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Color name
RGB 192 111 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 111 93 it is the complementary color RGB 63 144 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 111 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 111 93 shade: RGB 197 111 88, RGB 214 129 107, RGB 231 147 126, RGB 248 165 145 and RGB 255 183 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 111 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 175 93 74, RGB 158 75 55, RGB 141 57 36 and RGB 124 39 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 111 93 shade: RGB 192 111 93 and RGB 192 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 192 138 93, RGB 192 164 93, RGB 192 191 93 and RGB 166 192 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 111 93 shade matches the following richer shades: RGB 192 111 93, RGB 210 99 75, RGB 228 88 57 and RGB 246 76 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 174 122 111, RGB 155 134 129, RGB 137 146 147 and RGB 119 157 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 111 93 shade: RGB 192 93 129, RGB 192 93 103, RGB 192 109 93, RGB 192 136 93 and RGB 192 162 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 111 93 shade: RGB 146 73 56, RGB 175 87 68, RGB 192 111 93, RGB 203 137 123 and RGB 215 164 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 155 192 93 and RGB 93 116 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 93 192 109 and RGB 109 93 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 155 192 93, RGB 93 175 192 and RGB 129 93 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 111 93 shade: RGB 192 111 93, RGB 126 192 93, RGB 93 175 192 and RGB 159 93 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

Complementary color

CMYK 61 / 11 / 0 / 36

HEX #3F90A2

RGB 63 144 162

HSL 190.91, 0.44%, 0.44%

LAB 55.7, -19.04, -16.9

 

CMYK 0 / 44 / 55 / 23

HEX #C56F58

RGB 197 111 88

HSL 12.66, 0.48%, 0.56%

LAB 56.03, 31.73, 27.65

 

CMYK 0 / 40 / 50 / 16

HEX #D6816B

RGB 214 129 107

HSL 12.34, 0.57%, 0.63%

LAB 62.56, 30.5, 25.9

 

CMYK 0 / 36 / 45 / 9

HEX #E7937E

RGB 231 147 126

HSL 12, 0.69%, 0.7%

LAB 69.01, 29.38, 24.35

 

CMYK 0 / 33 / 42 / 3

HEX #F8A591

RGB 248 165 145

HSL 11.65, 0.88%, 0.77%

LAB 75.4, 28.38, 22.95

 

CMYK 0 / 28 / 36 / 0

HEX #FFB7A4

RGB 255 183 164

HSL 12.53, 1%, 0.82%

LAB 80.63, 23.72, 20.03

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 47 / 58 / 31

HEX #AF5D4A

RGB 175 93 74

HSL 11.29, 0.41%, 0.49%

LAB 48.81, 31.47, 25.79

 

CMYK 0 / 53 / 65 / 38

HEX #9E4B37

RGB 158 75 55

HSL 11.65, 0.48%, 0.42%

LAB 42.12, 32.88, 27.97

 

CMYK 0 / 60 / 74 / 45

HEX #8D3924

RGB 141 57 36

HSL 12, 0.59%, 0.35%

LAB 35.43, 34.37, 30.51

 

CMYK 0 / 69 / 86 / 51

HEX #7C2711

RGB 124 39 17

HSL 12.34, 0.76%, 0.28%

LAB 28.84, 35.78, 33.26

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 52 / 52 / 25

HEX #C05D5D

RGB 192 93 93

HSL 0, 0.44%, 0.56%

LAB 51.64, 39.67, 18.83

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 28 / 52 / 25

HEX #C08A5D

RGB 192 138 93

HSL 27.27, 0.44%, 0.56%

LAB 61.8, 15.36, 32.13

 

CMYK 0 / 15 / 52 / 25

HEX #C0A45D

RGB 192 164 93

HSL 43.03, 0.44%, 0.56%

LAB 68.42, 1.16, 40.35

 

CMYK 0 / 1 / 52 / 25

HEX #C0BF5D

RGB 192 191 93

HSL 59.39, 0.44%, 0.56%

LAB 75.61, -13, 48.94

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 53 / 64 / 18

HEX #D2634B

RGB 210 99 75

HSL 10.67, 0.6%, 0.56%

LAB 55.21, 42.02, 34.32

 

CMYK 0 / 61 / 75 / 11

HEX #E45839

RGB 228 88 57

HSL 10.88, 0.76%, 0.56%

LAB 55.86, 52.79, 45.53

 

CMYK 0 / 69 / 85 / 4

HEX #F64C26

RGB 246 76 38

HSL 10.96, 0.92%, 0.56%

LAB 56.98, 63.04, 56.77

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 30 / 36 / 32

HEX #AE7A6F

RGB 174 122 111

HSL 10.48, 0.28%, 0.56%

LAB 56.15, 18.83, 14.14

 

CMYK 0 / 14 / 17 / 39

HEX #9B8681

RGB 155 134 129

HSL 11.54, 0.12%, 0.56%

LAB 57.66, 7.1, 5.62

 

CMYK 7 / 1 / 0 / 42

HEX #899293

RGB 137 146 147

HSL 186, 0.04%, 0.56%

LAB 59.87, -3.04, -1.66

 

CMYK 28 / 5 / 0 / 35

HEX #779DA6

RGB 119 157 166

HSL 191.49, 0.21%, 0.56%

LAB 62.33, -10.79, -8.93

 

CMYK 0 / 52 / 33 / 25

HEX #C05D81

RGB 192 93 129

HSL 338.18, 0.44%, 0.56%

LAB 52.53, 43.58, -1.28

 

CMYK 0 / 52 / 46 / 25

HEX #C05D67

RGB 192 93 103

HSL 353.94, 0.44%, 0.56%

LAB 51.85, 40.62, 13.21

 

CMYK 0 / 43 / 52 / 25

HEX #C06D5D

RGB 192 109 93

HSL 9.7, 0.44%, 0.56%

LAB 55, 31.26, 23.33

 

CMYK 0 / 29 / 52 / 25

HEX #C0885D

RGB 192 136 93

HSL 26.06, 0.44%, 0.56%

LAB 61.31, 16.46, 31.5

 

CMYK 0 / 16 / 52 / 25

HEX #C0A25D

RGB 192 162 93

HSL 41.82, 0.44%, 0.56%

LAB 67.9, 2.24, 39.72

 

CMYK 0 / 50 / 62 / 43

HEX #924938

RGB 146 73 56

HSL 11.33, 0.45%, 0.4%

LAB 39.85, 29.16, 24.16

 

CMYK 0 / 50 / 61 / 31

HEX #AF5744

RGB 175 87 68

HSL 10.65, 0.44%, 0.48%

LAB 47.43, 34.21, 27.53

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 33 / 39 / 20

HEX #CB897B

RGB 203 137 123

HSL 10.5, 0.43%, 0.64%

LAB 63.36, 23.51, 17.78

 

CMYK 0 / 24 / 29 / 16

HEX #D7A498

RGB 215 164 152

HSL 11.43, 0.44%, 0.72%

LAB 71.73, 17.13, 13.51

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 19 / 0 / 52 / 25

HEX #9BC05D

RGB 155 192 93

HSL 82.42, 0.44%, 0.56%

LAB 73.19, -28.33, 45.41

 

CMYK 52 / 40 / 0 / 25

HEX #5D74C0

RGB 93 116 192

HSL 226.06, 0.44%, 0.56%

LAB 50.24, 13.21, -42.51

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 52 / 0 / 43 / 25

HEX #5DC06D

RGB 93 192 109

HSL 129.7, 0.44%, 0.56%

LAB 70.27, -46.75, 33.13

 

CMYK 43 / 52 / 0 / 25

HEX #6D5DC0

RGB 109 93 192

HSL 249.7, 0.44%, 0.56%

LAB 45.48, 31.09, -50.04

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 19 / 0 / 52 / 25

HEX #9BC05D

RGB 155 192 93

HSL 82.42, 0.44%, 0.56%

LAB 73.19, -28.33, 45.41

 

CMYK 52 / 9 / 0 / 25

HEX #5DAFC0

RGB 93 175 192

HSL 190.3, 0.44%, 0.56%

LAB 67.12, -20.29, -16.38

 

CMYK 33 / 52 / 0 / 25

HEX #815DC0

RGB 129 93 192

HSL 261.82, 0.44%, 0.56%

LAB 47.37, 36.08, -46.91

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 34 / 0 / 52 / 25

HEX #7EC05D

RGB 126 192 93

HSL 100, 0.44%, 0.56%

LAB 71.5, -38.91, 42.98

 

CMYK 52 / 9 / 0 / 25

HEX #5DAFC0

RGB 93 175 192

HSL 190.3, 0.44%, 0.56%

LAB 67.12, -20.29, -16.38

 

CMYK 17 / 52 / 0 / 25

HEX #9F5DC0

RGB 159 93 192

HSL 280, 0.44%, 0.56%

LAB 50.69, 44.14, -41.42

 

Description

Color code: RGB 192 111 93 | qconv.com Color code: RGB 192 111 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 111 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 111 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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