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Color name
RGB 193 234 27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 234 27 it is the complementary color RGB 62 21 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 234 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 234 27 shade: RGB 198 234 22, RGB 215 252 41, RGB 232 255 60, RGB 249 255 79 and RGB 255 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 234 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 234 27 shade: RGB 193 234 27, RGB 176 216 8, RGB 159 198 0, RGB 142 180 0 and RGB 125 162 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 234 27 shade: RGB 192 233 26, RGB 233 218 26, RGB 233 162 26, RGB 233 107 26 and RGB 233 51 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 234 27 shade: RGB 192 233 26, RGB 136 233 26, RGB 80 233 26, RGB 26 233 27 and RGB 26 233 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 234 27 shade matches the following richer shades: RGB 192 233 26 and RGB 204 253 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 234 27 shade: RGB 192 233 26, RGB 180 213 46, RGB 168 193 66, RGB 156 173 86 and RGB 143 152 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 234 27 shade: RGB 233 161 26, RGB 233 216 26, RGB 195 233 26, RGB 140 233 26 and RGB 85 233 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 234 27 shade: RGB 133 162 15, RGB 164 200 18, RGB 192 233 26, RGB 202 237 64 and RGB 213 240 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 234 27 shade: RGB 193 234 27, RGB 26 233 105 and RGB 188 26 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 234 27 shade: RGB 193 234 27, RGB 26 195 233 and RGB 233 26 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 234 27 shade: RGB 193 234 27, RGB 26 233 105, RGB 64 26 233 and RGB 233 26 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 234 27 shade: RGB 193 234 27, RGB 26 233 168, RGB 64 26 233 and RGB 233 26 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

Complementary color

CMYK 73 / 91 / 0 / 11

HEX #3E15E4

RGB 62 21 228

HSL 251.88, 0.83%, 0.49%

LAB 32.17, 69.91, -92.72

 

CMYK 15 / 0 / 91 / 8

HEX #C6EA16

RGB 198 234 22

HSL 70.19, 0.83%, 0.5%

LAB 87.44, -34.69, 83.37

 

CMYK 15 / 0 / 84 / 1

HEX #D7FC29

RGB 215 252 41

HSL 70.52, 0.97%, 0.57%

LAB 93.55, -35.7, 85.53

 

CMYK 9 / 0 / 76 / 0

HEX #E8FF3C

RGB 232 255 60

HSL 67.08, 1%, 0.62%

LAB 95.58, -29.73, 83.08

 

CMYK 2 / 0 / 69 / 0

HEX #F9FF4F

RGB 249 255 79

HSL 62.05, 1%, 0.65%

LAB 96.91, -22.12, 78.79

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

CMYK 19 / 0 / 96 / 15

HEX #B0D808

RGB 176 216 8

HSL 71.54, 0.93%, 0.44%

LAB 80.94, -35.48, 79.2

 

CMYK 20 / 0 / 100 / 22

HEX #9FC600

RGB 159 198 0

HSL 71.82, 1%, 0.39%

LAB 74.67, -34.19, 74.71

 

CMYK 21 / 0 / 100 / 29

HEX #8EB400

RGB 142 180 0

HSL 72.67, 1%, 0.35%

LAB 68.31, -32.8, 69.41

 

CMYK 23 / 0 / 100 / 36

HEX #7DA200

RGB 125 162 0

HSL 73.7, 1%, 0.32%

LAB 61.83, -31.39, 64.01

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 0 / 6 / 89 / 9

HEX #E9DA1A

RGB 233 218 26

HSL 55.65, 0.82%, 0.51%

LAB 85.78, -12.5, 82.58

 

CMYK 0 / 30 / 89 / 9

HEX #E9A21A

RGB 233 162 26

HSL 39.42, 0.82%, 0.51%

LAB 71.72, 16.49, 71.65

 

CMYK 0 / 54 / 89 / 9

HEX #E96B1A

RGB 233 107 26

HSL 23.48, 0.82%, 0.51%

LAB 59.81, 44.93, 62.56

 

CMYK 0 / 78 / 89 / 9

HEX #E9331A

RGB 233 51 26

HSL 7.25, 0.82%, 0.51%

LAB 51.57, 67.04, 56.44

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 42 / 0 / 89 / 9

HEX #88E91A

RGB 136 233 26

HSL 88.12, 0.82%, 0.51%

LAB 83.75, -56.9, 78.36

 

CMYK 66 / 0 / 89 / 9

HEX #50E91A

RGB 80 233 26

HSL 104.35, 0.82%, 0.51%

LAB 81.87, -71.74, 76.02

 

CMYK 89 / 0 / 88 / 9

HEX #1AE91B

RGB 26 233 27

HSL 120.29, 0.82%, 0.51%

LAB 81.06, -78.82, 74.83

 

CMYK 89 / 0 / 64 / 9

HEX #1AE953

RGB 26 233 83

HSL 136.52, 0.82%, 0.51%

LAB 81.36, -75.01, 58.19

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 19 / 0 / 98 / 1

HEX #CCFD06

RGB 204 253 6

HSL 71.9, 0.98%, 0.51%

LAB 93.06, -41.02, 89.43

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 15 / 0 / 78 / 16

HEX #B4D52E

RGB 180 213 46

HSL 71.86, 0.67%, 0.51%

LAB 80.45, -31.59, 72.01

 

CMYK 13 / 0 / 66 / 24

HEX #A8C142

RGB 168 193 66

HSL 71.81, 0.51%, 0.51%

LAB 74.1, -25.92, 58.69

 

CMYK 10 / 0 / 50 / 32

HEX #9CAD56

RGB 156 173 86

HSL 71.72, 0.35%, 0.51%

LAB 67.74, -19.28, 42.33

 

CMYK 6 / 0 / 30 / 40

HEX #8F986B

RGB 143 152 107

HSL 72, 0.18%, 0.51%

LAB 61.1, -11.06, 22.66

 

CMYK 0 / 31 / 89 / 9

HEX #E9A11A

RGB 233 161 26

HSL 39.13, 0.82%, 0.51%

LAB 71.48, 17.02, 71.46

 

CMYK 0 / 7 / 89 / 9

HEX #E9D81A

RGB 233 216 26

HSL 55.07, 0.82%, 0.51%

LAB 85.26, -11.51, 82.17

 

CMYK 16 / 0 / 89 / 9

HEX #C3E91A

RGB 195 233 26

HSL 71.01, 0.82%, 0.51%

LAB 86.97, -35.36, 82.33

 

CMYK 40 / 0 / 89 / 9

HEX #8CE91A

RGB 140 233 26

HSL 86.96, 0.82%, 0.51%

LAB 83.93, -55.59, 78.58

 

CMYK 64 / 0 / 89 / 9

HEX #55E91A

RGB 85 233 26

HSL 102.9, 0.82%, 0.51%

LAB 81.99, -70.7, 76.17

 

CMYK 18 / 0 / 91 / 36

HEX #85A20F

RGB 133 162 15

HSL 71.84, 0.83%, 0.35%

LAB 62.39, -27.77, 62.53

 

CMYK 18 / 0 / 91 / 22

HEX #A4C812

RGB 164 200 18

HSL 71.87, 0.83%, 0.43%

LAB 75.6, -32.83, 73.56

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 15 / 0 / 73 / 7

HEX #CAED40

RGB 202 237 64

HSL 72.14, 0.83%, 0.59%

LAB 88.68, -33.14, 74.71

 

CMYK 11 / 0 / 58 / 6

HEX #D5F065

RGB 213 240 101

HSL 71.65, 0.82%, 0.67%

LAB 90.51, -27.92, 62.75

 

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

CMYK 89 / 0 / 55 / 9

HEX #1AE969

RGB 26 233 105

HSL 142.9, 0.82%, 0.51%

LAB 81.58, -72.33, 48.85

 

CMYK 19 / 89 / 0 / 9

HEX #BC1AE9

RGB 188 26 233

HSL 286.96, 0.82%, 0.51%

LAB 48.65, 82.47, -67.9

 

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

CMYK 89 / 16 / 0 / 9

HEX #1AC3E9

RGB 26 195 233

HSL 191.01, 0.82%, 0.51%

LAB 72.98, -26.35, -30

 

CMYK 0 / 89 / 16 / 9

HEX #E91AC3

RGB 233 26 195

HSL 311.01, 0.82%, 0.51%

LAB 54.03, 84.42, -37.14

 

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

CMYK 89 / 0 / 55 / 9

HEX #1AE969

RGB 26 233 105

HSL 142.9, 0.82%, 0.51%

LAB 81.58, -72.33, 48.85

 

CMYK 73 / 89 / 0 / 9

HEX #401AE9

RGB 64 26 233

HSL 251.01, 0.82%, 0.51%

LAB 33.38, 69.94, -93.57

 

CMYK 0 / 89 / 34 / 9

HEX #E91A9A

RGB 233 26 154

HSL 322.9, 0.82%, 0.51%

LAB 52.28, 79.77, -15.81

 

CMYK 18 / 0 / 88 / 8

HEX #C1EA1B

RGB 193 234 27

HSL 71.88, 0.83%, 0.51%

LAB 87.13, -36.58, 82.24

 

CMYK 89 / 0 / 28 / 9

HEX #1AE9A8

RGB 26 233 168

HSL 161.16, 0.82%, 0.51%

LAB 82.55, -60.93, 18.82

 

CMYK 73 / 89 / 0 / 9

HEX #401AE9

RGB 64 26 233

HSL 251.01, 0.82%, 0.51%

LAB 33.38, 69.94, -93.57

 

CMYK 0 / 89 / 61 / 9

HEX #E91A5C

RGB 233 26 92

HSL 340.87, 0.82%, 0.51%

LAB 50.49, 74.84, 19.11

 

Description

Color code: RGB 193 234 27 | qconv.com Color code: RGB 193 234 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 234 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 234 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 88 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 88% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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