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Color name
RGB 191 93 177

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 93 177 it is the complementary color RGB 64 162 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 93 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 93 177 shade: RGB 196 93 172, RGB 213 111 191, RGB 230 129 210, RGB 247 147 229 and RGB 255 165 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 93 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 93 177 shade: RGB 191 93 177, RGB 174 75 158, RGB 157 57 139, RGB 140 39 120 and RGB 123 21 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 93 177 shade: RGB 191 94 177, RGB 191 94 151, RGB 191 94 125, RGB 191 94 99 and RGB 191 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 93 177 shade: RGB 191 94 177, RGB 178 94 191, RGB 152 94 191, RGB 126 94 191 and RGB 100 94 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 93 177 shade matches the following richer shades: RGB 191 94 177, RGB 209 76 190, RGB 227 58 203 and RGB 245 40 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 93 177 shade: RGB 191 94 177, RGB 172 112 164, RGB 154 130 151, RGB 136 149 138 and RGB 118 167 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 93 177 shade: RGB 152 94 191, RGB 178 94 191, RGB 191 94 178, RGB 191 94 152 and RGB 191 94 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 93 177 shade: RGB 145 57 132, RGB 174 69 159, RGB 191 94 177, RGB 202 124 191 and RGB 214 153 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 93 177 shade: RGB 191 93 177, RGB 191 126 94 and RGB 94 191 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 93 177 shade: RGB 191 93 177, RGB 178 191 94 and RGB 94 178 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 93 177 shade: RGB 191 93 177, RGB 191 126 94, RGB 94 191 107 and RGB 94 158 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 93 177 shade: RGB 191 93 177, RGB 191 155 94, RGB 94 191 107 and RGB 94 129 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

Complementary color

CMYK 60 / 0 / 52 / 36

HEX #40A24E

RGB 64 162 78

HSL 128.57, 0.43%, 0.44%

LAB 59.42, -46.66, 35.09

 

CMYK 0 / 53 / 12 / 23

HEX #C45DAC

RGB 196 93 172

HSL 313.98, 0.47%, 0.57%

LAB 54.6, 51.07, -23.38

 

CMYK 0 / 48 / 10 / 16

HEX #D56FBF

RGB 213 111 191

HSL 312.94, 0.55%, 0.64%

LAB 61.02, 50.43, -24.23

 

CMYK 0 / 44 / 9 / 10

HEX #E681D2

RGB 230 129 210

HSL 311.88, 0.67%, 0.7%

LAB 67.41, 49.72, -24.94

 

CMYK 0 / 40 / 7 / 3

HEX #F793E5

RGB 247 147 229

HSL 310.8, 0.86%, 0.77%

LAB 73.74, 48.99, -25.56

 

CMYK 0 / 35 / 3 / 0

HEX #FFA5F8

RGB 255 165 248

HSL 304.67, 1%, 0.82%

LAB 79.01, 45.5, -27.72

 

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

CMYK 0 / 57 / 9 / 32

HEX #AE4B9E

RGB 174 75 158

HSL 309.7, 0.4%, 0.49%

LAB 47.62, 50.93, -26.2

 

CMYK 0 / 64 / 11 / 38

HEX #9D398B

RGB 157 57 139

HSL 310.8, 0.47%, 0.42%

LAB 41.15, 51.2, -25.03

 

CMYK 0 / 72 / 14 / 45

HEX #8C2778

RGB 140 39 120

HSL 311.88, 0.56%, 0.35%

LAB 34.77, 50.96, -23.44

 

CMYK 0 / 83 / 18 / 52

HEX #7B1565

RGB 123 21 101

HSL 312.94, 0.71%, 0.28%

LAB 28.61, 49.79, -21.17

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB1

RGB 191 94 177

HSL 308.66, 0.43%, 0.56%

LAB 54.3, 49.91, -26.81

 

CMYK 0 / 51 / 21 / 25

HEX #BF5E97

RGB 191 94 151

HSL 324.74, 0.43%, 0.56%

LAB 53.29, 45.77, -13.16

 

CMYK 0 / 51 / 35 / 25

HEX #BF5E7D

RGB 191 94 125

HSL 340.82, 0.43%, 0.56%

LAB 52.47, 42.22, 0.99

 

CMYK 0 / 51 / 48 / 25

HEX #BF5E63

RGB 191 94 99

HSL 356.91, 0.43%, 0.56%

LAB 51.82, 39.35, 15.5

 

CMYK 0 / 51 / 51 / 25

HEX #BF5E5E

RGB 191 94 94

HSL 0, 0.43%, 0.56%

LAB 51.71, 38.87, 18.32

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB1

RGB 191 94 177

HSL 308.66, 0.43%, 0.56%

LAB 54.3, 49.91, -26.81

 

CMYK 7 / 51 / 0 / 25

HEX #B25EBF

RGB 178 94 191

HSL 291.96, 0.43%, 0.56%

LAB 53.2, 48.7, -36.73

 

CMYK 20 / 51 / 0 / 25

HEX #985EBF

RGB 152 94 191

HSL 275.88, 0.43%, 0.56%

LAB 50.03, 41.44, -41.95

 

CMYK 34 / 51 / 0 / 25

HEX #7E5EBF

RGB 126 94 191

HSL 259.79, 0.43%, 0.56%

LAB 47.24, 34.46, -46.55

 

CMYK 48 / 51 / 0 / 25

HEX #645EBF

RGB 100 94 191

HSL 243.71, 0.43%, 0.56%

LAB 44.91, 28.07, -50.41

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB1

RGB 191 94 177

HSL 308.66, 0.43%, 0.56%

LAB 54.3, 49.91, -26.81

 

CMYK 0 / 64 / 9 / 18

HEX #D14CBE

RGB 209 76 190

HSL 308.57, 0.59%, 0.56%

LAB 54.49, 65.05, -33.82

 

CMYK 0 / 74 / 11 / 11

HEX #E33ACB

RGB 227 58 203

HSL 308.52, 0.75%, 0.56%

LAB 55.75, 77.42, -39.11

 

CMYK 0 / 84 / 12 / 4

HEX #F528D8

RGB 245 40 216

HSL 308.49, 0.91%, 0.56%

LAB 57.93, 87.13, -42.89

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB1

RGB 191 94 177

HSL 308.66, 0.43%, 0.56%

LAB 54.3, 49.91, -26.81

 

CMYK 0 / 35 / 5 / 33

HEX #AC70A4

RGB 172 112 164

HSL 308, 0.27%, 0.56%

LAB 55.11, 32.04, -18.22

 

CMYK 0 / 16 / 2 / 40

HEX #9A8297

RGB 154 130 151

HSL 307.5, 0.11%, 0.56%

LAB 57.14, 12.98, -7.82

 

CMYK 9 / 0 / 7 / 42

HEX #88958A

RGB 136 149 138

HSL 129.23, 0.06%, 0.56%

LAB 60.39, -6.86, 4.21

 

CMYK 29 / 0 / 25 / 35

HEX #76A77D

RGB 118 167 125

HSL 128.57, 0.22%, 0.56%

LAB 64.14, -25.09, 16.6

 

CMYK 20 / 51 / 0 / 25

HEX #985EBF

RGB 152 94 191

HSL 275.88, 0.43%, 0.56%

LAB 50.03, 41.44, -41.95

 

CMYK 7 / 51 / 0 / 25

HEX #B25EBF

RGB 178 94 191

HSL 291.96, 0.43%, 0.56%

LAB 53.2, 48.7, -36.73

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB2

RGB 191 94 178

HSL 308.04, 0.43%, 0.56%

LAB 54.34, 50.08, -27.32

 

CMYK 0 / 51 / 20 / 25

HEX #BF5E98

RGB 191 94 152

HSL 324.12, 0.43%, 0.56%

LAB 53.33, 45.92, -13.69

 

CMYK 0 / 51 / 34 / 25

HEX #BF5E7E

RGB 191 94 126

HSL 340.21, 0.43%, 0.56%

LAB 52.5, 42.35, 0.43

 

CMYK 0 / 61 / 9 / 43

HEX #913984

RGB 145 57 132

HSL 308.86, 0.44%, 0.4%

LAB 38.92, 46.67, -24.36

 

CMYK 0 / 60 / 9 / 32

HEX #AE459F

RGB 174 69 159

HSL 308.57, 0.43%, 0.48%

LAB 46.66, 53.85, -28.3

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB1

RGB 191 94 177

HSL 308.66, 0.43%, 0.56%

LAB 54.3, 49.91, -26.81

 

CMYK 0 / 39 / 5 / 21

HEX #CA7CBF

RGB 202 124 191

HSL 308.46, 0.42%, 0.64%

LAB 62.28, 40.27, -22.42

 

CMYK 0 / 29 / 4 / 16

HEX #D699CD

RGB 214 153 205

HSL 308.85, 0.43%, 0.72%

LAB 70.52, 31.1, -17.6

 

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

CMYK 0 / 34 / 51 / 25

HEX #BF7E5E

RGB 191 126 94

HSL 19.79, 0.43%, 0.56%

LAB 58.79, 21.66, 27.7

 

CMYK 51 / 0 / 14 / 25

HEX #5EBFA5

RGB 94 191 165

HSL 163.92, 0.43%, 0.56%

LAB 71.12, -34.93, 4.39

 

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

CMYK 7 / 0 / 51 / 25

HEX #B2BF5E

RGB 178 191 94

HSL 68.04, 0.43%, 0.56%

LAB 74.53, -18.64, 46.92

 

CMYK 51 / 7 / 0 / 25

HEX #5EB2BF

RGB 94 178 191

HSL 188.04, 0.43%, 0.56%

LAB 68.01, -21.89, -14.48

 

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

CMYK 0 / 34 / 51 / 25

HEX #BF7E5E

RGB 191 126 94

HSL 19.79, 0.43%, 0.56%

LAB 58.79, 21.66, 27.7

 

CMYK 51 / 0 / 44 / 25

HEX #5EBF6B

RGB 94 191 107

HSL 128.04, 0.43%, 0.56%

LAB 69.97, -46.39, 33.77

 

CMYK 51 / 17 / 0 / 25

HEX #5E9EBF

RGB 94 158 191

HSL 200.41, 0.43%, 0.56%

LAB 62.16, -11.32, -23.36

 

CMYK 0 / 51 / 7 / 25

HEX #BF5DB1

RGB 191 93 177

HSL 308.57, 0.43%, 0.56%

LAB 54.11, 50.41, -27.09

 

CMYK 0 / 19 / 51 / 25

HEX #BF9B5E

RGB 191 155 94

HSL 37.73, 0.43%, 0.56%

LAB 66, 5.7, 36.84

 

CMYK 51 / 0 / 44 / 25

HEX #5EBF6B

RGB 94 191 107

HSL 128.04, 0.43%, 0.56%

LAB 69.97, -46.39, 33.77

 

CMYK 51 / 32 / 0 / 25

HEX #5E81BF

RGB 94 129 191

HSL 218.35, 0.43%, 0.56%

LAB 53.86, 5.28, -36.24

 

Description

Color code: RGB 191 93 177 | qconv.com Color code: RGB 191 93 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 93 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 93 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 7 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 7% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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