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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 217 177 it is the complementary color RGB 62 38 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 217 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 217 177 shade: RGB 198 217 172, RGB 215 235 191, RGB 232 253 210, RGB 249 255 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 217 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 217 177 shade: RGB 193 217 177, RGB 176 199 158, RGB 159 181 139, RGB 142 163 120 and RGB 125 145 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 217 177 shade: RGB 192 216 176, RGB 203 216 176, RGB 213 216 176, RGB 216 207 176 and RGB 216 197 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 217 177 shade: RGB 192 216 176, RGB 181 216 176, RGB 176 216 181, RGB 176 216 192 and RGB 176 216 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 217 177 shade matches the following richer shades: RGB 192 216 176, RGB 190 225 166, RGB 188 235 157, RGB 186 244 147 and RGB 184 254 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 217 177 shade: RGB 192 216 176, RGB 194 206 185, RGB 196 197 195, RGB 198 187 204 and RGB 199 178 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 217 177 shade: RGB 213 216 176, RGB 202 216 176, RGB 192 216 176, RGB 181 216 176 and RGB 176 216 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 217 177 shade: RGB 148 189 121, RGB 170 202 148, RGB 192 216 176, RGB 214 229 204 and RGB 236 243 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 217 177 shade: RGB 193 217 177, RGB 176 216 208 and RGB 216 176 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 217 177 shade: RGB 193 217 177, RGB 176 192 216 and RGB 216 176 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 217 177 shade: RGB 193 217 177, RGB 176 216 208, RGB 200 176 216 and RGB 216 176 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 217 177 shade: RGB 193 217 177, RGB 176 212 216, RGB 200 176 216 and RGB 216 180 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

Complementary color

CMYK 21 / 51 / 0 / 69

HEX #3E264E

RGB 62 38 78

HSL 276, 0.34%, 0.23%

LAB 19.88, 20.03, -20.35

 

CMYK 9 / 0 / 21 / 15

HEX #C6D9AC

RGB 198 217 172

HSL 85.33, 0.37%, 0.76%

LAB 84.28, -14.22, 20.08

 

CMYK 9 / 0 / 19 / 8

HEX #D7EBBF

RGB 215 235 191

HSL 87.27, 0.52%, 0.84%

LAB 90.61, -14.23, 19.17

 

CMYK 8 / 0 / 17 / 1

HEX #E8FDD2

RGB 232 253 210

HSL 89.3, 0.91%, 0.91%

LAB 96.84, -14.24, 18.3

 

CMYK 2 / 0 / 10 / 0

HEX #F9FFE5

RGB 249 255 229

HSL 73.85, 1%, 0.95%

LAB 98.95, -6.38, 11.74

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

CMYK 12 / 0 / 21 / 22

HEX #B0C79E

RGB 176 199 158

HSL 93.66, 0.27%, 0.7%

LAB 77.61, -15.23, 17.98

 

CMYK 12 / 0 / 23 / 29

HEX #9FB58B

RGB 159 181 139

HSL 91.43, 0.22%, 0.63%

LAB 71.07, -15.26, 18.94

 

CMYK 13 / 0 / 26 / 36

HEX #8EA378

RGB 142 163 120

HSL 89.3, 0.19%, 0.55%

LAB 64.4, -15.3, 19.97

 

CMYK 14 / 0 / 30 / 43

HEX #7D9165

RGB 125 145 101

HSL 87.27, 0.18%, 0.48%

LAB 57.61, -15.33, 21.06

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 6 / 0 / 19 / 15

HEX #CBD8B0

RGB 203 216 176

HSL 79.5, 0.34%, 0.77%

LAB 84.45, -11.29, 18.28

 

CMYK 1 / 0 / 19 / 15

HEX #D5D8B0

RGB 213 216 176

HSL 64.5, 0.34%, 0.77%

LAB 85.2, -7.67, 19.42

 

CMYK 0 / 4 / 19 / 15

HEX #D8CFB0

RGB 216 207 176

HSL 46.5, 0.34%, 0.77%

LAB 83.1, -1.94, 16.54

 

CMYK 0 / 9 / 19 / 15

HEX #D8C5B0

RGB 216 197 176

HSL 31.5, 0.34%, 0.77%

LAB 80.55, 3.29, 12.95

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 16 / 0 / 19 / 15

HEX #B5D8B0

RGB 181 216 176

HSL 112.5, 0.34%, 0.77%

LAB 82.95, -19.02, 15.95

 

CMYK 19 / 0 / 16 / 15

HEX #B0D8B5

RGB 176 216 181

HSL 127.5, 0.34%, 0.77%

LAB 82.74, -19.84, 12.97

 

CMYK 19 / 0 / 11 / 15

HEX #B0D8C0

RGB 176 216 192

HSL 144, 0.34%, 0.77%

LAB 82.99, -17.82, 7.51

 

CMYK 19 / 0 / 6 / 15

HEX #B0D8CB

RGB 176 216 203

HSL 160.5, 0.34%, 0.77%

LAB 83.26, -15.68, 2.06

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 16 / 0 / 26 / 12

HEX #BEE1A6

RGB 190 225 166

HSL 95.59, 0.5%, 0.77%

LAB 85.78, -21.95, 25.18

 

CMYK 20 / 0 / 33 / 8

HEX #BCEB9D

RGB 188 235 157

HSL 96.15, 0.66%, 0.77%

LAB 88.23, -28.77, 33.06

 

CMYK 24 / 0 / 40 / 4

HEX #BAF493

RGB 186 244 147

HSL 95.88, 0.82%, 0.77%

LAB 90.44, -35, 40.91

 

CMYK 28 / 0 / 46 / 0

HEX #B8FE8A

RGB 184 254 138

HSL 96.21, 0.98%, 0.77%

LAB 92.97, -41.29, 48.45

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 6 / 0 / 10 / 19

HEX #C2CEB9

RGB 194 206 185

HSL 94.29, 0.18%, 0.77%

LAB 81.35, -7.89, 9.04

 

CMYK 1 / 0 / 1 / 23

HEX #C4C5C3

RGB 196 197 195

HSL 90, 0.02%, 0.77%

LAB 79.39, -0.71, 0.87

 

CMYK 3 / 8 / 0 / 20

HEX #C6BBCC

RGB 198 187 204

HSL 278.82, 0.14%, 0.77%

LAB 77.22, 7, -7.16

 

CMYK 7 / 17 / 0 / 16

HEX #C7B2D6

RGB 199 178 214

HSL 275, 0.31%, 0.77%

LAB 75.35, 14.17, -15.38

 

CMYK 1 / 0 / 19 / 15

HEX #D5D8B0

RGB 213 216 176

HSL 64.5, 0.34%, 0.77%

LAB 85.2, -7.67, 19.42

 

CMYK 6 / 0 / 19 / 15

HEX #CAD8B0

RGB 202 216 176

HSL 81, 0.34%, 0.77%

LAB 84.38, -11.65, 18.17

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 16 / 0 / 19 / 15

HEX #B5D8B0

RGB 181 216 176

HSL 112.5, 0.34%, 0.77%

LAB 82.95, -19.02, 15.95

 

CMYK 19 / 0 / 16 / 15

HEX #B0D8B5

RGB 176 216 181

HSL 127.5, 0.34%, 0.77%

LAB 82.74, -19.84, 12.97

 

CMYK 22 / 0 / 36 / 26

HEX #94BD79

RGB 148 189 121

HSL 96.18, 0.34%, 0.61%

LAB 72.28, -26.05, 30.04

 

CMYK 16 / 0 / 27 / 21

HEX #AACA94

RGB 170 202 148

HSL 95.56, 0.34%, 0.69%

LAB 77.83, -20.48, 23.53

 

CMYK 11 / 0 / 19 / 15

HEX #C0D8B0

RGB 192 216 176

HSL 96, 0.34%, 0.77%

LAB 83.68, -15.21, 17.08

 

CMYK 7 / 0 / 11 / 10

HEX #D6E5CC

RGB 214 229 204

HSL 96, 0.32%, 0.85%

LAB 89.25, -9.45, 10.48

 

CMYK 3 / 0 / 5 / 5

HEX #ECF3E7

RGB 236 243 231

HSL 95, 0.33%, 0.93%

LAB 95.04, -4.43, 4.96

 

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

CMYK 19 / 0 / 4 / 15

HEX #B0D8D0

RGB 176 216 208

HSL 168, 0.34%, 0.77%

LAB 83.39, -14.67, -0.41

 

CMYK 0 / 19 / 4 / 15

HEX #D8B0D0

RGB 216 176 208

HSL 312, 0.34%, 0.77%

LAB 76.19, 19.85, -10.69

 

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

CMYK 19 / 11 / 0 / 15

HEX #B0C0D8

RGB 176 192 216

HSL 216, 0.34%, 0.77%

LAB 77.21, -0.46, -13.84

 

CMYK 0 / 19 / 11 / 15

HEX #D8B0C0

RGB 216 176 192

HSL 336, 0.34%, 0.77%

LAB 75.73, 17.07, -2.65

 

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

CMYK 19 / 0 / 4 / 15

HEX #B0D8D0

RGB 176 216 208

HSL 168, 0.34%, 0.77%

LAB 83.39, -14.67, -0.41

 

CMYK 7 / 19 / 0 / 15

HEX #C8B0D8

RGB 200 176 216

HSL 276, 0.34%, 0.77%

LAB 75.01, 15.99, -16.98

 

CMYK 0 / 19 / 15 / 15

HEX #D8B0B8

RGB 216 176 184

HSL 348, 0.34%, 0.77%

LAB 75.52, 15.75, 1.4

 

CMYK 11 / 0 / 18 / 15

HEX #C1D9B1

RGB 193 217 177

HSL 96, 0.34%, 0.77%

LAB 84.04, -15.19, 17.07

 

CMYK 19 / 2 / 0 / 15

HEX #B0D4D8

RGB 176 212 216

HSL 186, 0.34%, 0.77%

LAB 82.53, -10.97, -5.93

 

CMYK 7 / 19 / 0 / 15

HEX #C8B0D8

RGB 200 176 216

HSL 276, 0.34%, 0.77%

LAB 75.01, 15.99, -16.98

 

CMYK 0 / 17 / 19 / 15

HEX #D8B4B0

RGB 216 180 176

HSL 6, 0.34%, 0.77%

LAB 76.3, 12.34, 6.89

 

Description

Color code: RGB 193 217 177 | qconv.com Color code: RGB 193 217 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 217 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 217 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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