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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 188 211 it is the complementary color RGB 63 67 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 188 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 188 211 shade: RGB 197 188 206, RGB 214 206 225, RGB 231 224 244 and RGB 248 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 188 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 188 211 shade: RGB 192 188 211, RGB 175 170 192, RGB 158 152 173, RGB 141 134 154 and RGB 124 116 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 188 211 shade: RGB 191 187 210, RGB 197 187 210, RGB 203 187 210, RGB 210 187 210 and RGB 210 187 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 188 211 shade: RGB 191 187 210 and RGB 187 187 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 188 211 shade matches the following richer shades: RGB 191 187 210, RGB 185 178 219, RGB 179 168 228, RGB 173 159 237 and RGB 167 150 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 188 211 shade: RGB 191 187 210, RGB 197 196 201, RGB 203 205 192, RGB 208 214 183 and RGB 214 223 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 188 211 shade: RGB 187 195 210, RGB 187 189 210, RGB 191 187 210, RGB 197 187 210 and RGB 203 187 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 188 211 shade: RGB 144 137 178, RGB 167 162 194, RGB 191 187 210, RGB 214 212 226 and RGB 238 237 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 188 211 shade: RGB 192 188 211, RGB 210 187 202 and RGB 192 210 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 188 211 shade: RGB 192 188 211, RGB 210 191 187 and RGB 187 210 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 188 211 shade: RGB 192 188 211, RGB 210 187 202, RGB 206 210 187 and RGB 187 210 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 188 211 shade: RGB 192 188 211, RGB 210 187 194, RGB 206 210 187 and RGB 187 210 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

Complementary color

CMYK 6 / 0 / 34 / 74

HEX #3F432C

RGB 63 67 44

HSL 70.43, 0.21%, 0.22%

LAB 27.44, -6.22, 13.45

 

CMYK 4 / 9 / 0 / 19

HEX #C5BCCE

RGB 197 188 206

HSL 270, 0.16%, 0.77%

LAB 77.46, 6.5, -7.91

 

CMYK 5 / 8 / 0 / 12

HEX #D6CEE1

RGB 214 206 225

HSL 265.26, 0.24%, 0.85%

LAB 83.9, 6.25, -8.4

 

CMYK 5 / 8 / 0 / 4

HEX #E7E0F4

RGB 231 224 244

HSL 261, 0.48%, 0.92%

LAB 90.24, 6.01, -8.88

 

CMYK 3 / 5 / 0 / 0

HEX #F8F2FF

RGB 248 242 255

HSL 267.69, 1%, 0.97%

LAB 96.28, 4.31, -5.53

 

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

CMYK 9 / 11 / 0 / 25

HEX #AFAAC0

RGB 175 170 192

HSL 253.64, 0.15%, 0.71%

LAB 70.64, 6.07, -10.59

 

CMYK 9 / 12 / 0 / 32

HEX #9E98AD

RGB 158 152 173

HSL 257.14, 0.11%, 0.64%

LAB 63.95, 6.34, -10.15

 

CMYK 8 / 13 / 0 / 40

HEX #8D869A

RGB 141 134 154

HSL 261, 0.09%, 0.56%

LAB 57.12, 6.64, -9.71

 

CMYK 8 / 14 / 0 / 47

HEX #7C7487

RGB 124 116 135

HSL 265.26, 0.08%, 0.49%

LAB 50.13, 6.97, -9.27

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 6 / 11 / 0 / 18

HEX #C5BBD2

RGB 197 187 210

HSL 266.09, 0.2%, 0.78%

LAB 77.32, 7.82, -10.28

 

CMYK 3 / 11 / 0 / 18

HEX #CBBBD2

RGB 203 187 210

HSL 281.74, 0.2%, 0.78%

LAB 77.81, 9.84, -9.49

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 11 / 3 / 18

HEX #D2BBCC

RGB 210 187 204

HSL 315.65, 0.2%, 0.78%

LAB 78.23, 11.12, -5.56

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 11 / 11 / 0 / 18

HEX #BBBBD2

RGB 187 187 210

HSL 240, 0.2%, 0.78%

LAB 76.53, 4.5, -11.53

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 16 / 19 / 0 / 14

HEX #B9B2DB

RGB 185 178 219

HSL 250.24, 0.36%, 0.78%

LAB 74.36, 10.65, -19.71

 

CMYK 21 / 26 / 0 / 11

HEX #B3A8E4

RGB 179 168 228

HSL 251, 0.53%, 0.78%

LAB 71.68, 16.3, -28.75

 

CMYK 27 / 33 / 0 / 7

HEX #AD9FED

RGB 173 159 237

HSL 250.77, 0.68%, 0.78%

LAB 69.32, 21.69, -37.36

 

CMYK 32 / 39 / 0 / 4

HEX #A796F6

RGB 167 150 246

HSL 250.63, 0.84%, 0.78%

LAB 67.04, 27.33, -45.89

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 2 / 2 / 0 / 21

HEX #C5C4C9

RGB 197 196 201

HSL 252, 0.04%, 0.78%

LAB 79.37, 1.28, -2.38

 

CMYK 1 / 0 / 6 / 20

HEX #CBCDC0

RGB 203 205 192

HSL 69.23, 0.12%, 0.78%

LAB 81.93, -3, 6.22

 

CMYK 3 / 0 / 14 / 16

HEX #D0D6B7

RGB 208 214 183

HSL 71.61, 0.27%, 0.78%

LAB 84.44, -7.38, 14.63

 

CMYK 4 / 0 / 22 / 13

HEX #D6DFAE

RGB 214 223 174

HSL 71.02, 0.43%, 0.78%

LAB 87.06, -11.15, 23.05

 

CMYK 11 / 7 / 0 / 18

HEX #BBC3D2

RGB 187 195 210

HSL 219.13, 0.2%, 0.78%

LAB 78.61, 0.21, -8.44

 

CMYK 11 / 10 / 0 / 18

HEX #BBBDD2

RGB 187 189 210

HSL 234.78, 0.2%, 0.78%

LAB 77.05, 3.42, -10.76

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 6 / 11 / 0 / 18

HEX #C5BBD2

RGB 197 187 210

HSL 266.09, 0.2%, 0.78%

LAB 77.32, 7.82, -10.28

 

CMYK 3 / 11 / 0 / 18

HEX #CBBBD2

RGB 203 187 210

HSL 281.74, 0.2%, 0.78%

LAB 77.81, 9.84, -9.49

 

CMYK 19 / 23 / 0 / 30

HEX #9089B2

RGB 144 137 178

HSL 250.24, 0.21%, 0.62%

LAB 59.01, 11.29, -20.57

 

CMYK 14 / 16 / 0 / 24

HEX #A7A2C2

RGB 167 162 194

HSL 249.38, 0.21%, 0.7%

LAB 67.98, 8.25, -15.75

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 5 / 6 / 0 / 11

HEX #D6D4E2

RGB 214 212 226

HSL 248.57, 0.19%, 0.86%

LAB 85.44, 3.28, -6.65

 

CMYK 2 / 2 / 0 / 5

HEX #EEEDF3

RGB 238 237 243

HSL 250, 0.2%, 0.94%

LAB 93.98, 1.41, -2.79

 

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

CMYK 0 / 11 / 4 / 18

HEX #D2BBCA

RGB 210 187 202

HSL 320.87, 0.2%, 0.78%

LAB 78.17, 10.76, -4.56

 

CMYK 9 / 0 / 11 / 18

HEX #C0D2BB

RGB 192 210 187

HSL 106.96, 0.2%, 0.78%

LAB 82.32, -10.3, 9.34

 

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

CMYK 0 / 9 / 11 / 18

HEX #D2BFBB

RGB 210 191 187

HSL 10.43, 0.2%, 0.78%

LAB 78.78, 6.03, 4.44

 

CMYK 11 / 0 / 9 / 18

HEX #BBD2BF

RGB 187 210 191

HSL 130.43, 0.2%, 0.78%

LAB 82.07, -11.3, 6.8

 

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

CMYK 0 / 11 / 4 / 18

HEX #D2BBCA

RGB 210 187 202

HSL 320.87, 0.2%, 0.78%

LAB 78.17, 10.76, -4.56

 

CMYK 2 / 0 / 11 / 18

HEX #CED2BB

RGB 206 210 187

HSL 70.43, 0.2%, 0.78%

LAB 83.34, -5.38, 10.93

 

CMYK 11 / 0 / 7 / 18

HEX #BBD2C3

RGB 187 210 195

HSL 140.87, 0.2%, 0.78%

LAB 82.16, -10.56, 4.81

 

CMYK 9 / 11 / 0 / 17

HEX #C0BCD3

RGB 192 188 211

HSL 250.43, 0.21%, 0.78%

LAB 77.21, 5.82, -11.03

 

CMYK 0 / 11 / 8 / 18

HEX #D2BBC2

RGB 210 187 194

HSL 341.74, 0.2%, 0.78%

LAB 77.96, 9.35, -0.55

 

CMYK 2 / 0 / 11 / 18

HEX #CED2BB

RGB 206 210 187

HSL 70.43, 0.2%, 0.78%

LAB 83.34, -5.38, 10.93

 

CMYK 11 / 0 / 4 / 18

HEX #BBD2CA

RGB 187 210 202

HSL 159.13, 0.2%, 0.78%

LAB 82.34, -9.24, 1.33

 

Description

Color code: RGB 192 188 211 | qconv.com Color code: RGB 192 188 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 188 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 188 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 11 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 11% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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