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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 172 137 it is the complementary color RGB 62 83 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 172 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 172 137 shade: RGB 198 172 132, RGB 215 190 151, RGB 232 208 170, RGB 249 226 189 and RGB 255 244 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 172 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 172 137 shade: RGB 193 172 137, RGB 176 154 118, RGB 159 136 99, RGB 142 118 80 and RGB 125 100 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 172 137 shade: RGB 193 172 138, RGB 193 157 138, RGB 193 142 138 and RGB 193 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 172 137 shade: RGB 193 172 138, RGB 193 187 138, RGB 184 193 138, RGB 169 193 138 and RGB 154 193 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 172 137 shade matches the following richer shades: RGB 193 172 138, RGB 207 176 123, RGB 222 179 109, RGB 236 183 94 and RGB 251 187 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 172 137 shade: RGB 193 172 138, RGB 178 169 152, RGB 164 165 166, RGB 150 161 181 and RGB 135 158 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 172 137 shade: RGB 193 142 138, RGB 193 157 138, RGB 193 172 138, RGB 193 186 138 and RGB 185 193 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 172 137 shade: RGB 163 134 85, RGB 179 153 111, RGB 193 172 138, RGB 207 191 165 and RGB 221 210 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 172 137 shade: RGB 193 172 137, RGB 148 193 138 and RGB 150 138 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 172 137 shade: RGB 193 172 137, RGB 138 193 172 and RGB 172 138 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 172 137 shade: RGB 193 172 137, RGB 148 193 138, RGB 138 159 193 and RGB 183 138 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 172 137 shade: RGB 193 172 137, RGB 138 193 144, RGB 138 159 193 and RGB 193 138 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

Complementary color

CMYK 47 / 30 / 0 / 54

HEX #3E5376

RGB 62 83 118

HSL 217.5, 0.31%, 0.35%

LAB 35.04, 2.27, -22.46

 

CMYK 0 / 13 / 33 / 22

HEX #C6AC84

RGB 198 172 132

HSL 36.36, 0.37%, 0.65%

LAB 71.67, 3.55, 24.07

 

CMYK 0 / 12 / 30 / 16

HEX #D7BE97

RGB 215 190 151

HSL 36.56, 0.44%, 0.72%

LAB 78.17, 3.08, 22.97

 

CMYK 0 / 10 / 27 / 9

HEX #E8D0AA

RGB 232 208 170

HSL 36.77, 0.57%, 0.79%

LAB 84.57, 2.66, 21.94

 

CMYK 0 / 9 / 24 / 2

HEX #F9E2BD

RGB 249 226 189

HSL 37, 0.83%, 0.86%

LAB 90.87, 2.29, 20.97

 

CMYK 0 / 4 / 18 / 0

HEX #FFF4D0

RGB 255 244 208

HSL 45.96, 1%, 0.91%

LAB 96.21, -1.99, 18.69

 

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

CMYK 0 / 13 / 33 / 31

HEX #B09A76

RGB 176 154 118

HSL 37.24, 0.27%, 0.58%

LAB 64.68, 2.69, 21.91

 

CMYK 0 / 14 / 38 / 38

HEX #9F8863

RGB 159 136 99

HSL 37, 0.24%, 0.51%

LAB 57.92, 3.23, 23.11

 

CMYK 0 / 17 / 44 / 44

HEX #8E7650

RGB 142 118 80

HSL 36.77, 0.28%, 0.44%

LAB 51.02, 3.89, 24.41

 

CMYK 0 / 20 / 51 / 51

HEX #7D643D

RGB 125 100 61

HSL 36.56, 0.34%, 0.36%

LAB 43.96, 4.7, 25.82

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 19 / 28 / 24

HEX #C19D8A

RGB 193 157 138

HSL 20.73, 0.31%, 0.65%

LAB 67.49, 10.51, 14.97

 

CMYK 0 / 26 / 28 / 24

HEX #C18E8A

RGB 193 142 138

HSL 4.36, 0.31%, 0.65%

LAB 63.77, 18.78, 9.73

 

CMYK 0 / 28 / 28 / 24

HEX #C18A8A

RGB 193 138 138

HSL 0, 0.31%, 0.65%

LAB 62.8, 20.99, 8.36

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 3 / 28 / 24

HEX #C1BB8A

RGB 193 187 138

HSL 53.45, 0.31%, 0.65%

LAB 75.27, -5.6, 25.64

 

CMYK 5 / 0 / 28 / 24

HEX #B8C18A

RGB 184 193 138

HSL 69.82, 0.31%, 0.65%

LAB 76.17, -12.19, 26.72

 

CMYK 12 / 0 / 28 / 24

HEX #A9C18A

RGB 169 193 138

HSL 86.18, 0.31%, 0.65%

LAB 75.08, -17.84, 25.07

 

CMYK 20 / 0 / 28 / 24

HEX #9AC18A

RGB 154 193 138

HSL 102.55, 0.31%, 0.65%

LAB 74.09, -23.29, 23.56

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 15 / 41 / 19

HEX #CFB07B

RGB 207 176 123

HSL 37.86, 0.47%, 0.65%

LAB 73.38, 3.95, 31.3

 

CMYK 0 / 19 / 51 / 13

HEX #DEB36D

RGB 222 179 109

HSL 37.17, 0.63%, 0.65%

LAB 75.37, 7.08, 41.4

 

CMYK 0 / 22 / 60 / 7

HEX #ECB75E

RGB 236 183 94

HSL 37.61, 0.79%, 0.65%

LAB 77.58, 9.57, 51.78

 

CMYK 0 / 25 / 68 / 2

HEX #FBBB50

RGB 251 187 80

HSL 37.54, 0.96%, 0.65%

LAB 79.97, 12.86, 61.24

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 5 / 15 / 30

HEX #B2A998

RGB 178 169 152

HSL 39.23, 0.14%, 0.65%

LAB 69.55, 0.3, 9.93

 

CMYK 1 / 1 / 0 / 35

HEX #A4A5A6

RGB 164 165 166

HSL 210, 0.01%, 0.65%

LAB 67.69, -0.16, -0.65

 

CMYK 17 / 11 / 0 / 29

HEX #96A1B5

RGB 150 161 181

HSL 218.71, 0.17%, 0.65%

LAB 65.99, 0.36, -11.65

 

CMYK 31 / 19 / 0 / 24

HEX #879EC3

RGB 135 158 195

HSL 217, 0.33%, 0.65%

LAB 64.6, 0.67, -21.67

 

CMYK 0 / 26 / 28 / 24

HEX #C18E8A

RGB 193 142 138

HSL 4.36, 0.31%, 0.65%

LAB 63.77, 18.78, 9.73

 

CMYK 0 / 19 / 28 / 24

HEX #C19D8A

RGB 193 157 138

HSL 20.73, 0.31%, 0.65%

LAB 67.49, 10.51, 14.97

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 4 / 28 / 24

HEX #C1BA8A

RGB 193 186 138

HSL 52.36, 0.31%, 0.65%

LAB 75.01, -5.08, 25.28

 

CMYK 4 / 0 / 28 / 24

HEX #B9C18A

RGB 185 193 138

HSL 68.73, 0.31%, 0.65%

LAB 76.25, -11.81, 26.84

 

CMYK 0 / 18 / 48 / 36

HEX #A38655

RGB 163 134 85

HSL 37.69, 0.31%, 0.49%

LAB 57.55, 4.47, 30.44

 

CMYK 0 / 15 / 38 / 30

HEX #B3996F

RGB 179 153 111

HSL 37.06, 0.31%, 0.57%

LAB 64.57, 3.59, 25.66

 

CMYK 0 / 11 / 28 / 24

HEX #C1AC8A

RGB 193 172 138

HSL 37.09, 0.31%, 0.65%

LAB 71.34, 2.36, 20.29

 

CMYK 0 / 8 / 20 / 19

HEX #CFBFA5

RGB 207 191 165

HSL 37.14, 0.3%, 0.73%

LAB 78.02, 1.46, 15.16

 

CMYK 0 / 5 / 13 / 13

HEX #DDD2C0

RGB 221 210 192

HSL 37.24, 0.3%, 0.81%

LAB 84.62, 0.79, 10.27

 

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

CMYK 23 / 0 / 28 / 24

HEX #94C18A

RGB 148 193 138

HSL 109.09, 0.31%, 0.65%

LAB 73.72, -25.4, 23

 

CMYK 22 / 28 / 0 / 24

HEX #968AC1

RGB 150 138 193

HSL 253.09, 0.31%, 0.65%

LAB 60.35, 16.16, -26.97

 

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

CMYK 28 / 0 / 11 / 24

HEX #8AC1AC

RGB 138 193 172

HSL 157.09, 0.31%, 0.65%

LAB 73.88, -22.35, 4.84

 

CMYK 11 / 28 / 0 / 24

HEX #AC8AC1

RGB 172 138 193

HSL 277.09, 0.31%, 0.65%

LAB 62.34, 23.19, -23.75

 

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

CMYK 23 / 0 / 28 / 24

HEX #94C18A

RGB 148 193 138

HSL 109.09, 0.31%, 0.65%

LAB 73.72, -25.4, 23

 

CMYK 28 / 18 / 0 / 24

HEX #8A9FC1

RGB 138 159 193

HSL 217.09, 0.31%, 0.65%

LAB 65, 0.51, -19.92

 

CMYK 5 / 28 / 0 / 24

HEX #B78AC1

RGB 183 138 193

HSL 289.09, 0.31%, 0.65%

LAB 63.42, 26.79, -21.99

 

CMYK 0 / 11 / 29 / 24

HEX #C1AC89

RGB 193 172 137

HSL 37.5, 0.31%, 0.65%

LAB 71.32, 2.23, 20.8

 

CMYK 28 / 0 / 25 / 24

HEX #8AC190

RGB 138 193 144

HSL 126.55, 0.31%, 0.65%

LAB 73.26, -27.77, 19.07

 

CMYK 28 / 18 / 0 / 24

HEX #8A9FC1

RGB 138 159 193

HSL 217.09, 0.31%, 0.65%

LAB 65, 0.51, -19.92

 

CMYK 0 / 28 / 4 / 24

HEX #C18ABA

RGB 193 138 186

HSL 307.64, 0.31%, 0.65%

LAB 64.21, 28.79, -16.76

 

Description

Color code: RGB 193 172 137 | qconv.com Color code: RGB 193 172 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 172 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 172 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 29 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 29% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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