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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 76 255 it is the complementary color RGB 64 179 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 76 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 76 255 shade: RGB 196 76 250, RGB 213 94 255, RGB 230 112 255, RGB 247 130 255 and RGB 255 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 76 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 174 58 236, RGB 157 40 217, RGB 140 22 198 and RGB 123 4 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 239 76 255, RGB 255 76 222, RGB 255 76 174 and RGB 255 76 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 143 76 255, RGB 94 76 255 and RGB 76 76 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 76 255 shade matches the following richer shades: RGB 191 76 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 187 90 240, RGB 182 105 226, RGB 178 119 211 and RGB 174 134 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 76 255 shade: RGB 94 76 255, RGB 141 76 255, RGB 189 76 255, RGB 237 76 255 and RGB 255 76 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 76 255 shade: RGB 159 0 248, RGB 176 35 255, RGB 191 76 255, RGB 205 117 255 and RGB 220 159 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 255 76 106 and RGB 76 255 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 255 189 76 and RGB 76 255 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 255 76 106, RGB 141 255 76 and RGB 76 255 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 76 255 shade: RGB 191 76 255, RGB 255 100 76, RGB 141 255 76 and RGB 76 231 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

Complementary color

CMYK 64 / 0 / 100 / 30

HEX #40B300

RGB 64 179 0

HSL 98.55, 1%, 0.35%

LAB 64.43, -58.3, 64.86

 

CMYK 22 / 70 / 0 / 2

HEX #C44CFA

RGB 196 76 250

HSL 281.38, 0.95%, 0.64%

LAB 55.89, 72.77, -65.66

 

CMYK 16 / 63 / 0 / 0

HEX #D55EFF

RGB 213 94 255

HSL 284.35, 1%, 0.68%

LAB 61.11, 69.9, -59.94

 

CMYK 10 / 56 / 0 / 0

HEX #E670FF

RGB 230 112 255

HSL 289.51, 1%, 0.72%

LAB 66.24, 65.88, -51.65

 

CMYK 3 / 49 / 0 / 0

HEX #F782FF

RGB 247 130 255

HSL 296.16, 1%, 0.75%

LAB 71.53, 61.86, -43.18

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 26 / 75 / 0 / 7

HEX #AE3AEC

RGB 174 58 236

HSL 279.1, 0.82%, 0.58%

LAB 49.59, 72.58, -68.16

 

CMYK 28 / 82 / 0 / 15

HEX #9D28D9

RGB 157 40 217

HSL 279.66, 0.7%, 0.5%

LAB 43.79, 71.72, -66.9

 

CMYK 29 / 89 / 0 / 22

HEX #8C16C6

RGB 140 22 198

HSL 280.23, 0.8%, 0.43%

LAB 38.25, 69.86, -65.05

 

CMYK 31 / 98 / 0 / 30

HEX #7B04B3

RGB 123 4 179

HSL 280.8, 0.96%, 0.36%

LAB 33.03, 66.72, -62.47

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 6 / 70 / 0 / 0

HEX #EF4CFF

RGB 239 76 255

HSL 294.64, 1%, 0.65%

LAB 62.29, 82.3, -57.85

 

CMYK 0 / 70 / 13 / 0

HEX #FF4CDE

RGB 255 76 222

HSL 311.06, 1%, 0.65%

LAB 63.1, 80.74, -38.05

 

CMYK 0 / 70 / 32 / 0

HEX #FF4CAE

RGB 255 76 174

HSL 327.15, 1%, 0.65%

LAB 61.21, 74.74, -13.65

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7E

RGB 255 76 126

HSL 343.24, 1%, 0.65%

LAB 59.83, 70.18, 12.29

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 44 / 70 / 0 / 0

HEX #8F4CFF

RGB 143 76 255

HSL 262.46, 1%, 0.65%

LAB 49.77, 64.2, -78.67

 

CMYK 63 / 70 / 0 / 0

HEX #5E4CFF

RGB 94 76 255

HSL 246.03, 1%, 0.65%

LAB 45.32, 57.13, -86.15

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 22 / 63 / 0 / 6

HEX #BB5AF0

RGB 187 90 240

HSL 278.8, 0.83%, 0.65%

LAB 56.26, 62.86, -59.58

 

CMYK 19 / 54 / 0 / 11

HEX #B669E2

RGB 182 105 226

HSL 278.18, 0.68%, 0.65%

LAB 57.6, 51.34, -49.64

 

CMYK 16 / 44 / 0 / 17

HEX #B277D3

RGB 178 119 211

HSL 278.48, 0.51%, 0.65%

LAB 59.31, 39.54, -38.54

 

CMYK 12 / 32 / 0 / 23

HEX #AE86C5

RGB 174 134 197

HSL 278.1, 0.35%, 0.65%

LAB 61.72, 26.95, -26.93

 

CMYK 63 / 70 / 0 / 0

HEX #5E4CFF

RGB 94 76 255

HSL 246.03, 1%, 0.65%

LAB 45.32, 57.13, -86.15

 

CMYK 45 / 70 / 0 / 0

HEX #8D4CFF

RGB 141 76 255

HSL 261.79, 1%, 0.65%

LAB 49.56, 63.87, -79.03

 

CMYK 26 / 70 / 0 / 0

HEX #BD4CFF

RGB 189 76 255

HSL 277.88, 1%, 0.65%

LAB 55.29, 72.42, -69.47

 

CMYK 7 / 70 / 0 / 0

HEX #ED4CFF

RGB 237 76 255

HSL 293.97, 1%, 0.65%

LAB 61.99, 81.89, -58.33

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE1

RGB 255 76 225

HSL 310.06, 1%, 0.65%

LAB 63.23, 81.15, -39.52

 

CMYK 36 / 100 / 0 / 3

HEX #9F00F8

RGB 159 0 248

HSL 278.47, 1%, 0.49%

LAB 44.44, 84.53, -83.41

 

CMYK 31 / 86 / 0 / 0

HEX #B023FF

RGB 176 35 255

HSL 278.45, 1%, 0.57%

LAB 49.07, 83.13, -79.65

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 20 / 54 / 0 / 0

HEX #CD75FF

RGB 205 117 255

HSL 278.26, 1%, 0.73%

LAB 64.1, 57.27, -55.23

 

CMYK 14 / 38 / 0 / 0

HEX #DC9FFF

RGB 220 159 255

HSL 278.13, 1%, 0.81%

LAB 74.34, 39.44, -39.02

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 0 / 70 / 58 / 0

HEX #FF4C6A

RGB 255 76 106

HSL 349.94, 1%, 0.65%

LAB 59.41, 68.74, 23.4

 

CMYK 70 / 0 / 54 / 0

HEX #4CFF76

RGB 76 255 118

HSL 134.08, 1%, 0.65%

LAB 89.09, -72.12, 52.11

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

CMYK 70 / 0 / 26 / 0

HEX #4CFFBD

RGB 76 255 189

HSL 157.88, 1%, 0.65%

LAB 90.2, -59.78, 18.74

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 0 / 70 / 58 / 0

HEX #FF4C6A

RGB 255 76 106

HSL 349.94, 1%, 0.65%

LAB 59.41, 68.74, 23.4

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4C

RGB 141 255 76

HSL 98.21, 1%, 0.65%

LAB 90.64, -61.37, 71.52

 

CMYK 70 / 0 / 12 / 0

HEX #4CFFE1

RGB 76 255 225

HSL 169.94, 1%, 0.65%

LAB 91, -51.42, 1.33

 

CMYK 25 / 70 / 0 / 0

HEX #BF4CFF

RGB 191 76 255

HSL 278.55, 1%, 0.65%

LAB 55.55, 72.8, -69.03

 

CMYK 0 / 61 / 70 / 0

HEX #FF644C

RGB 255 100 76

HSL 8.04, 1%, 0.65%

LAB 62.42, 57.66, 44.02

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4C

RGB 141 255 76

HSL 98.21, 1%, 0.65%

LAB 90.64, -61.37, 71.52

 

CMYK 70 / 9 / 0 / 0

HEX #4CE7FF

RGB 76 231 255

HSL 188.04, 1%, 0.65%

LAB 84.95, -32.56, -23.36

 

Description

Color code: RGB 191 76 255 | qconv.com Color code: RGB 191 76 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 76 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 76 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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