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Color name
RGB 193 100 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 100 131 it is the complementary color RGB 62 155 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 100 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 100 131 shade: RGB 198 100 126, RGB 215 118 145, RGB 232 136 164, RGB 249 154 183 and RGB 255 172 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 100 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 100 131 shade: RGB 193 100 131, RGB 176 82 112, RGB 159 64 93, RGB 142 46 74 and RGB 125 28 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 100 131 shade: RGB 192 98 129, RGB 192 98 104 and RGB 192 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 100 131 shade: RGB 192 98 129, RGB 192 98 155, RGB 192 98 180, RGB 179 98 192 and RGB 153 98 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 100 131 shade matches the following richer shades: RGB 192 98 129, RGB 210 80 123, RGB 227 62 117 and RGB 245 44 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 100 131 shade: RGB 192 98 129, RGB 174 115 135, RGB 157 133 141, RGB 139 151 147 and RGB 121 169 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 100 131 shade: RGB 192 98 179, RGB 192 98 154, RGB 192 98 129, RGB 192 98 104 and RGB 192 117 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 100 131 shade: RGB 148 59 89, RGB 178 71 106, RGB 192 98 129, RGB 204 127 153 and RGB 216 157 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 100 131 shade: RGB 193 100 131, RGB 192 179 98 and RGB 98 167 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 100 131 shade: RGB 193 100 131, RGB 129 192 98 and RGB 98 129 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 100 131 shade: RGB 193 100 131, RGB 192 179 98, RGB 98 192 161 and RGB 98 110 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 100 131 shade: RGB 193 100 131, RGB 176 192 98, RGB 98 192 161 and RGB 113 98 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

Complementary color

CMYK 60 / 0 / 20 / 39

HEX #3E9B7C

RGB 62 155 124

HSL 160, 0.43%, 0.43%

LAB 57.96, -35.19, 8.14

 

CMYK 0 / 49 / 36 / 22

HEX #C6647E

RGB 198 100 126

HSL 344.08, 0.46%, 0.58%

LAB 54.69, 41.74, 3.74

 

CMYK 0 / 45 / 33 / 16

HEX #D77691

RGB 215 118 145

HSL 343.3, 0.55%, 0.65%

LAB 61.18, 40.83, 2.37

 

CMYK 0 / 41 / 29 / 9

HEX #E888A4

RGB 232 136 164

HSL 342.5, 0.68%, 0.72%

LAB 67.61, 39.94, 1.18

 

CMYK 0 / 38 / 27 / 2

HEX #F99AB7

RGB 249 154 183

HSL 341.68, 0.89%, 0.79%

LAB 73.98, 39.09, 0.13

 

CMYK 0 / 33 / 21 / 0

HEX #FFACCA

RGB 255 172 202

HSL 338.31, 1%, 0.84%

LAB 79.06, 34.49, -2.75

 

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

CMYK 0 / 53 / 36 / 31

HEX #B05270

RGB 176 82 112

HSL 340.85, 0.37%, 0.51%

LAB 47.54, 41.48, 1.34

 

CMYK 0 / 60 / 42 / 38

HEX #9F405D

RGB 159 64 93

HSL 341.68, 0.43%, 0.44%

LAB 40.94, 42.26, 3.13

 

CMYK 0 / 68 / 48 / 44

HEX #8E2E4A

RGB 142 46 74

HSL 342.5, 0.51%, 0.37%

LAB 34.39, 42.81, 5.43

 

CMYK 0 / 78 / 56 / 51

HEX #7D1C37

RGB 125 28 55

HSL 343.3, 0.63%, 0.3%

LAB 28.02, 42.79, 8.51

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 49 / 46 / 25

HEX #C06268

RGB 192 98 104

HSL 356.17, 0.43%, 0.57%

LAB 52.89, 38.15, 14.05

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 49 / 19 / 25

HEX #C0629B

RGB 192 98 155

HSL 323.62, 0.43%, 0.57%

LAB 54.35, 44.67, -13.89

 

CMYK 0 / 49 / 6 / 25

HEX #C062B4

RGB 192 98 180

HSL 307.66, 0.43%, 0.57%

LAB 55.32, 48.73, -26.95

 

CMYK 7 / 49 / 0 / 25

HEX #B362C0

RGB 179 98 192

HSL 291.7, 0.43%, 0.57%

LAB 54.16, 47.13, -35.79

 

CMYK 20 / 49 / 0 / 25

HEX #9962C0

RGB 153 98 192

HSL 275.11, 0.43%, 0.57%

LAB 51.05, 39.74, -40.9

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 62 / 41 / 18

HEX #D2507B

RGB 210 80 123

HSL 340.15, 0.59%, 0.57%

LAB 52.81, 54.92, 3.03

 

CMYK 0 / 73 / 48 / 11

HEX #E33E75

RGB 227 62 117

HSL 340, 0.75%, 0.57%

LAB 53.02, 66.32, 7.3

 

CMYK 0 / 82 / 55 / 4

HEX #F52C6F

RGB 245 44 111

HSL 340, 0.91%, 0.57%

LAB 54.41, 75.61, 13.34

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 34 / 22 / 32

HEX #AE7387

RGB 174 115 135

HSL 339.66, 0.27%, 0.57%

LAB 55.08, 26.14, -1.35

 

CMYK 0 / 15 / 10 / 38

HEX #9D858D

RGB 157 133 141

HSL 340, 0.11%, 0.57%

LAB 57.91, 10.51, -0.9

 

CMYK 8 / 0 / 3 / 41

HEX #8B9793

RGB 139 151 147

HSL 160, 0.05%, 0.57%

LAB 61.42, -5.1, 0.62

 

CMYK 28 / 0 / 9 / 34

HEX #79A999

RGB 121 169 153

HSL 160, 0.22%, 0.57%

LAB 65.55, -19.5, 3.1

 

CMYK 0 / 49 / 7 / 25

HEX #C062B3

RGB 192 98 179

HSL 308.3, 0.43%, 0.57%

LAB 55.27, 48.56, -26.44

 

CMYK 0 / 49 / 20 / 25

HEX #C0629A

RGB 192 98 154

HSL 324.26, 0.43%, 0.57%

LAB 54.32, 44.52, -13.36

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 49 / 46 / 25

HEX #C06268

RGB 192 98 104

HSL 356.17, 0.43%, 0.57%

LAB 52.89, 38.15, 14.05

 

CMYK 0 / 39 / 49 / 25

HEX #C07562

RGB 192 117 98

HSL 12.13, 0.43%, 0.57%

LAB 56.89, 27.39, 22.96

 

CMYK 0 / 60 / 40 / 42

HEX #943B59

RGB 148 59 89

HSL 339.78, 0.43%, 0.41%

LAB 38.1, 40.44, 1.31

 

CMYK 0 / 60 / 40 / 30

HEX #B2476A

RGB 178 71 106

HSL 340.37, 0.43%, 0.49%

LAB 45.65, 46.81, 2.29

 

CMYK 0 / 49 / 33 / 25

HEX #C06281

RGB 192 98 129

HSL 340.21, 0.43%, 0.57%

LAB 53.52, 41.03, 0.17

 

CMYK 0 / 38 / 25 / 20

HEX #CC7F99

RGB 204 127 153

HSL 339.74, 0.43%, 0.65%

LAB 61.93, 33.23, -1.3

 

CMYK 0 / 27 / 19 / 15

HEX #D89DB0

RGB 216 157 176

HSL 340.68, 0.43%, 0.73%

LAB 70.77, 24.77, -1.14

 

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

CMYK 0 / 7 / 49 / 25

HEX #C0B362

RGB 192 179 98

HSL 51.7, 0.43%, 0.57%

LAB 72.45, -6.35, 42.73

 

CMYK 49 / 13 / 0 / 25

HEX #62A7C0

RGB 98 167 192

HSL 195.96, 0.43%, 0.57%

LAB 64.99, -14.96, -19.58

 

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

CMYK 33 / 0 / 49 / 25

HEX #81C062

RGB 129 192 98

HSL 100.21, 0.43%, 0.57%

LAB 71.72, -37.28, 40.84

 

CMYK 49 / 33 / 0 / 25

HEX #6281C0

RGB 98 129 192

HSL 220.21, 0.43%, 0.57%

LAB 54.14, 6.54, -36.36

 

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

CMYK 0 / 7 / 49 / 25

HEX #C0B362

RGB 192 179 98

HSL 51.7, 0.43%, 0.57%

LAB 72.45, -6.35, 42.73

 

CMYK 49 / 0 / 16 / 25

HEX #62C0A1

RGB 98 192 161

HSL 160.21, 0.43%, 0.57%

LAB 71.47, -35.37, 7.09

 

CMYK 49 / 43 / 0 / 25

HEX #626EC0

RGB 98 110 192

HSL 232.34, 0.43%, 0.57%

LAB 48.95, 18.06, -44.54

 

CMYK 0 / 48 / 32 / 24

HEX #C16483

RGB 193 100 131

HSL 340, 0.43%, 0.57%

LAB 54.12, 40.61, -0.11

 

CMYK 8 / 0 / 49 / 25

HEX #B0C062

RGB 176 192 98

HSL 70.21, 0.43%, 0.57%

LAB 74.71, -19.56, 45.16

 

CMYK 49 / 0 / 16 / 25

HEX #62C0A1

RGB 98 192 161

HSL 160.21, 0.43%, 0.57%

LAB 71.47, -35.37, 7.09

 

CMYK 41 / 49 / 0 / 25

HEX #7162C0

RGB 113 98 192

HSL 249.57, 0.43%, 0.57%

LAB 47.04, 29.05, -47.51

 

Description

Color code: RGB 193 100 131 | qconv.com Color code: RGB 193 100 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 100 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 100 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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