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Color name
RGB 191 75 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 75 151 it is the complementary color RGB 64 180 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 75 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 75 151 shade: RGB 196 75 146, RGB 213 93 165, RGB 230 111 184, RGB 247 129 203 and RGB 255 147 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 75 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 75 151 shade: RGB 191 75 151, RGB 174 57 132, RGB 157 39 113, RGB 140 21 94 and RGB 123 3 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 75 151 shade: RGB 191 73 150, RGB 191 73 119, RGB 191 73 87 and RGB 191 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 75 151 shade: RGB 191 73 150, RGB 191 73 182, RGB 168 73 191, RGB 136 73 191 and RGB 105 73 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 75 151 shade matches the following richer shades: RGB 191 73 150, RGB 211 54 156, RGB 230 34 163 and RGB 250 14 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 75 151 shade: RGB 191 73 150, RGB 171 93 144, RGB 151 113 138, RGB 131 133 132 and RGB 112 153 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 75 151 shade: RGB 167 73 191, RGB 191 73 183, RGB 191 73 152, RGB 191 73 120 and RGB 191 73 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 75 151 shade: RGB 135 47 104, RGB 165 58 128, RGB 191 73 150, RGB 202 104 168 and RGB 212 134 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 75 151 shade: RGB 191 75 151, RGB 191 136 73 and RGB 73 191 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 75 151 shade: RGB 191 75 151, RGB 152 191 73 and RGB 73 152 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 75 151 shade: RGB 191 75 151, RGB 191 136 73, RGB 73 191 113 and RGB 73 128 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 75 151 shade: RGB 191 75 151, RGB 191 171 73, RGB 73 191 113 and RGB 73 93 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

Complementary color

CMYK 64 / 0 / 42 / 29

HEX #40B468

RGB 64 180 104

HSL 140.69, 0.48%, 0.48%

LAB 65.54, -49.51, 29.42

 

CMYK 0 / 62 / 26 / 23

HEX #C44B92

RGB 196 75 146

HSL 324.79, 0.51%, 0.53%

LAB 50.5, 55.55, -14.35

 

CMYK 0 / 56 / 23 / 16

HEX #D55DA5

RGB 213 93 165

HSL 324, 0.59%, 0.6%

LAB 56.77, 55.14, -15.77

 

CMYK 0 / 52 / 20 / 10

HEX #E66FB8

RGB 230 111 184

HSL 323.19, 0.7%, 0.67%

LAB 63.05, 54.55, -16.94

 

CMYK 0 / 48 / 18 / 3

HEX #F781CB

RGB 247 129 203

HSL 322.37, 0.88%, 0.74%

LAB 69.32, 53.87, -17.93

 

CMYK 0 / 42 / 13 / 0

HEX #FF93DE

RGB 255 147 222

HSL 318.33, 1%, 0.79%

LAB 74.45, 50.34, -20.56

 

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

CMYK 0 / 67 / 24 / 32

HEX #AE3984

RGB 174 57 132

HSL 321.54, 0.51%, 0.45%

LAB 43.64, 54.88, -16.69

 

CMYK 0 / 75 / 28 / 38

HEX #9D2771

RGB 157 39 113

HSL 322.37, 0.6%, 0.38%

LAB 37.5, 54.44, -14.57

 

CMYK 0 / 85 / 33 / 45

HEX #8C155E

RGB 140 21 94

HSL 323.19, 0.74%, 0.32%

LAB 31.62, 53.02, -11.7

 

CMYK 0 / 98 / 39 / 52

HEX #7B034B

RGB 123 3 75

HSL 324, 0.95%, 0.25%

LAB 26.11, 50.29, -7.82

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

CMYK 0 / 62 / 38 / 25

HEX #BF4977

RGB 191 73 119

HSL 336.61, 0.48%, 0.52%

LAB 48.48, 51.56, -1.24

 

CMYK 0 / 62 / 54 / 25

HEX #BF4957

RGB 191 73 87

HSL 352.88, 0.48%, 0.52%

LAB 47.66, 48.45, 17.01

 

CMYK 0 / 62 / 62 / 25

HEX #BF4949

RGB 191 73 73

HSL 0, 0.48%, 0.52%

LAB 47.39, 47.41, 25.07

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

CMYK 0 / 62 / 5 / 25

HEX #BF49B6

RGB 191 73 182

HSL 304.58, 0.48%, 0.52%

LAB 50.94, 60.42, -34.94

 

CMYK 12 / 62 / 0 / 25

HEX #A849BF

RGB 168 73 191

HSL 288.31, 0.48%, 0.52%

LAB 48.07, 56.26, -44.92

 

CMYK 29 / 62 / 0 / 25

HEX #8849BF

RGB 136 73 191

HSL 272.03, 0.48%, 0.52%

LAB 43.89, 48.58, -51.85

 

CMYK 45 / 62 / 0 / 25

HEX #6949BF

RGB 105 73 191

HSL 256.27, 0.48%, 0.52%

LAB 40.46, 41.7, -57.56

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

CMYK 0 / 74 / 26 / 17

HEX #D3369C

RGB 211 54 156

HSL 321.02, 0.64%, 0.52%

LAB 50.56, 68.7, -19.99

 

CMYK 0 / 85 / 29 / 10

HEX #E622A3

RGB 230 34 163

HSL 320.51, 0.8%, 0.52%

LAB 52.52, 78.77, -20.83

 

CMYK 0 / 94 / 32 / 2

HEX #FA0EA9

RGB 250 14 169

HSL 320.59, 0.96%, 0.52%

LAB 55.59, 86.1, -19.35

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

CMYK 0 / 46 / 16 / 33

HEX #AB5D90

RGB 171 93 144

HSL 320.77, 0.32%, 0.52%

LAB 50.1, 38.6, -14.12

 

CMYK 0 / 25 / 9 / 41

HEX #97718A

RGB 151 113 138

HSL 320.53, 0.15%, 0.52%

LAB 52.09, 19.23, -7.82

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 27 / 0 / 18 / 40

HEX #70997E

RGB 112 153 126

HSL 140.49, 0.17%, 0.52%

LAB 59.65, -19.82, 9.71

 

CMYK 13 / 62 / 0 / 25

HEX #A749BF

RGB 167 73 191

HSL 287.8, 0.48%, 0.52%

LAB 47.93, 56.02, -45.15

 

CMYK 0 / 62 / 4 / 25

HEX #BF49B7

RGB 191 73 183

HSL 304.07, 0.48%, 0.52%

LAB 50.99, 60.58, -35.44

 

CMYK 0 / 62 / 20 / 25

HEX #BF4998

RGB 191 73 152

HSL 319.83, 0.48%, 0.52%

LAB 49.63, 55.79, -19.33

 

CMYK 0 / 62 / 37 / 25

HEX #BF4978

RGB 191 73 120

HSL 336.1, 0.48%, 0.52%

LAB 48.51, 51.68, -1.81

 

CMYK 0 / 62 / 53 / 25

HEX #BF4959

RGB 191 73 89

HSL 351.86, 0.48%, 0.52%

LAB 47.7, 48.62, 15.86

 

CMYK 0 / 65 / 23 / 47

HEX #872F68

RGB 135 47 104

HSL 321.14, 0.48%, 0.36%

LAB 34.36, 43.84, -14.03

 

CMYK 0 / 65 / 22 / 35

HEX #A53A80

RGB 165 58 128

HSL 320.75, 0.48%, 0.44%

LAB 42.13, 51.36, -16.69

 

CMYK 0 / 62 / 21 / 25

HEX #BF4996

RGB 191 73 150

HSL 320.85, 0.48%, 0.52%

LAB 49.55, 55.51, -18.26

 

CMYK 0 / 49 / 17 / 21

HEX #CA68A8

RGB 202 104 168

HSL 320.82, 0.48%, 0.6%

LAB 57.35, 46.85, -16.78

 

CMYK 0 / 37 / 13 / 17

HEX #D486B9

RGB 212 134 185

HSL 320.77, 0.48%, 0.68%

LAB 65.4, 37.21, -14.19

 

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

CMYK 0 / 29 / 62 / 25

HEX #BF8849

RGB 191 136 73

HSL 32.03, 0.48%, 0.52%

LAB 60.93, 14.4, 41.58

 

CMYK 62 / 0 / 4 / 25

HEX #49BFB7

RGB 73 191 183

HSL 175.93, 0.48%, 0.52%

LAB 70.94, -34.58, -5.78

 

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

CMYK 20 / 0 / 62 / 25

HEX #98BF49

RGB 152 191 73

HSL 79.83, 0.48%, 0.52%

LAB 72.51, -30.85, 53.74

 

CMYK 62 / 20 / 0 / 25

HEX #4998BF

RGB 73 152 191

HSL 199.83, 0.48%, 0.52%

LAB 59.56, -12.39, -27.44

 

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

CMYK 0 / 29 / 62 / 25

HEX #BF8849

RGB 191 136 73

HSL 32.03, 0.48%, 0.52%

LAB 60.93, 14.4, 41.58

 

CMYK 62 / 0 / 41 / 25

HEX #49BF71

RGB 73 191 113

HSL 140.34, 0.48%, 0.52%

LAB 69.38, -50.41, 29.78

 

CMYK 62 / 33 / 0 / 25

HEX #4980BF

RGB 73 128 191

HSL 212.03, 0.48%, 0.52%

LAB 52.53, 1.38, -38.4

 

CMYK 0 / 61 / 21 / 25

HEX #BF4B97

RGB 191 75 151

HSL 320.69, 0.48%, 0.52%

LAB 49.91, 54.77, -18.3

 

CMYK 0 / 10 / 62 / 25

HEX #BFAB49

RGB 191 171 73

HSL 49.83, 0.48%, 0.52%

LAB 69.95, -4.58, 51.8

 

CMYK 62 / 0 / 41 / 25

HEX #49BF71

RGB 73 191 113

HSL 140.34, 0.48%, 0.52%

LAB 69.38, -50.41, 29.78

 

CMYK 62 / 51 / 0 / 25

HEX #495DBF

RGB 73 93 191

HSL 229.83, 0.48%, 0.52%

LAB 42.77, 23.12, -53.94

 

Description

Color code: RGB 191 75 151 | qconv.com Color code: RGB 191 75 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 75 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 75 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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