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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 22 198 it is the complementary color RGB 62 233 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 22 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 22 198 shade: RGB 198 22 193, RGB 215 40 212, RGB 232 58 231, RGB 249 76 250 and RGB 255 94 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 22 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 22 198 shade: RGB 193 22 198, RGB 176 4 179, RGB 159 0 160, RGB 142 0 141 and RGB 125 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 22 198 shade: RGB 192 21 197, RGB 197 21 155, RGB 197 21 107, RGB 197 21 60 and RGB 197 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 22 198 shade: RGB 192 21 197, RGB 145 21 197, RGB 97 21 197, RGB 50 21 197 and RGB 21 21 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 22 198 shade matches the following richer shades: RGB 192 21 197 and RGB 209 4 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 22 198 shade: RGB 192 21 197, RGB 175 39 179, RGB 158 57 161, RGB 142 75 144 and RGB 125 92 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 22 198 shade: RGB 97 21 197, RGB 144 21 197, RGB 191 21 197, RGB 197 21 156 and RGB 197 21 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 22 198 shade: RGB 120 13 123, RGB 156 17 160, RGB 192 21 197, RGB 224 30 230 and RGB 229 67 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 22 198 shade: RGB 193 22 198, RGB 197 51 21 and RGB 21 197 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 22 198 shade: RGB 193 22 198, RGB 197 191 21 and RGB 21 197 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 22 198 shade: RGB 193 22 198, RGB 197 51 21, RGB 27 197 21 and RGB 21 168 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 22 198 shade: RGB 193 22 198, RGB 197 103 21, RGB 27 197 21 and RGB 21 115 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

Complementary color

CMYK 73 / 0 / 76 / 9

HEX #3EE939

RGB 62 233 57

HSL 118.3, 0.8%, 0.57%

LAB 81.62, -73.43, 68.1

 

CMYK 0 / 89 / 3 / 22

HEX #C616C1

RGB 198 22 193

HSL 301.7, 0.8%, 0.43%

LAB 47.53, 78.28, -46.66

 

CMYK 0 / 81 / 1 / 16

HEX #D728D4

RGB 215 40 212

HSL 301.03, 0.69%, 0.5%

LAB 52.64, 80.9, -49.31

 

CMYK 0 / 75 / 0 / 9

HEX #E83AE7

RGB 232 58 231

HSL 300.34, 0.79%, 0.57%

LAB 57.99, 82.58, -51.4

 

CMYK 0 / 70 / 0 / 2

HEX #F94CFA

RGB 249 76 250

HSL 299.66, 0.95%, 0.64%

LAB 63.52, 83.55, -53.04

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

CMYK 2 / 98 / 0 / 30

HEX #B004B3

RGB 176 4 179

HSL 298.97, 0.96%, 0.36%

LAB 42.11, 74.45, -47.34

 

CMYK 1 / 100 / 0 / 37

HEX #9F00A0

RGB 159 0 160

HSL 299.63, 1%, 0.31%

LAB 37.68, 69.18, -43.25

 

CMYK 0 / 100 / 1 / 44

HEX #8E008D

RGB 142 0 141

HSL 300.42, 1%, 0.28%

LAB 33.29, 63.39, -38.83

 

CMYK 0 / 100 / 2 / 51

HEX #7D007A

RGB 125 0 122

HSL 301.44, 1%, 0.25%

LAB 28.81, 57.47, -34.29

 

CMYK 3 / 89 / 0 / 23

HEX #C015C5

RGB 192 21 197

HSL 298.3, 0.81%, 0.43%

LAB 46.68, 77.98, -50.42

 

CMYK 0 / 89 / 21 / 23

HEX #C5159B

RGB 197 21 155

HSL 314.32, 0.81%, 0.43%

LAB 45.32, 73.1, -27.69

 

CMYK 0 / 89 / 46 / 23

HEX #C5156B

RGB 197 21 107

HSL 330.68, 0.81%, 0.43%

LAB 43.46, 68.06, -1.1

 

CMYK 0 / 89 / 70 / 23

HEX #C5153C

RGB 197 21 60

HSL 346.7, 0.81%, 0.43%

LAB 42.36, 64.97, 26.86

 

CMYK 0 / 89 / 89 / 23

HEX #C51515

RGB 197 21 21

HSL 0, 0.81%, 0.43%

LAB 41.94, 63.77, 48.2

 

CMYK 3 / 89 / 0 / 23

HEX #C015C5

RGB 192 21 197

HSL 298.3, 0.81%, 0.43%

LAB 46.68, 77.98, -50.42

 

CMYK 26 / 89 / 0 / 23

HEX #9115C5

RGB 145 21 197

HSL 282.27, 0.81%, 0.43%

LAB 38.88, 70.57, -63.41

 

CMYK 51 / 89 / 0 / 23

HEX #6115C5

RGB 97 21 197

HSL 265.91, 0.81%, 0.43%

LAB 32.05, 64.72, -74.86

 

CMYK 75 / 89 / 0 / 23

HEX #3215C5

RGB 50 21 197

HSL 249.89, 0.81%, 0.43%

LAB 27.42, 61.28, -82.68

 

CMYK 89 / 89 / 0 / 23

HEX #1515C5

RGB 21 21 197

HSL 240, 0.81%, 0.43%

LAB 25.94, 60.31, -85.18

 

CMYK 3 / 89 / 0 / 23

HEX #C015C5

RGB 192 21 197

HSL 298.3, 0.81%, 0.43%

LAB 46.68, 77.98, -50.42

 

CMYK 3 / 98 / 0 / 16

HEX #D104D7

RGB 209 4 215

HSL 298.29, 0.96%, 0.43%

LAB 50.15, 85.13, -55.06

 

CMYK 3 / 89 / 0 / 23

HEX #C015C5

RGB 192 21 197

HSL 298.3, 0.81%, 0.43%

LAB 46.68, 77.98, -50.42

 

CMYK 2 / 78 / 0 / 30

HEX #AF27B3

RGB 175 39 179

HSL 298.29, 0.64%, 0.43%

LAB 43.97, 68.31, -44.37

 

CMYK 2 / 65 / 0 / 37

HEX #9E39A1

RGB 158 57 161

HSL 298.27, 0.48%, 0.43%

LAB 42.41, 55.2, -36.32

 

CMYK 1 / 48 / 0 / 44

HEX #8E4B90

RGB 142 75 144

HSL 298.26, 0.32%, 0.43%

LAB 42.46, 38.87, -26.2

 

CMYK 1 / 27 / 0 / 51

HEX #7D5C7E

RGB 125 92 126

HSL 298.24, 0.16%, 0.43%

LAB 43.54, 19.74, -13.82

 

CMYK 51 / 89 / 0 / 23

HEX #6115C5

RGB 97 21 197

HSL 265.91, 0.81%, 0.43%

LAB 32.05, 64.72, -74.86

 

CMYK 27 / 89 / 0 / 23

HEX #9015C5

RGB 144 21 197

HSL 281.93, 0.81%, 0.43%

LAB 38.72, 70.42, -63.67

 

CMYK 3 / 89 / 0 / 23

HEX #BF15C5

RGB 191 21 197

HSL 297.95, 0.81%, 0.43%

LAB 46.5, 77.81, -50.71

 

CMYK 0 / 89 / 21 / 23

HEX #C5159C

RGB 197 21 156

HSL 313.98, 0.81%, 0.43%

LAB 45.37, 73.22, -28.22

 

CMYK 0 / 89 / 45 / 23

HEX #C5156D

RGB 197 21 109

HSL 330, 0.81%, 0.43%

LAB 43.52, 68.24, -2.26

 

CMYK 2 / 89 / 0 / 52

HEX #780D7B

RGB 120 13 123

HSL 298.36, 0.81%, 0.27%

LAB 28.67, 54.5, -35.21

 

CMYK 2 / 89 / 0 / 37

HEX #9C11A0

RGB 156 17 160

HSL 298.32, 0.81%, 0.35%

LAB 37.85, 66.53, -42.99

 

CMYK 3 / 89 / 0 / 23

HEX #C015C5

RGB 192 21 197

HSL 298.3, 0.81%, 0.43%

LAB 46.68, 77.98, -50.42

 

CMYK 3 / 87 / 0 / 10

HEX #E01EE6

RGB 224 30 230

HSL 298.2, 0.8%, 0.51%

LAB 54.54, 87.04, -56.41

 

CMYK 2 / 71 / 0 / 8

HEX #E543EA

RGB 229 67 234

HSL 298.2, 0.8%, 0.59%

LAB 58.61, 79.77, -52.12

 

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

CMYK 0 / 74 / 89 / 23

HEX #C53315

RGB 197 51 21

HSL 10.23, 0.81%, 0.43%

LAB 44.65, 56.12, 50.22

 

CMYK 89 / 0 / 39 / 23

HEX #15C579

RGB 21 197 121

HSL 154.09, 0.81%, 0.43%

LAB 70.51, -58.04, 26.94

 

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

CMYK 0 / 3 / 89 / 23

HEX #C5BF15

RGB 197 191 21

HSL 57.95, 0.81%, 0.43%

LAB 75.57, -14.48, 74.1

 

CMYK 89 / 0 / 3 / 23

HEX #15C5BF

RGB 21 197 191

HSL 177.95, 0.81%, 0.43%

LAB 72.13, -40.66, -8.47

 

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

CMYK 0 / 74 / 89 / 23

HEX #C53315

RGB 197 51 21

HSL 10.23, 0.81%, 0.43%

LAB 44.65, 56.12, 50.22

 

CMYK 86 / 0 / 89 / 23

HEX #1BC515

RGB 27 197 21

HSL 117.95, 0.81%, 0.43%

LAB 69.63, -68.96, 66.05

 

CMYK 89 / 15 / 0 / 23

HEX #15A8C5

RGB 21 168 197

HSL 189.89, 0.81%, 0.43%

LAB 63.5, -24.96, -24.82

 

CMYK 3 / 89 / 0 / 22

HEX #C116C6

RGB 193 22 198

HSL 298.3, 0.8%, 0.43%

LAB 46.96, 78.16, -50.54

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 86 / 0 / 89 / 23

HEX #1BC515

RGB 27 197 21

HSL 117.95, 0.81%, 0.43%

LAB 69.63, -68.96, 66.05

 

CMYK 89 / 42 / 0 / 23

HEX #1573C5

RGB 21 115 197

HSL 207.95, 0.81%, 0.43%

LAB 47.56, 5.05, -49.81

 

Description

Color code: RGB 193 22 198 | qconv.com Color code: RGB 193 22 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 22 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 22 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 89 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 89% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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