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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 167 210 it is the complementary color RGB 62 88 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 167 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 167 210 shade: RGB 198 167 205, RGB 215 185 224, RGB 232 203 243, RGB 249 221 255 and RGB 255 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 167 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 167 210 shade: RGB 193 167 210, RGB 176 149 191, RGB 159 131 172, RGB 142 113 153 and RGB 125 95 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 167 210 shade: RGB 193 167 209, RGB 204 167 209, RGB 209 167 203, RGB 209 167 192 and RGB 209 167 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 167 210 shade: RGB 193 167 209, RGB 181 167 209, RGB 170 167 209 and RGB 167 167 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 167 210 shade matches the following richer shades: RGB 193 167 209, RGB 195 156 220, RGB 197 146 231, RGB 199 135 242 and RGB 202 124 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 167 210 shade: RGB 193 167 209, RGB 190 178 199, RGB 188 188 188, RGB 186 199 177 and RGB 184 210 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 167 210 shade: RGB 170 167 209, RGB 181 167 209, RGB 192 167 209, RGB 204 167 209 and RGB 209 167 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 167 210 shade: RGB 154 113 181, RGB 173 140 195, RGB 193 167 209, RGB 212 194 223 and RGB 231 221 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 167 210 shade: RGB 193 167 210, RGB 209 167 175 and RGB 167 209 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 167 210 shade: RGB 193 167 210, RGB 209 192 167 and RGB 167 209 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 167 210 shade: RGB 193 167 210, RGB 209 167 175, RGB 184 209 167 and RGB 167 209 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 167 210 shade: RGB 193 167 210, RGB 209 171 167, RGB 184 209 167 and RGB 167 205 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

Complementary color

CMYK 30 / 0 / 49 / 65

HEX #3E582D

RGB 62 88 45

HSL 96.28, 0.32%, 0.26%

LAB 34.38, -18.63, 21.79

 

CMYK 3 / 19 / 0 / 20

HEX #C6A7CD

RGB 198 167 205

HSL 288.95, 0.28%, 0.73%

LAB 72.26, 18.08, -15.12

 

CMYK 4 / 17 / 0 / 12

HEX #D7B9E0

RGB 215 185 224

HSL 286.15, 0.39%, 0.8%

LAB 78.77, 17.62, -15.52

 

CMYK 5 / 16 / 0 / 5

HEX #E8CBF3

RGB 232 203 243

HSL 283.5, 0.63%, 0.87%

LAB 85.17, 17.2, -15.92

 

CMYK 2 / 13 / 0 / 0

HEX #F9DDFF

RGB 249 221 255

HSL 289.41, 1%, 0.93%

LAB 91.27, 15.5, -12.96

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

CMYK 8 / 22 / 0 / 25

HEX #B095BF

RGB 176 149 191

HSL 278.57, 0.25%, 0.67%

LAB 65.35, 17.89, -18

 

CMYK 8 / 24 / 0 / 33

HEX #9F83AC

RGB 159 131 172

HSL 280.98, 0.2%, 0.59%

LAB 58.59, 18.42, -17.67

 

CMYK 7 / 26 / 0 / 40

HEX #8E7199

RGB 142 113 153

HSL 283.5, 0.16%, 0.52%

LAB 51.68, 19, -17.34

 

CMYK 7 / 29 / 0 / 47

HEX #7D5F86

RGB 125 95 134

HSL 286.15, 0.17%, 0.45%

LAB 44.61, 19.64, -17.01

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 2 / 20 / 0 / 18

HEX #CCA7D1

RGB 204 167 209

HSL 292.86, 0.31%, 0.74%

LAB 72.94, 20.87, -16.23

 

CMYK 0 / 20 / 3 / 18

HEX #D1A7CB

RGB 209 167 203

HSL 308.57, 0.31%, 0.74%

LAB 73.22, 21.43, -12.47

 

CMYK 0 / 20 / 8 / 18

HEX #D1A7C0

RGB 209 167 192

HSL 324.29, 0.31%, 0.74%

LAB 72.89, 19.47, -6.92

 

CMYK 0 / 20 / 14 / 18

HEX #D1A7B4

RGB 209 167 180

HSL 341.43, 0.31%, 0.74%

LAB 72.55, 17.45, -0.81

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 13 / 20 / 0 / 18

HEX #B5A7D1

RGB 181 167 209

HSL 260, 0.31%, 0.74%

LAB 70.92, 13.27, -19.49

 

CMYK 19 / 20 / 0 / 18

HEX #AAA7D1

RGB 170 167 209

HSL 244.29, 0.31%, 0.74%

LAB 70.03, 9.75, -20.93

 

CMYK 20 / 20 / 0 / 18

HEX #A7A7D1

RGB 167 167 209

HSL 240, 0.31%, 0.74%

LAB 69.79, 8.8, -21.3

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 11 / 29 / 0 / 14

HEX #C39CDC

RGB 195 156 220

HSL 276.56, 0.48%, 0.74%

LAB 69.86, 26.19, -27.05

 

CMYK 15 / 37 / 0 / 9

HEX #C592E7

RGB 197 146 231

HSL 276, 0.64%, 0.74%

LAB 68.17, 34.64, -35.7

 

CMYK 18 / 44 / 0 / 5

HEX #C787F2

RGB 199 135 242

HSL 275.89, 0.8%, 0.74%

LAB 66.43, 43.55, -44.45

 

CMYK 20 / 51 / 0 / 1

HEX #CA7CFC

RGB 202 124 252

HSL 276.56, 0.96%, 0.74%

LAB 64.96, 52.31, -52.23

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 5 / 11 / 0 / 22

HEX #BEB2C7

RGB 190 178 199

HSL 274.29, 0.16%, 0.74%

LAB 74.13, 8.18, -9.1

 

CMYK 0 / 0 / 0 / 26

HEX #BCBCBC

RGB 188 188 188

HSL 0, 0%, 0.74%

LAB 76.25, 0, -0.01

 

CMYK 7 / 0 / 11 / 22

HEX #BAC7B1

RGB 186 199 177

HSL 95.45, 0.16%, 0.74%

LAB 78.73, -8.47, 9.5

 

CMYK 12 / 0 / 20 / 18

HEX #B8D2A7

RGB 184 210 167

HSL 96.28, 0.32%, 0.74%

LAB 81.33, -16.48, 18.47

 

CMYK 19 / 20 / 0 / 18

HEX #AAA7D1

RGB 170 167 209

HSL 244.29, 0.31%, 0.74%

LAB 70.03, 9.75, -20.93

 

CMYK 13 / 20 / 0 / 18

HEX #B5A7D1

RGB 181 167 209

HSL 260, 0.31%, 0.74%

LAB 70.92, 13.27, -19.49

 

CMYK 8 / 20 / 0 / 18

HEX #C0A7D1

RGB 192 167 209

HSL 275.71, 0.31%, 0.74%

LAB 71.86, 16.88, -17.98

 

CMYK 2 / 20 / 0 / 18

HEX #CCA7D1

RGB 204 167 209

HSL 292.86, 0.31%, 0.74%

LAB 72.94, 20.87, -16.23

 

CMYK 0 / 20 / 2 / 18

HEX #D1A7CC

RGB 209 167 204

HSL 307.14, 0.31%, 0.74%

LAB 73.25, 21.62, -12.97

 

CMYK 15 / 38 / 0 / 29

HEX #9A71B5

RGB 154 113 181

HSL 276.18, 0.31%, 0.58%

LAB 54.04, 29.07, -29.86

 

CMYK 11 / 28 / 0 / 24

HEX #AD8CC3

RGB 173 140 195

HSL 276, 0.31%, 0.66%

LAB 62.99, 22.81, -23.86

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 5 / 13 / 0 / 13

HEX #D4C2DF

RGB 212 194 223

HSL 277.24, 0.31%, 0.82%

LAB 80.69, 11.59, -12.13

 

CMYK 3 / 7 / 0 / 7

HEX #E7DDED

RGB 231 221 237

HSL 277.5, 0.31%, 0.9%

LAB 89.31, 6.27, -6.59

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

CMYK 0 / 20 / 16 / 18

HEX #D1A7AF

RGB 209 167 175

HSL 348.57, 0.31%, 0.74%

LAB 72.42, 16.64, 1.75

 

CMYK 20 / 0 / 16 / 18

HEX #A7D1AF

RGB 167 209 175

HSL 131.43, 0.31%, 0.74%

LAB 80.13, -20.44, 12.38

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

CMYK 0 / 8 / 20 / 18

HEX #D1C0A7

RGB 209 192 167

HSL 35.71, 0.31%, 0.74%

LAB 78.49, 1.98, 14.77

 

CMYK 20 / 0 / 8 / 18

HEX #A7D1C0

RGB 167 209 192

HSL 155.71, 0.31%, 0.74%

LAB 80.53, -17.2, 3.89

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

CMYK 0 / 20 / 16 / 18

HEX #D1A7AF

RGB 209 167 175

HSL 348.57, 0.31%, 0.74%

LAB 72.42, 16.64, 1.75

 

CMYK 12 / 0 / 20 / 18

HEX #B8D1A7

RGB 184 209 167

HSL 95.71, 0.31%, 0.74%

LAB 81.06, -15.97, 18.09

 

CMYK 20 / 0 / 4 / 18

HEX #A7D1C9

RGB 167 209 201

HSL 168.57, 0.31%, 0.74%

LAB 80.76, -15.38, -0.59

 

CMYK 8 / 20 / 0 / 18

HEX #C1A7D2

RGB 193 167 210

HSL 276.28, 0.32%, 0.74%

LAB 71.98, 17.41, -18.33

 

CMYK 0 / 18 / 20 / 18

HEX #D1ABA7

RGB 209 171 167

HSL 5.71, 0.31%, 0.74%

LAB 73.2, 13.22, 7.27

 

CMYK 12 / 0 / 20 / 18

HEX #B8D1A7

RGB 184 209 167

HSL 95.71, 0.31%, 0.74%

LAB 81.06, -15.97, 18.09

 

CMYK 20 / 2 / 0 / 18

HEX #A7CDD1

RGB 167 205 209

HSL 185.71, 0.31%, 0.74%

LAB 79.89, -11.64, -6.15

 

Description

Color code: RGB 193 167 210 | qconv.com Color code: RGB 193 167 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 167 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 167 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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