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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 64 215 it is the complementary color RGB 64 191 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 64 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 64 215 shade: RGB 196 64 210, RGB 213 82 229, RGB 230 100 248, RGB 247 118 255 and RGB 255 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 64 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 64 215 shade: RGB 191 64 215, RGB 174 46 196, RGB 157 28 177, RGB 140 10 158 and RGB 123 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 64 215 shade: RGB 191 65 214, RGB 214 65 198, RGB 214 65 158, RGB 214 65 117 and RGB 214 65 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 64 215 shade: RGB 191 65 214, RGB 150 65 214, RGB 110 65 214, RGB 70 65 214 and RGB 65 65 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 64 215 shade matches the following richer shades: RGB 191 65 214, RGB 203 47 233 and RGB 216 28 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 64 215 shade: RGB 191 65 214, RGB 178 84 196, RGB 165 102 177, RGB 153 121 159 and RGB 140 139 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 64 215 shade: RGB 110 65 214, RGB 150 65 214, RGB 189 65 214, RGB 214 65 199 and RGB 214 65 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 64 215 shade: RGB 142 34 163, RGB 172 41 197, RGB 191 65 214, RGB 202 99 222 and RGB 214 133 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 64 215 shade: RGB 191 64 215, RGB 214 70 65 and RGB 65 214 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 64 215 shade: RGB 191 64 215, RGB 214 189 65 and RGB 65 214 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 64 215 shade: RGB 191 64 215, RGB 214 70 65, RGB 90 214 65 and RGB 65 209 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 64 215 shade: RGB 191 64 215, RGB 214 115 65, RGB 90 214 65 and RGB 65 165 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

Complementary color

CMYK 66 / 0 / 79 / 25

HEX #40BF28

RGB 64 191 40

HSL 110.46, 0.65%, 0.45%

LAB 68.39, -60.87, 60.61

 

CMYK 7 / 70 / 0 / 18

HEX #C440D2

RGB 196 64 210

HSL 294.25, 0.62%, 0.54%

LAB 51.9, 69.86, -49.53

 

CMYK 7 / 64 / 0 / 10

HEX #D552E5

RGB 213 82 229

HSL 293.47, 0.74%, 0.61%

LAB 57.88, 70.08, -50.62

 

CMYK 7 / 60 / 0 / 3

HEX #E664F8

RGB 230 100 248

HSL 292.7, 0.91%, 0.68%

LAB 63.93, 69.93, -51.45

 

CMYK 3 / 54 / 0 / 0

HEX #F776FF

RGB 247 118 255

HSL 296.5, 1%, 0.73%

LAB 69.43, 67.44, -46.46

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

CMYK 11 / 77 / 0 / 23

HEX #AE2EC4

RGB 174 46 196

HSL 291.2, 0.62%, 0.47%

LAB 45.55, 68.96, -51.81

 

CMYK 11 / 84 / 0 / 31

HEX #9D1CB1

RGB 157 28 177

HSL 291.95, 0.73%, 0.4%

LAB 39.87, 67.36, -49.93

 

CMYK 11 / 94 / 0 / 38

HEX #8C0A9E

RGB 140 10 158

HSL 292.7, 0.88%, 0.33%

LAB 34.52, 64.48, -47.29

 

CMYK 12 / 100 / 0 / 45

HEX #7B008B

RGB 123 0 139

HSL 293.09, 1%, 0.27%

LAB 29.6, 59.92, -43.72

 

CMYK 11 / 70 / 0 / 16

HEX #BF41D6

RGB 191 65 214

HSL 290.74, 0.65%, 0.55%

LAB 51.51, 69.14, -52.48

 

CMYK 0 / 70 / 7 / 16

HEX #D641C6

RGB 214 65 198

HSL 306.44, 0.65%, 0.55%

LAB 54.19, 71.57, -38.84

 

CMYK 0 / 70 / 26 / 16

HEX #D6419E

RGB 214 65 158

HSL 322.55, 0.65%, 0.55%

LAB 52.45, 66.03, -18.24

 

CMYK 0 / 70 / 45 / 16

HEX #D64175

RGB 214 65 117

HSL 339.06, 0.65%, 0.55%

LAB 51.11, 61.57, 4.26

 

CMYK 0 / 70 / 64 / 16

HEX #D6414D

RGB 214 65 77

HSL 355.17, 0.65%, 0.55%

LAB 50.23, 58.55, 27.13

 

CMYK 11 / 70 / 0 / 16

HEX #BF41D6

RGB 191 65 214

HSL 290.74, 0.65%, 0.55%

LAB 51.51, 69.14, -52.48

 

CMYK 30 / 70 / 0 / 16

HEX #9641D6

RGB 150 65 214

HSL 274.23, 0.65%, 0.55%

LAB 45.8, 60.71, -61.97

 

CMYK 49 / 70 / 0 / 16

HEX #6E41D6

RGB 110 65 214

HSL 258.12, 0.65%, 0.55%

LAB 41.14, 53.37, -69.76

 

CMYK 67 / 70 / 0 / 16

HEX #4641D6

RGB 70 65 214

HSL 242.01, 0.65%, 0.55%

LAB 37.73, 47.63, -75.47

 

CMYK 70 / 70 / 0 / 16

HEX #4141D6

RGB 65 65 214

HSL 240, 0.65%, 0.55%

LAB 37.41, 47.06, -76.02

 

CMYK 11 / 70 / 0 / 16

HEX #BF41D6

RGB 191 65 214

HSL 290.74, 0.65%, 0.55%

LAB 51.51, 69.14, -52.48

 

CMYK 13 / 80 / 0 / 9

HEX #CB2FE9

RGB 203 47 233

HSL 290.32, 0.81%, 0.55%

LAB 52.52, 80.44, -61.53

 

CMYK 14 / 89 / 0 / 2

HEX #D81CFB

RGB 216 28 251

HSL 290.58, 0.97%, 0.55%

LAB 54.44, 89.35, -68.41

 

CMYK 11 / 70 / 0 / 16

HEX #BF41D6

RGB 191 65 214

HSL 290.74, 0.65%, 0.55%

LAB 51.51, 69.14, -52.48

 

CMYK 9 / 57 / 0 / 23

HEX #B254C4

RGB 178 84 196

HSL 290.36, 0.49%, 0.55%

LAB 51.6, 54.61, -42.13

 

CMYK 7 / 42 / 0 / 31

HEX #A566B1

RGB 165 102 177

HSL 290.4, 0.32%, 0.55%

LAB 52.59, 37.84, -29.71

 

CMYK 4 / 24 / 0 / 38

HEX #99799F

RGB 153 121 159

HSL 290.53, 0.17%, 0.55%

LAB 55.02, 19.41, -15.65

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 49 / 70 / 0 / 16

HEX #6E41D6

RGB 110 65 214

HSL 258.12, 0.65%, 0.55%

LAB 41.14, 53.37, -69.76

 

CMYK 30 / 70 / 0 / 16

HEX #9641D6

RGB 150 65 214

HSL 274.23, 0.65%, 0.55%

LAB 45.8, 60.71, -61.97

 

CMYK 12 / 70 / 0 / 16

HEX #BD41D6

RGB 189 65 214

HSL 289.93, 0.65%, 0.55%

LAB 51.21, 68.71, -52.97

 

CMYK 0 / 70 / 7 / 16

HEX #D641C7

RGB 214 65 199

HSL 306.04, 0.65%, 0.55%

LAB 54.24, 71.72, -39.34

 

CMYK 0 / 70 / 25 / 16

HEX #D641A0

RGB 214 65 160

HSL 321.74, 0.65%, 0.55%

LAB 52.53, 66.29, -19.3

 

CMYK 13 / 79 / 0 / 36

HEX #8E22A3

RGB 142 34 163

HSL 290.23, 0.65%, 0.39%

LAB 37, 60.46, -46.3

 

CMYK 13 / 79 / 0 / 23

HEX #AC29C5

RGB 172 41 197

HSL 290.38, 0.66%, 0.47%

LAB 44.78, 70.23, -53.64

 

CMYK 11 / 70 / 0 / 16

HEX #BF41D6

RGB 191 65 214

HSL 290.74, 0.65%, 0.55%

LAB 51.51, 69.14, -52.48

 

CMYK 9 / 55 / 0 / 13

HEX #CA63DE

RGB 202 99 222

HSL 290.24, 0.65%, 0.63%

LAB 58.75, 58.67, -45.42

 

CMYK 7 / 42 / 0 / 10

HEX #D685E5

RGB 214 133 229

HSL 290.63, 0.65%, 0.71%

LAB 67.07, 46.26, -36.16

 

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

CMYK 0 / 67 / 70 / 16

HEX #D64641

RGB 214 70 65

HSL 2.01, 0.65%, 0.55%

LAB 50.76, 55.98, 34.78

 

CMYK 70 / 0 / 39 / 16

HEX #41D682

RGB 65 214 130

HSL 146.17, 0.65%, 0.55%

LAB 76.58, -57.63, 30.44

 

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

CMYK 0 / 12 / 70 / 16

HEX #D6BD41

RGB 214 189 65

HSL 49.93, 0.65%, 0.55%

LAB 76.72, -4.61, 62.96

 

CMYK 70 / 0 / 12 / 16

HEX #41D6BD

RGB 65 214 189

HSL 169.93, 0.65%, 0.55%

LAB 77.81, -44.57, 1.04

 

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

CMYK 0 / 67 / 70 / 16

HEX #D64641

RGB 214 70 65

HSL 2.01, 0.65%, 0.55%

LAB 50.76, 55.98, 34.78

 

CMYK 58 / 0 / 70 / 16

HEX #5AD641

RGB 90 214 65

HSL 109.93, 0.65%, 0.55%

LAB 76.47, -61.11, 60.35

 

CMYK 70 / 2 / 0 / 16

HEX #41D1D6

RGB 65 209 214

HSL 182.01, 0.65%, 0.55%

LAB 77.03, -35.52, -13.54

 

CMYK 11 / 70 / 0 / 16

HEX #BF40D7

RGB 191 64 215

HSL 290.46, 0.65%, 0.55%

LAB 51.44, 69.68, -53.16

 

CMYK 0 / 46 / 70 / 16

HEX #D67341

RGB 214 115 65

HSL 20.13, 0.65%, 0.55%

LAB 58.92, 34.83, 44.14

 

CMYK 58 / 0 / 70 / 16

HEX #5AD641

RGB 90 214 65

HSL 109.93, 0.65%, 0.55%

LAB 76.47, -61.11, 60.35

 

CMYK 70 / 23 / 0 / 16

HEX #41A5D6

RGB 65 165 214

HSL 199.73, 0.65%, 0.55%

LAB 64.07, -13.34, -33.32

 

Description

Color code: RGB 191 64 215 | qconv.com Color code: RGB 191 64 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 64 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 64 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 70 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 70% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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