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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 123 202 it is the complementary color RGB 62 132 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 123 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 123 202 shade: RGB 198 123 197, RGB 215 141 216, RGB 232 159 235, RGB 249 177 254 and RGB 255 195 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 123 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 176 105 183, RGB 159 87 164, RGB 142 69 145 and RGB 125 51 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 202 123 190, RGB 202 123 169, RGB 202 123 147 and RGB 202 123 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 172 123 202, RGB 151 123 202, RGB 129 123 202 and RGB 123 123 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 123 202 shade matches the following richer shades: RGB 193 123 202, RGB 205 108 217, RGB 216 94 232 and RGB 228 79 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 182 138 187, RGB 170 153 172, RGB 159 168 158 and RGB 147 183 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 123 202 shade: RGB 151 123 202, RGB 172 123 202, RGB 193 123 202, RGB 202 123 190 and RGB 202 123 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 123 202 shade: RGB 162 69 174, RGB 179 94 190, RGB 193 123 202, RGB 207 153 214 and RGB 221 182 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 202 130 123 and RGB 123 202 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 202 193 123 and RGB 123 202 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 202 130 123, RGB 132 202 123 and RGB 123 196 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 123 202 shade: RGB 193 123 202, RGB 202 153 123, RGB 132 202 123 and RGB 123 172 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

Complementary color

CMYK 53 / 0 / 60 / 48

HEX #3E8435

RGB 62 132 53

HSL 113.16, 0.43%, 0.36%

LAB 49.23, -38.4, 35.41

 

CMYK 0 / 38 / 1 / 22

HEX #C67BC5

RGB 198 123 197

HSL 300.8, 0.4%, 0.63%

LAB 61.83, 40.62, -26.55

 

CMYK 0 / 35 / 0 / 15

HEX #D78DD8

RGB 215 141 216

HSL 299.2, 0.49%, 0.7%

LAB 68.35, 39.88, -26.97

 

CMYK 1 / 32 / 0 / 8

HEX #E89FEB

RGB 232 159 235

HSL 297.63, 0.66%, 0.77%

LAB 74.79, 39.16, -27.36

 

CMYK 2 / 30 / 0 / 0

HEX #F9B1FE

RGB 249 177 254

HSL 296.1, 0.97%, 0.85%

LAB 81.15, 38.48, -27.73

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 4 / 43 / 0 / 28

HEX #B069B7

RGB 176 105 183

HSL 294.62, 0.35%, 0.56%

LAB 54.82, 40.78, -29.62

 

CMYK 3 / 47 / 0 / 36

HEX #9F57A4

RGB 159 87 164

HSL 296.1, 0.31%, 0.49%

LAB 48.09, 41.54, -29.18

 

CMYK 2 / 52 / 0 / 43

HEX #8E4591

RGB 142 69 145

HSL 297.63, 0.36%, 0.42%

LAB 41.3, 42.24, -28.61

 

CMYK 1 / 60 / 0 / 51

HEX #7D337E

RGB 125 51 126

HSL 299.2, 0.42%, 0.35%

LAB 34.47, 42.75, -27.85

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 39 / 6 / 21

HEX #CA7BBE

RGB 202 123 190

HSL 309.11, 0.43%, 0.64%

LAB 62.03, 40.63, -22.24

 

CMYK 0 / 39 / 16 / 21

HEX #CA7BA9

RGB 202 123 169

HSL 325.06, 0.43%, 0.64%

LAB 61.3, 37.1, -11.4

 

CMYK 0 / 39 / 27 / 21

HEX #CA7B93

RGB 202 123 147

HSL 341.77, 0.43%, 0.64%

LAB 60.63, 33.81, 0.22

 

CMYK 0 / 39 / 38 / 21

HEX #CA7B7E

RGB 202 123 126

HSL 357.72, 0.43%, 0.64%

LAB 60.09, 31.09, 11.52

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 15 / 39 / 0 / 21

HEX #AC7BCA

RGB 172 123 202

HSL 277.22, 0.43%, 0.64%

LAB 59.16, 33.59, -33.74

 

CMYK 25 / 39 / 0 / 21

HEX #977BCA

RGB 151 123 202

HSL 261.27, 0.43%, 0.64%

LAB 57.08, 27.32, -37.13

 

CMYK 36 / 39 / 0 / 21

HEX #817BCA

RGB 129 123 202

HSL 244.56, 0.43%, 0.64%

LAB 55.17, 21.08, -40.27

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 6 / 50 / 0 / 15

HEX #CD6CD9

RGB 205 108 217

HSL 293.39, 0.59%, 0.64%

LAB 60.53, 54.16, -39.77

 

CMYK 7 / 59 / 0 / 9

HEX #D85EE8

RGB 216 94 232

HSL 293.04, 0.75%, 0.64%

LAB 60.28, 66.3, -48.48

 

CMYK 8 / 68 / 0 / 3

HEX #E44FF7

RGB 228 79 247

HSL 293.21, 0.91%, 0.64%

LAB 60.61, 77.64, -56.2

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 3 / 26 / 0 / 27

HEX #B68ABB

RGB 182 138 187

HSL 293.88, 0.26%, 0.64%

LAB 63.1, 25.27, -19.11

 

CMYK 1 / 11 / 0 / 33

HEX #AA99AC

RGB 170 153 172

HSL 293.68, 0.1%, 0.64%

LAB 65.21, 9.77, -7.61

 

CMYK 5 / 0 / 6 / 34

HEX #9FA89E

RGB 159 168 158

HSL 114, 0.05%, 0.64%

LAB 67.91, -5.09, 4.06

 

CMYK 20 / 0 / 22 / 28

HEX #93B78F

RGB 147 183 143

HSL 114, 0.22%, 0.64%

LAB 70.91, -19.93, 16.43

 

CMYK 25 / 39 / 0 / 21

HEX #977BCA

RGB 151 123 202

HSL 261.27, 0.43%, 0.64%

LAB 57.08, 27.32, -37.13

 

CMYK 15 / 39 / 0 / 21

HEX #AC7BCA

RGB 172 123 202

HSL 277.22, 0.43%, 0.64%

LAB 59.16, 33.59, -33.74

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 39 / 6 / 21

HEX #CA7BBE

RGB 202 123 190

HSL 309.11, 0.43%, 0.64%

LAB 62.03, 40.63, -22.24

 

CMYK 0 / 39 / 16 / 21

HEX #CA7BA9

RGB 202 123 169

HSL 325.06, 0.43%, 0.64%

LAB 61.3, 37.1, -11.4

 

CMYK 7 / 60 / 0 / 32

HEX #A245AE

RGB 162 69 174

HSL 293.14, 0.43%, 0.48%

LAB 45.63, 53.31, -38.92

 

CMYK 6 / 51 / 0 / 25

HEX #B35EBE

RGB 179 94 190

HSL 293.13, 0.42%, 0.56%

LAB 53.28, 48.79, -36.02

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 3 / 29 / 0 / 16

HEX #CF99D6

RGB 207 153 214

HSL 293.11, 0.43%, 0.72%

LAB 70.11, 30.47, -23.26

 

CMYK 2 / 19 / 0 / 11

HEX #DDB6E2

RGB 221 182 226

HSL 293.18, 0.43%, 0.8%

LAB 78.65, 21.61, -16.73

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 36 / 39 / 21

HEX #CA827B

RGB 202 130 123

HSL 5.32, 0.43%, 0.64%

LAB 61.61, 26.94, 15.35

 

CMYK 39 / 0 / 20 / 21

HEX #7BCAA1

RGB 123 202 161

HSL 148.86, 0.43%, 0.64%

LAB 75.47, -33.42, 12.93

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 4 / 39 / 21

HEX #CAC17B

RGB 202 193 123

HSL 53.16, 0.43%, 0.64%

LAB 77.36, -7, 36.37

 

CMYK 39 / 0 / 4 / 21

HEX #7BCAC1

RGB 123 202 193

HSL 173.16, 0.43%, 0.64%

LAB 76.25, -26.37, -3.17

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 36 / 39 / 21

HEX #CA827B

RGB 202 130 123

HSL 5.32, 0.43%, 0.64%

LAB 61.61, 26.94, 15.35

 

CMYK 35 / 0 / 39 / 21

HEX #84CA7B

RGB 132 202 123

HSL 113.16, 0.43%, 0.64%

LAB 75.19, -37.38, 32.65

 

CMYK 39 / 3 / 0 / 21

HEX #7BC4CA

RGB 123 196 202

HSL 184.56, 0.43%, 0.64%

LAB 74.8, -21.19, -10.2

 

CMYK 4 / 39 / 0 / 21

HEX #C17BCA

RGB 193 123 202

HSL 293.16, 0.43%, 0.64%

LAB 61.45, 40.02, -30

 

CMYK 0 / 24 / 39 / 21

HEX #CA997B

RGB 202 153 123

HSL 22.78, 0.43%, 0.64%

LAB 67.1, 14.37, 22.87

 

CMYK 35 / 0 / 39 / 21

HEX #84CA7B

RGB 132 202 123

HSL 113.16, 0.43%, 0.64%

LAB 75.19, -37.38, 32.65

 

CMYK 39 / 15 / 0 / 21

HEX #7BACCA

RGB 123 172 202

HSL 202.78, 0.43%, 0.64%

LAB 68.01, -8.62, -20.43

 

Description

Color code: RGB 193 123 202 | qconv.com Color code: RGB 193 123 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 123 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 123 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 39 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 39% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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