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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 36 57 it is the complementary color RGB 63 219 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 36 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 36 57 shade: RGB 197 36 52, RGB 214 54 71, RGB 231 72 90, RGB 248 90 109 and RGB 255 108 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 36 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 175 18 38, RGB 158 0 19, RGB 141 0 0 and RGB 124 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 36 57 shade: RGB 192 36 57 and RGB 192 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 192 36 99, RGB 192 36 141, RGB 192 36 183 and RGB 159 36 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 36 57 shade matches the following richer shades: RGB 192 36 57 and RGB 211 18 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 174 55 71, RGB 155 73 84, RGB 137 92 98 and RGB 118 110 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 36 57 shade: RGB 192 36 143, RGB 192 36 101, RGB 192 36 60, RGB 192 54 36 and RGB 192 96 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 36 57 shade: RGB 123 23 36, RGB 158 30 47, RGB 192 36 57, RGB 216 54 75 and RGB 223 88 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 184 192 36 and RGB 36 122 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 60 192 36 and RGB 36 60 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 184 192 36, RGB 36 192 169 and RGB 44 36 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 36 57 shade: RGB 192 36 57, RGB 138 192 36, RGB 36 192 169 and RGB 91 36 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

Complementary color

CMYK 71 / 0 / 10 / 14

HEX #3FDBC6

RGB 63 219 198

HSL 171.92, 0.68%, 0.55%

LAB 79.5, -44.67, -1.31

 

CMYK 0 / 82 / 74 / 23

HEX #C52434

RGB 197 36 52

HSL 354.04, 0.69%, 0.46%

LAB 43.33, 61.51, 32.88

 

CMYK 0 / 75 / 67 / 16

HEX #D63647

RGB 214 54 71

HSL 353.63, 0.66%, 0.53%

LAB 48.75, 62.06, 28.83

 

CMYK 0 / 69 / 61 / 9

HEX #E7485A

RGB 231 72 90

HSL 353.21, 0.77%, 0.59%

LAB 54.41, 61.98, 25.42

 

CMYK 0 / 64 / 56 / 3

HEX #F85A6D

RGB 248 90 109

HSL 352.78, 0.92%, 0.66%

LAB 60.22, 61.51, 22.54

 

CMYK 0 / 58 / 50 / 0

HEX #FF6C80

RGB 255 108 128

HSL 351.84, 1%, 0.71%

LAB 64.6, 57.56, 17.76

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 90 / 78 / 31

HEX #AF1226

RGB 175 18 38

HSL 352.36, 0.81%, 0.38%

LAB 37.27, 58.8, 33.23

 

CMYK 0 / 100 / 88 / 38

HEX #9E0013

RGB 158 0 19

HSL 352.78, 1%, 0.31%

LAB 32.52, 56.3, 38.19

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 81 / 81 / 25

HEX #C02424

RGB 192 36 36

HSL 0, 0.68%, 0.45%

LAB 42.15, 59.52, 40.5

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 81 / 48 / 25

HEX #C02463

RGB 192 36 99

HSL 335.77, 0.68%, 0.45%

LAB 43.31, 63.07, 3.56

 

CMYK 0 / 81 / 27 / 25

HEX #C0248D

RGB 192 36 141

HSL 319.62, 0.68%, 0.45%

LAB 44.79, 67.38, -20.13

 

CMYK 0 / 81 / 5 / 25

HEX #C024B7

RGB 192 36 183

HSL 303.46, 0.68%, 0.45%

LAB 46.83, 73.06, -42.01

 

CMYK 17 / 81 / 0 / 25

HEX #9F24C0

RGB 159 36 192

HSL 287.31, 0.68%, 0.45%

LAB 41.9, 68.37, -55.47

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 91 / 79 / 17

HEX #D3122C

RGB 211 18 44

HSL 351.92, 0.84%, 0.45%

LAB 44.89, 68.38, 40.07

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 68 / 59 / 32

HEX #AE3747

RGB 174 55 71

HSL 351.93, 0.52%, 0.45%

LAB 41.51, 49.3, 18.05

 

CMYK 0 / 53 / 46 / 39

HEX #9B4954

RGB 155 73 84

HSL 351.95, 0.36%, 0.45%

LAB 41.8, 35.29, 9.87

 

CMYK 0 / 33 / 28 / 46

HEX #895C62

RGB 137 92 98

HSL 352, 0.2%, 0.45%

LAB 44.02, 19.34, 4.09

 

CMYK 0 / 7 / 6 / 54

HEX #766E6F

RGB 118 110 111

HSL 352.5, 0.04%, 0.45%

LAB 47.17, 3.3, 0.56

 

CMYK 0 / 81 / 26 / 25

HEX #C0248F

RGB 192 36 143

HSL 318.85, 0.68%, 0.45%

LAB 44.87, 67.62, -21.21

 

CMYK 0 / 81 / 47 / 25

HEX #C02465

RGB 192 36 101

HSL 335, 0.68%, 0.45%

LAB 43.37, 63.24, 2.4

 

CMYK 0 / 81 / 69 / 25

HEX #C0243C

RGB 192 36 60

HSL 350.77, 0.68%, 0.45%

LAB 42.45, 60.46, 26.75

 

CMYK 0 / 72 / 81 / 25

HEX #C03624

RGB 192 54 36

HSL 6.92, 0.68%, 0.45%

LAB 44.19, 53.81, 42.49

 

CMYK 0 / 50 / 81 / 25

HEX #C06024

RGB 192 96 36

HSL 23.08, 0.68%, 0.45%

LAB 51.5, 34.64, 49.4

 

CMYK 0 / 81 / 71 / 52

HEX #7B1724

RGB 123 23 36

HSL 352.2, 0.68%, 0.29%

LAB 26.6, 42.54, 19.29

 

CMYK 0 / 81 / 70 / 38

HEX #9E1E2F

RGB 158 30 47

HSL 352.03, 0.68%, 0.37%

LAB 34.81, 51.67, 23.91

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 75 / 65 / 15

HEX #D8364B

RGB 216 54 75

HSL 352.22, 0.68%, 0.53%

LAB 49.19, 62.86, 27.07

 

CMYK 0 / 61 / 52 / 13

HEX #DF586A

RGB 223 88 106

HSL 352, 0.68%, 0.61%

LAB 55.79, 54.05, 17.62

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 4 / 0 / 81 / 25

HEX #B8C024

RGB 184 192 36

HSL 63.08, 0.68%, 0.45%

LAB 74.84, -20.19, 69.86

 

CMYK 81 / 36 / 0 / 25

HEX #247AC0

RGB 36 122 192

HSL 206.92, 0.68%, 0.45%

LAB 49.62, -0.01, -43.65

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 69 / 0 / 81 / 25

HEX #3CC024

RGB 60 192 36

HSL 110.77, 0.68%, 0.45%

LAB 68.6, -62.22, 61.92

 

CMYK 81 / 69 / 0 / 25

HEX #243CC0

RGB 36 60 192

HSL 230.77, 0.68%, 0.45%

LAB 32.73, 39.8, -70.98

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 4 / 0 / 81 / 25

HEX #B8C024

RGB 184 192 36

HSL 63.08, 0.68%, 0.45%

LAB 74.84, -20.19, 69.86

 

CMYK 81 / 0 / 12 / 25

HEX #24C0A9

RGB 36 192 169

HSL 171.15, 0.68%, 0.45%

LAB 70.13, -43.64, 0.61

 

CMYK 77 / 81 / 0 / 25

HEX #2C24C0

RGB 44 36 192

HSL 243.08, 0.68%, 0.45%

LAB 28.39, 53.69, -78.14

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 28 / 0 / 81 / 25

HEX #8AC024

RGB 138 192 36

HSL 80.77, 0.68%, 0.45%

LAB 71.71, -38.96, 65.91

 

CMYK 81 / 0 / 12 / 25

HEX #24C0A9

RGB 36 192 169

HSL 171.15, 0.68%, 0.45%

LAB 70.13, -43.64, 0.61

 

CMYK 53 / 81 / 0 / 25

HEX #5B24C0

RGB 91 36 192

HSL 261.15, 0.68%, 0.45%

LAB 32.46, 58.03, -71.27

 

Description

Color code: RGB 192 36 57 | qconv.com Color code: RGB 192 36 57 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 36 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 36 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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