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Color name
RGB 192 68 113

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 68 113 it is the complementary color RGB 63 187 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 68 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 68 113 shade: RGB 197 68 108, RGB 214 86 127, RGB 231 104 146, RGB 248 122 165 and RGB 255 140 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 68 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 68 113 shade: RGB 192 68 113, RGB 175 50 94, RGB 158 32 75, RGB 141 14 56 and RGB 124 0 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 68 113 shade: RGB 192 67 112, RGB 192 67 79 and RGB 192 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 68 113 shade: RGB 192 67 112, RGB 192 67 146, RGB 192 67 180, RGB 171 67 192 and RGB 137 67 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 68 113 shade matches the following richer shades: RGB 192 67 112, RGB 212 47 107, RGB 232 27 101 and RGB 253 6 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 68 113 shade: RGB 192 67 112, RGB 172 87 118, RGB 152 108 124, RGB 131 128 129 and RGB 111 148 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 68 113 shade: RGB 192 67 180, RGB 192 67 146, RGB 192 67 113, RGB 192 67 80 and RGB 192 88 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 68 113 shade: RGB 133 44 76, RGB 164 54 94, RGB 192 67 112, RGB 202 98 136 and RGB 213 129 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 68 113 shade: RGB 192 68 113, RGB 192 171 67 and RGB 67 163 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 68 113 shade: RGB 192 68 113, RGB 113 192 67 and RGB 67 113 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 68 113 shade: RGB 192 68 113, RGB 192 171 67, RGB 67 192 146 and RGB 67 88 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 68 113 shade: RGB 192 68 113, RGB 175 192 67, RGB 67 192 146 and RGB 84 67 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

Complementary color

CMYK 66 / 0 / 24 / 27

HEX #3FBB8E

RGB 63 187 142

HSL 158.23, 0.5%, 0.49%

LAB 68.42, -44.81, 12.96

 

CMYK 0 / 65 / 45 / 23

HEX #C5446C

RGB 197 68 108

HSL 341.4, 0.53%, 0.52%

LAB 48.37, 54.44, 5.4

 

CMYK 0 / 60 / 41 / 16

HEX #D6567F

RGB 214 86 127

HSL 340.78, 0.61%, 0.59%

LAB 54.54, 53.97, 3.23

 

CMYK 0 / 55 / 37 / 9

HEX #E76892

RGB 231 104 146

HSL 340.16, 0.73%, 0.66%

LAB 60.75, 53.29, 1.45

 

CMYK 0 / 51 / 33 / 3

HEX #F87AA5

RGB 248 122 165

HSL 339.52, 0.9%, 0.73%

LAB 66.97, 52.52, -0.06

 

CMYK 0 / 45 / 28 / 0

HEX #FF8CB8

RGB 255 140 184

HSL 337.04, 1%, 0.77%

LAB 71.88, 48.39, -3.42

 

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

CMYK 0 / 71 / 46 / 31

HEX #AF325E

RGB 175 50 94

HSL 338.88, 0.56%, 0.44%

LAB 41.54, 53.5, 3.72

 

CMYK 0 / 80 / 53 / 38

HEX #9E204B

RGB 158 32 75

HSL 339.52, 0.66%, 0.37%

LAB 35.62, 52.94, 6.94

 

CMYK 0 / 90 / 60 / 45

HEX #8D0E38

RGB 141 14 56

HSL 340.16, 0.82%, 0.3%

LAB 30.06, 51.27, 11.18

 

CMYK 0 / 100 / 70 / 51

HEX #7C0025

RGB 124 0 37

HSL 342.1, 1%, 0.24%

LAB 25.01, 48.1, 16.67

 

CMYK 0 / 65 / 42 / 25

HEX #C04370

RGB 192 67 112

HSL 338.4, 0.5%, 0.51%

LAB 47.48, 53.71, 1.57

 

CMYK 0 / 65 / 59 / 25

HEX #C0434F

RGB 192 67 79

HSL 354.24, 0.5%, 0.51%

LAB 46.69, 50.8, 20.59

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 65 / 42 / 25

HEX #C04370

RGB 192 67 112

HSL 338.4, 0.5%, 0.51%

LAB 47.48, 53.71, 1.57

 

CMYK 0 / 65 / 24 / 25

HEX #C04392

RGB 192 67 146

HSL 322.08, 0.5%, 0.51%

LAB 48.63, 57.77, -17.26

 

CMYK 0 / 65 / 6 / 25

HEX #C043B4

RGB 192 67 180

HSL 305.76, 0.5%, 0.51%

LAB 50.12, 62.79, -35.06

 

CMYK 11 / 65 / 0 / 25

HEX #AB43C0

RGB 171 67 192

HSL 289.92, 0.5%, 0.51%

LAB 47.6, 59.82, -46.24

 

CMYK 29 / 65 / 0 / 25

HEX #8943C0

RGB 137 67 192

HSL 273.6, 0.5%, 0.51%

LAB 42.97, 52.05, -53.91

 

CMYK 0 / 65 / 42 / 25

HEX #C04370

RGB 192 67 112

HSL 338.4, 0.5%, 0.51%

LAB 47.48, 53.71, 1.57

 

CMYK 0 / 78 / 50 / 17

HEX #D42F6B

RGB 212 47 107

HSL 338.18, 0.66%, 0.51%

LAB 48.38, 66.03, 6.37

 

CMYK 0 / 88 / 56 / 9

HEX #E81B65

RGB 232 27 101

HSL 338.34, 0.82%, 0.51%

LAB 50.55, 74.99, 13.65

 

CMYK 0 / 98 / 62 / 1

HEX #FD0660

RGB 253 6 96

HSL 338.14, 0.98%, 0.51%

LAB 53.88, 81.71, 21.9

 

CMYK 0 / 65 / 42 / 25

HEX #C04370

RGB 192 67 112

HSL 338.4, 0.5%, 0.51%

LAB 47.48, 53.71, 1.57

 

CMYK 0 / 49 / 31 / 33

HEX #AC5776

RGB 172 87 118

HSL 338.12, 0.34%, 0.51%

LAB 48.13, 38.26, -1.49

 

CMYK 0 / 29 / 18 / 40

HEX #986C7C

RGB 152 108 124

HSL 338.18, 0.18%, 0.51%

LAB 50.52, 20.04, -1.87

 

CMYK 0 / 2 / 2 / 49

HEX #838081

RGB 131 128 129

HSL 340, 0.01%, 0.51%

LAB 53.87, 1.32, -0.15

 

CMYK 25 / 0 / 9 / 42

HEX #6F9487

RGB 111 148 135

HSL 158.92, 0.15%, 0.51%

LAB 58.33, -15.64, 2.71

 

CMYK 0 / 65 / 6 / 25

HEX #C043B4

RGB 192 67 180

HSL 305.76, 0.5%, 0.51%

LAB 50.12, 62.79, -35.06

 

CMYK 0 / 65 / 24 / 25

HEX #C04392

RGB 192 67 146

HSL 322.08, 0.5%, 0.51%

LAB 48.63, 57.77, -17.26

 

CMYK 0 / 65 / 41 / 25

HEX #C04371

RGB 192 67 113

HSL 337.92, 0.5%, 0.51%

LAB 47.51, 53.81, 1.01

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 54 / 65 / 25

HEX #C05843

RGB 192 88 67

HSL 10.08, 0.5%, 0.51%

LAB 50.21, 40.21, 32.11

 

CMYK 0 / 67 / 43 / 48

HEX #852C4C

RGB 133 44 76

HSL 338.43, 0.5%, 0.35%

LAB 32.5, 40.92, 1.2

 

CMYK 0 / 67 / 43 / 36

HEX #A4365E

RGB 164 54 94

HSL 338.18, 0.5%, 0.43%

LAB 40.15, 48.54, 1.46

 

CMYK 0 / 65 / 42 / 25

HEX #C04370

RGB 192 67 112

HSL 338.4, 0.5%, 0.51%

LAB 47.48, 53.71, 1.57

 

CMYK 0 / 51 / 33 / 21

HEX #CA6288

RGB 202 98 136

HSL 338.08, 0.5%, 0.59%

LAB 55.14, 45.37, -1.41

 

CMYK 0 / 39 / 25 / 16

HEX #D5819F

RGB 213 129 159

HSL 338.57, 0.5%, 0.67%

LAB 63.63, 36.23, -2.09

 

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

CMYK 0 / 11 / 65 / 25

HEX #C0AB43

RGB 192 171 67

HSL 49.92, 0.5%, 0.51%

LAB 69.99, -4.54, 54.53

 

CMYK 65 / 15 / 0 / 25

HEX #43A3C0

RGB 67 163 192

HSL 193.92, 0.5%, 0.51%

LAB 62.67, -19.05, -23.23

 

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

CMYK 41 / 0 / 65 / 25

HEX #71C043

RGB 113 192 67

HSL 97.92, 0.5%, 0.51%

LAB 70.6, -45.95, 53.6

 

CMYK 65 / 41 / 0 / 25

HEX #4371C0

RGB 67 113 192

HSL 217.92, 0.5%, 0.51%

LAB 48.02, 9.77, -46.13

 

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

CMYK 0 / 11 / 65 / 25

HEX #C0AB43

RGB 192 171 67

HSL 49.92, 0.5%, 0.51%

LAB 69.99, -4.54, 54.53

 

CMYK 65 / 0 / 24 / 25

HEX #43C092

RGB 67 192 146

HSL 157.92, 0.5%, 0.51%

LAB 70.15, -45.32, 13.24

 

CMYK 65 / 54 / 0 / 25

HEX #4358C0

RGB 67 88 192

HSL 229.92, 0.5%, 0.51%

LAB 41.18, 25.63, -57.11

 

CMYK 0 / 65 / 41 / 25

HEX #C04471

RGB 192 68 113

HSL 338.23, 0.5%, 0.51%

LAB 47.67, 53.39, 1.23

 

CMYK 9 / 0 / 65 / 25

HEX #AFC043

RGB 175 192 67

HSL 68.16, 0.5%, 0.51%

LAB 74.33, -22.49, 58.68

 

CMYK 65 / 0 / 24 / 25

HEX #43C092

RGB 67 192 146

HSL 157.92, 0.5%, 0.51%

LAB 70.15, -45.32, 13.24

 

CMYK 56 / 65 / 0 / 25

HEX #5443C0

RGB 84 67 192

HSL 248.16, 0.5%, 0.51%

LAB 37.31, 41.49, -63.35

 

Description

Color code: RGB 192 68 113 | qconv.com Color code: RGB 192 68 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 68 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 68 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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