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Color name
RGB 193 189 234

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 189 234 it is the complementary color RGB 62 66 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 189 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 189 234 shade: RGB 198 189 229, RGB 215 207 248, RGB 232 225 255 and RGB 249 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 189 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 176 171 215, RGB 159 153 196, RGB 142 135 177 and RGB 125 117 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 205 189 234, RGB 217 189 234, RGB 229 189 234 and RGB 234 189 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 189 234 shade: RGB 193 189 234 and RGB 189 189 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 189 234 shade matches the following richer shades: RGB 193 189 234, RGB 187 182 241 and RGB 181 175 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 198 196 227, RGB 204 203 220, RGB 210 210 213 and RGB 216 217 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 189 234 shade: RGB 189 209 234, RGB 189 197 234, RGB 192 189 234, RGB 204 189 234 and RGB 216 189 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 189 234 shade: RGB 134 126 214, RGB 163 157 224, RGB 193 189 234, RGB 222 220 244 and RGB 252 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 234 189 221 and RGB 203 234 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 234 192 189 and RGB 189 234 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 234 189 221, RGB 230 234 189 and RGB 189 234 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 189 234 shade: RGB 193 189 234, RGB 234 189 207, RGB 230 234 189 and RGB 189 234 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

Complementary color

CMYK 6 / 0 / 68 / 74

HEX #3E4215

RGB 62 66 21

HSL 65.33, 0.52%, 0.17%

LAB 26.66, -8.96, 26.09

 

CMYK 14 / 17 / 0 / 10

HEX #C6BDE5

RGB 198 189 229

HSL 253.5, 0.43%, 0.82%

LAB 78.5, 10.93, -18.77

 

CMYK 13 / 17 / 0 / 3

HEX #D7CFF8

RGB 215 207 248

HSL 251.71, 0.75%, 0.89%

LAB 84.92, 10.61, -19.08

 

CMYK 9 / 12 / 0 / 0

HEX #E8E1FF

RGB 232 225 255

HSL 254, 1%, 0.94%

LAB 90.88, 7.92, -13.68

 

CMYK 2 / 5 / 0 / 0

HEX #F9F3FF

RGB 249 243 255

HSL 270, 1%, 0.98%

LAB 96.6, 4.13, -5.05

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 18 / 20 / 0 / 16

HEX #B0ABD7

RGB 176 171 215

HSL 246.82, 0.35%, 0.76%

LAB 71.73, 10.77, -21.58

 

CMYK 19 / 22 / 0 / 23

HEX #9F99C4

RGB 159 153 196

HSL 248.37, 0.27%, 0.68%

LAB 65.07, 11.15, -21.35

 

CMYK 20 / 24 / 0 / 31

HEX #8E87B1

RGB 142 135 177

HSL 250, 0.21%, 0.61%

LAB 58.28, 11.56, -21.13

 

CMYK 21 / 26 / 0 / 38

HEX #7D759E

RGB 125 117 158

HSL 251.71, 0.17%, 0.54%

LAB 51.33, 12.03, -20.94

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 12 / 19 / 0 / 8

HEX #CDBDEA

RGB 205 189 234

HSL 261.33, 0.52%, 0.83%

LAB 79.22, 14.21, -20.3

 

CMYK 7 / 19 / 0 / 8

HEX #D9BDEA

RGB 217 189 234

HSL 277.33, 0.52%, 0.83%

LAB 80.23, 18.07, -18.68

 

CMYK 2 / 19 / 0 / 8

HEX #E5BDEA

RGB 229 189 234

HSL 293.33, 0.52%, 0.83%

LAB 81.29, 21.99, -16.98

 

CMYK 0 / 19 / 3 / 8

HEX #EABDE2

RGB 234 189 226

HSL 310.67, 0.52%, 0.83%

LAB 81.5, 22.19, -12.32

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 19 / 19 / 0 / 8

HEX #BDBDEA

RGB 189 189 234

HSL 240, 0.52%, 0.83%

LAB 77.97, 9.18, -22.33

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 22 / 24 / 0 / 5

HEX #BBB6F1

RGB 187 182 241

HSL 245.08, 0.68%, 0.83%

LAB 76.3, 13.97, -28.66

 

CMYK 27 / 29 / 0 / 3

HEX #B5AFF8

RGB 181 175 248

HSL 244.93, 0.84%, 0.83%

LAB 74.36, 17.71, -35.47

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 13 / 14 / 0 / 11

HEX #C6C4E3

RGB 198 196 227

HSL 243.87, 0.36%, 0.83%

LAB 80.2, 6.74, -15.12

 

CMYK 7 / 8 / 0 / 14

HEX #CCCBDC

RGB 204 203 220

HSL 243.53, 0.2%, 0.83%

LAB 82.23, 3.56, -8.3

 

CMYK 1 / 1 / 0 / 16

HEX #D2D2D5

RGB 210 210 213

HSL 240, 0.03%, 0.83%

LAB 84.28, 0.55, -1.49

 

CMYK 0 / 0 / 5 / 15

HEX #D8D9CE

RGB 216 217 206

HSL 65.45, 0.13%, 0.83%

LAB 86.35, -2.28, 5.29

 

CMYK 19 / 11 / 0 / 8

HEX #BDD1EA

RGB 189 209 234

HSL 213.33, 0.52%, 0.83%

LAB 83.1, -1.53, -14.57

 

CMYK 19 / 16 / 0 / 8

HEX #BDC5EA

RGB 189 197 234

HSL 229.33, 0.52%, 0.83%

LAB 80.01, 4.86, -19.23

 

CMYK 18 / 19 / 0 / 8

HEX #C0BDEA

RGB 192 189 234

HSL 244, 0.52%, 0.83%

LAB 78.19, 10.11, -21.96

 

CMYK 13 / 19 / 0 / 8

HEX #CCBDEA

RGB 204 189 234

HSL 260, 0.52%, 0.83%

LAB 79.14, 13.89, -20.43

 

CMYK 8 / 19 / 0 / 8

HEX #D8BDEA

RGB 216 189 234

HSL 276, 0.52%, 0.83%

LAB 80.14, 17.74, -18.82

 

CMYK 37 / 41 / 0 / 16

HEX #867ED6

RGB 134 126 214

HSL 245.45, 0.52%, 0.67%

LAB 56.92, 23.93, -44.26

 

CMYK 27 / 30 / 0 / 12

HEX #A39DE0

RGB 163 157 224

HSL 245.37, 0.52%, 0.75%

LAB 67.49, 16.74, -33.14

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 9 / 10 / 0 / 4

HEX #DEDCF4

RGB 222 220 244

HSL 245, 0.52%, 0.91%

LAB 88.57, 5.18, -11.45

 

CMYK 0 / 1 / 0 / 1

HEX #FCFBFD

RGB 252 251 253

HSL 270, 0.33%, 0.99%

LAB 98.74, 0.69, -0.85

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 0 / 19 / 6 / 8

HEX #EABDDD

RGB 234 189 221

HSL 317.33, 0.52%, 0.83%

LAB 81.35, 21.31, -9.86

 

CMYK 13 / 0 / 19 / 8

HEX #CBEABD

RGB 203 234 189

HSL 101.33, 0.52%, 0.83%

LAB 89.49, -18.22, 18.53

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 0 / 18 / 19 / 8

HEX #EAC0BD

RGB 234 192 189

HSL 4, 0.52%, 0.83%

LAB 81.22, 14.51, 7.15

 

CMYK 19 / 0 / 18 / 8

HEX #BDEAC0

RGB 189 234 192

HSL 124, 0.52%, 0.83%

LAB 88.67, -22.43, 15.69

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 0 / 19 / 6 / 8

HEX #EABDDD

RGB 234 189 221

HSL 317.33, 0.52%, 0.83%

LAB 81.35, 21.31, -9.86

 

CMYK 2 / 0 / 19 / 8

HEX #E6EABD

RGB 230 234 189

HSL 65.33, 0.52%, 0.83%

LAB 91.39, -8.7, 21.46

 

CMYK 19 / 0 / 14 / 8

HEX #BDEAC9

RGB 189 234 201

HSL 136, 0.52%, 0.83%

LAB 88.87, -20.84, 11.28

 

CMYK 18 / 19 / 0 / 8

HEX #C1BDEA

RGB 193 189 234

HSL 245.33, 0.52%, 0.83%

LAB 78.27, 10.42, -21.84

 

CMYK 0 / 19 / 12 / 8

HEX #EABDCF

RGB 234 189 207

HSL 336, 0.52%, 0.83%

LAB 80.96, 18.94, -2.91

 

CMYK 2 / 0 / 19 / 8

HEX #E6EABD

RGB 230 234 189

HSL 65.33, 0.52%, 0.83%

LAB 91.39, -8.7, 21.46

 

CMYK 19 / 0 / 8 / 8

HEX #BDEAD7

RGB 189 234 215

HSL 154.67, 0.52%, 0.83%

LAB 89.19, -18.21, 4.44

 

Description

Color code: RGB 193 189 234 | qconv.com Color code: RGB 193 189 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 189 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 189 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 19 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 19% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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