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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 251 190 it is the complementary color RGB 64 4 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 251 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 251 190 shade: RGB 196 251 185, RGB 213 255 204, RGB 230 255 223 and RGB 247 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 251 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 251 190 shade: RGB 191 251 190, RGB 174 233 171, RGB 157 215 152, RGB 140 197 133 and RGB 123 179 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 251 190 shade: RGB 188 250 187, RGB 205 250 187, RGB 222 250 187, RGB 239 250 187 and RGB 250 244 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 251 190 shade: RGB 188 250 187, RGB 187 250 203, RGB 187 250 220, RGB 187 250 237 and RGB 187 246 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 251 190 shade matches the following richer shades: RGB 188 250 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 251 190 shade: RGB 188 250 187, RGB 194 244 193, RGB 200 239 199, RGB 205 233 205 and RGB 211 227 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 251 190 shade: RGB 222 250 187, RGB 205 250 187, RGB 188 250 187, RGB 187 250 203 and RGB 187 250 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 251 190 shade: RGB 112 245 110, RGB 150 248 149, RGB 188 250 187 and RGB 227 253 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 251 190 shade: RGB 191 251 190, RGB 187 239 250 and RGB 250 187 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 251 190 shade: RGB 191 251 190, RGB 187 188 250 and RGB 250 187 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 251 190 shade: RGB 191 251 190, RGB 187 239 250, RGB 249 187 250 and RGB 250 199 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 251 190 shade: RGB 191 251 190, RGB 187 220 250, RGB 249 187 250 and RGB 250 218 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

Complementary color

CMYK 2 / 94 / 0 / 75

HEX #400441

RGB 64 4 65

HSL 299.02, 0.88%, 0.14%

LAB 12.98, 35.06, -22.31

 

CMYK 22 / 0 / 26 / 2

HEX #C4FBB9

RGB 196 251 185

HSL 110, 0.89%, 0.85%

LAB 93.55, -29.4, 26.13

 

CMYK 16 / 0 / 20 / 0

HEX #D5FFCC

RGB 213 255 204

HSL 109.41, 1%, 0.9%

LAB 96.01, -22.61, 20.01

 

CMYK 10 / 0 / 13 / 0

HEX #E6FFDF

RGB 230 255 223

HSL 106.88, 1%, 0.94%

LAB 97.5, -13.79, 12.56

 

CMYK 3 / 0 / 5 / 0

HEX #F7FFF2

RGB 247 255 242

HSL 96.92, 1%, 0.97%

LAB 99.11, -4.89, 5.28

 

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

CMYK 25 / 0 / 27 / 9

HEX #AEE9AB

RGB 174 233 171

HSL 117.1, 0.58%, 0.79%

LAB 87.1, -30.43, 24.25

 

CMYK 27 / 0 / 29 / 16

HEX #9DD798

RGB 157 215 152

HSL 115.24, 0.44%, 0.72%

LAB 80.76, -30.65, 25.28

 

CMYK 29 / 0 / 32 / 23

HEX #8CC585

RGB 140 197 133

HSL 113.44, 0.36%, 0.65%

LAB 74.32, -30.87, 26.37

 

CMYK 31 / 0 / 36 / 30

HEX #7BB372

RGB 123 179 114

HSL 111.69, 0.3%, 0.57%

LAB 67.77, -31.09, 27.53

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 18 / 0 / 25 / 2

HEX #CDFABB

RGB 205 250 187

HSL 102.86, 0.86%, 0.86%

LAB 93.86, -25.6, 25.62

 

CMYK 11 / 0 / 25 / 2

HEX #DEFABB

RGB 222 250 187

HSL 86.67, 0.86%, 0.86%

LAB 94.95, -19.73, 27.28

 

CMYK 4 / 0 / 25 / 2

HEX #EFFABB

RGB 239 250 187

HSL 70.48, 0.86%, 0.86%

LAB 96.13, -13.68, 29.08

 

CMYK 0 / 2 / 25 / 2

HEX #FAF4BB

RGB 250 244 187

HSL 54.29, 0.86%, 0.86%

LAB 95.42, -6.71, 28.26

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 25 / 0 / 19 / 2

HEX #BBFACB

RGB 187 250 203

HSL 135.24, 0.86%, 0.86%

LAB 93.12, -28.81, 16.26

 

CMYK 25 / 0 / 12 / 2

HEX #BBFADC

RGB 187 250 220

HSL 151.43, 0.86%, 0.86%

LAB 93.5, -25.66, 8.03

 

CMYK 25 / 0 / 5 / 2

HEX #BBFAED

RGB 187 250 237

HSL 167.62, 0.86%, 0.86%

LAB 93.9, -22.27, -0.17

 

CMYK 25 / 2 / 0 / 2

HEX #BBF6FA

RGB 187 246 250

HSL 183.81, 0.86%, 0.86%

LAB 93.18, -17.56, -7.97

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 20 / 0 / 21 / 4

HEX #C2F4C1

RGB 194 244 193

HSL 118.82, 0.7%, 0.86%

LAB 91.69, -25.44, 19.45

 

CMYK 16 / 0 / 17 / 6

HEX #C8EFC7

RGB 200 239 199

HSL 118.5, 0.56%, 0.86%

LAB 90.84, -20.02, 15.22

 

CMYK 12 / 0 / 12 / 9

HEX #CDE9CD

RGB 205 233 205

HSL 120, 0.39%, 0.86%

LAB 89.7, -14.35, 10.53

 

CMYK 7 / 0 / 7 / 11

HEX #D3E3D2

RGB 211 227 210

HSL 116.47, 0.23%, 0.86%

LAB 88.66, -8.42, 6.47

 

CMYK 11 / 0 / 25 / 2

HEX #DEFABB

RGB 222 250 187

HSL 86.67, 0.86%, 0.86%

LAB 94.95, -19.73, 27.28

 

CMYK 18 / 0 / 25 / 2

HEX #CDFABB

RGB 205 250 187

HSL 102.86, 0.86%, 0.86%

LAB 93.86, -25.6, 25.62

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 25 / 0 / 19 / 2

HEX #BBFACB

RGB 187 250 203

HSL 135.24, 0.86%, 0.86%

LAB 93.12, -28.81, 16.26

 

CMYK 25 / 0 / 12 / 2

HEX #BBFADC

RGB 187 250 220

HSL 151.43, 0.86%, 0.86%

LAB 93.5, -25.66, 8.03

 

CMYK 54 / 0 / 55 / 4

HEX #70F56E

RGB 112 245 110

HSL 119.11, 0.87%, 0.7%

LAB 86.94, -62.4, 53.37

 

CMYK 40 / 0 / 40 / 3

HEX #96F895

RGB 150 248 149

HSL 119.39, 0.88%, 0.78%

LAB 89.76, -48.06, 38.7

 

CMYK 25 / 0 / 25 / 2

HEX #BCFABB

RGB 188 250 187

HSL 119.05, 0.86%, 0.86%

LAB 92.86, -31.23, 24.09

 

CMYK 10 / 0 / 11 / 1

HEX #E3FDE2

RGB 227 253 226

HSL 117.78, 0.87%, 0.94%

LAB 96.85, -13.29, 10.07

 

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

CMYK 25 / 4 / 0 / 2

HEX #BBEFFA

RGB 187 239 250

HSL 190.48, 0.86%, 0.86%

LAB 91.32, -14.07, -10.72

 

CMYK 0 / 25 / 14 / 2

HEX #FABBD6

RGB 250 187 214

HSL 334.29, 0.86%, 0.86%

LAB 82.23, 26.7, -4.63

 

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

CMYK 25 / 25 / 0 / 2

HEX #BBBCFA

RGB 187 188 250

HSL 239.05, 0.86%, 0.86%

LAB 78.13, 12.76, -30.69

 

CMYK 0 / 25 / 25 / 2

HEX #FABBBC

RGB 250 187 188

HSL 359.05, 0.86%, 0.86%

LAB 81.56, 22.84, 8.39

 

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

CMYK 25 / 4 / 0 / 2

HEX #BBEFFA

RGB 187 239 250

HSL 190.48, 0.86%, 0.86%

LAB 91.32, -14.07, -10.72

 

CMYK 0 / 25 / 0 / 2

HEX #F9BBFA

RGB 249 187 250

HSL 299.05, 0.86%, 0.86%

LAB 83.22, 32.48, -22.43

 

CMYK 0 / 20 / 25 / 2

HEX #FAC7BB

RGB 250 199 187

HSL 11.43, 0.86%, 0.86%

LAB 84.36, 16.39, 12.9

 

CMYK 24 / 0 / 24 / 2

HEX #BFFBBE

RGB 191 251 190

HSL 119.02, 0.88%, 0.86%

LAB 93.36, -30.23, 23.27

 

CMYK 25 / 12 / 0 / 2

HEX #BBDCFA

RGB 187 220 250

HSL 208.57, 0.86%, 0.86%

LAB 86.33, -4.35, -18.2

 

CMYK 0 / 25 / 0 / 2

HEX #F9BBFA

RGB 249 187 250

HSL 299.05, 0.86%, 0.86%

LAB 83.22, 32.48, -22.43

 

CMYK 0 / 13 / 25 / 2

HEX #FADABB

RGB 250 218 187

HSL 29.52, 0.86%, 0.86%

LAB 88.95, 6.5, 19.35

 

Description

Color code: RGB 191 251 190 | qconv.com Color code: RGB 191 251 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 251 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 251 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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