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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 192 235 it is the complementary color RGB 62 63 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 192 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 192 235 shade: RGB 198 192 230, RGB 215 210 249, RGB 232 228 255 and RGB 249 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 192 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 176 174 216, RGB 159 156 197, RGB 142 138 178 and RGB 125 120 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 205 192 235, RGB 216 192 235, RGB 228 192 235 and RGB 235 192 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 192 235 shade: RGB 193 192 235 and RGB 192 192 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 192 235 shade matches the following richer shades: RGB 193 192 235, RGB 187 186 242 and RGB 181 179 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 200 199 228, RGB 206 206 222, RGB 212 212 215 and RGB 219 219 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 192 235 shade: RGB 192 214 235, RGB 192 203 235, RGB 193 192 235, RGB 205 192 235 and RGB 216 192 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 192 235 shade: RGB 132 130 215, RGB 163 161 225, RGB 193 192 235 and RGB 224 224 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 235 192 226 and RGB 209 235 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 235 193 192 and RGB 192 235 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 235 192 226, RGB 234 235 192 and RGB 192 235 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 192 235 shade: RGB 193 192 235, RGB 235 192 213, RGB 234 235 192 and RGB 192 235 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

Complementary color

CMYK 2 / 0 / 68 / 75

HEX #3E3F14

RGB 62 63 20

HSL 61.4, 0.52%, 0.16%

LAB 25.65, -7.22, 25.52

 

CMYK 14 / 17 / 0 / 10

HEX #C6C0E6

RGB 198 192 230

HSL 249.47, 0.43%, 0.83%

LAB 79.28, 9.52, -18.12

 

CMYK 14 / 16 / 0 / 2

HEX #D7D2F9

RGB 215 210 249

HSL 247.69, 0.76%, 0.9%

LAB 85.7, 9.22, -18.44

 

CMYK 9 / 11 / 0 / 0

HEX #E8E4FF

RGB 232 228 255

HSL 248.89, 1%, 0.95%

LAB 91.62, 6.36, -12.57

 

CMYK 2 / 4 / 0 / 0

HEX #F9F6FF

RGB 249 246 255

HSL 260, 1%, 0.98%

LAB 97.34, 2.6, -3.96

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 19 / 19 / 0 / 15

HEX #B0AED8

RGB 176 174 216

HSL 242.86, 0.35%, 0.76%

LAB 72.53, 9.33, -20.91

 

CMYK 19 / 21 / 0 / 23

HEX #9F9CC5

RGB 159 156 197

HSL 244.39, 0.26%, 0.69%

LAB 65.89, 9.68, -20.66

 

CMYK 20 / 22 / 0 / 30

HEX #8E8AB2

RGB 142 138 178

HSL 246, 0.21%, 0.62%

LAB 59.11, 10.07, -20.43

 

CMYK 21 / 25 / 0 / 38

HEX #7D789F

RGB 125 120 159

HSL 247.69, 0.17%, 0.55%

LAB 52.17, 10.49, -20.23

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 13 / 18 / 0 / 8

HEX #CDC0EB

RGB 205 192 235

HSL 258.14, 0.52%, 0.84%

LAB 80, 12.79, -19.67

 

CMYK 8 / 18 / 0 / 8

HEX #D8C0EB

RGB 216 192 235

HSL 273.49, 0.52%, 0.84%

LAB 80.9, 16.33, -18.21

 

CMYK 3 / 18 / 0 / 8

HEX #E4C0EB

RGB 228 192 235

HSL 290.23, 0.52%, 0.84%

LAB 81.94, 20.24, -16.54

 

CMYK 0 / 18 / 2 / 8

HEX #EBC0E7

RGB 235 192 231

HSL 305.58, 0.52%, 0.84%

LAB 82.45, 21.82, -13.57

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 18 / 18 / 0 / 8

HEX #C0C0EB

RGB 192 192 235

HSL 240, 0.52%, 0.84%

LAB 78.99, 8.7, -21.3

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 23 / 23 / 0 / 5

HEX #BBBAF2

RGB 187 186 242

HSL 241.07, 0.68%, 0.84%

LAB 77.34, 12.01, -27.61

 

CMYK 27 / 28 / 0 / 3

HEX #B5B3F8

RGB 181 179 248

HSL 241.74, 0.83%, 0.84%

LAB 75.35, 15.49, -33.93

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 12 / 13 / 0 / 11

HEX #C8C7E4

RGB 200 199 228

HSL 242.07, 0.35%, 0.84%

LAB 81.14, 5.98, -14.23

 

CMYK 7 / 7 / 0 / 13

HEX #CECEDE

RGB 206 206 222

HSL 240, 0.2%, 0.84%

LAB 83.2, 3.02, -7.91

 

CMYK 1 / 1 / 0 / 16

HEX #D4D4D7

RGB 212 212 215

HSL 240, 0.04%, 0.84%

LAB 84.99, 0.55, -1.49

 

CMYK 0 / 0 / 5 / 14

HEX #DBDBD1

RGB 219 219 209

HSL 60, 0.12%, 0.84%

LAB 87.16, -1.76, 4.9

 

CMYK 18 / 9 / 0 / 8

HEX #C0D6EB

RGB 192 214 235

HSL 209.3, 0.52%, 0.84%

LAB 84.64, -3.01, -12.78

 

CMYK 18 / 14 / 0 / 8

HEX #C0CBEB

RGB 192 203 235

HSL 224.65, 0.52%, 0.84%

LAB 81.79, 2.8, -17.05

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 13 / 18 / 0 / 8

HEX #CDC0EB

RGB 205 192 235

HSL 258.14, 0.52%, 0.84%

LAB 80, 12.79, -19.67

 

CMYK 8 / 18 / 0 / 8

HEX #D8C0EB

RGB 216 192 235

HSL 273.49, 0.52%, 0.84%

LAB 80.9, 16.33, -18.21

 

CMYK 39 / 40 / 0 / 16

HEX #8482D7

RGB 132 130 215

HSL 241.41, 0.52%, 0.68%

LAB 57.82, 21.33, -43.42

 

CMYK 28 / 28 / 0 / 12

HEX #A3A1E1

RGB 163 161 225

HSL 241.88, 0.52%, 0.76%

LAB 68.54, 14.73, -32.05

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 9 / 9 / 0 / 4

HEX #E0E0F5

RGB 224 224 245

HSL 240, 0.51%, 0.92%

LAB 89.74, 3.93, -10.2

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 0 / 18 / 4 / 8

HEX #EBC0E2

RGB 235 192 226

HSL 312.56, 0.52%, 0.84%

LAB 82.3, 20.93, -11.12

 

CMYK 11 / 0 / 18 / 8

HEX #D1EBC0

RGB 209 235 192

HSL 96.28, 0.52%, 0.84%

LAB 90.22, -16.16, 18.05

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 0 / 18 / 18 / 8

HEX #EBC1C0

RGB 235 193 192

HSL 1.4, 0.52%, 0.84%

LAB 81.62, 14.8, 6.13

 

CMYK 18 / 0 / 18 / 8

HEX #C0EBC1

RGB 192 235 193

HSL 121.4, 0.52%, 0.84%

LAB 89.15, -21.76, 15.87

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 0 / 18 / 4 / 8

HEX #EBC0E2

RGB 235 192 226

HSL 312.56, 0.52%, 0.84%

LAB 82.3, 20.93, -11.12

 

CMYK 0 / 0 / 18 / 8

HEX #EAEBC0

RGB 234 235 192

HSL 61.4, 0.52%, 0.84%

LAB 92, -7.32, 20.81

 

CMYK 18 / 0 / 14 / 8

HEX #C0EBCA

RGB 192 235 202

HSL 133.95, 0.52%, 0.84%

LAB 89.34, -20.17, 11.46

 

CMYK 18 / 18 / 0 / 8

HEX #C1C0EB

RGB 193 192 235

HSL 241.4, 0.52%, 0.84%

LAB 79.06, 9.01, -21.17

 

CMYK 0 / 18 / 9 / 8

HEX #EBC0D5

RGB 235 192 213

HSL 330.7, 0.52%, 0.84%

LAB 81.93, 18.68, -4.7

 

CMYK 0 / 0 / 18 / 8

HEX #EAEBC0

RGB 234 235 192

HSL 61.4, 0.52%, 0.84%

LAB 92, -7.32, 20.81

 

CMYK 18 / 0 / 9 / 8

HEX #C0EBD6

RGB 192 235 214

HSL 150.7, 0.52%, 0.84%

LAB 89.62, -17.95, 5.6

 

Description

Color code: RGB 193 192 235 | qconv.com Color code: RGB 193 192 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 192 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 192 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 18 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 18% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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