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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 196 214 it is the complementary color RGB 63 59 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 196 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 196 214 shade: RGB 197 196 209, RGB 214 214 228, RGB 231 232 247 and RGB 248 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 196 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 196 214 shade: RGB 192 196 214, RGB 175 178 195, RGB 158 160 176, RGB 141 142 157 and RGB 124 124 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 196 214 shade: RGB 193 197 214, RGB 195 193 214, RGB 200 193 214, RGB 206 193 214 and RGB 212 193 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 196 214 shade: RGB 193 197 214 and RGB 193 193 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 196 214 shade matches the following richer shades: RGB 193 197 214, RGB 185 191 222, RGB 176 186 231, RGB 168 181 239 and RGB 160 176 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 196 214 shade: RGB 193 197 214, RGB 201 202 206, RGB 209 207 198, RGB 218 212 189 and RGB 226 218 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 196 214 shade: RGB 193 208 214, RGB 193 202 214, RGB 193 197 214, RGB 195 193 214 and RGB 200 193 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 196 214 shade: RGB 143 150 182, RGB 168 173 198, RGB 193 197 214, RGB 218 220 231 and RGB 243 243 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 196 214 shade: RGB 192 196 214, RGB 214 193 214 and RGB 205 214 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 196 214 shade: RGB 192 196 214, RGB 214 193 197 and RGB 197 214 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 196 214 shade: RGB 192 196 214, RGB 214 193 214, RGB 214 210 193 and RGB 193 214 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 196 214 shade: RGB 192 196 214, RGB 214 193 207, RGB 214 210 193 and RGB 193 214 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

Complementary color

CMYK 0 / 6 / 35 / 75

HEX #3F3B29

RGB 63 59 41

HSL 49.09, 0.21%, 0.2%

LAB 24.78, -1.65, 11.81

 

CMYK 6 / 6 / 0 / 18

HEX #C5C4D1

RGB 197 196 209

HSL 244.62, 0.12%, 0.79%

LAB 79.59, 2.8, -6.37

 

CMYK 6 / 6 / 0 / 11

HEX #D6D6E4

RGB 214 214 228

HSL 240, 0.21%, 0.87%

LAB 86, 2.61, -6.87

 

CMYK 6 / 6 / 0 / 3

HEX #E7E8F7

RGB 231 232 247

HSL 236.25, 0.5%, 0.94%

LAB 92.32, 2.43, -7.37

 

CMYK 3 / 2 / 0 / 0

HEX #F8FAFF

RGB 248 250 255

HSL 222.86, 1%, 0.99%

LAB 98.25, 0.24, -2.63

 

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

CMYK 10 / 9 / 0 / 24

HEX #AFB2C3

RGB 175 178 195

HSL 231, 0.14%, 0.73%

LAB 72.82, 2.31, -8.99

 

CMYK 10 / 9 / 0 / 31

HEX #9EA0B0

RGB 158 160 176

HSL 233.33, 0.1%, 0.65%

LAB 66.17, 2.51, -8.52

 

CMYK 10 / 10 / 0 / 38

HEX #8D8E9D

RGB 141 142 157

HSL 236.25, 0.08%, 0.58%

LAB 59.38, 2.72, -8.05

 

CMYK 10 / 10 / 0 / 46

HEX #7C7C8A

RGB 124 124 138

HSL 240, 0.06%, 0.51%

LAB 52.44, 2.94, -7.58

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 9 / 10 / 0 / 16

HEX #C3C1D6

RGB 195 193 214

HSL 245.71, 0.2%, 0.8%

LAB 78.81, 4.72, -10.23

 

CMYK 7 / 10 / 0 / 16

HEX #C8C1D6

RGB 200 193 214

HSL 260, 0.2%, 0.8%

LAB 79.2, 6.38, -9.61

 

CMYK 4 / 10 / 0 / 16

HEX #CEC1D6

RGB 206 193 214

HSL 277.14, 0.2%, 0.8%

LAB 79.68, 8.39, -8.84

 

CMYK 1 / 10 / 0 / 16

HEX #D4C1D6

RGB 212 193 214

HSL 294.29, 0.2%, 0.8%

LAB 80.18, 10.42, -8.05

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 10 / 10 / 0 / 16

HEX #C1C1D6

RGB 193 193 214

HSL 240, 0.2%, 0.8%

LAB 78.66, 4.06, -10.48

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 17 / 14 / 0 / 13

HEX #B9BFDE

RGB 185 191 222

HSL 230.27, 0.36%, 0.8%

LAB 77.79, 4.22, -16.16

 

CMYK 24 / 19 / 0 / 9

HEX #B0BAE7

RGB 176 186 231

HSL 229.09, 0.53%, 0.8%

LAB 76.14, 6.16, -23.57

 

CMYK 30 / 24 / 0 / 6

HEX #A8B5EF

RGB 168 181 239

HSL 229.01, 0.69%, 0.8%

LAB 74.57, 8.46, -30.35

 

CMYK 35 / 29 / 0 / 3

HEX #A0B0F7

RGB 160 176 247

HSL 228.97, 0.84%, 0.8%

LAB 73.05, 11.02, -37.08

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 2 / 2 / 0 / 19

HEX #C9CACE

RGB 201 202 206

HSL 228, 0.05%, 0.8%

LAB 81.35, 0.4, -2.12

 

CMYK 0 / 1 / 5 / 18

HEX #D1CFC6

RGB 209 207 198

HSL 49.09, 0.11%, 0.8%

LAB 83.05, -0.9, 4.7

 

CMYK 0 / 3 / 13 / 15

HEX #DAD4BD

RGB 218 212 189

HSL 47.59, 0.28%, 0.8%

LAB 84.83, -1.8, 12.11

 

CMYK 0 / 4 / 20 / 11

HEX #E2DAB5

RGB 226 218 181

HSL 49.33, 0.44%, 0.8%

LAB 86.82, -3.2, 19.22

 

CMYK 10 / 3 / 0 / 16

HEX #C1D0D6

RGB 193 208 214

HSL 197.14, 0.2%, 0.8%

LAB 82.54, -3.88, -4.72

 

CMYK 10 / 6 / 0 / 16

HEX #C1CAD6

RGB 193 202 214

HSL 214.29, 0.2%, 0.8%

LAB 80.98, -0.73, -7.02

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 9 / 10 / 0 / 16

HEX #C3C1D6

RGB 195 193 214

HSL 245.71, 0.2%, 0.8%

LAB 78.81, 4.72, -10.23

 

CMYK 7 / 10 / 0 / 16

HEX #C8C1D6

RGB 200 193 214

HSL 260, 0.2%, 0.8%

LAB 79.2, 6.38, -9.61

 

CMYK 21 / 18 / 0 / 29

HEX #8F96B6

RGB 143 150 182

HSL 229.23, 0.21%, 0.64%

LAB 62.53, 4.47, -17.48

 

CMYK 15 / 13 / 0 / 22

HEX #A8ADC6

RGB 168 173 198

HSL 230, 0.21%, 0.72%

LAB 71.07, 3.36, -13.31

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 6 / 5 / 0 / 9

HEX #DADCE7

RGB 218 220 231

HSL 230.77, 0.21%, 0.88%

LAB 87.9, 1.37, -5.62

 

CMYK 2 / 2 / 0 / 3

HEX #F3F3F7

RGB 243 243 247

HSL 240, 0.2%, 0.96%

LAB 95.94, 0.72, -1.93

 

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

CMYK 0 / 10 / 0 / 16

HEX #D6C1D6

RGB 214 193 214

HSL 300, 0.2%, 0.8%

LAB 80.34, 11.1, -7.79

 

CMYK 4 / 0 / 10 / 16

HEX #CDD6C1

RGB 205 214 193

HSL 85.71, 0.2%, 0.8%

LAB 84.44, -6.79, 9.32

 

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

CMYK 0 / 10 / 8 / 16

HEX #D6C1C5

RGB 214 193 197

HSL 348.57, 0.2%, 0.8%

LAB 79.88, 8.08, 0.68

 

CMYK 8 / 0 / 10 / 16

HEX #C5D6C1

RGB 197 214 193

HSL 108.57, 0.2%, 0.8%

LAB 83.87, -9.57, 8.42

 

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

CMYK 0 / 10 / 0 / 16

HEX #D6C1D6

RGB 214 193 214

HSL 300, 0.2%, 0.8%

LAB 80.34, 11.1, -7.79

 

CMYK 0 / 2 / 10 / 16

HEX #D6D2C1

RGB 214 210 193

HSL 48.57, 0.2%, 0.8%

LAB 84.09, -1.55, 8.9

 

CMYK 10 / 0 / 10 / 16

HEX #C1D6C1

RGB 193 214 193

HSL 120, 0.2%, 0.8%

LAB 83.59, -10.94, 7.98

 

CMYK 10 / 8 / 0 / 16

HEX #C0C4D6

RGB 192 196 214

HSL 229.09, 0.21%, 0.8%

LAB 79.35, 2.13, -9.45

 

CMYK 0 / 10 / 3 / 16

HEX #D6C1CF

RGB 214 193 207

HSL 320, 0.2%, 0.8%

LAB 80.15, 9.83, -4.31

 

CMYK 0 / 2 / 10 / 16

HEX #D6D2C1

RGB 214 210 193

HSL 48.57, 0.2%, 0.8%

LAB 84.09, -1.55, 8.9

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

Description

Color code: RGB 192 196 214 | qconv.com Color code: RGB 192 196 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 196 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 196 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 8 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 8% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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