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Color name
RGB 192 141 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 141 129 it is the complementary color RGB 63 114 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 141 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 141 129 shade: RGB 197 141 124, RGB 214 159 143, RGB 231 177 162, RGB 248 195 181 and RGB 255 213 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 141 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 141 129 shade: RGB 192 141 129, RGB 175 123 110, RGB 158 105 91, RGB 141 87 72 and RGB 124 69 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 141 129 shade: RGB 191 141 129 and RGB 191 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 141 129 shade: RGB 191 141 129, RGB 191 158 129, RGB 191 174 129, RGB 191 191 129 and RGB 175 191 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 141 129 shade matches the following richer shades: RGB 191 141 129, RGB 207 131 114, RGB 222 122 98, RGB 237 113 83 and RGB 252 103 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 141 129 shade: RGB 191 141 129, RGB 176 150 144, RGB 161 160 160, RGB 145 169 175 and RGB 130 179 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 141 129 shade: RGB 191 129 151, RGB 191 129 134, RGB 191 140 129, RGB 191 157 129 and RGB 191 174 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 141 129 shade: RGB 158 95 79, RGB 177 116 102, RGB 191 141 129, RGB 205 166 156 and RGB 219 191 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 141 129 shade: RGB 192 141 129, RGB 167 191 129 and RGB 129 143 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 141 129 shade: RGB 192 141 129, RGB 129 191 140 and RGB 140 129 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 141 129 shade: RGB 192 141 129, RGB 167 191 129, RGB 129 180 191 and RGB 153 129 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 141 129 shade: RGB 192 141 129, RGB 149 191 129, RGB 129 180 191 and RGB 172 129 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

Complementary color

CMYK 50 / 10 / 0 / 51

HEX #3F727E

RGB 63 114 126

HSL 191.43, 0.33%, 0.37%

LAB 45.08, -13.6, -11.93

 

CMYK 0 / 28 / 37 / 23

HEX #C58D7C

RGB 197 141 124

HSL 13.97, 0.39%, 0.63%

LAB 63.65, 19.07, 17.52

 

CMYK 0 / 26 / 33 / 16

HEX #D69F8F

RGB 214 159 143

HSL 13.52, 0.46%, 0.7%

LAB 70.23, 18.27, 16.34

 

CMYK 0 / 23 / 30 / 9

HEX #E7B1A2

RGB 231 177 162

HSL 13.04, 0.59%, 0.77%

LAB 76.7, 17.57, 15.26

 

CMYK 0 / 21 / 27 / 3

HEX #F8C3B5

RGB 248 195 181

HSL 12.54, 0.83%, 0.84%

LAB 83.08, 16.94, 14.27

 

CMYK 0 / 16 / 22 / 0

HEX #FFD5C8

RGB 255 213 200

HSL 14.18, 1%, 0.89%

LAB 88.46, 12.74, 11.9

 

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

CMYK 0 / 30 / 37 / 31

HEX #AF7B6E

RGB 175 123 110

HSL 12, 0.29%, 0.56%

LAB 56.49, 18.54, 15.2

 

CMYK 0 / 34 / 42 / 38

HEX #9E695B

RGB 158 105 91

HSL 12.54, 0.27%, 0.49%

LAB 49.65, 19.49, 16.54

 

CMYK 0 / 38 / 49 / 45

HEX #8D5748

RGB 141 87 72

HSL 13.04, 0.32%, 0.42%

LAB 42.68, 20.59, 18.08

 

CMYK 0 / 44 / 57 / 51

HEX #7C4535

RGB 124 69 53

HSL 13.52, 0.4%, 0.35%

LAB 35.59, 21.89, 19.9

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 32 / 32 / 25

HEX #BF8181

RGB 191 129 129

HSL 0, 0.33%, 0.63%

LAB 60.21, 23.97, 9.78

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 17 / 32 / 25

HEX #BF9E81

RGB 191 158 129

HSL 28.06, 0.33%, 0.63%

LAB 67.36, 7.97, 19.73

 

CMYK 0 / 9 / 32 / 25

HEX #BFAE81

RGB 191 174 129

HSL 43.55, 0.33%, 0.63%

LAB 71.51, -0.69, 25.36

 

CMYK 0 / 0 / 32 / 25

HEX #BFBF81

RGB 191 191 129

HSL 60, 0.33%, 0.63%

LAB 76.02, -9.63, 31.35

 

CMYK 8 / 0 / 32 / 25

HEX #AFBF81

RGB 175 191 129

HSL 75.48, 0.33%, 0.63%

LAB 74.8, -15.84, 29.51

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 37 / 45 / 19

HEX #CF8372

RGB 207 131 114

HSL 10.97, 0.49%, 0.63%

LAB 62.26, 27.36, 21.43

 

CMYK 0 / 45 / 56 / 13

HEX #DE7A62

RGB 222 122 98

HSL 11.61, 0.65%, 0.63%

LAB 61.94, 36.52, 30.31

 

CMYK 0 / 52 / 65 / 7

HEX #ED7153

RGB 237 113 83

HSL 11.69, 0.81%, 0.63%

LAB 62.03, 45.68, 39.12

 

CMYK 0 / 59 / 73 / 1

HEX #FC6744

RGB 252 103 68

HSL 11.41, 0.97%, 0.63%

LAB 62.35, 54.96, 48

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 15 / 18 / 31

HEX #B09690

RGB 176 150 144

HSL 11.25, 0.17%, 0.63%

LAB 64.21, 8.68, 6.74

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 17 / 3 / 0 / 31

HEX #91A9AF

RGB 145 169 175

HSL 192, 0.16%, 0.63%

LAB 67.64, -6.98, -5.88

 

CMYK 32 / 6 / 0 / 25

HEX #82B3BE

RGB 130 179 190

HSL 191, 0.32%, 0.63%

LAB 69.97, -13.47, -10.82

 

CMYK 0 / 32 / 21 / 25

HEX #BF8197

RGB 191 129 151

HSL 338.71, 0.33%, 0.63%

LAB 60.79, 27.12, -1.99

 

CMYK 0 / 32 / 30 / 25

HEX #BF8186

RGB 191 129 134

HSL 355.16, 0.33%, 0.63%

LAB 60.34, 24.64, 7.09

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 18 / 32 / 25

HEX #BF9D81

RGB 191 157 129

HSL 27.1, 0.33%, 0.63%

LAB 67.11, 8.51, 19.38

 

CMYK 0 / 9 / 32 / 25

HEX #BFAE81

RGB 191 174 129

HSL 43.55, 0.33%, 0.63%

LAB 71.51, -0.69, 25.36

 

CMYK 0 / 40 / 50 / 38

HEX #9E5F4F

RGB 158 95 79

HSL 12.15, 0.33%, 0.46%

LAB 47, 23.88, 20.05

 

CMYK 0 / 34 / 42 / 31

HEX #B17466

RGB 177 116 102

HSL 11.2, 0.32%, 0.55%

LAB 54.86, 22.33, 17.62

 

CMYK 0 / 26 / 32 / 25

HEX #BF8D81

RGB 191 141 129

HSL 11.61, 0.33%, 0.63%

LAB 63.1, 17.33, 13.84

 

CMYK 0 / 19 / 24 / 20

HEX #CDA69C

RGB 205 166 156

HSL 12.24, 0.33%, 0.71%

LAB 71.32, 12.79, 10.58

 

CMYK 0 / 13 / 16 / 14

HEX #DBBFB8

RGB 219 191 184

HSL 12, 0.33%, 0.79%

LAB 79.49, 8.81, 7.18

 

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF81

RGB 167 191 129

HSL 83.23, 0.33%, 0.63%

LAB 74.23, -18.87, 28.65

 

CMYK 32 / 25 / 0 / 25

HEX #818FBF

RGB 129 143 191

HSL 226.45, 0.33%, 0.63%

LAB 59.96, 6.4, -26.59

 

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

CMYK 32 / 0 / 27 / 25

HEX #81BF8C

RGB 129 191 140

HSL 130.65, 0.33%, 0.63%

LAB 72.11, -30.44, 19.55

 

CMYK 27 / 32 / 0 / 25

HEX #8C81BF

RGB 140 129 191

HSL 250.65, 0.33%, 0.63%

LAB 57.11, 17.83, -30.92

 

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF81

RGB 167 191 129

HSL 83.23, 0.33%, 0.63%

LAB 74.23, -18.87, 28.65

 

CMYK 32 / 6 / 0 / 25

HEX #81B4BF

RGB 129 180 191

HSL 190.65, 0.33%, 0.63%

LAB 70.23, -14.04, -10.99

 

CMYK 20 / 32 / 0 / 25

HEX #9981BF

RGB 153 129 191

HSL 263.23, 0.33%, 0.63%

LAB 58.26, 21.82, -29.05

 

CMYK 0 / 27 / 33 / 25

HEX #C08D81

RGB 192 141 129

HSL 11.43, 0.33%, 0.63%

LAB 63.21, 17.72, 14.01

 

CMYK 22 / 0 / 32 / 25

HEX #95BF81

RGB 149 191 129

HSL 100.65, 0.33%, 0.63%

LAB 73.05, -25.48, 26.87

 

CMYK 32 / 6 / 0 / 25

HEX #81B4BF

RGB 129 180 191

HSL 190.65, 0.33%, 0.63%

LAB 70.23, -14.04, -10.99

 

CMYK 10 / 32 / 0 / 25

HEX #AC81BF

RGB 172 129 191

HSL 281.61, 0.33%, 0.63%

LAB 60.1, 27.85, -26.06

 

Description

Color code: RGB 192 141 129 | qconv.com Color code: RGB 192 141 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 141 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 141 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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