 173 61 64

HSL 358.39, 0.48%, 0.46%

LAB 42.14, 45.93, 23.15

 

CMYK 0 / 48 / 47 / 40

HEX #9A5052

RGB 154 80 82

HSL 358.38, 0.32%, 0.46%

LAB 43.09, 30.94, 12.86

 

CMYK 0 / 27 / 26 / 47

HEX #876364

RGB 135 99 100

HSL 358.33, 0.15%, 0.46%

LAB 45.63, 14.71, 5.15

 

CMYK 2 / 0 / 0 / 54

HEX #747676

RGB 116 118 118

HSL 180, 0.01%, 0.46%

LAB 49.47, -0.75, -0.27

 

CMYK 0 / 78 / 34 / 25

HEX #C02A7F

RGB 192 42 127

HSL 326, 0.64%, 0.46%

LAB 44.79, 64.18, -11.58

 

CMYK 0 / 78 / 55 / 25

HEX #C02A57

RGB 192 42 87

HSL 342, 0.64%, 0.46%

LAB 43.58, 60.47, 11.44

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2F

RGB 192 42 47

HSL 358, 0.64%, 0.46%

LAB 42.86, 58.21, 35.03

 

CMYK 0 / 60 / 78 / 25

HEX #C04D2A

RGB 192 77 42

HSL 14, 0.64%, 0.46%

LAB 47.86, 44.3, 43.05

 

CMYK 0 / 39 / 78 / 25

HEX #C0752A

RGB 192 117 42

HSL 30, 0.64%, 0.46%

LAB 56.18, 23.59, 51.25

 

CMYK 0 / 78 / 77 / 51

HEX #7C1B1D

RGB 124 27 29

HSL 358.76, 0.64%, 0.3%

LAB 27.18, 41.15, 24.58

 

CMYK 0 / 78 / 76 / 38

HEX #9E2226

RGB 158 34 38

HSL 358.06, 0.65%, 0.38%

LAB 35.11, 50.04, 29.85

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2E

RGB 192 42 46

HSL 358.4, 0.64%, 0.46%

LAB 42.85, 58.17, 35.6

 

CMYK 0 / 70 / 68 / 17

HEX #D43F43

RGB 212 63 67

HSL 358.39, 0.63%, 0.54%

LAB 49.44, 58.13, 31.97

 

CMYK 0 / 56 / 55 / 14

HEX #DC6064

RGB 220 96 100

HSL 358.06, 0.64%, 0.62%

LAB 56.59, 48.89, 22.11

 

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

CMYK 13 / 0 / 78 / 25

HEX #A7C02A

RGB 167 192 42

HSL 70, 0.64%, 0.46%

LAB 73.6, -27.12, 66.62

 

CMYK 78 / 44 / 0 / 25

HEX #2A6BC0

RGB 42 107 192

HSL 214, 0.64%, 0.46%

LAB 45.38, 9.94, -50.41

 

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

CMYK 76 / 0 / 78 / 25

HEX #2FC02A

RGB 47 192 42

HSL 118, 0.64%, 0.46%

LAB 68.37, -64.09, 59.85

 

CMYK 78 / 76 / 0 / 25

HEX #2A2FC0

RGB 42 47 192

HSL 238, 0.64%, 0.46%

LAB 30.23, 47.92, -75.09

 

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

CMYK 13 / 0 / 78 / 25

HEX #A7C02A

RGB 167 192 42

HSL 70, 0.64%, 0.46%

LAB 73.6, -27.12, 66.62

 

CMYK 78 / 0 / 3 / 25

HEX #2AC0BB

RGB 42 192 187

HSL 178, 0.64%, 0.46%

LAB 70.72, -38.06, -8.37

 

CMYK 65 / 78 / 0 / 25

HEX #432AC0

RGB 67 42 192

HSL 250, 0.64%, 0.46%

LAB 31.01, 52.71, -73.75

 

CMYK 0 / 78 / 76 / 24

HEX #C12B2F

RGB 193 43 47

HSL 358.4, 0.64%, 0.46%

LAB 43.17, 58.2, 35.42

 

CMYK 36 / 0 / 78 / 25

HEX #7AC02A

RGB 122 192 42

HSL 88, 0.64%, 0.46%

LAB 70.87, -44.58, 63.12

 

CMYK 78 / 0 / 3 / 25

HEX #2AC0BB

RGB 42 192 187

HSL 178, 0.64%, 0.46%

LAB 70.72, -38.06, -8.37

 

CMYK 42 / 78 / 0 / 25

HEX #702AC0

RGB 112 42 192

HSL 268, 0.64%, 0.46%

LAB 35.8, 58.56, -65.69

 

Description

Color code: RGB 193 43 47 | qconv.com Color code: RGB 193 43 47 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 43 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 43 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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