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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 224 195 it is the complementary color RGB 63 31 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 224 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 224 195 shade: RGB 197 224 190, RGB 214 242 209, RGB 231 255 228 and RGB 248 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 224 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 224 195 shade: RGB 192 224 195, RGB 175 206 176, RGB 158 188 157, RGB 141 170 138 and RGB 124 152 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 224 195 shade: RGB 193 224 196, RGB 198 224 193, RGB 207 224 193, RGB 215 224 193 and RGB 224 224 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 224 195 shade: RGB 193 224 196, RGB 193 224 204, RGB 193 224 213, RGB 193 224 221 and RGB 193 219 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 224 195 shade matches the following richer shades: RGB 193 224 196, RGB 186 232 190, RGB 178 239 184, RGB 171 246 178 and RGB 163 254 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 224 195 shade: RGB 193 224 196, RGB 200 217 202, RGB 208 209 208, RGB 215 202 214 and RGB 223 194 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 224 195 shade: RGB 207 224 193, RGB 199 224 193, RGB 193 224 196, RGB 193 224 204 and RGB 193 224 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 224 195 shade: RGB 138 197 143, RGB 165 211 170, RGB 193 224 196, RGB 221 238 222 and RGB 248 251 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 224 195 shade: RGB 192 224 195, RGB 193 215 224 and RGB 224 193 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 224 195 shade: RGB 192 224 195, RGB 196 193 224 and RGB 224 196 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 224 195 shade: RGB 192 224 195, RGB 193 215 224, RGB 224 193 222 and RGB 224 202 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 224 195 shade: RGB 192 224 195, RGB 193 206 224, RGB 224 193 222 and RGB 224 211 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

Complementary color

CMYK 0 / 51 / 5 / 75

HEX #3F1F3C

RGB 63 31 60

HSL 305.63, 0.34%, 0.18%

LAB 17.29, 20.55, -12.03

 

CMYK 12 / 0 / 15 / 12

HEX #C5E0BE

RGB 197 224 190

HSL 107.65, 0.35%, 0.81%

LAB 86.45, -15.15, 13.68

 

CMYK 12 / 0 / 14 / 5

HEX #D6F2D1

RGB 214 242 209

HSL 110.91, 0.56%, 0.88%

LAB 92.75, -15.11, 12.87

 

CMYK 9 / 0 / 11 / 0

HEX #E7FFE4

RGB 231 255 228

HSL 113.33, 1%, 0.95%

LAB 97.68, -12.61, 10.26

 

CMYK 3 / 0 / 3 / 0

HEX #F8FFF7

RGB 248 255 247

HSL 112.5, 1%, 0.98%

LAB 99.3, -3.7, 3

 

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

CMYK 15 / 0 / 15 / 19

HEX #AFCEB0

RGB 175 206 176

HSL 121.94, 0.24%, 0.75%

LAB 79.84, -16.06, 11.5

 

CMYK 16 / 0 / 16 / 26

HEX #9EBC9D

RGB 158 188 157

HSL 118.06, 0.19%, 0.68%

LAB 73.33, -16.16, 12.35

 

CMYK 17 / 0 / 19 / 33

HEX #8DAA8A

RGB 141 170 138

HSL 114.38, 0.16%, 0.6%

LAB 66.71, -16.27, 13.24

 

CMYK 18 / 0 / 22 / 40

HEX #7C9877

RGB 124 152 119

HSL 110.91, 0.14%, 0.53%

LAB 59.96, -16.4, 14.19

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 12 / 0 / 14 / 12

HEX #C6E0C1

RGB 198 224 193

HSL 110.32, 0.33%, 0.82%

LAB 86.59, -14.29, 12.3

 

CMYK 8 / 0 / 14 / 12

HEX #CFE0C1

RGB 207 224 193

HSL 92.9, 0.33%, 0.82%

LAB 87.21, -11.19, 13.27

 

CMYK 4 / 0 / 14 / 12

HEX #D7E0C1

RGB 215 224 193

HSL 77.42, 0.33%, 0.82%

LAB 87.78, -8.39, 14.16

 

CMYK 0 / 0 / 14 / 12

HEX #E0E0C1

RGB 224 224 193

HSL 60, 0.33%, 0.82%

LAB 88.45, -5.19, 15.2

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 14 / 0 / 9 / 12

HEX #C1E0CC

RGB 193 224 204

HSL 141.29, 0.33%, 0.82%

LAB 86.51, -14.01, 6.37

 

CMYK 14 / 0 / 5 / 12

HEX #C1E0D5

RGB 193 224 213

HSL 158.71, 0.33%, 0.82%

LAB 86.73, -12.31, 1.94

 

CMYK 14 / 0 / 1 / 12

HEX #C1E0DD

RGB 193 224 221

HSL 174.19, 0.33%, 0.82%

LAB 86.93, -10.75, -1.97

 

CMYK 14 / 2 / 0 / 12

HEX #C1DBE0

RGB 193 219 224

HSL 189.68, 0.33%, 0.82%

LAB 85.7, -7.58, -5.37

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 20 / 0 / 18 / 9

HEX #BAE8BE

RGB 186 232 190

HSL 125.22, 0.5%, 0.82%

LAB 87.91, -22.8, 15.63

 

CMYK 26 / 0 / 23 / 6

HEX #B2EFB8

RGB 178 239 184

HSL 125.9, 0.66%, 0.82%

LAB 89.23, -29.79, 20.52

 

CMYK 30 / 0 / 28 / 4

HEX #ABF6B2

RGB 171 246 178

HSL 125.6, 0.81%, 0.82%

LAB 90.68, -36.26, 25.54

 

CMYK 36 / 0 / 32 / 0

HEX #A3FEAC

RGB 163 254 172

HSL 125.93, 0.98%, 0.82%

LAB 92.42, -43.25, 30.87

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 8 / 0 / 7 / 15

HEX #C8D9CA

RGB 200 217 202

HSL 127.06, 0.18%, 0.82%

LAB 85.08, -8.47, 5.43

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D0

RGB 208 209 208

HSL 120, 0.01%, 0.82%

LAB 83.74, -0.52, 0.37

 

CMYK 0 / 6 / 0 / 16

HEX #D7CAD6

RGB 215 202 214

HSL 304.62, 0.14%, 0.82%

LAB 82.67, 6.65, -4.34

 

CMYK 0 / 13 / 1 / 13

HEX #DFC2DC

RGB 223 194 220

HSL 306.21, 0.31%, 0.82%

LAB 81.53, 14.72, -9.16

 

CMYK 8 / 0 / 14 / 12

HEX #CFE0C1

RGB 207 224 193

HSL 92.9, 0.33%, 0.82%

LAB 87.21, -11.19, 13.27

 

CMYK 11 / 0 / 14 / 12

HEX #C7E0C1

RGB 199 224 193

HSL 108.39, 0.33%, 0.82%

LAB 86.65, -13.95, 12.41

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 14 / 0 / 9 / 12

HEX #C1E0CC

RGB 193 224 204

HSL 141.29, 0.33%, 0.82%

LAB 86.51, -14.01, 6.37

 

CMYK 14 / 0 / 5 / 12

HEX #C1E0D4

RGB 193 224 212

HSL 156.77, 0.33%, 0.82%

LAB 86.7, -12.5, 2.43

 

CMYK 30 / 0 / 27 / 23

HEX #8AC58F

RGB 138 197 143

HSL 125.08, 0.34%, 0.66%

LAB 74.39, -29.87, 21.16

 

CMYK 22 / 0 / 19 / 17

HEX #A5D3AA

RGB 165 211 170

HSL 126.52, 0.34%, 0.74%

LAB 80.45, -23, 15.47

 

CMYK 14 / 0 / 13 / 12

HEX #C1E0C4

RGB 193 224 196

HSL 125.81, 0.33%, 0.82%

LAB 86.32, -15.46, 10.31

 

CMYK 7 / 0 / 7 / 7

HEX #DDEEDE

RGB 221 238 222

HSL 123.53, 0.33%, 0.9%

LAB 92.48, -8.51, 5.81

 

CMYK 1 / 0 / 1 / 2

HEX #F8FBF9

RGB 248 251 249

HSL 140, 0.27%, 0.98%

LAB 98.35, -1.34, 0.6

 

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

CMYK 14 / 4 / 0 / 12

HEX #C1D7E0

RGB 193 215 224

HSL 197.42, 0.33%, 0.82%

LAB 84.65, -5.51, -6.92

 

CMYK 0 / 14 / 9 / 12

HEX #E0C1CB

RGB 224 193 203

HSL 340.65, 0.33%, 0.82%

LAB 80.9, 12.63, -0.94

 

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

CMYK 13 / 14 / 0 / 12

HEX #C4C1E0

RGB 196 193 224

HSL 245.81, 0.33%, 0.82%

LAB 79.19, 7.09, -15.04

 

CMYK 0 / 13 / 14 / 12

HEX #E0C4C1

RGB 224 196 193

HSL 5.81, 0.33%, 0.82%

LAB 81.39, 9.39, 5.13

 

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

CMYK 14 / 4 / 0 / 12

HEX #C1D7E0

RGB 193 215 224

HSL 197.42, 0.33%, 0.82%

LAB 84.65, -5.51, -6.92

 

CMYK 0 / 14 / 1 / 12

HEX #E0C1DE

RGB 224 193 222

HSL 303.87, 0.33%, 0.82%

LAB 81.43, 15.96, -10.37

 

CMYK 0 / 10 / 14 / 12

HEX #E0CAC1

RGB 224 202 193

HSL 17.42, 0.33%, 0.82%

LAB 82.88, 6.22, 7.28

 

CMYK 14 / 0 / 13 / 12

HEX #C0E0C3

RGB 192 224 195

HSL 125.63, 0.34%, 0.82%

LAB 86.23, -15.98, 10.7

 

CMYK 14 / 8 / 0 / 12

HEX #C1CEE0

RGB 193 206 224

HSL 214.84, 0.33%, 0.82%

LAB 82.3, -0.81, -10.4

 

CMYK 0 / 14 / 1 / 12

HEX #E0C1DE

RGB 224 193 222

HSL 303.87, 0.33%, 0.82%

LAB 81.43, 15.96, -10.37

 

CMYK 0 / 6 / 14 / 12

HEX #E0D3C1

RGB 224 211 193

HSL 34.84, 0.33%, 0.82%

LAB 85.14, 1.51, 10.51

 

Description

Color code: RGB 192 224 195 | qconv.com Color code: RGB 192 224 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 224 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 224 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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