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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 195 189 it is the complementary color RGB 62 60 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 195 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 195 189 shade: RGB 198 195 184, RGB 215 213 203, RGB 232 231 222 and RGB 249 249 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 195 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 195 189 shade: RGB 193 195 189, RGB 176 177 170, RGB 159 159 151, RGB 142 141 132 and RGB 125 123 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 195 189 shade: RGB 192 194 188, RGB 194 194 188, RGB 194 193 188, RGB 194 191 188 and RGB 194 189 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 195 189 shade: RGB 192 194 188, RGB 190 194 188, RGB 188 194 188, RGB 188 194 188 and RGB 188 194 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 195 189 shade matches the following richer shades: RGB 192 194 188, RGB 195 204 177, RGB 199 215 167, RGB 202 225 157 and RGB 206 235 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 195 189 shade: RGB 192 194 188, RGB 188 184 198, RGB 185 173 208, RGB 181 163 219 and RGB 178 153 229

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 195 189 shade: RGB 194 193 188, RGB 194 194 188, RGB 192 194 188, RGB 190 194 188 and RGB 188 194 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 195 189 shade: RGB 151 155 144, RGB 172 174 166, RGB 192 194 188, RGB 212 214 209 and RGB 232 233 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 195 189 shade: RGB 193 195 189, RGB 188 194 191 and RGB 194 188 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 195 189 shade: RGB 193 195 189, RGB 188 192 194 and RGB 194 188 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 195 189 shade: RGB 193 195 189, RGB 188 194 191, RGB 190 188 194 and RGB 194 188 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 195 189 shade: RGB 193 195 189, RGB 188 194 193, RGB 190 188 194 and RGB 194 188 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

Complementary color

CMYK 6 / 9 / 0 / 74

HEX #3E3C42

RGB 62 60 66

HSL 260, 0.05%, 0.25%

LAB 25.71, 2.24, -3.38

 

CMYK 0 / 2 / 7 / 22

HEX #C6C3B8

RGB 198 195 184

HSL 47.14, 0.11%, 0.75%

LAB 78.75, -0.9, 5.88

 

CMYK 0 / 1 / 6 / 16

HEX #D7D5CB

RGB 215 213 203

HSL 50, 0.13%, 0.82%

LAB 85.17, -1.07, 5.17

 

CMYK 0 / 0 / 4 / 9

HEX #E8E7DE

RGB 232 231 222

HSL 54, 0.18%, 0.89%

LAB 91.5, -1.23, 4.48

 

CMYK 0 / 0 / 3 / 2

HEX #F9F9F1

RGB 249 249 241

HSL 60, 0.4%, 0.96%

LAB 97.73, -1.38, 3.82

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 1 / 0 / 4 / 31

HEX #B0B1AA

RGB 176 177 170

HSL 68.57, 0.04%, 0.68%

LAB 71.94, -1.64, 3.44

 

CMYK 0 / 0 / 5 / 38

HEX #9F9F97

RGB 159 159 151

HSL 60, 0.04%, 0.61%

LAB 65.28, -1.49, 4.16

 

CMYK 0 / 1 / 7 / 44

HEX #8E8D84

RGB 142 141 132

HSL 54, 0.04%, 0.54%

LAB 58.48, -1.33, 4.92

 

CMYK 0 / 2 / 10 / 51

HEX #7D7B71

RGB 125 123 113

HSL 50, 0.05%, 0.47%

LAB 51.52, -1.15, 5.73

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 0 / 0 / 3 / 24

HEX #C2C2BC

RGB 194 194 188

HSL 60, 0.05%, 0.75%

LAB 78.28, -1.09, 3

 

CMYK 0 / 1 / 3 / 24

HEX #C2C1BC

RGB 194 193 188

HSL 50, 0.05%, 0.75%

LAB 78.02, -0.56, 2.63

 

CMYK 0 / 2 / 3 / 24

HEX #C2BFBC

RGB 194 191 188

HSL 30, 0.05%, 0.75%

LAB 77.5, 0.51, 1.87

 

CMYK 0 / 3 / 3 / 24

HEX #C2BDBC

RGB 194 189 188

HSL 10, 0.05%, 0.75%

LAB 76.98, 1.57, 1.12

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BE

RGB 188 194 190

HSL 140, 0.05%, 0.75%

LAB 77.87, -2.81, 1.28

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 4 / 0 / 13 / 20

HEX #C3CCB1

RGB 195 204 177

HSL 80, 0.21%, 0.75%

LAB 80.72, -7.86, 12.41

 

CMYK 7 / 0 / 22 / 16

HEX #C7D7A7

RGB 199 215 167

HSL 80, 0.38%, 0.75%

LAB 83.72, -13.61, 21.94

 

CMYK 10 / 0 / 30 / 12

HEX #CAE19D

RGB 202 225 157

HSL 80.29, 0.53%, 0.75%

LAB 86.43, -18.94, 30.82

 

CMYK 12 / 0 / 38 / 8

HEX #CEEB92

RGB 206 235 146

HSL 79.55, 0.69%, 0.75%

LAB 89.21, -23.75, 40.08

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 5 / 7 / 0 / 22

HEX #BCB8C6

RGB 188 184 198

HSL 257.14, 0.11%, 0.75%

LAB 75.48, 4.05, -6.57

 

CMYK 11 / 17 / 0 / 18

HEX #B9ADD0

RGB 185 173 208

HSL 260.57, 0.27%, 0.75%

LAB 72.73, 11.06, -16.17

 

CMYK 17 / 26 / 0 / 14

HEX #B5A3DB

RGB 181 163 219

HSL 259.29, 0.44%, 0.75%

LAB 70.27, 17.67, -25.98

 

CMYK 22 / 33 / 0 / 10

HEX #B299E5

RGB 178 153 229

HSL 259.74, 0.59%, 0.75%

LAB 67.95, 24.62, -35.07

 

CMYK 0 / 1 / 3 / 24

HEX #C2C1BC

RGB 194 193 188

HSL 50, 0.05%, 0.75%

LAB 78.02, -0.56, 2.63

 

CMYK 0 / 0 / 3 / 24

HEX #C2C2BC

RGB 194 194 188

HSL 60, 0.05%, 0.75%

LAB 78.28, -1.09, 3

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 2 / 0 / 3 / 24

HEX #BEC2BC

RGB 190 194 188

HSL 100, 0.05%, 0.75%

LAB 77.97, -2.49, 2.52

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 3 / 0 / 7 / 39

HEX #979B90

RGB 151 155 144

HSL 81.82, 0.05%, 0.59%

LAB 63.37, -3.52, 5.26

 

CMYK 1 / 0 / 5 / 32

HEX #ACAEA6

RGB 172 174 166

HSL 75, 0.05%, 0.67%

LAB 70.73, -2.19, 3.85

 

CMYK 1 / 0 / 3 / 24

HEX #C0C2BC

RGB 192 194 188

HSL 80, 0.05%, 0.75%

LAB 78.12, -1.79, 2.76

 

CMYK 1 / 0 / 2 / 16

HEX #D4D6D1

RGB 212 214 209

HSL 84, 0.06%, 0.83%

LAB 85.35, -1.58, 2.22

 

CMYK 0 / 0 / 1 / 9

HEX #E8E9E7

RGB 232 233 231

HSL 90, 0.04%, 0.91%

LAB 92.22, -0.69, 0.84

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BF

RGB 188 194 191

HSL 150, 0.05%, 0.75%

LAB 77.9, -2.63, 0.78

 

CMYK 0 / 3 / 0 / 24

HEX #C2BCC2

RGB 194 188 194

HSL 300, 0.05%, 0.75%

LAB 76.88, 3.2, -2.28

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 3 / 1 / 0 / 24

HEX #BCC0C2

RGB 188 192 194

HSL 200, 0.05%, 0.75%

LAB 77.45, -1, -1.5

 

CMYK 0 / 3 / 1 / 24

HEX #C2BCC0

RGB 194 188 192

HSL 320, 0.05%, 0.75%

LAB 76.83, 2.83, -1.28

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BF

RGB 188 194 191

HSL 150, 0.05%, 0.75%

LAB 77.9, -2.63, 0.78

 

CMYK 2 / 3 / 0 / 24

HEX #BEBCC2

RGB 190 188 194

HSL 260, 0.05%, 0.75%

LAB 76.56, 1.82, -2.78

 

CMYK 0 / 3 / 2 / 24

HEX #C2BCBF

RGB 194 188 191

HSL 330, 0.05%, 0.75%

LAB 76.8, 2.65, -0.77

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C1

RGB 188 194 193

HSL 170, 0.05%, 0.75%

LAB 77.95, -2.25, -0.23

 

CMYK 2 / 3 / 0 / 24

HEX #BEBCC2

RGB 190 188 194

HSL 260, 0.05%, 0.75%

LAB 76.56, 1.82, -2.78

 

CMYK 0 / 3 / 3 / 24

HEX #C2BCBD

RGB 194 188 189

HSL 350, 0.05%, 0.75%

LAB 76.75, 2.29, 0.24

 

Description

Color code: RGB 193 195 189 | qconv.com Color code: RGB 193 195 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 195 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 195 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 3 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 3% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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