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Color name
RGB 193 138 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 138 91 it is the complementary color RGB 62 117 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 138 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 138 91 shade: RGB 198 138 86, RGB 215 156 105, RGB 232 174 124, RGB 249 192 143 and RGB 255 210 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 138 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 138 91 shade: RGB 193 138 91, RGB 176 120 72, RGB 159 102 53, RGB 142 84 34 and RGB 125 66 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 138 91 shade: RGB 193 138 92, RGB 193 111 92 and RGB 193 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 138 91 shade: RGB 193 138 92, RGB 193 166 92, RGB 193 193 92, RGB 166 193 92 and RGB 138 193 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 138 91 shade matches the following richer shades: RGB 193 138 92, RGB 211 137 74, RGB 229 136 56 and RGB 247 134 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 138 91 shade: RGB 193 138 92, RGB 175 140 110, RGB 156 141 128, RGB 138 143 146 and RGB 120 144 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 138 91 shade: RGB 193 92 100, RGB 193 110 92, RGB 193 137 92, RGB 193 164 92 and RGB 193 191 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 138 91 shade: RGB 147 97 55, RGB 177 117 67, RGB 193 138 92, RGB 204 160 122 and RGB 215 181 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 138 91 shade: RGB 193 138 91, RGB 127 193 92 and RGB 97 92 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 138 91 shade: RGB 193 138 91, RGB 92 193 137 and RGB 137 92 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 138 91 shade: RGB 193 138 91, RGB 127 193 92, RGB 92 147 193 and RGB 157 92 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 138 91 shade: RGB 193 138 91, RGB 97 193 92, RGB 92 147 193 and RGB 188 92 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

Complementary color

CMYK 62 / 29 / 0 / 36

HEX #3E75A4

RGB 62 117 164

HSL 207.65, 0.45%, 0.44%

LAB 47.53, -3.34, -30.66

 

CMYK 0 / 30 / 57 / 22

HEX #C68A56

RGB 198 138 86

HSL 27.86, 0.5%, 0.56%

LAB 62.38, 17.27, 36.75

 

CMYK 0 / 27 / 51 / 16

HEX #D79C69

RGB 215 156 105

HSL 27.82, 0.58%, 0.63%

LAB 68.93, 16.16, 35.25

 

CMYK 0 / 25 / 47 / 9

HEX #E8AE7C

RGB 232 174 124

HSL 27.78, 0.7%, 0.7%

LAB 75.38, 15.2, 33.85

 

CMYK 0 / 23 / 43 / 2

HEX #F9C08F

RGB 249 192 143

HSL 27.74, 0.9%, 0.77%

LAB 81.74, 14.36, 32.54

 

CMYK 0 / 18 / 36 / 0

HEX #FFD2A2

RGB 255 210 162

HSL 30.97, 1%, 0.82%

LAB 86.98, 9.39, 29.74

 

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

CMYK 0 / 32 / 59 / 31

HEX #B07848

RGB 176 120 72

HSL 27.69, 0.42%, 0.49%

LAB 55.21, 16.78, 34.89

 

CMYK 0 / 36 / 67 / 38

HEX #9F6635

RGB 159 102 53

HSL 27.74, 0.5%, 0.42%

LAB 48.42, 18.17, 36.54

 

CMYK 0 / 41 / 76 / 44

HEX #8E5422

RGB 142 84 34

HSL 27.78, 0.61%, 0.35%

LAB 41.54, 19.84, 38.15

 

CMYK 0 / 47 / 88 / 51

HEX #7D420F

RGB 125 66 15

HSL 27.82, 0.79%, 0.27%

LAB 34.58, 21.83, 39.27

 

CMYK 0 / 28 / 52 / 24

HEX #C18A5C

RGB 193 138 92

HSL 27.33, 0.45%, 0.56%

LAB 61.9, 15.69, 32.81

 

CMYK 0 / 42 / 52 / 24

HEX #C16F5C

RGB 193 111 92

HSL 11.29, 0.45%, 0.56%

LAB 55.56, 30.49, 24.66

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5C

RGB 193 92 92

HSL 0, 0.45%, 0.56%

LAB 51.57, 40.46, 19.36

 

CMYK 0 / 28 / 52 / 24

HEX #C18A5C

RGB 193 138 92

HSL 27.33, 0.45%, 0.56%

LAB 61.9, 15.69, 32.81

 

CMYK 0 / 14 / 52 / 24

HEX #C1A65C

RGB 193 166 92

HSL 43.96, 0.45%, 0.56%

LAB 69.03, 0.42, 41.62

 

CMYK 0 / 0 / 52 / 24

HEX #C1C15C

RGB 193 193 92

HSL 60, 0.45%, 0.56%

LAB 76.22, -13.69, 50.14

 

CMYK 14 / 0 / 52 / 24

HEX #A6C15C

RGB 166 193 92

HSL 76.04, 0.45%, 0.56%

LAB 74.2, -24.62, 47.27

 

CMYK 28 / 0 / 52 / 24

HEX #8AC15C

RGB 138 193 92

HSL 92.67, 0.45%, 0.56%

LAB 72.44, -35.25, 44.75

 

CMYK 0 / 28 / 52 / 24

HEX #C18A5C

RGB 193 138 92

HSL 27.33, 0.45%, 0.56%

LAB 61.9, 15.69, 32.81

 

CMYK 0 / 35 / 65 / 17

HEX #D3894A

RGB 211 137 74

HSL 27.59, 0.61%, 0.56%

LAB 63.54, 22.4, 44.7

 

CMYK 0 / 41 / 76 / 10

HEX #E58838

RGB 229 136 56

HSL 27.75, 0.77%, 0.56%

LAB 65.4, 29.47, 55.86

 

CMYK 0 / 46 / 85 / 3

HEX #F78625

RGB 247 134 37

HSL 27.71, 0.93%, 0.56%

LAB 67.25, 37.18, 65.78

 

CMYK 0 / 28 / 52 / 24

HEX #C18A5C

RGB 193 138 92

HSL 27.33, 0.45%, 0.56%

LAB 61.9, 15.69, 32.81

 

CMYK 0 / 20 / 37 / 31

HEX #AF8C6E

RGB 175 140 110

HSL 27.69, 0.29%, 0.56%

LAB 60.78, 9.01, 21.06

 

CMYK 0 / 10 / 18 / 39

HEX #9C8D80

RGB 156 141 128

HSL 27.86, 0.12%, 0.56%

LAB 59.6, 3.38, 8.97

 

CMYK 5 / 2 / 0 / 43

HEX #8A8F92

RGB 138 143 146

HSL 202.5, 0.04%, 0.56%

LAB 59.09, -1.21, -2.23

 

CMYK 27 / 12 / 0 / 36

HEX #7890A4

RGB 120 144 164

HSL 207.27, 0.19%, 0.56%

LAB 58.62, -3.78, -13.35

 

CMYK 0 / 52 / 48 / 24

HEX #C15C64

RGB 193 92 100

HSL 355.25, 0.45%, 0.56%

LAB 51.74, 41.19, 14.85

 

CMYK 0 / 43 / 52 / 24

HEX #C16E5C

RGB 193 110 92

HSL 10.69, 0.45%, 0.56%

LAB 55.34, 31.03, 24.37

 

CMYK 0 / 29 / 52 / 24

HEX #C1895C

RGB 193 137 92

HSL 26.73, 0.45%, 0.56%

LAB 61.66, 16.24, 32.5

 

CMYK 0 / 15 / 52 / 24

HEX #C1A45C

RGB 193 164 92

HSL 42.77, 0.45%, 0.56%

LAB 68.51, 1.49, 40.99

 

CMYK 0 / 1 / 52 / 24

HEX #C1BF5C

RGB 193 191 92

HSL 58.81, 0.45%, 0.56%

LAB 75.68, -12.67, 49.51

 

CMYK 0 / 34 / 63 / 42

HEX #936137

RGB 147 97 55

HSL 27.39, 0.46%, 0.4%

LAB 45.67, 15.86, 31.87

 

CMYK 0 / 34 / 62 / 31

HEX #B17543

RGB 177 117 67

HSL 27.27, 0.45%, 0.48%

LAB 54.53, 18.51, 36.78

 

CMYK 0 / 28 / 52 / 24

HEX #C18A5C

RGB 193 138 92

HSL 27.33, 0.45%, 0.56%

LAB 61.9, 15.69, 32.81

 

CMYK 0 / 22 / 40 / 20

HEX #CCA07A

RGB 204 160 122

HSL 27.8, 0.45%, 0.64%

LAB 69.03, 11.24, 26.03

 

CMYK 0 / 16 / 29 / 16

HEX #D7B598

RGB 215 181 152

HSL 27.62, 0.44%, 0.72%

LAB 75.92, 7.99, 19.35

 

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

CMYK 34 / 0 / 52 / 24

HEX #7FC15C

RGB 127 193 92

HSL 99.21, 0.45%, 0.56%

LAB 71.84, -39.13, 43.89

 

CMYK 50 / 52 / 0 / 24

HEX #615CC1

RGB 97 92 193

HSL 242.97, 0.45%, 0.56%

LAB 44.3, 29.24, -52.56

 

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

CMYK 52 / 0 / 29 / 24

HEX #5CC189

RGB 92 193 137

HSL 146.73, 0.45%, 0.56%

LAB 71.02, -42.41, 19.41

 

CMYK 29 / 52 / 0 / 24

HEX #895CC1

RGB 137 92 193

HSL 266.73, 0.45%, 0.56%

LAB 48.04, 39, -46.37

 

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

CMYK 34 / 0 / 52 / 24

HEX #7FC15C

RGB 127 193 92

HSL 99.21, 0.45%, 0.56%

LAB 71.84, -39.13, 43.89

 

CMYK 52 / 24 / 0 / 24

HEX #5C93C1

RGB 92 147 193

HSL 207.33, 0.45%, 0.56%

LAB 58.97, -5.05, -29.42

 

CMYK 19 / 52 / 0 / 24

HEX #9D5CC1

RGB 157 92 193

HSL 278.61, 0.45%, 0.56%

LAB 50.3, 44.34, -42.63

 

CMYK 0 / 28 / 53 / 24

HEX #C18A5B

RGB 193 138 91

HSL 27.65, 0.45%, 0.56%

LAB 61.89, 15.6, 33.34

 

CMYK 50 / 0 / 52 / 24

HEX #61C15C

RGB 97 193 92

HSL 117.03, 0.45%, 0.56%

LAB 70.49, -48.52, 41.94

 

CMYK 52 / 24 / 0 / 24

HEX #5C93C1

RGB 92 147 193

HSL 207.33, 0.45%, 0.56%

LAB 58.97, -5.05, -29.42

 

CMYK 3 / 52 / 0 / 24

HEX #BC5CC1

RGB 188 92 193

HSL 297.03, 0.45%, 0.56%

LAB 54.23, 52.87, -36.17

 

Description

Color code: RGB 193 138 91 | qconv.com Color code: RGB 193 138 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 138 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 138 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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