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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 72 146 it is the complementary color RGB 63 183 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 72 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 72 146 shade: RGB 197 72 141, RGB 214 90 160, RGB 231 108 179, RGB 248 126 198 and RGB 255 144 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 72 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 175 54 127, RGB 158 36 108, RGB 141 18 89 and RGB 124 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 192 72 114, RGB 192 72 81 and RGB 192 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 192 72 178, RGB 173 72 192, RGB 141 72 192 and RGB 109 72 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 72 146 shade matches the following richer shades: RGB 192 72 146, RGB 212 52 151, RGB 232 33 155 and RGB 251 13 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 172 92 141, RGB 152 112 137, RGB 133 132 132 and RGB 113 151 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 72 146 shade: RGB 174 72 192, RGB 192 72 178, RGB 192 72 146, RGB 192 72 114 and RGB 192 72 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 72 146 shade: RGB 136 46 101, RGB 166 57 124, RGB 192 72 146, RGB 203 103 164 and RGB 213 134 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 192 142 72 and RGB 72 192 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 146 192 72 and RGB 72 146 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 192 142 72, RGB 72 192 118 and RGB 72 122 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 72 146 shade: RGB 192 72 146, RGB 192 178 72, RGB 72 192 118 and RGB 72 86 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

Complementary color

CMYK 66 / 0 / 40 / 28

HEX #3FB76D

RGB 63 183 109

HSL 143, 0.49%, 0.48%

LAB 66.54, -49.98, 28.1

 

CMYK 0 / 63 / 28 / 23

HEX #C5488D

RGB 197 72 141

HSL 326.88, 0.52%, 0.53%

LAB 50.01, 56.47, -12.1

 

CMYK 0 / 58 / 25 / 16

HEX #D65AA0

RGB 214 90 160

HSL 326.13, 0.6%, 0.6%

LAB 56.23, 56.12, -13.66

 

CMYK 0 / 53 / 23 / 9

HEX #E76CB3

RGB 231 108 179

HSL 325.37, 0.72%, 0.66%

LAB 62.48, 55.57, -14.95

 

CMYK 0 / 49 / 20 / 3

HEX #F87EC6

RGB 248 126 198

HSL 324.59, 0.9%, 0.73%

LAB 68.72, 54.91, -16.04

 

CMYK 0 / 44 / 15 / 0

HEX #FF90D9

RGB 255 144 217

HSL 320.54, 1%, 0.78%

LAB 73.69, 51.07, -18.97

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 69 / 27 / 31

HEX #AF367F

RGB 175 54 127

HSL 323.8, 0.53%, 0.45%

LAB 43.19, 55.68, -14.3

 

CMYK 0 / 77 / 32 / 38

HEX #9E246C

RGB 158 36 108

HSL 324.59, 0.63%, 0.38%

LAB 37.14, 55.06, -11.96

 

CMYK 0 / 87 / 37 / 45

HEX #8D1259

RGB 141 18 89

HSL 325.37, 0.77%, 0.31%

LAB 31.39, 53.39, -8.78

 

CMYK 0 / 100 / 44 / 51

HEX #7C0046

RGB 124 0 70

HSL 326.13, 1%, 0.24%

LAB 25.94, 50.58, -4.67

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 63 / 41 / 25

HEX #C04872

RGB 192 72 114

HSL 339, 0.49%, 0.52%

LAB 48.33, 51.77, 1.59

 

CMYK 0 / 63 / 58 / 25

HEX #C04851

RGB 192 72 81

HSL 355.5, 0.49%, 0.52%

LAB 47.54, 48.77, 20.5

 

CMYK 0 / 63 / 63 / 25

HEX #C04848

RGB 192 72 72

HSL 0, 0.49%, 0.52%

LAB 47.38, 48.14, 25.68

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 63 / 7 / 25

HEX #C048B2

RGB 192 72 178

HSL 307, 0.49%, 0.52%

LAB 50.75, 60.44, -32.89

 

CMYK 10 / 63 / 0 / 25

HEX #AD48C0

RGB 173 72 192

HSL 290.5, 0.49%, 0.52%

LAB 48.67, 58.12, -44.52

 

CMYK 27 / 63 / 0 / 25

HEX #8D48C0

RGB 141 72 192

HSL 274.5, 0.49%, 0.52%

LAB 44.38, 50.48, -51.61

 

CMYK 43 / 63 / 0 / 25

HEX #6D48C0

RGB 109 72 192

HSL 258.5, 0.49%, 0.52%

LAB 40.72, 43.38, -57.7

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 75 / 29 / 17

HEX #D43497

RGB 212 52 151

HSL 322.88, 0.65%, 0.52%

LAB 50.32, 68.96, -17.36

 

CMYK 0 / 86 / 33 / 9

HEX #E8219B

RGB 232 33 155

HSL 323.22, 0.81%, 0.52%

LAB 52.52, 78.53, -16.06

 

CMYK 0 / 95 / 36 / 2

HEX #FB0DA0

RGB 251 13 160

HSL 322.94, 0.97%, 0.52%

LAB 55.42, 85.51, -14.29

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 47 / 18 / 33

HEX #AC5C8D

RGB 172 92 141

HSL 323.25, 0.33%, 0.52%

LAB 49.92, 38.99, -12.6

 

CMYK 0 / 26 / 10 / 40

HEX #987089

RGB 152 112 137

HSL 322.5, 0.16%, 0.52%

LAB 51.92, 20, -7.48

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 25 / 0 / 15 / 41

HEX #719780

RGB 113 151 128

HSL 143.68, 0.15%, 0.52%

LAB 59.16, -18.04, 7.9

 

CMYK 9 / 63 / 0 / 25

HEX #AE48C0

RGB 174 72 192

HSL 291, 0.49%, 0.52%

LAB 48.81, 58.37, -44.28

 

CMYK 0 / 63 / 7 / 25

HEX #C048B2

RGB 192 72 178

HSL 307, 0.49%, 0.52%

LAB 50.75, 60.44, -32.89

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 63 / 41 / 25

HEX #C04872

RGB 192 72 114

HSL 339, 0.49%, 0.52%

LAB 48.33, 51.77, 1.59

 

CMYK 0 / 63 / 57 / 25

HEX #C04852

RGB 192 72 82

HSL 355, 0.49%, 0.52%

LAB 47.56, 48.85, 19.93

 

CMYK 0 / 66 / 26 / 47

HEX #882E65

RGB 136 46 101

HSL 323.33, 0.49%, 0.36%

LAB 34.25, 44.16, -12.28

 

CMYK 0 / 66 / 25 / 35

HEX #A6397C

RGB 166 57 124

HSL 323.12, 0.49%, 0.44%

LAB 41.98, 51.52, -14.44

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 49 / 19 / 20

HEX #CB67A4

RGB 203 103 164

HSL 323.4, 0.49%, 0.6%

LAB 57.15, 47.06, -14.76

 

CMYK 0 / 37 / 14 / 16

HEX #D586B7

RGB 213 134 183

HSL 322.78, 0.48%, 0.68%

LAB 65.45, 37.22, -12.98

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 26 / 63 / 25

HEX #C08E48

RGB 192 142 72

HSL 35, 0.49%, 0.52%

LAB 62.52, 11.46, 43.96

 

CMYK 63 / 0 / 1 / 25

HEX #48C0BE

RGB 72 192 190

HSL 179, 0.49%, 0.52%

LAB 71.42, -33.3, -8.9

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 24 / 0 / 63 / 25

HEX #92C048

RGB 146 192 72

HSL 83, 0.49%, 0.52%

LAB 72.41, -33.72, 53.96

 

CMYK 63 / 24 / 0 / 25

HEX #4892C0

RGB 72 146 192

HSL 203, 0.49%, 0.52%

LAB 57.79, -8.92, -30.75

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 26 / 63 / 25

HEX #C08E48

RGB 192 142 72

HSL 35, 0.49%, 0.52%

LAB 62.52, 11.46, 43.96

 

CMYK 63 / 0 / 39 / 25

HEX #48C076

RGB 72 192 118

HSL 143, 0.49%, 0.52%

LAB 69.74, -50.11, 27.65

 

CMYK 63 / 36 / 0 / 25

HEX #487AC0

RGB 72 122 192

HSL 215, 0.49%, 0.52%

LAB 50.81, 5.14, -41.69

 

CMYK 0 / 63 / 24 / 25

HEX #C04892

RGB 192 72 146

HSL 323, 0.49%, 0.52%

LAB 49.39, 55.67, -16.09

 

CMYK 0 / 7 / 63 / 25

HEX #C0B248

RGB 192 178 72

HSL 53, 0.49%, 0.52%

LAB 71.9, -7.89, 54.4

 

CMYK 63 / 0 / 39 / 25

HEX #48C076

RGB 72 192 118

HSL 143, 0.49%, 0.52%

LAB 69.74, -50.11, 27.65

 

CMYK 63 / 55 / 0 / 25

HEX #4856C0

RGB 72 86 192

HSL 233, 0.49%, 0.52%

LAB 40.96, 27.74, -57.46

 

Description

Color code: RGB 192 72 146 | qconv.com Color code: RGB 192 72 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 72 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 72 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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