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Color name
RGB 193 43 142

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 43 142 it is the complementary color RGB 62 212 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 43 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 43 142 shade: RGB 198 43 137, RGB 215 61 156, RGB 232 79 175, RGB 249 97 194 and RGB 255 115 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 43 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 43 142 shade: RGB 193 43 142, RGB 176 25 123, RGB 159 7 104, RGB 142 0 85 and RGB 125 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 43 142 shade: RGB 192 42 141, RGB 192 42 100, RGB 192 42 60 and RGB 192 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 43 142 shade: RGB 192 42 141, RGB 192 42 181, RGB 162 42 192, RGB 121 42 192 and RGB 81 42 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 43 142 shade matches the following richer shades: RGB 192 42 141, RGB 211 23 147 and RGB 230 4 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 43 142 shade: RGB 192 42 141, RGB 173 61 135, RGB 154 80 129, RGB 135 99 123 and RGB 116 118 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 43 142 shade: RGB 162 42 192, RGB 192 42 182, RGB 192 42 142, RGB 192 42 102 and RGB 192 42 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 43 142 shade: RGB 124 27 91, RGB 158 34 116, RGB 192 42 141, RGB 212 63 161 and RGB 220 96 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 43 142 shade: RGB 193 43 142, RGB 192 122 42 and RGB 42 192 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 43 142 shade: RGB 193 43 142, RGB 142 192 42 and RGB 42 142 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 43 142 shade: RGB 193 43 142, RGB 192 122 42, RGB 42 192 92 and RGB 42 112 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 43 142 shade: RGB 193 43 142, RGB 192 167 42, RGB 42 192 92 and RGB 42 67 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

Complementary color

CMYK 71 / 0 / 47 / 17

HEX #3ED471

RGB 62 212 113

HSL 140.4, 0.64%, 0.54%

LAB 75.64, -60.3, 37.8

 

CMYK 0 / 78 / 31 / 22

HEX #C62B89

RGB 198 43 137

HSL 323.61, 0.64%, 0.47%

LAB 46.36, 66.5, -15.2

 

CMYK 0 / 72 / 27 / 16

HEX #D73D9C

RGB 215 61 156

HSL 322.99, 0.66%, 0.54%

LAB 52.05, 67.44, -17.65

 

CMYK 0 / 66 / 25 / 9

HEX #E84FAF

RGB 232 79 175

HSL 322.35, 0.77%, 0.61%

LAB 57.89, 67.76, -19.61

 

CMYK 0 / 61 / 22 / 2

HEX #F961C2

RGB 249 97 194

HSL 321.71, 0.93%, 0.68%

LAB 63.82, 67.68, -21.2

 

CMYK 0 / 55 / 16 / 0

HEX #FF73D5

RGB 255 115 213

HSL 318, 1%, 0.73%

LAB 68.26, 64.25, -25.02

 

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

CMYK 0 / 86 / 30 / 31

HEX #B0197B

RGB 176 25 123

HSL 321.06, 0.75%, 0.39%

LAB 40.17, 64.07, -16.42

 

CMYK 0 / 96 / 35 / 38

HEX #9F0768

RGB 159 7 104

HSL 321.71, 0.92%, 0.33%

LAB 35.05, 60.97, -12.58

 

CMYK 0 / 100 / 40 / 44

HEX #8E0055

RGB 142 0 85

HSL 324.08, 1%, 0.28%

LAB 30.42, 56.18, -7.6

 

CMYK 0 / 100 / 47 / 51

HEX #7D0042

RGB 125 0 66

HSL 328.32, 1%, 0.25%

LAB 26.02, 50.44, -1.81

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8D

RGB 192 42 141

HSL 320.4, 0.64%, 0.46%

LAB 45.34, 65.8, -19.29

 

CMYK 0 / 78 / 48 / 25

HEX #C02A64

RGB 192 42 100

HSL 336.8, 0.64%, 0.46%

LAB 43.92, 61.51, 3.81

 

CMYK 0 / 78 / 69 / 25

HEX #C02A3C

RGB 192 42 60

HSL 352.8, 0.64%, 0.46%

LAB 43.05, 58.78, 27.48

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8D

RGB 192 42 141

HSL 320.4, 0.64%, 0.46%

LAB 45.34, 65.8, -19.29

 

CMYK 0 / 78 / 6 / 25

HEX #C02AB5

RGB 192 42 181

HSL 304.4, 0.64%, 0.46%

LAB 47.23, 71.27, -40.19

 

CMYK 16 / 78 / 0 / 25

HEX #A22AC0

RGB 162 42 192

HSL 288, 0.64%, 0.46%

LAB 42.98, 67.18, -53.71

 

CMYK 37 / 78 / 0 / 25

HEX #792AC0

RGB 121 42 192

HSL 271.6, 0.64%, 0.46%

LAB 36.98, 59.98, -63.72

 

CMYK 58 / 78 / 0 / 25

HEX #512AC0

RGB 81 42 192

HSL 255.6, 0.64%, 0.46%

LAB 32.28, 54.27, -71.6

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8D

RGB 192 42 141

HSL 320.4, 0.64%, 0.46%

LAB 45.34, 65.8, -19.29

 

CMYK 0 / 89 / 30 / 17

HEX #D31793

RGB 211 23 147

HSL 320.43, 0.8%, 0.46%

LAB 47.71, 74.79, -18.97

 

CMYK 0 / 98 / 33 / 10

HEX #E60499

RGB 230 4 153

HSL 320.44, 0.97%, 0.46%

LAB 50.93, 81.22, -17.32

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8D

RGB 192 42 141

HSL 320.4, 0.64%, 0.46%

LAB 45.34, 65.8, -19.29

 

CMYK 0 / 65 / 22 / 32

HEX #AD3D87

RGB 173 61 135

HSL 320.36, 0.48%, 0.46%

LAB 44.19, 53.37, -17.69

 

CMYK 0 / 48 / 16 / 40

HEX #9A5081

RGB 154 80 129

HSL 320.27, 0.32%, 0.46%

LAB 44.51, 37.37, -13.82

 

CMYK 0 / 27 / 9 / 47

HEX #87637B

RGB 135 99 123

HSL 320, 0.15%, 0.46%

LAB 46.32, 18.67, -7.71

 

CMYK 2 / 0 / 1 / 54

HEX #747675

RGB 116 118 117

HSL 150, 0.01%, 0.46%

LAB 49.44, -0.96, 0.28

 

CMYK 16 / 78 / 0 / 25

HEX #A22AC0

RGB 162 42 192

HSL 288, 0.64%, 0.46%

LAB 42.98, 67.18, -53.71

 

CMYK 0 / 78 / 5 / 25

HEX #C02AB6

RGB 192 42 182

HSL 304, 0.64%, 0.46%

LAB 47.29, 71.42, -40.69

 

CMYK 0 / 78 / 26 / 25

HEX #C02A8E

RGB 192 42 142

HSL 320, 0.64%, 0.46%

LAB 45.38, 65.92, -19.83

 

CMYK 0 / 78 / 47 / 25

HEX #C02A66

RGB 192 42 102

HSL 336, 0.64%, 0.46%

LAB 43.98, 61.69, 2.65

 

CMYK 0 / 78 / 68 / 25

HEX #C02A3E

RGB 192 42 62

HSL 352, 0.64%, 0.46%

LAB 43.08, 58.89, 26.3

 

CMYK 0 / 78 / 27 / 51

HEX #7C1B5B

RGB 124 27 91

HSL 320.41, 0.64%, 0.3%

LAB 28.96, 46.8, -14.08

 

CMYK 0 / 78 / 27 / 38

HEX #9E2274

RGB 158 34 116

HSL 320.32, 0.65%, 0.38%

LAB 37.25, 56.67, -16.83

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8D

RGB 192 42 141

HSL 320.4, 0.64%, 0.46%

LAB 45.34, 65.8, -19.29

 

CMYK 0 / 70 / 24 / 17

HEX #D43FA1

RGB 212 63 161

HSL 320.54, 0.63%, 0.54%

LAB 51.98, 66.6, -20.76

 

CMYK 0 / 56 / 19 / 14

HEX #DC60B2

RGB 220 96 178

HSL 320.32, 0.64%, 0.62%

LAB 58.78, 57.68, -20.14

 

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

CMYK 0 / 36 / 78 / 25

HEX #C07A2A

RGB 192 122 42

HSL 32, 0.64%, 0.46%

LAB 57.36, 20.85, 52.38

 

CMYK 78 / 0 / 5 / 25

HEX #2AC0B6

RGB 42 192 182

HSL 176, 0.64%, 0.46%

LAB 70.57, -39.49, -5.85

 

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

CMYK 26 / 0 / 78 / 25

HEX #8EC02A

RGB 142 192 42

HSL 80, 0.64%, 0.46%

LAB 71.97, -37.16, 64.54

 

CMYK 78 / 26 / 0 / 25

HEX #2A8EC0

RGB 42 142 192

HSL 200, 0.64%, 0.46%

LAB 55.73, -11.08, -34.02

 

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

CMYK 0 / 36 / 78 / 25

HEX #C07A2A

RGB 192 122 42

HSL 32, 0.64%, 0.46%

LAB 57.36, 20.85, 52.38

 

CMYK 78 / 0 / 52 / 25

HEX #2AC05C

RGB 42 192 92

HSL 140, 0.64%, 0.46%

LAB 68.73, -59.43, 39.45

 

CMYK 78 / 42 / 0 / 25

HEX #2A70C0

RGB 42 112 192

HSL 212, 0.64%, 0.46%

LAB 46.83, 6.79, -48.09

 

CMYK 0 / 78 / 26 / 24

HEX #C12B8E

RGB 193 43 142

HSL 320.4, 0.64%, 0.46%

LAB 45.66, 65.88, -19.39

 

CMYK 0 / 13 / 78 / 25

HEX #C0A72A

RGB 192 167 42

HSL 50, 0.64%, 0.46%

LAB 68.76, -3.66, 62.99

 

CMYK 78 / 0 / 52 / 25

HEX #2AC05C

RGB 42 192 92

HSL 140, 0.64%, 0.46%

LAB 68.73, -59.43, 39.45

 

CMYK 78 / 65 / 0 / 25

HEX #2A43C0

RGB 42 67 192

HSL 230, 0.64%, 0.46%

LAB 34.63, 35.9, -67.85

 

Description

Color code: RGB 193 43 142 | qconv.com Color code: RGB 193 43 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 43 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 43 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 26 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 26% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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