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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 22 201 it is the complementary color RGB 62 233 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 22 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 22 201 shade: RGB 198 22 196, RGB 215 40 215, RGB 232 58 234, RGB 249 76 253 and RGB 255 94 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 22 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 176 4 182, RGB 159 0 163, RGB 142 0 144 and RGB 125 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 201 22 161, RGB 201 22 113, RGB 201 22 64 and RGB 201 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 145 22 201, RGB 97 22 201, RGB 48 22 201 and RGB 22 22 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 22 201 shade matches the following richer shades: RGB 193 22 201 and RGB 210 4 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 177 40 183, RGB 160 58 165, RGB 144 76 147 and RGB 127 95 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 22 201 shade: RGB 97 22 201, RGB 145 22 201, RGB 192 22 201, RGB 201 22 163 and RGB 201 22 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 22 201 shade: RGB 122 14 127, RGB 158 18 164, RGB 193 22 201, RGB 221 35 230 and RGB 227 72 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 201 49 22 and RGB 22 201 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 201 192 22 and RGB 22 201 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 201 49 22, RGB 31 201 22 and RGB 22 175 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 22 201 shade: RGB 193 22 201, RGB 201 103 22, RGB 31 201 22 and RGB 22 121 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

Complementary color

CMYK 73 / 0 / 77 / 9

HEX #3EE936

RGB 62 233 54

HSL 117.32, 0.8%, 0.56%

LAB 81.6, -73.62, 69.02

 

CMYK 0 / 89 / 1 / 22

HEX #C616C4

RGB 198 22 196

HSL 300.68, 0.8%, 0.43%

LAB 47.71, 78.73, -48.13

 

CMYK 0 / 81 / 0 / 16

HEX #D728D7

RGB 215 40 215

HSL 300, 0.69%, 0.5%

LAB 52.81, 81.36, -50.76

 

CMYK 1 / 75 / 0 / 8

HEX #E83AEA

RGB 232 58 234

HSL 299.32, 0.81%, 0.57%

LAB 58.15, 83.04, -52.82

 

CMYK 2 / 70 / 0 / 1

HEX #F94CFD

RGB 249 76 253

HSL 298.64, 0.98%, 0.65%

LAB 63.67, 84.02, -54.45

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 3 / 98 / 0 / 29

HEX #B004B6

RGB 176 4 182

HSL 297.98, 0.96%, 0.36%

LAB 42.3, 74.91, -48.81

 

CMYK 2 / 100 / 0 / 36

HEX #9F00A3

RGB 159 0 163

HSL 298.53, 1%, 0.32%

LAB 37.87, 69.64, -44.75

 

CMYK 1 / 100 / 0 / 44

HEX #8E0090

RGB 142 0 144

HSL 299.17, 1%, 0.28%

LAB 33.49, 63.85, -40.38

 

CMYK 0 / 100 / 0 / 51

HEX #7D007D

RGB 125 0 125

HSL 300, 1%, 0.25%

LAB 29.01, 57.94, -35.88

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 0 / 89 / 20 / 21

HEX #C916A1

RGB 201 22 161

HSL 313.41, 0.8%, 0.44%

LAB 46.4, 74.5, -29.55

 

CMYK 0 / 89 / 44 / 21

HEX #C91671

RGB 201 22 113

HSL 329.5, 0.8%, 0.44%

LAB 44.5, 69.36, -3.22

 

CMYK 0 / 89 / 68 / 21

HEX #C91640

RGB 201 22 64

HSL 345.92, 0.8%, 0.44%

LAB 43.3, 66.02, 25.73

 

CMYK 0 / 89 / 89 / 21

HEX #C91616

RGB 201 22 22

HSL 0, 0.8%, 0.44%

LAB 42.84, 64.68, 48.8

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 28 / 89 / 0 / 21

HEX #9116C9

RGB 145 22 201

HSL 281.23, 0.8%, 0.44%

LAB 39.26, 71.15, -65.12

 

CMYK 52 / 89 / 0 / 21

HEX #6116C9

RGB 97 22 201

HSL 265.14, 0.8%, 0.44%

LAB 32.55, 65.41, -76.38

 

CMYK 76 / 89 / 0 / 21

HEX #3016C9

RGB 48 22 201

HSL 248.72, 0.8%, 0.44%

LAB 27.9, 61.96, -84.24

 

CMYK 89 / 89 / 0 / 21

HEX #1616C9

RGB 22 22 201

HSL 240, 0.8%, 0.44%

LAB 26.62, 61.11, -86.39

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 5 / 98 / 0 / 14

HEX #D204DC

RGB 210 4 220

HSL 297.22, 0.96%, 0.44%

LAB 50.64, 86.03, -57.14

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 3 / 78 / 0 / 28

HEX #B128B7

RGB 177 40 183

HSL 297.48, 0.64%, 0.44%

LAB 44.64, 69.08, -45.64

 

CMYK 3 / 65 / 0 / 35

HEX #A03AA5

RGB 160 58 165

HSL 297.2, 0.48%, 0.44%

LAB 43.09, 55.99, -37.62

 

CMYK 2 / 48 / 0 / 42

HEX #904C93

RGB 144 76 147

HSL 297.46, 0.32%, 0.44%

LAB 43.07, 39.54, -27.03

 

CMYK 2 / 26 / 0 / 49

HEX #7F5F81

RGB 127 95 129

HSL 296.47, 0.15%, 0.44%

LAB 44.63, 19.29, -13.94

 

CMYK 52 / 89 / 0 / 21

HEX #6116C9

RGB 97 22 201

HSL 265.14, 0.8%, 0.44%

LAB 32.55, 65.41, -76.38

 

CMYK 28 / 89 / 0 / 21

HEX #9116C9

RGB 145 22 201

HSL 281.23, 0.8%, 0.44%

LAB 39.26, 71.15, -65.12

 

CMYK 4 / 89 / 0 / 21

HEX #C016C9

RGB 192 22 201

HSL 296.98, 0.8%, 0.44%

LAB 46.97, 78.45, -52.27

 

CMYK 0 / 89 / 19 / 21

HEX #C916A3

RGB 201 22 163

HSL 312.74, 0.8%, 0.44%

LAB 46.49, 74.75, -30.6

 

CMYK 0 / 89 / 43 / 21

HEX #C91673

RGB 201 22 115

HSL 328.83, 0.8%, 0.44%

LAB 44.56, 69.54, -4.36

 

CMYK 4 / 89 / 0 / 50

HEX #7A0E7F

RGB 122 14 127

HSL 297.35, 0.8%, 0.28%

LAB 29.37, 55.36, -36.59

 

CMYK 4 / 89 / 0 / 36

HEX #9E12A4

RGB 158 18 164

HSL 297.53, 0.8%, 0.36%

LAB 38.52, 67.36, -44.32

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 4 / 85 / 0 / 10

HEX #DD23E6

RGB 221 35 230

HSL 297.23, 0.8%, 0.52%

LAB 54.33, 85.69, -56.78

 

CMYK 3 / 69 / 0 / 8

HEX #E348EA

RGB 227 72 234

HSL 297.41, 0.79%, 0.6%

LAB 58.89, 77.71, -51.7

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 0 / 76 / 89 / 21

HEX #C93116

RGB 201 49 22

HSL 9.05, 0.8%, 0.44%

LAB 45.18, 58.05, 50.55

 

CMYK 89 / 0 / 40 / 21

HEX #16C979

RGB 22 201 121

HSL 153.18, 0.8%, 0.44%

LAB 71.77, -59.4, 28.62

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 0 / 4 / 89 / 21

HEX #C9C016

RGB 201 192 22

HSL 56.98, 0.8%, 0.44%

LAB 76.18, -13.23, 74.56

 

CMYK 89 / 0 / 4 / 21

HEX #16C9C0

RGB 22 201 192

HSL 176.98, 0.8%, 0.44%

LAB 73.38, -42.09, -7.16

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 0 / 76 / 89 / 21

HEX #C93116

RGB 201 49 22

HSL 9.05, 0.8%, 0.44%

LAB 45.18, 58.05, 50.55

 

CMYK 85 / 0 / 89 / 21

HEX #1FC916

RGB 31 201 22

HSL 116.98, 0.8%, 0.44%

LAB 70.96, -69.7, 67.03

 

CMYK 89 / 13 / 0 / 21

HEX #16AFC9

RGB 22 175 201

HSL 188.72, 0.8%, 0.44%

LAB 65.79, -27.11, -23.54

 

CMYK 4 / 89 / 0 / 21

HEX #C116C9

RGB 193 22 201

HSL 297.32, 0.8%, 0.44%

LAB 47.14, 78.62, -51.98

 

CMYK 0 / 49 / 89 / 21

HEX #C96716

RGB 201 103 22

HSL 27.15, 0.8%, 0.44%

LAB 54.21, 34.28, 57.43

 

CMYK 85 / 0 / 89 / 21

HEX #1FC916

RGB 31 201 22

HSL 116.98, 0.8%, 0.44%

LAB 70.96, -69.7, 67.03

 

CMYK 89 / 40 / 0 / 21

HEX #1679C9

RGB 22 121 201

HSL 206.82, 0.8%, 0.44%

LAB 49.57, 2.95, -48.9

 

Description

Color code: RGB 193 22 201 | qconv.com Color code: RGB 193 22 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 22 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 22 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 89 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 89% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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